In Celebration of the Human Voice - The Essential Musical Instrument
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Cincinnati Camerata is a mixed-voice choral ensemble of about 30 accomplished volunteer singers that focuses on chamber and contemporary classical music from medieval chant through living composers. We produce 2-3 formal concerts each season along with several more social programs through a smaller satellite group, the Camerata Consort. The Camerata is also committed to promoting new choral music through our annual Composition Contest prize, and we collaborate with some of Cincinnati's finest instrumental and vocal chamber ensembles.
Around half of our ensemble are degreed musicians or music teachers, and membership is by audition through our artistic director, Brett Scott, a member of UC-CCM's choral conducting faculty. Our repertoire is challenging, and no other choir in Cincinnati offers the Camerata's high-quality performance opportunity for only a moderate time commitment from members with busy careers beyond music.
The Cincinnati Youth Choir is an educationally based choral ensemble program. Participants learn healthy vocal technique, sight-reading, music history and music theory while experiencing performance excellence using the philosophies and techniques of Carl Orff, Zoltan Kodaly, Jacques Dalcroze and Jerome Brunner. The learning environment is creative, explorative and fun. The children form lasting relationships with children outside of their community and develop a lifelong appreciation of music.
Since 1974, the Cincinnati Choral Society has offered quality musical experiences not only to audiences in and beyond Cincinnati, but also to talented singers seeking a satisfying choral ensemble experience. The CCS repertoire encompasses a wide range of musical styles, both accompanied and a cappella, from traditional masterworks to modern classics. The 40-voice choir has performed with a number of orchestras and chamber ensembles, including the Cincinnati Pops, the Kentucky Symphony and the Blue Ash Montgomery Symphony. In addition to presenting concerts at its current home base at Indian Hill Church in The Village of Indian Hill, the CCS has appeared at a variety of venues in the greater Cincinnati area, as well as at Carnegie Hall in New York City, Notre Dame Cathedral in Paris and All Hallows by the Tower in London. The group has performed with the New England Symphonic Ensemble under the baton of John Rutter, and has presented regional premieres of choral works by some noted contemporary composers, including Rene Clausen, Howard Helvey and Alice Parker.
We are a non-profit community chorus providing the opportunity for gay and gay-supportive men to sing together and create positive change through music.
Cincinnati Sound Chorus is a group of women who mostly live in the Greater Cincinnati Area and who share a love of singing. The chorus is a Chapter of Sweet Adelines International, Inc. and is part of Region #4, the Harmony Heartland Region. The art-form we pursue is performing vocal four-part harmony, a cappella, generally arranged in the barberbershop style. Some songs lend themselves to choreographed movement, which helps increase the expression and showmanship of our music.
Our members come from multiple generations and varied walks of life, from 20-something (and younger) to past retirement age; from student to professional, from highly trained musician to well-attuned amateur.
We continually strive for musical excellence through the education gained in weekly rehearsal and public performances. We compete annually at a regional competition with other Sweet Adelines choruses, striving to win our regional contest and advance to the international level. In 2007, we won the region and competed at the international contest in Honolulu, Hawaii in 2008. In 2012, we earned a silver medal in the World Choir Games, held here in our city.
The award winning Cincinnati Children's Choir is an educationally based choral ensemble program. Participants learn healthy vocal technique, sight-reading, music history and music theory while experiencing performance excellence using the philosophies and techniques of Carl Orff, Zoltan Kodaly, Jacques Dalcroze and Jerome Brunner. The learning environment is creative, exploitative and fun. The children form lasting relationships with children outside of their community and develop a lifelong appreciation of music.
In 1944, forty-five men gathered in the Claypool Hotel, at the corner of Washington and Illinois Streets in downtown Indianapolis, to organize the first barbershop harmony chapter in Indianapolis. Another chapter was formed in Broad Ripple in 1948, and the two chapters merged in 1955 to form the Greater Indianapolis Chapter. In 1958, the chapter adopted Speed Capital Chorus as the chorus name, changing it to Pride of Indy in 1978, and to Circle City Sound in 2003. We are part of an international organization known as the Barbershop Harmony Society. The Barbershop Harmony Society was founded in Tulsa, Oklahoma, in 1938, as the Society for the Preservation of Barber Shop Quartet Singing in America (SPEBSQSA), and currently boasts nearly 20,000 members. From the beginning, our goal has been to preserve the unique American art form known as Barbershop singing, and to bring that art form to our audiences in the Central Indiana area. Our chapter's mission is to enhance lives by performing with excellence and encouraging singing within our community.
