In Celebration of the Human Voice - The Essential Musical Instrument
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The Sterling Singers is made up entirely of volunteers from Utah's Wasatch Front. Its more than 350 active singers range in age from 14 to over 70. The choir was founded in 1994 by Sterling Brimley with only 30 singers. Since 1996, it has grown in size and skill under the musical genius of conductor and artistic director, Kelly DeHaan. The Sterling Singers perform a number of concerts each year, free of charge, in venues including the Salt Lake Tabernacle, Abravanel Hall and Libby Gardner Concert Hall at the University of Utah. In addition to entertaining the public with yearly traditional Christmas concerts, past performances have included a concert of Dr. Crawford Gates' works, as well as the debut of his original opera, Joseph, Joseph; the Requiems of Brahms, Rutter and Faure; John Rutter's Gloria and Magnificat; Ludwig van Beethoven's Ninth Symphony with the Lyceum Philharmonic Orchestra, the 150th Commemoration of the Mormon Battalion; and concerts of patriotic and other musical selections. The choir is in frequent demand to sing sacred musical selections in LDS worship services and firesides.
Stiletta is a NYC-based, all-female sextet combining pop leads, dance beats and hip-hop choreography. In 2016, the ladies of Stiletta were crowned National Champions at the 32nd Annual National Harmony Sweepstakes A Cappella Festival, winning in every possible award category: First Place, Audience Favorite, Best Arrangement, and Best Original Song. This enormous accomplishment came on the tail end of having won First Place and Audience Favorite at the 2015 Mid-Atlantic and 2016 New York Harmony Sweepstakes competitions, as well as Best Vocal Percussion and Best Arrangement. These ladies have the moves, the grooves and even the shoes. So get pumped!
40 voice community chorus started over 30 years ago by Penna Rose. Volunteer based, conducted by Tracy Wilson and based out of FCC Stockbridge.
For over 60 years, the Chorale has been an auditioned community chorus based in Stockton California, which is located forty miles south of Sacramento and seventy miles east of the Bay Area. Serving the Central Valley region, it draws singers from as far away as Turlock and the Sierra foothills. Initially started by Arthur J. Holton II as a double quartet in 1951, the Chorale began in 1952 has grown to as large as 190 voices and has expanded to include a range of choral ensembles for all ages and experience levels.
We are a fun-loving group of men and women that love to sing together for our community! We all come from various backgrounds and life experiences, and our ages range from teenagers to active seniors.
We are one of many Barbershop choruses found all over the country and the world. We are the Stockton Chapter of the Barbershop Harmony Society.
Our chorus is one of almost 70 found in the Far Western District, including California, Hawaii, Nevada, Arizona, and part of Utah.
The Stockton Chapter was organized and received its Charter from the Barbershop Harmony Society on October 18, 1954.
The chorus initially met at the old Stockton Airport and later moved to the Port of Stockton and has been known as the 'Portsmen' ever since.
The Stone Mountain Chorus is a member chapter of the Barbershop Harmony Society. We are both a show chorus and a competition chorus. As a show Chorus we perform two shows each year. In the Spring we have a concert style performance. In the Fall, we stage a full show with singing, theatrics, and a top international medalist guest quartet. We love to perform for our family, friends, and the community.
We also compete twice a year as a member of the Dixie District. In the Spring we compete against other choruses within the district for the Dixie District Chorus Championship, which we have won twice, in 2000 and 2010. In the Fall, we compete to represent the Dixie District at the Barbershop Harmony Society International Convention and Contest the following summer.
Based in New York City, the Stonewall Chorale is the nation's first gay and lesbian chorus. Our mission is to enrich people's lives through learning and performing beautiful choral music, and to nurture and celebrate the community we create together.
The Chorale originated in December 1977 as the Gotham Male Chorus, and specialized in Gregorian Chant and Renaissance music. In 1979, women joined the chorus for the first time, and the name was changed to Stonewall Chorale, the nation's first Lesbian and Gay chorus.
Today, Cynthia Powell leads us as our Artistic Director and we typically perform three concerts each year and make appearances at special events throughout the tri-state area.
An adult madrigal choir singing a wide range of part songs of the 15th and 16th centuries--often with recorders and/or other instruments.
