"A humbled heart God will not forsake." This tender setting for guitar, flute, and keyboard is a welcomed complement to lectionary settings of Ps. 51 for penance, reconciliation, and Sundays in Lent. The rich SATB underscore to verse 3 is uplifting and lovely.For cantor or soloist

Composer: Luke Mayernik

Cantor or SoloPercussion part is for Conga

Arranger: Tony Alonso

Wonderfully introspective, this piece will be useful in times of communal prayer and worship. The harmonies are interesting, but not difficult. The words, based on Ignatius' "Prayer for Generosity," are composed in a way that allows for clarity and comprehension. Appropriate just about any time of year, there is a third verse provided that is especially germane to Lent.For cantor or soloist.Ê

Composer: Chris de Silva

The tune and setting of this anthem immediately recall the stateliness and comfort of an "old" hymn. Springing from Hebrews 12:1-3, the piece is quite useful for All Saints and any time of remembrance of those who have gone before us in faith. Don't be surprised if you feel a chill or are a bit overwhelmed when singing this "new old classic."

Composer: Marty Haugen

"'A House of Prayer' is a meditation on the diverse images of church found in the Hebrew Bible (especially Isaiah 56:7), the New Testament (especially 1 Peter 2:5), and contemporary theological reflection (especially recent words of Pope Francis). It is well suited for use at the dedication of a new church, the anniversary of a church, or whenever images of church emerge in the Lectionary." -Tony Alonso

Composer: Tony Alonso

Arranger: Rory Cooney

Priest or Cantor.

Composer: J. Michael Joncas

Arranger: Chris de Silva | Composer: Liam Lawton

Eb Saxophone and Bb Flugelhorn or 2 C instruments. Percussion is for Windchimes, Conga, Bongos.

Composer: Rob Glover

Commissioned by Chicago's Old Saint Patrick's Church for Easter 2012, "Acts of God" joyfully uplifts the Scripture-based text to a cohesive, substantial piece for your choir and pianist. Perfect for Easter Sunday, this piece can be performed at any joyous occasion or special celebration.

Composer: Rory Cooney

Arranger: Bob Moore

The verse lyrics are based on a popular text from Ecclesiastes, and the refrain reminds us we are holy and God's beloved. Consider it for times of contemplating God's love for us (say, Thanksgiving Day), or perhaps when members of your community are in need of some assurance, some soothing balm, in their lives.For cantor or soloist.

Composer: Jeanne Cotter

This piece is appropriate for a variety of settings, especially funerals, prayer in the style of Taize, liturgies for peace or healing, or reconciliation services. The refrain alone would make an effective response to a litany of healing or prayers of intercession.

Composer: Carol Browning

Composer: Bobby Fisher

C instrument parts are optional.

Composer: Bob Moore

SATB, Guitar, Acc.

Composer: Dana Mengel

A chorale-like 3-stanza hymn in simple triple meter that has the unique feature of presenting the choice of totally different piano and organ accompaniments. The former yields a more contemporary feel, while the latter results in a classic hymn version. A trumpet part is published separately.

Composer: Tony Alonso

An encouraging text and upbeat tempo offer images of hope for this unpredictable journey called life. A theme of trust in the redeeming love of God makes this a suitable song for reconciliation or for any moments when comfort is needed.For cantor or soloist.Ê

Composer: Chris de Silva

Adam M. L. Tice presents us with a text identifying the myriad ways we hear the voice of God. Sally Ann Morris' careful treatment of Adam's text allows us to meditate on his words. Having made (and continuing to make) significant contributions in their individual fields, Morris and Tice are establishing themselves as noteworthy collaborators dedicated to enhancing congregational song.B-flat Clarinet or Alto Saxophone

Composer: Sally Ann Morris

C instrument I and II parts are optional.

Arranger: Francis Patrick O'Brien

While actually a solo with choir or small ensemble, this lovely and lyrical song of healing and hope proclaims the recurring and comforting phrase "don't be afraid"-words we all need to sing and hear these days! Try this piece using a male and female soloist for increased variety.For cantor or soloist.

Arranger: Chris de Silva | Composer: Tony Alonso

Invite your choir to sink into the lush four-part beauty of the beloved Anima Christi text. The rich textures provided by the marriage of the choir and the piano accompaniment help to accentuate and bring the text to life. For SATB choir and assembly, but presentation possibilities are numerous.

Composer: Jeanne Cotter

Oboe part is optional.

Composer: Roy James Stewart

Composer: Marty Haugen

Unison or SATB. C Instrument, Cello or Bassoon.Ê

Arranger: Rob Glover

In this setting of "Ave Maria" Lawton pairs a Latin refrain with English verses. The congregation-friendly refrain, thoughtful lyrics, soulful melody, and exquisite arrangement make this a piece you will want to use for all of your Marian feast days.For cantor or soloist.

