Cantor or SoloPercussion part is for Conga

"'A House of Prayer' is a meditation on the diverse images of church found in the Hebrew Bible (especially Isaiah 56:7), the New Testament (especially 1 Peter 2:5), and contemporary theological reflection (especially recent words of Pope Francis). It is well suited for use at the dedication of a new church, the anniversary of a church, or whenever images of church emerge in the Lectionary." -Tony Alonso

Settings of the Gloria incorporating the refrain of "Angels We Have Heard on High" are a wonderful way to encourage and inspire the sung prayer of diverse assemblies throughout the Christmas season. Alonso has adapted the verse tune and, inspired by the invigorating piano accompaniment of Cotter's arrangement of the hymn, he has expanded the composition further, specifically for ensembles in which piano or guitar is the primary accompanying instrument. Includes an alternate accompaniment, which may be more appropriate in certain instances.

Taken from the collection Encounter: From the Heart of Pope Francis, G-9616, the stunning text for this beloved tune is matched only by the outstanding arrangement. This surprisingly simple piece will easily find the perfect home in your choir for the Christmas season.ÊLearn a little more about this piece in this short interview with Tony Alonso.Listen to the recording and preview the score to A Weary Couple in thisÊscore video.

Composer: Louis Bourgeois

Composer: Rowland H. Prichard

A chorale-like 3-stanza hymn in simple triple meter that has the unique feature of presenting the choice of totally different piano and organ accompaniments. The former yields a more contemporary feel, while the latter results in a classic hymn version. A trumpet part is published separately.

For cantors or soloists and C or B-flat instrument.

While actually a solo with choir or small ensemble, this lovely and lyrical song of healing and hope proclaims the recurring and comforting phrase "don't be afraid"-words we all need to sing and hear these days! Try this piece using a male and female soloist for increased variety.For cantor or soloist.

Arranger: Chris de Silva

"Don't be afraid" assures this comforting text written for those in suffering. The gentle folklike tune is scored for any combination of two voices with an accompaniment that consistently anticipates the third beat of the bar. The cello part could be played on another instrument capable of producing a legato line in a tenor register.

Tony Alonso has fashioned a pairing of text and music that will become a regular part of your Communion ritual. The 2-part writing is ideal for small choirs. Parts for flute and oboe are included in the octavo.Ê

'''Be My Hands and Feet' is a response to the words and deeds of the Risen Christ, connecting language of the resurrection with the demands of discipleship. It would be appropriate throughout the Easter season. . . . It would also be appropriate whenever images of mission, ministry and discipleship appear in the Lectionary readings throughout Ordinary Time." -Tony AlonsoThis is a piece that will have many opportunities for use throughout the year, as indicated in the composer's notes. There are several appropriate places in the liturgy for this text; the refrain is ideal for quick memorization, making it attractive for use during the Communion processional. The optional bridge, with its contrapuntal cries of "Alleluia," provides a nice contrast to the mostly homophonic texture of the verses.

For cantor or soloist.Ê

Arranger: Chris de Silva

Tony Alonso offers this arrangement of Kantor's pairing of the old and the new (similar to his "Silent Night/Night of Silence" juxtaposition). This edition provides an instrumental interlude featuring GREENSLEEVES, thereby allowing the assembly to confidently sing their part against the countermelody of "Child of Light."

Composer: Daniel Kantor

From the Revival collection, this piece takes the tune LLANFAIR, adds a modern accompaniment, and pairs it with two texts by Charles Wesley. This very accessible work offers multiple presentation possibilities. Fresh and inviting!

Composer: Robert Williams

This is a highly practical and attractive, yet quite simple, song for anointing during confirmation. As a plus, it is bilingual. The English refrain is enriched by a Spanish, musically independent descant. The verses-almost like a litany of the saints-call out a long list of Christian names (Anglo and Hispanic) to which the eventual response is "Come and be sealed." Other names can easily be added or substituted, even those of the entire class.

Inspire your congregation with this favorite Pentecost text in a beautiful rendering of the traditional tune. With the aim of providing fresh arrangements for contemporary ensembles, this edition from Revival (G-9405; G-9538) provides parts for SAB choir, optional parts for C instrument and cello, and an optional harmonization with descant on the final stanza.

Composer: Louis Lambillotte

Listen to the music and follow the score in this preview video.

Composer: Ralph Vaughan Williams

From the Revival collection, this piece uses the traditional tune RESTORATION and adds a modern accompaniment to the Sacred Harp feel. Scored for SAB choir, assembly, keyboard, and guitar with optional violin. For added texture, the final stanza of this hymn includes an alternate harmonization of the accompaniment with a soprano descant.

This is part of a larger, 14-octavo collection called Revival, G-9405, a series of traditional hymn arrangements for contemporary ensembles intended to lead and inspire the singing of the liturgical assembly. The texts of these timeless favorites are those found in the most recent GIA hymnals, but parishes and communities are encouraged to sing the words commonly sung in their worship.