It has been an unbelievable journey for the 2010 International 1st Place Quartet Champions. The 2002 Rocky Mountain District champs made nine trips to the International contest stage, including Top 10 finishes each of the past six years. But on July 3, 2010, after a week of competition against the best Barbershop quartets in the world, Storm Front was awarded the elusive Gold medal!
For these four guys, the love of barbershop and great entertainment has blended to create show-stopping performances. They have been blessed to see tremendous success in their efforts. They are thankful to all the chapters and individuals who have supported them, and are most especially thankful to their families and friends for the love and encouragement they provide.
Stormy Weather, a Damon Runyon-esque quintet of Hoosiers from the steel mill area of Gary/ Hammond, Indiana is the chief proponent of the nation's revitalized a cappella doo-wop sound. Growing up, they all idolized local residents, the Spaniels, of "Goodnight, Sweetheart, Goodnight" fame.
The group has recorded eight albums, including the highly touted seasonal record entitled "Street Carols," which itself has become a holiday classic. Also, a cameo-recording on Rhino Records' sports music perennial, "Baseball's Greatest Hits." Their children's series, "Doo-Wop & Lollipops," has won numerous awards, including the Parent's Choice Gold Award and the Parent's Guide to Children's Media Award.
Stormy Weather's latest release is "Looking for an Echo," their Silver Anthology containing 27 tracks marking the group's 25th Anniversary, which features the official song of the Millennium, entitled "Lady Millennium."
The group originally came together in the fall of 1996 at IU, basically as "10 guys who happened to be good friends who also liked to sing." Choosing the members carefully for personality as well as vocal talent - Stine, Mechling, Jerome Collins, David Roberts and Walter Chase remain from the original lineup -- SNC set itself apart from other a cappella groups with its contemporary repertoire and dynamic approach, quickly headlining concerts both in Bloomington and on road dates. SNC recorded three independent albums, and John Mellencamp even invited the group to his home for a private performance.
When the founders began graduating in 1999 and went on to jobs mostly outside of music, they chose replacements and established SNC as an ongoing group on campus with future generations of ambitious IU undergrads. More than 50 members have passed through the group's ranks so far.
Singing is one of the purest art forms. Nothing man made between the artist and the audience. Straighter Road was formed as a Gospel vocal group first, with a band back-up, and recently has ventured down the Acapella Road. The challenge of acapella sing is without edges and joined with the charge of spreading the Good News of the Gospel, keeps Straighter Road striving for excellence.
Street Corner Symphony is a contemporary a cappella group based out of Nashville, Tennessee, founded on 28 May 2010 to compete in NBC's all-vocal competition, The Sing-Off. These southern gents quickly won over Sing-Off judges Ben Folds (Ben Folds Five), Shawn Stockman (Boyz II Men), and Nicole Scherzinger (The Pussycat Dolls), and--most importantly--millions of NBC primetime viewers after demonstrating their unique, laid-back-yet-dynamic style of a cappella. Since their success on The Sing-Off, Street Corner Symphony has made their mark on the music world, recording albums, providing clinics for schools, giving benefits for cancer, performing across the country and around the world, and even working with major artists including Ben Folds, Alison Krauss, and Take 6's Claude McKnight.
Stripped is a vocal band that continues to stretch ideas about what a cappella music can be. Their concerts are highly focused on improvisation, audience participation, and making music that moves the spirit. The voices gathered here have blend and unity, but frequently remind the listener that individual expression can flourish within the context of a group sound, like a single flower enhances the garden with its own particular bouquet and color.
Stripped has performed throughout Chicago, singing original vocal jazz music at the Green Mill, HotHouse, Fitzgerald's, Lyon's Den, Uncommon Ground, Beat Kitchen, and 4th Presbyterian Church. Stripped received awards at the Chicago Cultural Center Cx2 competition and the 2004 Harmony Sweepstakes Regional competition. Stripped opened for jazz and R&B legend Patti Austin in summer 2004. Keep your eyes open for performances coming your way, then open your ears and prepare to be Stripped!
Each year, Summer Fling Singers chooses a different style or composer of a cappella music to focus upon. Once decided, a local director-ideally one with extensive experience in our chosen genre-is selected to coach us through the repertoire and conduct us.
An initial reading session is held in late June or early July, followed by 6 rehearsals spread over the last three full weeks of August. Our one and only concert is typically held the weekend prior to Labor Day weekend. Concert dress is "Aloha" shirts or floral print dresses, because no one should have to wear black in the summer.
