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php # 2011aug17 ew - a-cappella arrangements vocal-jazz-top-menu.part # This is where we put in menu items for this whole category. # If you don't have menu items for this whole category then just remove the line below. I'm leaving composers here as an example. ?>Everyone in a SATB group knows that we’ve got the best of both worlds – the sassy women’s voices and the bottom end that rounds it out. What could possibly be better? Being an SATB group with great arrangements, of course! Lucky you, you came to the right place to guarantee that happens to your group. Whether it’s jazz standards, music of the ‘70s, a cappella standards, pop, world-beat or even doo-wop madrigals that your quartet is looking for, you’ll find it here, arranged by some of the top arrangers in the a cappella world.
Displaying 201-250 of 1117 items. Edward Elgar : 4 Unaccompanied Part-SongsReview: Four unaccompanied part-songs for SATB with divisions, and piano accompaniment for practice only. Words by Tennyson. Edward Elgar : Five Unaccompanied Part-Songs - Op. 71, 72, 73Review: Elgar's part songs, written in 1914 to be sung by choirs across England. Includes Op. 71, 72 and 73 for SATB with divisions. Piano for rehearsal only. Edward Elgar : Give Unto the Lord, Op. 74Review: A new edition (2004), prepared by Bruce Wood, of Elgar's setting of Psalm 29 for SATB Chorus and Organ or Orchestra. Edward Elgar : God Save The QueenReview: An triumphant arrangement of the National Anthem for a full mixed chorus by Edward Elgar, with accompaniment for Organ. Edward Elgar : Great Is the Lord, Op. 67Review: Psalm 48. Anthem for SATB and organ or orchestra. First performed in Westminster Abbey, 16 July 1912. Full score and orchestral material on hire. Edward Elgar : Great Is the Lord, Op. 67Review: An updated 2004 edition, by Bruce Wood, of Elgar's composition for SATB Chorus and Orchestra, composed in 1910. Edward Elgar : O Hearken ThouReview: A new edition (2004) of the Offertorium composed for the coronation of King George V and Queen Mary in 1911. This edition, by Bruce Wood, also includes an anthem arranged from the the Offertorium by the addition of another verse from Psalm V. Edward Elgar : Seven Anthems Revised Re-Engraved EditionReview: Seven Anthems includes seven of Edward Elgar's most popular works. Six are arranged for SATB and Organ accompaniment while one more is arranged for SA and Organ accompaniment. Works included are: Doubt not thy Fathers care (SA) from The Light of Life, Fear not, O land (SATB) Harvest Anthem, Light of the world, we know thy praise (SATB) from The Light of Life, Light out of darkness (SATB with divisions) from The Light of Life, O hearken Thou (SATB with divisions) arranged by the composer from the Coronation Offertorium, The Spirit of the Lord is upon me (SATB) from The Apostles and They are at rest (SATB unaccompanied) Edward Elgar : Te Deum and Benedictus, Op. 34Review: A new edition, prepared by Bruce Wood, (2004) of the setting composed for the opening service of the 1897 Three Choirs Festival. Edward Elgar : The Apostles - Op. 49Review: An oratorio for soprano, alto, tenor and three bass soli, SATB and orchestra. This edition contains all vocal parts and a piano accompaniment. Edward Elgar : The Early Part-Songs 1890-1891Review: A collection of Elgars's early works for unaccompanied mixed voice choir. Songlist: O Happy Eyes, Love, My Love Dwelt in a Northern Land, Spanish Serenade Edward Elgar : The Later Part SongsReview: Unaccompanied poetry settings from the period 1902-1925, for SATB with divisions. Includes piano part for rehearsal purposes. Songlist: Evening Scene, Weary Wind of the West, The Prince of Sleep Edward Elgar : Three Unaccompanied Part-Songs for Mixed VoicesReview: Includes piano part for rehearsal purposes. Edward Higginbottom : Three FolksongsReview: Edward Higginbottom writes a highly accessible and mellifluous arrangement of "Down By the Sally Gardens". The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic color allow the simple beauty of the tune to be heard. The traditional Somerset folksong "O Waly Waly" is given a delightful treatment and "Early One Morning" features both a solo baritone and solo soprano part that will make the singers