The Chicago Circle Singing community gathers for spontaneous, improvised singing. This is an opportunity for individuals to join in community and explore their voices in a free, safe and playful way. Drawing on traditions of chant, rhythm, movement, melody and harmony. Improvised singing is accessible to beginning singers, but can also challenge the very experienced. Ultimately, these gatherings are fun, rejuvenating and community building for anyone with a song in their heart.
What is Circle Singing? Circle Singing is a community singing and sounding practice, spontaneous and evolving - like a drum circle for voices.
Here's the basic structure: The circle is divided into sections. A leader creates parts spontaneously - patterns, rhythms, harmonies, melodies, percussive sounds, recognizable words, or invented language - and teaches the parts orally to the sections, layering them together into completely original compositions. Each song is a unique creation, never sung before, never to be sung again.
From this basic structure we build into all types of vocal improv games. You can choose your level of participation.It's a very safe, simple, playful, community experience that will make you feel great!
All voices are welcome! No experience necessary!
Join CircleSongs Baltimore for singing, community-building, improvisation, and spiritual nourishment. All are welcome!
CircleSinging is a spontaneous, improvisational community-singing experience, a little bit like a "drum circle" for singers. In a circlesong, a leader starts by improvising a line of music and gives it / teaches it to one part of the circle. The leader then develops a second part that goes with the first and gives that part to another section of the circle. CircleSingers learn and repeat the exact part given to them. Soon we are singing a four part (at least) chorus that has never been sung before. This chorus can support individual solos.
CircleSinging is a form of facilitated Vocal Improv which could be described as "a drum circle for singers" or "improvised choral music." During the course of the ever-changing chant, the leader develops and gives parts to a circle of singers, which in turn supports individual solos. Both participating in and witnessing the creation of the music that emerges is often an exhilarating and joyful (many have said spiritual) experience.
Circlesinging is a spontaneous, improvisational community-singing experience, a little bit like a "drum circle" for singers. It's done all over the world in countless different ways and it dates back to the earliest forms of human singing. We take inspiration from methods developed by Bobby McFerrin and his collaborators. Our experienced circlesong leaders create parts on-the-spot, and lead groups in fun wordless songs. Sing beautiful harmonies without sheet music; promote self-confidence and a sense of accomplishment; and, many circlesingers find that it fosters cooperation, teamwork, and community. It's important to listen deeply -- to each other and to ourselves -- and to be responsive to what is there. This is a "mistake-free" zone, for all levels of singers. Come sing with us!
Citizen Queen, based on Los Angeles, has been called the female Pentatonix and has even toured extensively as their opening act. Signed to RCA Records the members are Cora Isabel (Beatboxer, 18), Hannah Mrozak (Mezzo-Soprano, 21), Kaedi Dalley (Bass, 18), Kaylah Sharve' (Alto, 20) and Nina Nelson (Soprano, 21).
The City Cantabile Choir, founded in 1981 by Frederick N West, is a non-profit choral group that performs a diverse selection of classical, contemporary, original, and ethnic music (such as Andean, Celtic, Gospel and Baroque ensembles) to promote cultural unity and environmental awareness. We have partnered with other advocacy groups for almost 20 years to celebrate our region's iconic orca whales with our annual San Juan OrcaSing.
The City Choir of Washington (TCCW) is a member-driven choral community that is as committed to the music it performs as to the city it serves. It presents moving and thoughtfully curated musical events throughout the Washington, DC metro area to uplift and inspire audiences and singers alike.
City Choir is a diverse group of over 140 volunteer singers from throughout the Washington metro region. Singers range in age from 21 to 81; some were born in DC, while others hail from Africa, Europe, and Asia all are bound together by a passion for choral music. The group performs for audiences from Northwest to Southeast DC, and from Virginia to Maryland. The City Choir of Washington seeks to provide space where singers and patrons alike can focus on the shared experience of music over external divisions, and where joy can be found in collaborative artistic expression, small accomplishments, and large triumphs.
