Composer: Diana Macalintal

Jaunty and joyous, this original psalm setting from Chris de Silva will put a smile on everyone's face. The music conveys the assurance that Jesus is reigning over all; why, therefore, wouldn't we want to shout with joy and sing "Alleluia"? The choir can hum or "oo" on the ostinato refrain while the verses are sung by a soloist.For cantor or soloist.

Composer: Chris de Silva

Chris de Silva's setting offers an alternative to settings of Psalm 98 that are more majestic. The use of flute on the C instrument part will enhance the tranquility of the laid-back melody. This is proof that a psalm of praise can be understated but still display a calm confidence in the saving power of God.For one or two cantors or soloists.

Composer: Chris de Silva

Tony Alonso has fashioned a pairing of text and music that will become a regular part of your Communion ritual. The 2-part writing is ideal for small choirs. Parts for flute and oboe are included in the octavo.Ê

Composer: Tony Alonso

Composer: Chris de Silva

Bass instrument part is optional.

Composer: Francis Patrick O'Brien

Based on Matthew 11:28-30, Chris de Silva paraphrases the words of the Savior, who invites us to turn to him when all seems hopeless. This introspective setting assures us that Jesus will give us the rest we seek.

Composer: Chris de Silva

Flute, violin and cello parts are optional.

Composer: Rob Glover

This lengthy Advent processional comes from the repertoire of the Dameans. Though scored for piano and optional guitar, it's fairly straightforward except for a highly unusual bass line that lends the accompaniment a unique feel. Five stanzas of the familiar Advent hymn are followed by seven new verses and a coda, which sing the "O Antiphons" in a more original form. The two sections could easily be used separately, or in alternation from one to the other and back.

Arranger: Kate Cuddy | Composer: The Dameans

An Advent song with draws on Advent scriptural themes. Has a simple refrain for the assembly which is always stated first by soloist or choir. Verses are for solo, unison choir with descant, and two-part mixed voices. Moves along at a fairly gentle pace with rolling eighth-note accompaniment.For cantor or soloist

Composer: Ian Callanan

Lori True has crafted a beautiful tune to match the peaceful text of truth and trusting from Shirley Erena Murray. A wonderful choice for sending forth anyone-missionaries, youth work groups, social justice advocates-called to do God's work in the world!

Composer: Lori True

Composer: Gary Daigle

A three-verse song that petitions God for blessing, mercy, guidance, faith, love, understanding, life, compassion, wisdom, resting, rising-with each new day. An easily learned, gently syncopated tune scored for two-part choir, women and men, with assembly singing throughout.Assembly parts are optional.Ê

Composer: Carol Browning

Composer: Michael Mahler

Here is a lovely piece that has many possible uses. Two reproducible boxes are provided, so that you may choose the most appropriate version for your assembly (one in unison, one in a quasi-imitative style). Alternate verses, drawn from Psalm 133, are printed for the cantor or choir as well.

Composer: Lori True

For cantor or soloist.Ê

Composer: Katherine True

As a result of the shared wisdom of Pope Francis at a 2013 World Youth Day prayer event, Lori True reveals that Francis' "awe-inspiring instruction has prompted me to compose...for the church at prayer. 'I Send You with the Grace of My Spirit' is intended to bless us as we go forth from our gatherings as 'companions of peace,' and calls us to include the least among us as friend along the journey."

Composer: Lori True

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Arranger: Paul A. Tate | Composer: Marc Stockert

Composer: Gary Daigle

Using a text of hope for peace (written in response to the U.S. decision to invade Iraq), this setting is at its most effective when a soloist can convey the verses clearly, while not feeling too confined by the rhythms on the page. The piece has many uses, particularly in the season of Advent, at Pentecost, or during any gathering promoting peace.Ê

Composer: Lori True

A simple and highly accessible 8-measure tune written for this Ruth Duck text features an ostinato on the text "Veni Sancte Spiritus" sung buy a section of the choir. The coda superimposes a descant on that text over the ostinato.

Composer: Lori True

Using "The Jesus Prayer" for the ostinato refrain, Browning offers this piece in the manner of the music of Taize.Several verses are available to superimpose over the ostinato. The refrain appears in a 4-part version and a 2-part version.Keyboard variations are also provided.

Arranger: Kathy McGrath | Composer: Carol Browning

Composer: Carol Browning

The contemporary feel of this piece has a broad appeal-even among those with comparatively traditional taste! Try it soon with your ensemble and assembly. You'll be glad you did!