Singers are selected through invitation and referral, mostly being drawn from local community chorales. We try to aim for at most 16 singers each season (four per section), unless the repertoire demands more. Are you interested in singing with us in the future? Contact us to inquire about openings and be put on our waitlist.
The Summer Singers is a chamber-sized, volunteer, auditioned vocal ensemble with a unique identity and purpose. Most of The Summer Singers perform with leading Twin Cities choirs during the traditional concert season and strive to continue singing at a high level year-round.
In nine weeks of rehearsal, the ensemble produces a professional-quality program and performs live local concerts. In order to make great choral music accessible to all, admission to TSS concerts is free of charge. The Summer Singers also hosts family concerts, which focus on educating children of all ages about music through activities and condensed performances.
All Summit Choral Society Programs are directed, taught, conducted and led by certified, degreed professionals only! The Children's Choir Program is an award-winning, nationally recognized leveled musical arts education and performance program for children in grades k-12.Metropolitan Chorus is a community choral experience based in classical roots of traditional choir programming and literature for the enjoyment and enrichment of the community.
The Summit City Barbershop Chorus is the original Fort Wayne Chapter of the Barbershop Harmony Society. It was first chartered in 1944 and has been active in the Society ever since. Our members come from all professions and all walks of life. It also includes men of all ages, from young boys to men in their 80's. Each has his own life's history but come together each week to enjoy and promote singing in the Fort Wayne and Tri-state area. We sing together to enjoy the sounds of four part A Cappela barbershop harmony.
The Sun Harbor Chorus aspires to be a dynamic, inclusive, entertaining men's a cappella chorus that encourages quartet singing and brings barbershop harmony to the greater San Diego Community by having fun in the pursuit of musical excellence.
We build a spirit of camaraderie within our membership and entertain, educate, and serve the community of San Diego through outreach, education, and performance in the barbershop style.
Suncoast Harmony Chorus is a membership organization of female singers, who meet regularly to practice, perform, socialize, and have fun. We currently have over 20 singers of all ages, all walks of life, and all parts of the west Central Florida area - Pasco, Hernando and Citrus counties.
Suncoast Harmony Chorus is a welcoming sisterhood with a passion for singing, dedicated to the craft of a cappella music and spreading harmony throughout the community.
Welcome to the Suncook Valley Chorale Page. We are a non-auditioned community chorus of about 75 members, based in the Concord, NH region. We are open to all singers interested in performing a variety of quality music - classical, pop, Broadway and folk.
The Sunnyvale Singers is a community chorus which presents classical and contemporary choral music in two major concerts each year at the Sunnyvale Community Theatre. In addition, we sing at retirement homes and many other venues
The Suntones began singing in 1957 with Gene Cokeroft on tenor, Clark Bell singing lead, Bill Wyatt on baritone and Danny Whipple on bass. Wyatt wrote wild and crazy arrangements of songs like That Old Black Magic. In addition to singing barbershop, the quartet enjoyed singing "Hi-Lo's" songs and was known for their ability to tune chords.
Families and draft boards took their toll on original members and forced some personnel changes. In November of 1958 the Suntones were looking for a new bass, when into a chapter meeting wandered Bill Cain. He sang a song with Gene, Bill and Bob Franklin. The sound was so impressive they rehearsed nine nights in a row and entered the district contest. They were the surprise of the weekend, coming in second. The very next year, the quartet won the first district quartet championship of the newly formed Sunshine District. It was that weekend they met baritone Harlan Wilson. Their first exposure to the International Convention audience was in 1959 in Chicago where they placed 24th despite Bob having the flu.
An ensemble of Seattle Men's Chorus and Seattle Women's Chorus It's a brand new small group under the Seattle Choruses' banner! This mixed ensemble comprises members from both Seattle Women's Chorus and Seattle Men's Chorus, with a focus on singing tight-harmony a cappella repertoire. The Supertonics are directed by Nikki Blackmer, who brings 15 years of experience singing, directing, and teaching a cappella music.
Supreme Chord is a DC-area based a cappella group made up of young professionals who have a love of singing and come from all walks of life. We are a diverse group of people that span the realm of arts, medicine, technology, and more in our "real" lives. Many of us sang in college a cappella groups all over the country before finding each other in DC. Our repertoire includes alternative, pop, and R&B music, and is always expanding.