Composer: George J. Elvey

This is part of a larger, 14-octavo collection called Revival, G-9405, a series of traditional hymn arrangements for contemporary ensembles intended to lead and inspire the singing of the liturgical assembly. The texts of these timeless favorites are those found in the most recent GIA hymnals, but parishes and communities are encouraged to sing the words commonly sung in their worship.Ê

The flowing accompaniment of this song creates a feeling of vastness within a palette of simplicity. The text (sung in English, Spanish, Korean, and Tagalog) underscores the universality of Psalm 51's plea for the presence of God in our hearts.For cantor or soloist

Arranger: Chris de Silva

Drawn from Luke's account of the Emmaus story, this rather folklike and systematically syncopated verse and refrain moves along at a good tempo making it an ideal processional. The essentially SAT scoring of the choral parts (basses can double the melody) lends a tight contemporary sound. Additional interest is created through a bridge section and instrumental interlude.Violin or C Instrument

From the second installment of the best-selling Revival series (Revival II: octavo collection, G-9900; spiral edition, G-9900S), Tony Alonso's arrangement of the ever-popular SINE NOMINE offers a fresh treatment for contemporary ensembles with guitar- and piano-based bands. What a great way to invite your community into the tradition of hymn singing!Listen to the recording and see the score in the video below:

Composer: Ralph Vaughan Williams

From the Revival collection (octavo packet G-9405; spiral-bound G-9538), this arrangement uses the traditional tune DIX in a fresh and inviting way. For added texture (as with all of the pieces in Revival), the final stanza of this hymn can be sung in unison, and includes an alternate harmonization of the accompaniment with a soprano descant.

Composer: Conrad Kocher

Set in an earthy, bluegrass style, this poignant text bears witness to the ministry of Jesus on earth, as well as the intertwined relation between the Incarnation and the Crucifixion.

Arranger: Gary Daigle

This Communion processional is ideal for use throughout Ordinary Time and on the Sundays of Lent and Eastertide. The multiple verses for cantor and the instrumental interlude provide options for tailoring the length of the piece to the length of the Communion procession.

A litany invoking the coming of the Holy Spirit. A brief cantor-assembly dialog begins the piece and "teaches" the assembly their part. The choir accompanies the cantor's verses on a neutral syllable, switching to words with the assembly's response.For cantor or soloist

A traditional melody with a fresh arrangement by Tony Alonso will be rewarding for your choir, pianist and flautist. Parts of the Magnificat text (in Latin) are interspersed. Excellent part writing-a beautiful anthem deserving of attention!

"'Glorify the Lord By Our Lives' is a sending song appropriate throughout Ordinary Time and Easter. . . . Adam Tice's powerful text is a call to mission and ministry inspired by the mission of the Religious Sisters of Charity, for whom the song was written. The optional bridge is intended to allow for flexibility in length and style." -Tony AlonsoThis is a sending song appropriate throughout Ordinary Time and Eastertide. Adam Tice's powerful text is a call to mission and ministry inspired by the mission of the Religious Sisters of Charity, for whom the song was written. The optional bridge is intended to allow for flexibility in length and style.SATB hymn version of the piece is included in the octavo.For cantor or soloist.Ê

A versatile piece that is useful at the conclusion of any eucharistic celebration. An expanded choral arrangement is provided, but it may be done as a simple congregational hymn.ÊÊ

For youth choir or contemporary ensemble, this setting from Psalm 40 has a laid-back soft-rock feel. Its compelling refrain for assembly and SATB voices alternates with verses for one or two cantors.For cantor or soloist

Listen to the recording and see the score in the video below:

Composer: John Bacchus Dykes

For cantor or soloist.

Composer: Robert Lowry

From the Revival collection (octavo packet G-9405; spiral-bound G-9538), this arrangement uses the traditional tune FOUNDATION. The accompaniment has a folk quality that is both compelling and comforting. For added texture (as with all of the pieces in Revival), the final stanza of this hymn can be sung in unison, and includes an alternate harmonization of the accompaniment with a soprano descant.

Shirley Erena's Murray text invites the singer and listener to reflect on the plights of poor children throughout the world. Tony Alonso's hymn-anthem perfectly captures the sentiments of the text.For cantor or soloist.

Arranger: Chris de Silva

Listen to the recording and see the score in the video below:

Composer: John Hatton

Listen to the recording and follow along with the score in this preview video:

Tony Alonso has beautifully set John L. Bell's text, which has its origins in the parable of the Prodigal Son. Each of the first 3 verses is from the point of view of the three main characters, combining them for the fourth verse. Ideal for Lent as well as any reconciliation-themed service.

Inspired by Psalm 121 and the writings of Thomas Merton, this impassioned declaration rhythmically moves with stately confidence, building to a crescendo that conveys with unwavering certainty that God ever walks this path before us. The tender melody resonates deep within the soul while the choral writing supports and enhances without detracting from the power of this poignant text.For cantor or soloist.Ê

Arranger: Chris de Silva

At its heart, this piece is a solid mantra that is capable of becoming a song of praise, prayer and journey for your community. Chorally, consider this as a call to prayer. Congregations might do well to sing this as a blessing song or concluding song at almost any service or celebration. Instrumental parts (within the pages of the edition) offer additional ways to bring flexibility to this simple setting. Two- and four-part choral textures are provided.

Arranger: Chris de Silva

Inspired by Matthew 11:28-30, Tony Alonso composed a piece that reminds us of the joy and gentleness awaiting in God's embrace. Reproducible material for the congregation is included in the octavo.

A very fresh and accessible arrangement with a Shaker feel. For added texture, the nal stanza of this hymn includes an alternate harmony.