A powerful, driving setting of a powerful text of justice and inclusion.20 handbells.

A tune employing a delightful Irish lilt augments this inspiring text by Sylvia Dunstan. It is a calling to all of God's children to unite as the body of the Lord and to realize all that is possible when that happens!Ê

Walls mark boundaries and keep people out; tables bring people together. So his text sings, "Build us a table and tear down the wall!" Great metaphors for the church. In true fashion, Haas paints the text well. This is a fine combination of skilled hymnwriter and proficient tunesmith. A song in the spirit of Haugen's "All are welcome."For cantor or soloist

Arranger: Paul A. Tate

Lori True pens a lovely new Christmas hymn with a refrain ending each stanza based on the Polish carol "Infant Holy, Infant Lowly."The hymn could be sung by a 2-part choir (with one short 6-measure SATB section) or by congregation and choir in the concertato style. Or the assembly could simply be invited to sing the refrain "Christ the babe is Lord of all" at the end of each stanza.Parts for flute or violin are included, or handbell score is available separately.Excellent liturgical use and performance notes are also included.28 handbells.

This Easter text by Brian Wren is a perfect choice for this bright, energetic setting that can be used on more occasions than just Easter. Parts for two C instruments are included in the octavo, as well as reproducible material for the assembly.

For cantor or soloist.

An easily learned tune and three little words are all the assembly will need to remember to sing this song of invocation to the Holy Spirit. The simplicity of the refrain alternating with the cantor's litany encourages a meditative atmosphere, whether in the pews or in a procession.For cantor or soloist.

Composer: Jesse Manibusan

Ê

Arranger: Paul A. Tate

This unique Christmas hymn calls upon us to dream of a world that Jesus preached, marked by peace, hope, and the absence of injustice.Verses 1 and 2 are for SA voices, followed by a refrain based on the traditional "Dona nobis pacem" round.The third verse overlays the round, creating a richly textured choral sound.

C Instrument or oboe.

A joyful sending song-or possibly a hymn of thanksgiving. The setting is mostly unison with some three-part texture for choirs and ensembles. The text, which calls us to the mission of the Christian life and service in the world, is from Sr. Dolores Dufner's collection of hymns The Glimmer of Glory in Song.

Arranger: Mary Howarth

Lori True has crafted a beautiful tune to match the peaceful text of truth and trusting from Shirley Erena Murray. A wonderful choice for sending forth anyone-missionaries, youth work groups, social justice advocates-called to do God's work in the world!

For use at funeral liturgies or other celebrations where comfort is needed, this anthem is based loosely on John 14:1-7 and Ecclesiastes 3. It provides solace for the grieving and holds fast the promise of resurrection. The alternate refrain text, from a poem by Isla Paschal Richardson, can be used for memorials, wake services or any service of remembrance.

Here is a lovely piece that has many possible uses. Two reproducible boxes are provided, so that you may choose the most appropriate version for your assembly (one in unison, one in a quasi-imitative style). Alternate verses, drawn from Psalm 133, are printed for the cantor or choir as well.

The syncopated melody is sung over pulsating quarter note chords in the accompaniment and a dotted rhythm bass line. The refrain is SATB, with an added descant on the final repetition. It is a setting of Psalm 77 sung slowly with intensity.Cello or Bassoon parts are optional.

Responsorial Psalm 25 in a soft rock or gospel style. The refrain is scored in the distinctive close harmony SAT form. Highly syncopated vocal lines over pulsating accompaniment chords on the beat. Verses 1 and 2 for cantor, with choir on verse 3.For cantor or soloist

As a result of the shared wisdom of Pope Francis at a 2013 World Youth Day prayer event, Lori True reveals that Francis' "awe-inspiring instruction has prompted me to compose...for the church at prayer. 'I Send You with the Grace of My Spirit' is intended to bless us as we go forth from our gatherings as 'companions of peace,' and calls us to include the least among us as friend along the journey."

ÊFor cantor or soloist.

Arranger: Paul A. Tate

Arranger: Paul A. Tate

Written in the style of the music of the Taize Community, this meditative song of conversion can be used throughout the church year in a variety of settings. With five additional refrains for each week of Lent, the challenging text of the piece offers the opportunity to spark transformation within the hearts of your community.For cantor or soloist.

Arranger: Mary Howarth

In the words of the composer, this song is "a musical proclamation expressing the urgency, immediacy and impatience of the church to rise up to its call, to witness as a herald of reconciliation and justice." Indeed, the piece is best when a soloist, who fully understands and truly commits to the message being sung, sings the verses, and the assembly joins on the refrain.ÊFor cantor or soloist.