shine! Songlist: Down By The Sally Gardens, Early One Morning, O Waly, Waly Egon Kraus (Editor) : European MadrigalsReview: A fine collection of madrigals from across Europe. Songlist: All Lust Und Freud (Joy & Mirth), All Riva Del Tebro (Bank Of Tiber), Amor Vittorioso (Come W/Weapons), Bon Jour Mon Coeur (Di Lasso), Ce Moys De May (This Mo.Of May), Es Ist Ein Schnee Gefallen, Fire, Fire (Morley), Hark All Ye Lovely Saints, In Pride Of May, Innsbruck, I Now Must Leave Thee (Innsbruck, Ich Muss Dich Lassen), Io Piango (Weep,I Weep) Marenzio, It Was A Lover And His Lass, Kuckuck Hat Sich Zu Tod Gefalln, Lasciate Mi Morire (Leave Me,Love), Mignonne (Fair Maid,Consider Rose), Mit Lust Tret Ich An Diesen Tanz, Now, O Now I Needs Must Part, Petite Nymphe Folastre (Nymphette, so Dashing and Appealing), Quand Mon Mary Vient De Dehors, Rest, Sweet Nymphs (Pilkington), Vezzosette Ninfe (Sweet&Ch Nymph), Weep, O Mine Eyes (J.Bennet), Wohlauf,Ihr Gaste(Good Health) Egon Kraus (Editor) : More European Madrigals For Mixed VoicesReview: A second collection of madrigals from the greatest European composers. Songlist: Dear love, you may believe me, Ah, the sighs that come from my heart, Come, ye shepherds, Fair maiden, you have captured, Come, pretty maiden, Oh, my heart is sad and sore, The cricket, Better do not get married, Gabriel, the other day, grace, my love one, fair beauties, Hard by a fountain, I know a young lady, In bitter woe and anguish, Beneath a laurel's branches, Go forth, my sighs, Oh, I have been forsaken, Far better to feel, Oh, nightingale, Spring has arrived, Sing we and chant it, To the hills and the vales, When I'm drinking good red wine, A sweet new song, My love, I'm filled with sorrow Emanuele D'Astorga : Stabat MaterReview: Composed during the early 1700s, Emanuele d'Astorga's nine-movement Stabat Mater was to become one of the most frequently performed choral works of the eighteenth century. Tinged with melancholy, it features ornate solos, duets, and trios interspersed between beautiful imitative moments for full chorus. Robert King has consulted eighteenth-century sources for this edition, which includes an organ reduction for rehearsal purposes. Emily Crocker : A Cappella Songs for Mixed ChorusReview: This collection of original songs and arrangements of folk tunes provides a long-needed source of a cappella contest literature for the developing choir. Quality texts, careful attention to range, tessitura, and thoughtful limits on melodic and harmonic complexity make these settings an ideal first a cappella experience. Available: SATB a cappella. Songlist: Winter, Fog, To Make A Prairie, Set Me As A Seal, See Them Dance, It Was A Lover And His Lass Emily Crocker / John Leavitt : Essential Musicianship - Book 1, StudentReview: Essential Musicianship, Book 1," recommended for Grades 6-8 or other beginning groups, is a sequential choral method that helps the beginning singer develop a strong foundation of musical skills. In each of the twenty chapters a concept is presented in the theory section, practiced in the sight-reading section, and applied in the performance of a song. Book 1 contains drills, exercises and 37 practice/performance songs for mixed, treble and tenor bass choir. Songlist: Alleluia, Animal Song, As The Holly Groweth Green, The Bells, Betty Botter, The Call, Dance!, Erin, Hey Diddle Diddle!, Hosanna, The Hunt, Joyfully Sing, King William, Leave Her, Johnny Leave Her, Let Us Chase The Squirrel, Love In Thy Youth, O Music, Sweet Music, Oh Soldier, Soldier, Rain, Shipwrecked, Sing Alleluia, Sing Your Songs, Sons Of Art, Spring Quiet, Winter Emily Crocker / John Leavitt : Essential Musicianship - Book 2, StudentReview: "Essential Musicianship, Book 2," recommended for Grades 8-10 or other older beginners, is a sequential choral method that helps the older beginner or returning singer develop basic to intermediate skills. Each of the twenty chapters includes materials for vocal development, music theory, sight reading and performance. Basic notation, rhythm, pitch and basic harmony are covered through drills, exercises and 44 practice/performance songs for mixed, treble and tenor bass choirs. Songlist: All Join Hands, Au Clair De La Lune, Christmas Comin', Come Follow, Cripple Creek, Down In The Valley, The