The Supremes were an American female singing group and the premier act of Motown Records during the 1960s. Founded as The Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and are, to date, America's most successful vocal group with 12 number one singles on the Billboard Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland-Dozier-Holland. At their peak in the mid-1960s, the Supremes rivaled the Beatles in worldwide popularity, and it is said that their success made it possible for future African American R&B and soul musicians to find mainstream success
The Daytona Beach Surfside Chorus is part of the Barbershop Harmony Society, a worldwide organization of people who love to sing. In barbershop style singing, three voices harmonize to the melody without instrumental accompaniment.
Singing the best in American four-part a cappella music, the Cape Cod Surftones are dedicated to excellence in chorus and quartet singing. Formed in 1979 as a chapter of the Barbershop Harmony Society, we are a not-for-profit singing organization that performs at 20 or more public and private events each year. Many of our performances are in support of charitable and other not-for-profit organizations.
Our chorus strives to promote and educate the public about barbershop harmony. The singers represent all regions of the Cape, from Eastham and Chatham to Falmouth and Plymouth. Our repertoire consists of a range of musical genres, from spirituals and patriotic songs to Broadway show tunes, from ballads to up-tunes, from old time favorites such as "Sweet Adeline" to more modern pieces such as Josh Groban's "You Raise Me Up."
The Suspicious Cheese Lords was founded by Clifton "Skip" West in 1996. Skip had the typical American dream of wanting to sing Thomas Tallis' Lamentations of the Prophet Jeremiah. To accomplish this goal, he enticed a core group of five amateur singers, friends who were current and former members of the Cathedral Choral Society, by promising a home-cooked dinner to those who would come and bellow.
Since then, the Cheese Lords have consisted of between 10 and 15 members. They still gather in Skip's dining room once a week to sing, drink, talk, eat, drink, sing, and did we say drink? In spite of this-or perhaps because of it-this male a cappella ensemble has been able to prepare and perform high-quality and heart-felt music throughout the Washington, D.C. area.
The Susquehanna Chorale, founded in 1981 by Artistic Director Linda L. Tedford, is widely recognized as one of the premier vocal ensembles in the mid-Atlantic region and beyond. Presenting programs of varied repertoire from many styles and time periods, the Chorale is noted for its velvet blend, passionate expression, and artistic excellence. The choir has performed world premieres of works from today's finest composers, has been featured on the nationally broadcast First Art radio program, and was the first volunteer choir to receive the prestigious Margaret Hillis Achievement Award for Choral Excellence. Driven by its mission of "Enriching lives through song," the Chorale's dedication to the highest standards of the choral art creates an extraordinary musical experience for the listener, both in the concert hall and through its numerous recordings, four of which were formally considered for Grammy nominations.
The mission of the Susquehanna Valley Chorale is to inspire the love of great choral music.
And for 47 years, the Chorale has been doing just that! SVC was founded in 1969 by a small group of musically oriented people who wished to sing, learn, and grow together in the performance of superb choral music. The first performance included 40 singers, and we now consist of well over 100 auditioned members from a wide geographical area...and from all walks of life.
Led by several distinguished conductors, the Chorale has emerged as the leading ambassador of the arts in the Central Susquehanna Valley. We are the region's only community choral group dedicated to presenting orchestra-accompanied choral music of major standing. SVC provides challenging opportunities for our volunteers, vocal soloists, and orchestra members. Four major performances are presented each concert season, held at a variety of venues.
Collectors have made the Swallows one of the most beloved of R&B groups. Their haunting ballads and risque up-tempo novelties are perennial favorites. The origin of The Swallows goes back to 1946, when a bunch of 13-year-olds from Baltimore formed a group called the "Oakaleers." The members were: Lawrence Coxson (lead tenor), Irving Turner (tenor and baritone), Earl Hurley (first and second tenor and bongos), Norris "Bunky" Mack (bass, piano, guitar, and drums), and another tenor named Gavin. They were thus a self-contained unit in terms of vocals and instrumental accompaniment.
The Oakaleers practiced on street corners for a couple of years. Then, around 1948, they ran into a couple of guys who also sang on the corner: Eddie Rich (first tenor) and Frederick "Money Guitar" Johnson (baritone and guitar). (Rich and Johnson were childhood friends and eventual brothers-in-law.) Interestingly, Johnson, a lefty, taught himself to play a right-handed guitar held upside down.
