A powerful, driving setting of a powerful text of justice and inclusion.20 handbells.

Composer: Lori True

C instrument part is optional.Ê

Composer: James Chepponis

Composer: Ricky Manalo

Composer: James E. Moore

Unison, 2 equal or mixed voices, descant, SATB.ÊÊ

Composer: Jeremy Young

Arranger: Rory Cooney

This is a highly practical and attractive, yet quite simple, song for anointing during confirmation. As a plus, it is bilingual. The English refrain is enriched by a Spanish, musically independent descant. The verses-almost like a litany of the saints-call out a long list of Christian names (Anglo and Hispanic) to which the eventual response is "Come and be sealed." Other names can easily be added or substituted, even those of the entire class.

Composer: Tony Alonso

This musical call to discipleship can easily find a place in occasions and celebrations that highlight ministry, mission, and service. The contemporary style of the piece lends itself to favorable reception by people of all ages and liturgical leanings.Unison or cantor.

Arranger: Gerard Chiusano | Composer: Tom Franzak

C instrument part is optional. 15 Handbells.Verses from Sancti, venite, corpus sumite, 7th C. Latin.

Composer: James Chepponis

Arranger: Michael Connolly

Composer: Tony Alonso

Composer: Gary Daigle

Choir or cantor. C instruments are optional.ÊÊ

Composer: Steven Janco

For cello or bassoon.

Composer: Zack Stachowski

Composer: Marty Haugen

Composer: Thomas J. Porter

Composer: James Chepponis

Flute ad lib.Ê

Arranger: Rory Cooney

Guitar, solo instrument and assembly parts are optionalDescant may be sung by voices or played by a solo instrument

Composer: Martin Barry

Psalm 69, a psalm of deep lament, is given a stark treatment in this setting. It is a crying out by any community that witnesses injustice or persecution, whether first-hand or on a global level. In the words of the composer, "I imagined that...those singing might hear their own song of lament resonating and repeating from others in the assembly."

Composer: Marty Haugen

Adapted from Psalm 104, this somewhat Taize-like setting offers an eight-measure melody with up to twelve verses that fit over the same accompaniment, and includes various parts for treble and bass instruments. In addition, the refrain may be sung as a three-voice canon over a specially provided ostinato accompaniment.The C instrument parts are for a treble C instrument and a bass C instrument.

Composer: Marty Haugen

Composer: Scott Soper

Composer: Ricky Manalo

Arranger: Gary Daigle

String quartet part is optional.ÊÊ

Arranger: Francis Patrick O'Brien

Psalm 51: Unison and/or Asmbly, Cantor(s), Guitar, Acc; Psalm 19: 2 Mixed Voices, Asmbly, Cantor, Guitar, Acc.

Composer: Tony Alonso

Unison or 2 equal or mixed voices.Ê

Composer: Marty Haugen