Flowers, Fog, Fond Affection, He Is Born, Hosanna In Excelsis Deo, How Doth The Little Crocodile, Hush, Little Baby, Indian Summer, Intery Mintery, It Was A Lover And His Lass, Jerimiah Obadiah, Jubilate Deo, The Jumblies, The Kangaroo, Kyrie Eleison, Long, Long Ago, Love's Lament, Music, When Soft Voices Die, O! Mankind, The Old Brass Wagon, The Rainbow, The Red River Valley, San Serini, See Them Dance, and more Emily Crocker / John Leavitt : Essential Musicianship - Book 3, StudentReview: "Essential Musicianship, Book 3," recommended for Grades 10-12 or other advanced singers, is a sequential choral method that helps the returning high school singer develop intermediate to advanced skills. Concepts presented include major/minor scales, diatonic chords, intervals, chromaticism, categories of harmony, modes, simple, asymmetric and changing meters. The 52 practice/performance songs for mixed, treble and tenor bass choirs are designed to improve reading skills through expressive singing. Songlist: Aura Lee, Awake, Arise!, Benedictus, Bound For The Promised Land, Canon, Cape Cod Girls, The Colorado Trail, Confitemini Domino, Da Pacem, Domine, Dashing Away With The Smoothing Iron, Deck The Hall, Down By The Riverside, Faith And Hope And Love, Fine Knacks For Ladies, Gloria!, Goin' Round The Mountain, Golden Slumbers, Good Night Ladies, Greensleeves, The Gypsy Rover, Hi-Ho The Holly, I Know Where I'm Goin', Illumina Oculos Meos, Keep Your Lamps Trimmed and Burning, Kumbaya, Kyrie Eleison, Locus Iste, My Bonnie Lies Over The Ocean, My True Love Hath My Heart, O Mistress Mine, and more Emily Crocker / John Leavitt : Essential Musicianship - Level One Teacher EditionReview: "Essential Musicianship, Book 1," recommended for Grades 6-8 or other beginning groups, is a sequential choral method that helps the beginning singer develop a strong foundation of musical skills. In each of the twenty chapters a concept is presented in the theory section, practiced in the sight-reading section, and applied in the performance of a song. The Teacher Edition provides comprehensive lesson plans based on the National Standards for Arts Education. Songlist: Alleluia, Animal Song, As The Holly Groweth Green, The Bells, Betty Botter, The Call, Dance!, Erin, Hey Diddle Diddle!, Hosanna, The Hunt, Joyfully Sing, King William, Leave Her, Johnny Leave Her, Let Us Chase The Squirrel, Love In Thy Youth, O Music, Sweet Music, Oh Soldier, Soldier, Rain, Shipwrecked, Sing Alleluia, Sing Your Songs, Sons Of Art, Spring Quiet, Winter Emily Crocker / John Leavitt : Essential Musicianship - Level Three Teacher EditionReview: ESSENTIAL MUSICIANSHIP is a sequential comprehensive curriculum that is designed to build all the skills of a choral musician. It includes Voice-builders, Theory-Builders, Sight-Reading exercises and songs which can be used for classroom or concert. The easy-to-use format allows the books to be used with all types of choir: mixed, treble or tenor bass. Songlist: All People On Earth Do Dwell, All The Pretty Little Horses, Amazing Grace, An' Thou Wert My Ain Thing, Antiphonal Alleluia, Aura Lee, Awake, Arise!, Benedictus, Bound For The Promised Land, Canon, Cape Cod Girls, The Colorado Trail, Confitemini Domino, Da Pacem, Domine, Dashing Away With The Smoothing Iron, Deck The Hall, Down By The Riverside, Faith And Hope And Love, Fine Knacks For Ladies, Gloria!, Goin' Round The Mountain, Golden Slumbers, Good Night Ladies, Greensleeves, The Gypsy Rover, Hi-Ho The Holly, I Know Where I'm Goin', Illumina Oculos Meos, Keep Your Lamps Trimmed and Burning, Kumbaya, and more Emily Crocker / John Leavitt : Essential Musicianship - Level Two Teacher EditionReview: "Essential Musicianship, Book 2," recommended for Grades 8-10 or other older beginners, is a sequential choral method that helps the older beginner or returning singer develop basic to intermediate skills. Each of the twenty chapters includes materials for vocal development, music theory, sight reading and performance. The Teacher Edition provides comprehensive lesson plans based on the National Standards for Arts Education. Songlist: All Join Hands, Au Clair De La Lune, Christmas Comin', Come Follow, Cripple Creek, Down In The Valley, The Flowers, Fog, Fond Affection, He Is Born, Hosanna In Excelsis