The tune and setting of this anthem immediately recall the stateliness and comfort of an "old" hymn. Springing from Hebrews 12:1-3, the piece is quite useful for All Saints and any time of remembrance of those who have gone before us in faith. Don't be surprised if you feel a chill or are a bit overwhelmed when singing this "new old classic."

The "O" Antiphons have been prayed for over a thousand years as part of the Vespers services during the fourth week of Advent. Marty Haugen's setting (using five of the seven antiphons) is appropriate during Advent and for any occasions that focus on longing for God. The contrast of the minor and major keys expresses yearning for God's promised reign in Jesus juxtaposed with our hope that God is with us.

C instrument part is optional.

The text of "Be Merciful," drawn from Luke, reminds us to be merciful to others as God is merciful to us; the verses provide concrete examples. Alternate choral settings for the verses (two-part and "backup") offer some variety. The relaxed tone suggests natural use as a prelude or even at the preparation of gifts, post-Communion, or other times of reflection. Originally written for the Jubilee Year of Mercy, this song will be appropriate as long as the need for mercy remains.

Oboe or other C Instrument, or English Horn.

A text that expresses the vast nature and inexplicable power of God's loving grace is set to a new hymn tune, the aptly named COSMOS. The melody moves fluidly and is easily memorized. A standard hymn version with four-part voicing is also included in the octavo. A great way to share the mystery of Christmas!Listen to the music and follow the score in this preview video.

The gently flowing melody, paired with a lovely text adaptation of Scripture, would be perfect for any wedding. The length of the piece can be altered to include a verse with a descant if extra time is needed.Ê

Second keyboard part is optional.

A paraphrase of the Canticle of Zachary, in metrical form, set to an arrangement of land of rest. Its five stanzas can stand alone as an assembly hymn, or can be enriched by the various choral treatments found in this edition. Note that parts for two treble instruments are available separately.Ê

This powerful piece celebrates the 35th anniversary of the ecumenical Christian movement called Bread for the World that formed to urge political leaders of the United States to end hunger domestically and abroad.Ê Following the theme "Rejoice, Hope, Act," the hymn "Bread for the World" rallies Christians to unite and help others feed themselves as Christ feeds us in the body of Christ.Ê A portion of the proceeds from the purchase of this song will be donated to the organization Bread for the World.For cantor or soloist.

"Bring Peace" was written for use as an individual or community prayer for peace. Communities are invited to create additional verses to address specific needs or occasions. The alternate verses allow for simple tropes to be created as needed. Many options are available for string obbligato instruments.Octavo includes alternate refrain for SATB voicesFor cantor or soloist.

Original version G-2665.

This is a metrical setting of the Venite, Psalm 95. It is a three-stanza hymn for assembly with varied choral scoring on each stanza. Sturdily moving along in a solid 4/4, it is equally suitable for ensemble or organ.Ê

Adam M. L. Tice's graceful, prophetic, and challenging text encourages us to create peace and to be thoughtful stewards of creation. We are called to "live what we believe." Moving from a unison verse to choral harmony and then to the melody with soaring descant, this fervent hymn gathers energy from beginning to end. Haugen's piece is offered both as an extended choral anthem and as a traditional hymn for assembly.Octavo contains a hymn version.

This popular text from John 1 is scored for SATB choir and assembly, with verses for solo or choir section, which overlay an optional vocalized choral accompaniment. The final verse is scored for choir. A good choral anthem with or without assembly participation.

For cantors or soloists.String quartet parts are only to be used with the choral octavo version, not the hymn version.

Inspired by the active nature of Adam Tice's baptismal text, Marty Haugen has written a tune that evokes the same "immediate and strong energy." This song can be used for any baptismal ritual or remembrance of baptism. Although certainly appropriate for infant baptisms, the text and tune combination in "From the Waters I Will Rise" would be especially meaningful during the baptism of youth or adults.The C instrument part is optional.