In summer 2022, the City Choir of Washington concluded fifteen seasons under the artistic leadership of GRAMMY-winning conductor Robert Shafer and welcomed Artistic Director Erin Freeman.
The City Choir of Washington s engagement ensemble, the City Singers, under the direction of Assistant Conductor Kathleen Jagielski, brings programs of holiday music, spirituals, pop tunes, and American classics to audiences at assisted living facilities, military retirement communities, medical facilities, and homeless shelters. Other community engagement programs include the continuation of City Choir s work with the National Symphony Orchestra s Sound Health Initiative, Artistic Director Erin Freeman s clinics with DC-area music educators, and singing the national anthem at Washington Nationals baseball games.
City Lights offers a musical experience to remember. Their wide-ranging repertoire includes sons from traditional barbershop harmony, jazz, Broadway show tunes as well as popular classics.
In 1992 City Lights captured the title of Sweet Adeline International Quartet Champions in Baltimore, MD. Since that time they have traveled to Vezprem, Hungry where they were invited to teach and perform at the Hungarian Choral Festival. They recently toured the United Kingdom from Aberdeen, Scotland to Portsmouth, England teaching the barbershop craft as well as coaching and performing. The group has performed throughout the USA and Canada and have numerous TV and Radio credits. In 1998 City Lights won the Harmony Sweepstakes A Cappella Regional Championship in NYC and competed in the 14th Annual National Finals in San Francisco, CA where they placed third.
The City Lights chorus was re-chartered in 2018 as a premier male a cappella group focused on musical excellence and high-level entertainment. This brotherhood focuses on bringing together men of all ages to the knowledge and understanding of harmony at its very best. Each member of our chorus is not only a capable singer, but are invested in the mission and ideals of the chorus as a whole to best promote the highest character.
Hailing from Canton, Akron, North Canton, Wooster, Louisville, Ashland and surrounding communities, we are over 30 voices strong coming together to create intricate barbershop music, Tuesday's, 7-10 p.m. We have a rich history with Sweet Adelines International, celebrating our 55th year as a chapter in 2019. As a group, we are a diverse group of women who work together towards common goals, enjoy the camaraderie and create four part a cappella harmony.
The City of Lakes Chorus has been dazzling audiences in the Minneapolis / St. Paul metro area and around the country since 1952. We are an award-winning chorus of approximately 100 voices with a long history of excellence. We've placed 1st in every Regional competition since 1967, and have placed as a top 10 finalist in 17 of the 20 International Competitions since 1971.
Musical education helps feed our passion to perform. Vocal instruction is integrated into all of our rehearsals, and is a very important component of the chorus experience. So whether or not you are a novice or have been singing for years, the tools to succeed are made available to everyone. In addition to rehearsals, a few times a year we hire a master in the art of barbershop to teach us some tricks of the trade.
Located in Richmond, Virginia, CSYC is the choir that makes you happy! City Singers fosters a supportive and encouraging learning environment with quality music-making and life-changing relationships. Our positive, highly qualified instructors use the best methods that set your singer up for a lifetime of joyful music making.
City Voices Chorus is made up of women of all ages and walks of life. There are accountants, teachers, full-time homemakers, doctors, journalists, students - interesting women who are interested in you. Our membership includes trained music professionals and "shower" singers, in high, medium and low voice ranges (four parts, remember!).
Founded in 1982 under the patronage of the Trinity College Chapel, CitySingers of Hartford was started by a few friends who enjoyed singing together. Since then, the ensemble has established a musical presence in Central Connecticut of inspiring programs that celebrate our common music heritage.
These concerts often combine traditional and classical music for choral ensemble with other performing arts idioms. From the festive sounds of the holiday season to innovative collaborations to works inspired by the visual arts, our programs present a rare and varied musical experience. One of our continuing goals each season is to perform in different communities, on both sides of the Connecticut River, in order to visit a variety of performance spaces and audiences throughout the region. It is also our desire to make our performances available to all through many non-ticketed events.
Founded in 1970, the Civic Chorale of Greater Miami is a non-profit community choir that brings professional and lay musicians together in order to present high-quality concerts of choral music to audiences in the Greater Miami area.