Deo, How Doth The Little Crocodile, Hush, Little Baby, Indian Summer, Intery Mintery, It Was A Lover And His Lass, Jerimiah Obadiah, Jubilate Deo, The Jumblies, The Kangaroo, Kyrie Eleison, Long, Long Ago, Love's Lament, Music, When Soft Voices Die, O! Mankind, The Old Brass Wagon, The Rainbow, The Red River Valley, San Serini, See Them Dance, and more Eric Whitacre : A Cappella Arrangements 1Review: The powerful fusion of Octavio Paz's Spanish text and Eric Whitacre's musical imagery has made 'Cloudburst a favorite with good high school choirs and beyond in the U.S. and abroad. Of timeless beauty, 'Waternight' speaks to singers and audiences of all generations, offering a high point in any concert program. A Boy and a Girl is a tender, delicate poem put to music by Eric Whitacre. It was commissioned by the 2002 California All-State Chorus. 'When David Heard' uses the text of David, lamenting the slaying of his son Absalom (II Samuel 18:33). It is a major work, with great dramatic moments describing the feeling of a father's loss. Songlist: Cloudburst, Waternight, When David Heard Eric Whitacre : A Cappella Arrangements 2 - e.e. cummingsReview: 'i will wade out' the first piece in the set, cries out with lush, neo-romantic harmonies. In 'hope, faith, love, life' each word is repeated as a musical meditation, quoting different works from Whitacre's choral library.' I 'i thank you God, for this most amazing day,' the shimmering quality of the chords help to convey the Whitacre's feeling of the text used in the poem. All three pieces are based on the poems by e.e. cummings, and are part of Eric Whitacre's series, titled 'Three Songs of Faith.' Songlist: I Thank You God For Most This Amazing Day, I Will Wade Out, hope, faith, love, life Eric Whitacre : A Cappella Arrangements 3Review: 'Sleep' is the collaboration between Eric Whitacre and poet Charles Anthony Silvestri, drawing on the mystical moment between awareness and sleep. For the setting of Lux Aurumque, Whitacre chose the Latin translation of an Edward Esch poem, enhancing the elegant simplicity of this new work. The text explores Leonardo da Vinci's dreams of flying. The blend of Italian madrigal and contemporary style supports the text, once again, by Charles Anthony Silvestri. Songlist: Sleep, Lux Aurumque, Leonardo Dreams of His Flying Machines Eric Whitacre : Animal CrackersReview: Here are six whimsical settings of Ogden Nash poems that are perfect for a lighter portion of your program or as an encore. They are easily-learned and fun to perform! Songlist: The Panther, The Cow, The Firefly, The Canary, The Eel, The Kangaroo Eric Whitacre : Nox AurumqueReview: Translated as "Night and Gold," this work is a companion work to Lux Aurumque (Light and Gold) with themes, both textual and musical, taken from Lux Aurumque and the composer's music theater work Paradise Lost: Shadows and Wings. In Latin. Eric Whitacre : The ChildrenReview: Set to a text by William Butler Yeats, "The Stolen Child" was commissioned by the National Youth Choir of Great Britain and The King's Singers to celebrate their 25th and 40th anniversaries, respectively. The chorus represents the voice of "the human child, innocent and naive" while the six solo voices represent the "water and the wild," seducing the children away from the world with the promise of endless revelry and eternal youth. Excerpted from Whitacre's music theater work Paradise Lost "Sleep My Child" for SATB and soloists is marked by delicate, ethereal sounds and purity of tone. Songlist: Sleep My Child, The Stolen Child Eric Whitacre : The City and the SeaReview: The City and the Sea is a new collection of five compositions from one of the world's most popular choral composer based on the poems of e.e. cummings. "i walked the boulevard" - White key clusters in the piano create the rhythmic framework for the playful vocals sung in unison declamation or that ricochet one part to another in this vividly portraying an urban street scene. "the moon is hiding in her hair" - This languorous setting features a chaconne-like left hand pattern in the piano along with right hand cluster chords and legato vocal phrases in octaves to create a meditative musical atmosphere. "maggie and milly" - With the characteristic clusters broken into