Pronounce that "gah-te." It is an ancient Sanskrit mantra chanted by Buddhists throughout the world. It is a prayer for the holy gift of peace. A 10-measure song with simple interlude of sustained chords to accompany spoken prayers creates a flexible piece of ideal repertoire for interfaith gatherings.There is a speaker part in this edition.

Composer: Marc Anderson

This natural, eminently singable mantra, "Gift of God, O Emmanuel," has already become a traditional staple for many communities.Based on the O Antiphons and with alternate refrains, it is suitable for Advent through Christmastide.An arrangement of "Silent Night" (in G-3138) that works with "Gift of God" is well worth pairing with this attractive and useful gem by Marty Haugen.

Simply put, this song is fun to sing! The accompaniment, including rhythmic percussion parts (included in the octavo), provides a wonderful support for the singers. The words remind us of the countless places where we can see the presence of God. Additional verses are included for variety-or for when you just don't want to stop!For cantor or soloist

This simple carol celebrates the transforming power of God's incarnation in Jesus. It can be sung by unison children's choir or by adult ensembles; a standard hymn setting is also included in the octavo. There are two different handbell parts available: one for a greater presence of the bells; one for a simpler, quieter presentation.Hymn Version is included in the octavo.

For cantor or soloist.

Marty Haugen has created a warm, sincere song with solo verses accompanied by lush harmony in the SATB choir. Assembly and choir join in the full texture of the refrain. Haugen shares his vision for the composition: "This song was written to evoke both the sacredness of creation and our responsibility to care for its life today and its life for future generations."

Here's a lively song with an infectious swaying rhythm for soloist, SAB choir, and trumpet. Two versions are offered here: as an extended choral anthem, and in traditional hymn format. Perfect as a morning hymn for gathering or as an anthem for festive occasions.Octavo includes a hymn version.For cantor or solo.Ê

Psalm 89 in an original musical setting and paraphrase. It features a unison refrain with descant, four metrical SATB verses for choir, and an additional, slightly more complex optional choral setting of verse 3 for a cappella singing.Ê

A prayer for an end to war, based on Isaiah's call to beat our swords into plowshares. A song that summons all to God's reign of peace. Mostly unison verses with a choral-and-assembly refrain.For cantor or soloist

For cantor or soloist.

In its sweeping lyric, Francis' canticle combines a reverence for and delight in God's creation and simultaneously celebrates God's tender love and compassion for humanity. Pope Francis echoes this same understanding in his declaration of a Jubilee Year of Mercy and his 2015 encyclical on the environment named after St. Francis' canticle, Laudato Si. In keeping with the spirit of St. Francis, this setting is intended to be simple and easily accessible. Keep the presentation light and joyous. With a little practice an assembly can sing the verses, as well as the refrain. An alternate setting of the final verse was written to offer a change in tone for the more somber text.

This song was written for (and named after) a conference at Nu'uanu Congregational Church in Honolulu, Hawai'i, in 2003. The verses seek to connect the sweep of salvation history-Creation, Exodus, and the first Pentecost-with the continuing work of the Spirit in the world today. This simple choral arrangement allows the story to shine.

Composer: Jeanne Cotter

With a text based on the writings of St. Francis de Sales, Marty Haugen's piece inspires us to emulate Jesus Christ in our daily life. Steady pacing and balanced phrases give this memorable melody a hymn-like character. Verses are sung by a soloist supported harmonically by an SAB choir, while the assembly joins in with the easy, tuneful refrain. Envisioned for celebrations of commitment or dedication, blessings, or transitions (such as graduation).

Marty Haugen's inspiring text closely follows the words of Christ as it addresses the universe of social concerns for Christians. Jesus offers us a template for how we ought to live our lives.The tender melody, sung by soloists, is supported and answered by the gentle harmonies sung by the choir. The refrain is easily sung by the assembly with the choir and soloists, and the assembly could manage the verses as well.A lovely accompaniment with two C instruments, guitar, and keyboard adds to the haunting quality.

English horn or cello.Ê

Here is a sweet, effervescent piece, written in a contemporary style. It is perfect for weddings and the simple melody encourages congregational participation.Ê