We are committed to presenting high-quality concerts of choral music, which will enrich, entertain, and educate the residents of Greater Miami. By partnering with community and arts organizations as well as outreach venues, the Civic Chorale seeks to expand its reach and share the beautiful art form that is choral music with citizens from all walks of life in South Florida.
The mission of the Claremont Chorale is to provide experiences of excellent and varied choral music for our diverse community, offering inspiration, enjoyment, and learning for singers and audiences.
Established in 1968 as the Lincoln Twenty Chorale under Chris Trussel, the Chorale today comprises about sixty volunteer singers from all walks of life who rehearse together weekly. The Chorale serves the community by performing a series of concerts each season. For over five decades the choir has presented a diverse, international repertoire embracing music from the past five centuries as well as music of our time. Our concerts encompass major works with full orchestra, various instrumental ensembles and a capella works.
Toledo's cultural gem, the CSCC specializes in the performance of Negro spirituals and is dedicated to its preservation as well as the performance of works by African American composers. The CSCC also maintains a liberal helping of standard classical music in its repertoire. Its members come from all walks of life, unified by their mutual love of great music.
This award-winning ensemble has performed numerous times on radio, presented its own television "Special" on the statewide educational television network, as well as appearances on local TV stations. They have been featured with the Toledo Symphony Orchestra, the Toledo Jazz Orchestra, at the Toledo Museum of Art, the Lourdes College Music Series, and with nearly every major musical organization in the Toledo area. The Chorus has embraced its civic role with participation in countless community events such as building and bridge dedications, festivals, church programs and city observances.
The story of the 1982 Int'l Quartet Champion Classic Collection is pretty unique in many respects. It all began in Hastings Nebraska in 1968. Original baritone, and long-time barbershop enthusiast, "Papa Joe" Heltne, and his son Terry invited two aspiring singers, one a natural tenor and the other an operatic vocal major from the Hastings College choir, to join them for an evening of singing. Before it was over, Larry Wilson a lead, and Curt Hutchison, a tenor, agreed that this foursome, originally called "Three Lads and a Dad," should stay together. They worked hard and rose in the ranks of the Central States District. After a short hiatus due to Larry's four year stint in the Navy, they changed their name to "Classic Collection" , and eventually found themselves the winners of the 1975 Central States District Quartet Championship.
1998 International Championship Quartet Sweet Adelines International Classic Edition's journey to the championship began seven years before their win, in the same city. The foursome organized just nine months prior to the 1990 Sweet Adelines competition in Salt Lake City, winning their regional competition and making them eligible to compete on the international stage in Salt Lake that same year. Although each member had extensive experience singing with other quartets as well as one another, their performance at the 1990 international contest was disappointing. Gaining confidence with each succeeding contest, and following their coach's advice, the quartet qualified again for international competition. They placed ninth in 1991 and sixth at each international contest from 1992 through 1995. Perceived as restrained by many judges, the foursome learned to let their hair down at the 1996 contest and earned second place medals. And after finally attaining the top prize in 1998, the quartet says that preparation and learning to take a risk was the key to success. Personal and family reasons made it impossible to keep up their busy show schedule, and Susan Ives left the quartet in 2000.
If you close your eyes and think back to Murray the K, the Brooklyn Paramount, the street lights on Belmont Avenue, the boulevards of Bensonhurst, straphanging from a leather strap on your way to see "Dem Bums", Frankie, Dion, WMCA Good Guys, cruising the streets in a '56 Chevy with the windows cranked down, singing to the tunes on your portable AM radio, and a host of other good times, you'll know why "The Classic Sounds" sing DooWop. That's why a surgeon, a plumber, 2 teachers, and a musician can lean in close to each other, sing those back-up sounds that are second nature to us all, give you a little hand jive and a smile, and make you remember what "feel good" acappella music is all about.
We believe that classical music enriches lives, inspires souls, and strengthens communities. At the same time, we recognize that traditional concerts may have limited appeal to 21st-century audiences. For some, a traditional concert may feel like an ordeal: put life on hold (kids not welcome), sit quietly in a cathedral-like symphony hall (no chatting, refreshment, or dancing), and observe mysterious rules of etiquette (don't you dare clap between movements!).