arpeggios for this movement, this playful work features delightful wordplay and simple fun! "as is the sea marvelous" - This tender setting creates an image of the ebb and flow of the sea through pulsating parallel cluster chords in the piano and long legato vocal phrases. "little man in a hurry' - Full of colorful contrasts, this final movement from The City and the Sea dances with fun and humor! The rhythmic wordplay and deconstructed syllables poem hurtle ever faster to the final sudden "stop" for an extraordinary concert finale. Songlist: little man in a hurry, as is the sea marvelous, maggie and milly and molly and may, the moon is hiding in her hair, i walked the boulevard Eric Whitacre : The City and the SeaReview: Assembling five songs previously published separately and all with texts by e.e. cummings, this set is a real bargain. Originating as a Chorus America commissioning project, the sum is greater than its parts. Songlist: Little Man In A Hurry, As Is The Sea Marvelous, Maggie And Milly And Molly And May, The Moon Is Hiding In Her Hair, I Walked The Boulevard Eric Whitacre : The Sacred VeilReview: The Sacred Veil is a 12-movement work and the most recent collaboration between Eric Whitacre and poet/lyricist Charles Anthony Silvestri telling a story of life, love and loss. Silvestri's wife, Julie, died of ovarian cancer at age 36 in 2005, leaving two young children. Including texts from Silvestri, Whitacre and Julie herself, the intimate, compelling score tells a story of courtship, love, loss and the search for solace. Although inspired by this extraordinary and moving friendship, the piece does not mention Julie by name and shares a very human journey-one that so many of us can relate to. The Sacred Veil has been recorded with the Los Angeles Master Chorale, Jeffrey Zeigler (cello), Lisa Thomas (piano) and Eric Whitacre (conductor). Eric Whitacre : Three Flower SongsReview: Go, Lovely Rose is structured around the cyclical life of a rose, and is connected throughout by the opening 'rose motif,' a seed that begins on the tonic and grows in all directions before it blossoms, dies and grows again. Each season is represented. With A Lily In Your Hand is from a prodigious series of poems arranged in thematic "suites," later collected and in 1983 published as Suites. The original poem is titled: Curva. I Hide Myself is a simple little song. All of the musical suggestions come from a careful study of the poem, a quiet, passionate soul occasionally speaking a little bolder than the age will allow. She loves almost to the point of distraction, and this mood must prevail in the performance: shy and sullen, her passion surging to the surface only to sink back into the silence that is herself. Songlist: Go, Lovely Rose, With a Lily in Your Hand, I Hide Myself Erik Bergman : Vier Galgenlieder Op. 51bReview: Bergman's hit piece for 3 speakers and speaking (mixed) chorus with a duration of 6 minutes. These 'gallows songs' are settings of poems by Christian Morgenstern. The popular Das grosse Lalula is the first movement of the Vier Galgenlieder. The second is scored for women's voices while the full choir is held in reserve for the third and fourth songs. A rewarding work also from the singers' perspective which employs a varied palette of expressive techniques (1 Das grosse Lalula - 2 Tapetenblume - 3 Igel und Agel - 4 Unter Zeiten). Eriks Esenvalds : Choral Anthology 2 for Mixed ChoirReview: A second collection of choral works by Latvian composer Eriks Eoenvalds, in association with Musica Baltica. Songlist: Amazing Grace, Stars, Only in Sleep, In my Little Picture Frame, Long Road Eriks Esenvalds : Choral Anthology 4 for Mixed ChoirReview: Born in 1977 in Latvia, Eriks Eoenvalds is an original and sought-after voice of the Baltic music tradition. Commissioners have included the Latvian Radio Choir and State Choir 'Latvija', the Britten Sinfonia, Trinity College Choir Cambridge, Temple University (USA), the Boston Symphony Orchestra and City of Birmingham Symphony Orchestra. His work is recorded on a number of CDs. Eriks Eoenvalds is a former Fellow Commoner in Creative Arts at Trinity College, University of Cambridge. This choral anthology contains 8 pieces for Choir Songlist: Magnificat, Nunc Dimittis, Northern Lights, Rivers