In Celebration of the Human Voice - The Essential Musical Instrument
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Erik (Valdemar) Bergman was an eminent Finnish composer, conductor, music critic, and pedagogue. At Helsinki University in 1931-1933, he studied musicology with the composer and ethnomusicologist Ilmari Krohn - the founder of the discipline in Finland - and literature with the critic and folklorist Yrjo Hirn; concurrently (1931-1938) he was a student at the Helsinki Conservatory - composition with the composer-pianist Erik Furuhjelm and with Bengt Carlson, who had studied under Vincent d'Indy in Paris, and piano with Ilmari Hannikainen, one of the major Finnish pianists. This was followed by further compostion studies with Heinz Tiessen at the Berlin Hochschule fur Musik (1937-1939), and the twelve-tone technique with Wladimir Vogel in Ascona, Switzerland (1942-1943). |
Songbooks, Arrangements and/or Media
Displaying 1-3 of 3 items.
Erik Bergman : Four Vocalises for Mezzo-Soprano & Male Voices 'Four Vocalises for Chorus' is a great collection of warm-ups for your choir. Erik Bergman : Dreams Dreams is in many ways a sister work to Bergman's Lapponia, particularly in terms of the sound material it uses. However, the atmosphere of the world it inhabits is more intangible and dream-like, as its name suggests. Text: wordless, duration 13 minutes. Erik Bergman : Vier Galgenlieder Op. 51b Bergman's hit piece for 3 speakers and speaking (mixed) chorus with a duration of 6 minutes. These 'gallows songs' are settings of poems by Christian Morgenstern. The popular Das grosse Lalula is the first movement of the Vier Galgenlieder. The second is scored for women's voices while the full choir is held in reserve for the third and fourth songs. A rewarding work also from the singers' perspective which employs a varied palette of expressive techniques (1 Das grosse Lalula - 2 Tapetenblume - 3 Igel und Agel - 4 Unter Zeiten). |
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