Classical Uprising offers a bold rethinking of the classical music experience through immersive events, performances, and educational programs. Formed in 2020 as a merger between Oratorio Chorale and Portland Bach Experience, Classical Uprising is a 501(c)3 nonprofit committed to community development, creative expression, inclusivity, lifelong learning, and artistic excellence.
We chose the name "Classical Uprising" because we believe that classical music must rise up, challenge current norms, and re-envision where, how, and for whom we are making music. Now, with the fight against systemic racism at the forefront, classical music must fully embrace diversity, equity, and inclusion. Our goal is a holistic approach to classical music that enlivens, strengthens, and connects communities. Join us!
ClassRing quartet consists of four young women who came together in the Spring of 2014 to compete in the Sweet Adelines International Rising Star Contest. After only a few months of rehearsal, they won the contest and were named the 2014 International Rising Star Champions! The quartet has since gone on to compete in the Sweet Adelines International contest. ClassRing is your new 2019 Sweet Adelines International Quartet Champions!
The Clearfield Choral Society, formerly known as the Clearfield Community Chorus, is becoming one of Central Pennsylvania's leading community choirs. The 50+ voice mixed choir brings in community members of all ages, experiences, and professions, and unites them through the transcendent power of choral singing. This choir was founded in Clearfield in 2015, after a twenty-year hiatus without a community choral group. Since this resurgence, the Clearfield Choral Society revived the tradition of performing masterpieces of the major repertoire in Clearfield County and quickly gained attention after its performance of G. F. Handel's Messiah in 2018. The choir performs two concerts a season: one in December in collaboration with the High Voltage Youth Show Choir that is centered on the winter and holiday seasons, and one in the Spring that generally consists, in part, of a complete choral work.
Often appearing with full orchestra, Clearlakes Chorale performs many large scale works, such as Handel's oratorio Messiah and Masses of Bach, Mozart, and Stravinsky. Small ensembles from within the chorale sing more intimately-scaled works, including motets of Josquin, Tallis, and Byrd. Under our Conductor Andy Campbell's baton, Clearlakes Chorale has enjoyed collaboration with the Village Players, Brewster Academy (on two Gilbert and Sullivan operettas), and Mirror Lake Community Church. In celebration of the chorale's 25th anniversary year, Clearlakes Chorale commissioned two works, a composition from our very own Andy Campbell and another from celebrated Boston composer, Daniel Pinkham.
Founded in 2006, Clerestory is the Bay Area's acclaimed 9-man vocal ensemble. Clerestory's singers, from countertenor to bass, are veterans of San Francisco's finest professional vocal groups, including Chanticleer, Philharmonia Baroque, American Bach Soloists and others. The ensemble has been featured on National Public Radio and on San Francisco's KDFC.
The Clermont Chorale, started as the Clermont Festival Chorale, was founded in January 2006, with the mission of bringing choral music programs to the greater Clermont community. We also welcome the opportunity to expand our concert venue to Greater Cincinnati and beyond.
In late 2016, we dropped "Festival" from our name since we no longer use a festival format; but we are still proud to serve our home county as the only community chorus in Clermont.
The Cleveland Chamber Choir provides audiences with exceptional performances of unique and diverse repertoire, blending music by living composers with six centuries of choral repertoire. Addressing relevant issues and universal emotions through music and poetry of profound beauty, this world-class ensemble of professional voices offers a vibrant, dynamic, and thought-provoking listening experience in some of Northeast Ohio's most stunning venues.
The Cleveland Messiah Chorus, dedicated to the annual performance of Handel's Messiah, was founded in 1921 by William Albert Hughes, Director of Music at Franklin Circle Church. The first performance was under his direction on December 31, 1922 and it is mentioned in The Encyclopedia of Cleveland History (David D. Van Tassel and John J. Grabowski, editors. 1996, p. 775) among groups "representing the renowned Welsh singing tradition here."
We are the Clipper City Chordsmen Chorus, an a cappella men's chorus whose mission is to "preserve and encourage" the Barber Shop style of music. If you like to sing every chance you get, we can help you take it to the next level! We get together weekly and encourage any male who likes to sing to visit us at our rehearsal facility any Tuesday at 7pm. Even if you don't read music or you think you have an "average" voice, you could start singing along with other men who will help you learn to improve as a performer.
Clockwork is a vocal quartet who sing mostly close-harmony jazz but also our own twists on pop and rock tunes.