Composer: Chris de Silva

Arranger: Tony Alonso

This setting of the Lucan canticle is for solo or unison choir verses interspersed with a Latin refrain that features the men's voices of the choir singing an independent counterpoint to the women-and-assembly melody. The C instrument provides additional interest with its own unique musical layer.For cantor or soloist

Composer: Lori True

This blessing from Japan is extremely useful for any congregation. The edition has a refrain in Japanese and two refrains in English (a Trinitarian blessing and an interfaith blessing). An extensive list of verses is included, from which you can choose one that is appropriate for your occasion (e.g., weddings, religious vocations, mission trips, to name just a few).Ê

Arranger: Lori True | Composer: Izumi Shiota

Composer: Lori True

Composer: Michael Mahler

Here's one of those pieces that is immediately appealing, easy to learn, but crafted to withstand time. Which is a good thing, as True's melodic setting of Murray's take on Romans 8 has many opportunities for use! It is preferred that a cantor sing the verses, unless the choir has excellent diction.Use a soloist on the verses, if desired.Ê

Arranger: Mary Howarth | Composer: Lori True

Here is a piece in the popular vein with lyrics that borrow heavily from Ruth 1:16-27 and traditional wedding vows. e setting may be sung as a solo, or by a choir divided evenly between the melody and harmony parts.For cantor or soloist.

Composer: Jeanne Cotter

Composer: Marty Haugen

Composer: Rory Cooney

This call for renewal has resonated with congregations for decades, with plaintive choral verses in the minor mode and assembly refrains in major. Bring a new level of personal introspection to your congregational song.

Composer: Randolph N. Currie

Composer: Francis Patrick O'Brien

Adapted from the Jewish Sabbath service, this simple song with limited two-part harmony, uses Hebrew and English for the refrain, with English verses punctuated by the community's "Sim Shalom." It is the universal call for peace. The verses also call for peace, friendship, healing, virtue, hope, and an end to fear, war, and hate.For cantor or soloist

Composer: Marty Haugen

Children's choirs and treble choirs of any age will enjoy this celebration of children in the church.Ê The middle section features a dialogue between soloist and choir, while a simple, appealing tune and accessible two-part harmony frame the middle section, which features a dialogue between soloist and choir. Once you sing this, it will stick with you and bring a smile to your face.Ê2 or 3 octaves Handbells or Handchimes

Composer: Marty Haugen

Composer: Siobhan Mullin

A bold setting of nettleton with original text calling upon us to move from the table of the Lord to the table of the world, living and doing the work of the gospel. Scored for two voices with C instrument, and soprano descant on the final stanza. Assembly sings throughout.

Arranger: Tony Alonso

For cantor or soloist.

Composer: Lori True

The call-and-response nature of the refrain makes assembly participation about as easy as possible; the women of the choir support the assembly and the men provide a bit of easy harmony, all over a relaxed accompaniment. While not requiring an exceptionally large vocal range, the cantor should ideally have a solid low range (down to a low A) with the ability to sustain the upper D at a couple of points in the verses.For cantor or soloist.

Composer: Gary Daigle

A mostly unison song with a reggae feel that follows the textual pattern of many a reggae song - i.e., the verses each cite a particular evil followed by a plea for an end to its power over people. A strong social justice message that needs to continually be on the lips of the church.For cantor or soloist

Composer: Marty Haugen

"The Benedictus (Canticle of Zechariah) is the premier gospel canticle for morning prayer. Its use at morning prayer, combined with being Zechariah's song of thanksgiving at the birth of his son, John the Baptist, makes it especially appropriate for the Solemnity of the Nativity of Saint John the Baptist and throughout the season of Advent. The images of justice, joy and peace in this hymn of praise make it suitable as a gathering or sending song for eucharistic celebrations throughout the liturgical year." -Tony Alonso

Composer: Tony Alonso

This ballad-like text traces the journey of Jesus and his followers; a journey that leads to the cross, and then leads on again. Mostly unison with a countermelody for the male voices on the refrain. The verses work well with solo voices or ensemble singing.

Composer: Bob Moore

Daigle has arranged this popular John Bell discipleship hymn for two voices. The flute part is available separately.

Arranger: John L. Bell

Here is a great opportunity for two equal or mixed voices to express the innermost thoughts of our hearts and the desire to walk in the way of the Lord. Based on the writings and life of St. Francis of Assisi, the assembly will be eager to sing its part on the refrain.String quartet is optional

Composer: Chris de Silva

Based on Psalm 62 and Psalm 91, respectively, you'll find many uses throughout the year for these reflective pieces. Easy, harmonically interesting, and flexible voicings with poignant texts.For cantor or soloist

Composer: Marty Haugen

Flute and oboe parts are optional.

Composer: J. Michael Joncas

Flute or Oboe. 2 equal or mixed voices, optional SATB.

Composer: Thomas J. Porter

Composer: Gary Daigle