Arranger: Chris de Silva | Composer: Liam Lawton

Composer: Marty Haugen

All royalties from this song will go to support the work of the JL Zwane Memorial.

Arranger: Leonorah Kunene

Oboe or other C Instrument, or English Horn.

Arranger: Marty Haugen

'''Be My Hands and Feet' is a response to the words and deeds of the Risen Christ, connecting language of the resurrection with the demands of discipleship. It would be appropriate throughout the Easter season. . . . It would also be appropriate whenever images of mission, ministry and discipleship appear in the Lectionary readings throughout Ordinary Time." -Tony AlonsoThis is a piece that will have many opportunities for use throughout the year, as indicated in the composer's notes. There are several appropriate places in the liturgy for this text; the refrain is ideal for quick memorization, making it attractive for use during the Communion processional. The optional bridge, with its contrapuntal cries of "Alleluia," provides a nice contrast to the mostly homophonic texture of the verses.

Composer: Tony Alonso

Composer: Matt Wessel

For cantor or soloistA plaintive setting of Psalm 91, suitable for Lent. Starts with unison voices and adds voice parts gradually until the choral sound is full and lush. Cello adds to the expressive nature of the piece.

Arranger: Paul A. Tate | Composer: Ken Macek

A text that expresses the vast nature and inexplicable power of God's loving grace is set to a new hymn tune, the aptly named COSMOS. The melody moves fluidly and is easily memorized. A standard hymn version with four-part voicing is also included in the octavo. A great way to share the mystery of Christmas!Listen to the music and follow the score in this preview video.

Composer: Marty Haugen

A very useful piece to have in your repertoire! The attractive tune and accessible accompaniment join to make this a song that your choir will request to sing-and a benediction that the assembly will want to receive!

Composer: Carol Browning

The choral writing for the verses and refrain of "Bethlehem Sky" is accessible for most choirs. The piece leads us to reflect on the mystery of the Incarnation. This lush setting for Christmastime might be most effective when sung by several soloists or a small ensemble.

Arranger: Chris de Silva | Composer: Liam Lawton

This setting of the Beatitudes is nothing if not flexible! Maybe you will only use a soloist and congregation, with a simple accompaniment; or, you may want to include the full choir, add a C instrument, and expand the accompaniment. You could go with something in the middle, or you could mix any of these configurations to create something all your own.

Composer: James Chepponis

Arranger: Michel Guimont

Second keyboard part is optional.

Arranger: Marty Haugen

A paraphrase of the Canticle of Zachary, in metrical form, set to an arrangement of land of rest. Its five stanzas can stand alone as an assembly hymn, or can be enriched by the various choral treatments found in this edition. Note that parts for two treble instruments are available separately.Ê

Arranger: Marty Haugen

Solo(s)

Arranger: Paul A. Tate | Composer: Liam Lawton

One can sense the hovering of the Spirit in the arpeggiated accompaniment and added-tone chords throughout this composition. There is a touch of mystery and awe appropriate for use at many points during the confirmation rite, or at any celebration of the Holy Spirit (as a prelude, at the preparation of the gifts, or after Communion).For cantor or soloist.Ê

Composer: Daniel Kantor

A unison hymn with a good deal of interesting choral "backup" that calls on God to bring us from our wandering into the communions of saints on earth and in heaven. The refrain is one of those melodies that you'll find yourself humming after hearing it just once.For cantor or soloist

Composer: Deanna R. Light

Walls mark boundaries and keep people out; tables bring people together. So his text sings, "Build us a table and tear down the wall!" Great metaphors for the church. In true fashion, Haas paints the text well. This is a fine combination of skilled hymnwriter and proficient tunesmith. A song in the spirit of Haugen's "All are welcome."For cantor or soloist

Arranger: Paul A. Tate | Composer: Lori True

Original version G-2665.

Composer: Marty Haugen

For cantor or soloist.

Composer: Jeanne Cotter

This Ruth Duck text, which is especially wonderful for confirmation or adult initiation, additionally has many general uses. With a somewhat syncopated 3/4 lilt, it is lively, joyful, contemporary, and festive. For solo, assembly (on refrain), and solid SATB voices.For cantor or soloistÊ

Composer: Kate Cuddy

For cantor or soloist.Ê

Arranger: Chris de Silva | Composer: Tony Alonso

Arranger: Scott Soper

This song with an extended unison/SATB refrain and verses, was written for the Roman Catholic rite of election during the enrollment of names. By omitting the first three of seven verses, it is appropriate for gathering on any Sunday, and as well as for confirmation and ordination.For cantor or soloist

Composer: Paul Inwood

Liam Lawton's remarkable melody gently impels us to act as the body of Christ: to be his eyes, his hands, his feet. An effective setting that stirs us from our complacent selves to be forces for compassion in the world-a message that needs to be heard more than ever!For cantor or soloist.

Arranger: Chris de Silva | Composer: Liam Lawton