Clockwork, an award-winning San Francisco based vocal quartet with a signature sound and style, performs a banquet of music from funk to gospel and R&B to standards. Rooted in the tradition of great vocal jazz groups such as the Hi-Lo's and Lambert, Hendricks and Ross, the Clockwork "sound" draws inspiration from all styles. As the great Duke Ellington said, "If it sounds good, it is good."
Experienced in both accompanied and a cappella performing, the group has arrangements for duos, trios and an 18-piece big band. Members of Clockwork have performed live with artists such as Bobby McFerrin, The Hi-Lo's , Meredith Monk, Don Shelton, Gene Puerling, Barbara Lewis, Sufjan Stevens, John Zorn, Barbara Morrison, Kent Nagano with the Deutches Symphonie Orchester and the Berkeley Symphony Orchestra, The PM Singers, Heatwave, GQ, Barbara Lynn, Richie Cole, M-Pact!, the House Jacks, Boyz Nite Out, InFusion, Vocal Flight, and on Ward Swingle's Instructional video "Swingle Singing."
Cabaret began when Pam, Holly and Donna performed together as part of two special public relations tours to China in 2002 and 2003. Both tours were organized to help spread the love of barbershop singing to yet another part of the world. These three thoroughly enjoyed each other's company and had some pretty special performances. In fact, the geographic differences suddenly didn't seem nearly so impossible. All they had to do was find someone 'crazy enough' to be the fourth part of this special quartet - so they contacted Patty, a world renowned Sweet Adeline tenor - and Cabaret was born!
Our Chorus is committed to musical excellence, top-notch entertainment and individual growth while having fun and enjoying friendships. We are always happy to welcome new members. Our current chorus is made up of women, from students to retirees, with a variety of musical backgrounds. We are under the direction of Robin Blythe, a certified director with 30 years experience.
The Clustered Spires Chorus sings throughout the community with performances for businesses, service organizations, churches, senior communities and homes, seasonal celebrations, FCC, the Weinberg Center, First Saturdays, the Pangea Festival, Center for the Performing Arts and the Frederick Keys.
The Coast Chorale is an all volunteer civic organization that was formed in 1992. In addition to performing locally, the Coast Chorale has performed at Carnegie Hall in New York City, Italy, Austria, and several other places in Europe. The Coast Chorale is open to all singers without audition.
The Coast Chorale acknowledges with gratitude and appreciation the support of the Mississippi Arts Commission and our Sponsors and Patrons. The Coast Chorale is a non-profit corporation registered with the Secretary of State of Mississippi and has been granted a tax exempt, non-profit status {501(c)(3)} by the United States Internal Revenue Service. Gifts and donations to the Coast Chorale are tax deductible. For information on becoming
We are an all-women's a cappella group who sings four-part harmony in the barbershop style. Please don t think only of those 4 men in red and white striped vests with straw hats! We sing current, classic, and traditional music. The joy we get from harmonizing together is contagious. Our passion for music and singing brought us together and continues to keep us together in friendship.
We are a mixed chorus (men & women), singing in the barbershop style, using TTBB arrangements.
From 1956 to 1961, the Coasters released a string of classic singles that reflected the life of the American teenager with keen wit and hot, rocking harmonies. Invariably those songs were written, produced and arranged by the duo of Jerry Leiber and Mike Stoller. The union of a black vocal group with two Jewish songwriters was one of the most propitious in rock history. Leiber and Stoller's witty, street-smart "playlets" were sung with sly, clowning humor by the Coasters and accompanied by the hot, honking "yakety sax" of King Curtis. The Coasters' parlayed their R&B roots into rock and roll hits by delivering Leiber and Stoller's serio-comic tunes in an uptempo doo-wop style. Beneath the humor the songs often made incisive points about American culture for those willing to dig a little deeper.
The Coastline Show Chorus offers New England a unique form of entertainment, blending four-part a cappella harmony with energetic choreography. Under the direction of Gail Jencik, Coastline presents a range of music from treasured American classics to Broadway hits and modern jazz.
Based in Providence, Rhode Island, Coastline Show Chorus is one of more than 600 chapters of Sweet Adelines International, a worldwide organization of more than 26,000 women singers committed to advancing the musical art form of barbershop harmony through education and performance.
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