Using a text of hope for peace (written in response to the U.S. decision to invade Iraq), this setting is at its most effective when a soloist can convey the verses clearly, while not feeling too confined by the rhythms on the page. The piece has many uses, particularly in the season of Advent, at Pentecost, or during any gathering promoting peace.Ê

A simple and highly accessible 8-measure tune written for this Ruth Duck text features an ostinato on the text "Veni Sancte Spiritus" sung buy a section of the choir. The coda superimposes a descant on that text over the ostinato.

For cantor or soloist.Ê

This contemporary adaptation of an African American spiritual will have many uses in your church-during Lent; when themes of conversion are emphasized; services of reconciliation; ordinary time. It is also extremely versatile in its presentation, adjusting to your available forces and the willingness of the congregation to participate.C instrument or OboeÊ

The timeless tune, SLANE, is given new life when paired with a new text from the Iona Community. The piece can be adapted to a variety of forces and may be interpreted through many styles-from a folk song to a stately hymn!Ê

This setting of the Lucan canticle is for solo or unison choir verses interspersed with a Latin refrain that features the men's voices of the choir singing an independent counterpoint to the women-and-assembly melody. The C instrument provides additional interest with its own unique musical layer.For cantor or soloist

Arranger: Paul A. Tate

This blessing from Japan is extremely useful for any congregation. The edition has a refrain in Japanese and two refrains in English (a Trinitarian blessing and an interfaith blessing). An extensive list of verses is included, from which you can choose one that is appropriate for your occasion (e.g., weddings, religious vocations, mission trips, to name just a few).Ê

Composer: Izumi Shiota

Tradition Irish blessing embellished with verses from Ecclesiastes. SAB, Asmbly, Guitar, Acc.Recorded and Performed by Celtic Thunder on their CD InspirationalListen to the recording and follow along with the score in the video below:

Arranger: Paul A. Tate

Here's one of those pieces that is immediately appealing, easy to learn, but crafted to withstand time. Which is a good thing, as True's melodic setting of Murray's take on Romans 8 has many opportunities for use! It is preferred that a cantor sing the verses, unless the choir has excellent diction.Use a soloist on the verses, if desired.Ê

Arranger: Mary Howarth

For cantor or soloistC Instrument or soprano recorder

Arranger: Mary Howarth

A syncopated refrain for congregation and SATB voices is interspersed with verses for cantor or choir. Based on Ephesians 4:1-24.For cantor or soloist

Here is a beautiful option for times of unrest or anxiety. Mary Louise Bringle's text is thoughtfully set. The refrain can be used in the style of a mantra through continuous repetition.For cantor or soloistÊ

In the words of the composer, "Inspired by the wisdom of Pope Francis, who offers, 'Show by your life that it is worth giving your time and talents in order to attain high ideals, that it is worth recognizing the dignity of each human person, and it is worth taking risks for Christ and his Gospel,' this piece tries to explore every facet of what it means to let your life speak what you truly believe." Lori True's experiences working with the students of St. Catherine University, strong women whose actions speak as loudly as their cries for justice, inspired the composition of "Show by Your Life." The verses can be sung by a cantor, but the community can learn and pray them to God and to one another, keeping one another accountable to the mission of the gospel.

For cantor or soloist.

Arranger: Paul A. Tate

Includes additional verses appropriate for Sundays of Lent, year A.

These two very useful and accessible chants sing of peace, the diversity of creation, and the call to live as one. Both pieces are appropriate for interfaith assemblies and can also serve as calls to prayer sung by choirs and ensembles of all ages.

For cantor or soloist

A song that challenges us with the question posed in its title by naming so many of those in our society who are in need of our love and care, reminding us that even those whom we might thoughtlessly deem as undesirable, or those who are marginalized by modern society, are in fact God's chosen people.For cantor or soloist

Arranger: Mary Howarth

Bringle's text celebrates the mystery of God in many different aspects of the faith journey. Together with True's beautiful melody, this piece will find a place in any number of occasions-weddings, services with a focus on justice or faith, or celebrations of ministry. Although the use of oboe is indicated, other C instruments may be used.C instrument or Oboe

Arranger: Mary Howarth

For cantor or soloist.

A refrain-and-verses communion processional or gathering song in a contemporary style. The last phrase of the refrain becomes a response to each of the four phrases of the verses. Moves along rhythmically with a pop feel.For cantor or soloist

Arranger: Paul A. Tate