The greatness of a vocal group depends on demonstrated influence on quartets that have followed them. No where is that clearer than with the Swan Silvertones and their famous lead singer, the Reverend Claude Jeter. Jeter's use of a falsetto lead revolutionized the way we think of vocal harmony. In more than sixty years of singing, the Swan Silvertones excelled in vocal harmony and set the stage for countless groups that came after them.
Their radio show and live appearances made the Swan Silvertones one of the most popular quartets in the south. In July 1946, the Swan Silvertones were given some time off from their radio show to record for King records in Cincinnati. The group now consisted of Claude Jeter (lead), Albert Reed (tenor), Solomon Womack (baritone), John Myles (baritone) and William Johnson (bass singer and guitar). In contrast to Jeter's falsetto lead, Womack was added to the group to provide a hard, gospel lead.
Swanhurst Chorus holds the distinction of being Rhode Island's longest continually performing choral ensemble and certainly ranks among the oldest organizations of its kind in New England. Its birth took place in 1928 when Newport's "Swanhurst Estate" was bequeathed to the Art Association of Newport (now the Newport Art Museum), and The Swanhurst School of Arts was opened.
In 1981, Constance Andrews took the reins, broadening the vision of what has become Newport County's most active community chorus. In 1984, the Chorus became a Rhode Island independent non-profit tax-exempt organization under the name of "Swanhurst Chorus." Under the leadership of Music Director, Jonathan Babbitt, the Chorus expanded its repertoire and schedule to include five varied and highly popular performances each season including a "Messiah & Carol Sing" and a full musical theater production.
In 2017 the baton was handed on the to current Music Director, Ed Milham. The chorus has successfully presented a cappella material, full choral oratorios with orchestra, chamber music, and works with piano/organ accompaniment - each genre offering a new learning experience and expansion of musical taste to the singers and audiences of Newport County and Rhode Island.
The Swedish Glee Club is a multi-generational chorus that sings modern SATB arrangements of new and classic Swedish songs and promotes Scandinavian culture. Not Swedish? That's okay. You can pretend.
We are a fun group of people who promote Nordic culture through music, with an emphasis on Sweden. We meet at the iconic Swedish Club on Dexter Avenue overlooking beautiful Lake Union. No need to be Swedish or to speak Swedish. Just a love of Nordic culture and singing! We are a non-audition heritage choir. Always hot coffee.
Sweet Deliverance has been singing Christian a cappella for over 30 years. Members have changed over the years but the tradition of tight harmonies and praise to our Lord has not. This semi-professional group is based in the San Francisco bay area and tours primarily in California. Originally, Sweet Deliverance began in 1976 at Oklahoma Christian by 4 young men, one of whom was Kevin Allsup. Kevin, the group's originator, grew up in Manteca, California, where they became based.
Their newest member is David's younger brother, Stephen Morgan. Both David and Stephen have an extensive singing background, as they have been singing a cappella music in their own family group for many years. Now, with six men and a new recording, they are lifting their voices for God's glory, in full force. Looking back, it is obvious that God has seen them through good times and bad, and they know that it is He who has given them the voices to praise Him. They continue to offer Him their lives, their songs, and their voices for the encouragement and the uplifting of Christ's church.
Sweet Georgia Sound is a chorus of women who love to perform, singing four-part a cappella harmony in the unique American art form of barbershop. We provide an atmosphere of friendship as we meet weekly to practice and refine our vocal skills. We delight in enriching the lives of others through performance and education in our central Georgia communities.
Many of our members have sung with the chorus for over 10 years, some more than 30! As one member says, "We have busy lives and families, but the one thing we always make time for is THE MUSIC." Some of our favorite venues are retirement and nursing homes where we can bring the JOY of our music to those who need it most.
Founded by Bernice Johnson Reagon in 1973 at the D.C. Black Repertory Theater Company, Sweet Honey In The Rock, internationally renowned a cappella ensemble, has been a vital and innovative presence in the music culture of Washington, D.C., and in communities of conscience around the world.
From Psalm 81:16 comes the promise to a people of being fed by honey out of the rock. Honey - an ancient substance, sweet and nurturing. Rock - an elemental strength, enduring the winds of time. The metaphor of sweet honey in the rock captures completely these African American women whose repertoire is steeped in the sacred music of the Black church, the clarion calls of the civil rights movement, and songs of the struggle for justice everywhere.