of Light, The Heavens' Flock, The New Moon, The Earthly Rose, Psalm 67 Eriks Esenvalds : Choral Anthology Vol 1Review: The Latvian composer Eriks Esenvalds is a most sought-after choral composers working today, with a busy commission schedule and performances of his music heard on every continent. Songlist: Who Is He?, Lielupe, O Salutaris Hostia, A Drop in the Ocean, Evening, This is my Father's World Eriks Esenvalds : Northern Lights (Latvian Folksong)Review: The ecstatic collision of energetic charged particles with atoms in the high altitude atmosphere known as the 'aurora borealis' is the subject of Northern Lights, commissioned in 2012 by the Choir of the West at Pacific Lutheran University in Tacoma, Washington. Named in 1621 by the French astronomer Pierre Gassendi Songlist: Christ is Come with O Come All Ye Faithful, Light of the World, Heaven and Nature Sang, Angels Sing Gloria, The Wonder of it All, Noel! Noel! Eriks Esenvalds : The First Tears - An Inuit LegendReview: Acclaimed Finnish composer creates a fascinating piece based on the Inuit Legend of The First Tear about a seal hunter who was so upset about his failure to catch a seal that he shed the very first tear. Felix Mendelssohn : ChristusReview: A choral worship cantata for SATB with TBB Soli composed by Felix Mendelssohn. Felix Mendelssohn : ChristusReview: English. Songlist: Say, Where Is He (Mendelssohn), This Man We Have Found (Mendelssohn), He Stirreth Up The Jews (Mendelssohn), Away With Jesus (Mendelssohn), Crucify (Mendelssohn), We Have A Sacred Law (Mendelssohn), Daughters Of Zion (Mendelssohn), He Leaves His Heavenly Portals (Mendelssohn), There Shall A Star Come Out Of Jacob Felix Mendelssohn : ElijahReview: English. Songlist: Help, Lord (Mendelssohn-Elijah), Lord, bow Thine ear (Mendelssohn-Elijah), For He shall give His angels (Mendelssohn), Blessed are the men who fear (Mendelssohn), Baal, we cry to thee (Mendelssohn), Hear our cry, o Baal (Mendelssohn), Baal! Baal! (Mendelssohn-Elijah), Draw near, all ye people (Mendelssohn), Cast thy burden (Mendelssohn-Elijah), The fire descends (Mendelssohn-Elijah), Thanks be to God! (Mendelssohn-Elijah), Be not afraid (Mendelssohn-Elijah), Woe to him! (Mendelssohn-Elijah), Behold, God the Lord (Mendelssohn-Elijah), Holy is God the Lord (Mendelssohn), Go, return upon thy way (Mendelssohn), Then did Elijah (Mendelssohn), But the Lord from the north (Mendelssohn), O come, everyone that thirsteth (Mendelssohn), And then shall your light (Mendelssohn), Be Not Afraid, He Watching Over Israel, If With All Your Hearts (Elijah), It Is Enough (Mendelssohn-Elijah), Lift Thine Eyes To The Mountains, O Rest In The Lord, Yet Doth The Lord (Mendelssohn), He That Shall Endure (Mendelssohn), Hear Ye, Israel! (Hore Israel), Then Shall The Righteous Shine, and more Felix Mendelssohn : ElijahReview: Mendelssohn's famous oratorio, "Elijah," was written in 1846 and depicts various events in the life of the Biblical prophet Elijah, taken from the books 1 Kings and 2 Kings in the Old Testament. The work is written for four vocal soloists (bass/baritone, tenor, alto, soprano), full symphony orchestra, and a large chorus. Vocal score with piano accompaniment. Text is in German and English. Felix Mendelssohn : ElijahReview: Mendelssohn's famous oratorio, "Elijah," was written in 1846 and depicts various events in the life of the Biblical prophet Elijah, taken from the books 1 Kings and 2 Kings in the Old Testament. Choral score only, without piano accompaniment. Text is in English. Felix Mendelssohn : Four Sacred ChorusesReview: A true apotheosis of life, Mendelssohn's music absolutely overflows with energy, ebullience, drama, and invention, as evidenced in his most enduring works: the incidental music to A Midsummer Night's Dream. While the sunny disposition of so many of Mendelssohn's works has led some to view the composer as possessing great talent but little depth, however these religious compositions reflect the complexity and deeply spiritual basis of his personality. German and English text. Songlist: Lord, Now Lettest Thou Thy Servant Depart, Op. 69 No. 1, O Be Joyful In The Lord, Op. 69 No. 2, My Soul Doth Magnify The Lord, Op. 69 No. 3, Lord, Lord, Have Mercy Upon Us |
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