Rooted in a deeply held commitment to create music out of the rich textures of African American legacy and traditions, Sweet Honey In The Rock possesses a stunning vocal prowess that captures the complex sounds of Blues, spirituals, traditional gospel hymns, rap, reggae, African chants, Hip Hop, ancient lullabies, and jazz improvisation. Sweet Honey's collective voice, occasionally accompanied by hand percussion instruments, produces a sound filled with soulful harmonies and intricate rhythms.
Swing Shift is a vocal jazz mixed ensemble. The group's signature sound is heard in their rich harmonic treatment of pop, jazz, and Broadway standards. Over the years the group has drawn on local resources like the SMC Vocal Jazz Ensemble from which five of Swing Shift's present roster are current or past members. We are proud that many of Swing Shift's alumni have gone on to advance their careers in prestigious ensembles like the LA Master Chorale and LA Choral Lab. If you love lush sounds, complex harmonies, and creamy-smooth blend, you'll love hearing this group.
This is performance material sung by the 1991 Queens of Harmony! From the opening chords of "The Chordbuster March" to the fabulous final chord (nail it, Ladies!) of the "Andrews Sisters Medley" you will be treated to the finest in barbershop singing. Yes, of course there is jazz added to the mix on "Jazz Baby," "Low Gravy" and the aforementioned "Andrews Sisters Medley," but this recording is chock full of tradition. "I'm Beginning To See The Light," "For Sentimental Reasons," "In The Shade Of The Old Apple Tree" and "Last Night Was The End Of The World" are some of the songs which would fall into that categorization, but Swing Street reinvigorates tradition to the delight of our ears.
2003 Queens Of Harmony, who had placed in the top five every year for the previous five years, triumphantly brought home the gold. The title was a second for lead Suzanne Harrington and bass Naima Meyer, who won with the GROWING GIRLS quartet in 1989. You'll find lead Suzanne Harrington chilling out in Ronninge, Sweden with her hubby Doug (Second Edition, 1989) and boys Jack and Tom. Moving to this side of the Atlantic, you'll catch bass Naima Meyer on the Gulf, enjoying the warmer temperatures of sunny Florida with husband Jamie (Second Edition, 1989) and kiddos Adam and Selma. Take a short jaunt north to the rolling hills of Kentucky horse country, and there'll be tenor Eleanor Hawkins sipping a mint julep with her hub Peter, while kids Spencer, Delaney, Carter and Baby Elliot bet on the ponies. Hop in the plane for one last trip across the continent to find baritone Patty Hawley Pennycook meandering the back roads of the California wine country with husband David and their new baby girl, Carly Jean. If you charted their individual routes to and from rehearsals, it might remind you of the map scenes in Indiana Jones!
The Sylvan Chorale, a group of choristers and instrumentalists from various ensembles in Central Pennsylvania, provides an outlet for building community between our singers and our instrumentalists, and offers young musicians hands-on opportunities to develop and broaden their skills. The Sylvan Chorale sponsors annual events that celebrate the beauty of classical music in simple settings within the surrounding community, and supports local charities.
The Symphonic Chorale of Southwest Florida is a highly select, auditioned professional core chorus under the artistic direction of conductor Dr. Trent Brown. Our members come from Fort Myers, Naples, Bonita Springs, Cape Coral, and surrounding areas.
We incorporated in 2011 although we have a long legacy in Fort Myers with roots dating back to the formation of the Southwest Florida Symphony Orchestra Chorus in1962. In our inaugural season, 2011-2012, we established ourselves as an independent and vital part of the local Arts scene; however, we remain the resident chorus of the SWFLSO, Lee County's only professional orchestra.
The Symphonic Chorale's mission is to develop and promote public appreciation of choral music through the presentation of concerts of the highest possible artistic standards, to educate its audiences and musician members in choral repertoire of all periods suited for a symphonic chorus, and to provide opportunities for talented area singers to work together through rehearsal and public concerts to develop their singing techniques, their performance skills, and their creative choral artistry in the interpretation of challenging and significant choral literature.
Symphony Chorus of New Orleans (SCNO) is an all-volunteer chorus that has provided superlative choral music to the greater New Orleans area for more than 35 years. In addition to local productions of choral masterworks like Handel's Messiah and Orff's Carmina Burana, SCNO has also appeared in New York's Carnegie Hall performing the Faure Requiem (2007), Dvorak Te Deum and Memley Magnificat
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