Bob Chilcott : Birdland

Review: This engaging musical drama follows the quest of Pip the Sparrow to be accepted into the Dawn Chorus. Along the way Pip meets characters like the Doc Rock Peacocks, who promise to transform the sparrow into a star, and the troubled residents of The Bewilderness. With the help of two friendly owls, Pip meets singing sensation Shamira the Golden Nightingale and discovers a great secret, causing the sparrow to at last understand the power of having a song that is completely their own. As well as the rich variety of solo roles, which feature spoken narration, the work provides great dramatic potential for the unison and mixed choruses, who play an integral role in the storytelling. The memorable, eminently singable melodies are complimented by a characterful orchestration, for 10-part instrumental ensemble, with Chilcott drawing on a broad range of musical styles. Exploring themes of identity, inclusivity, and self-belief, this heart-warming work is a testament to the unifying, healing power of music.

Deke Sharon : Pop Hits for Mixed Voices, Vol. 3

Review: More arrangements of top pop hits from the master arranger of a cappella. "Gone, Gone, Gone" - From the 2009 Grammy-winning Album of the Year Raising Sand by Alison Krauss and Robert Plant, this upbeat rockabilly classic by Don and Phil Everly gets a fabulous a cappella remake! "Heartbreaker" - One of the great rock anthems of all time, this Pat Benetar classic makes a great last song or encore, and will have the audience bobbing their heads and screaming for more. "Royals" - This 2013 song by Lorde topped the Hot 100, AC and Rock charts and won the Grammy for song of the year and best pop performance. This a cappella setting will be a hit with pop, jazz and a cappella groups in high school, college and beyond! "Thinking Out Loud" - Feature your best soloists with this 2015 chart-topper by Ed Sheeran. This a cappella setting has a heartwarming message that will captivate everyone! "Don't Start Now" - Dua Lipa's 2020 award-winning release Future Nostalgia is positively dripping with neo-disco influences married with modern pop production. Deke Sharon translates the funky production of this Top 10 single to the a cappella choir, and the results are pure pop catharsis!

Songlist: Gone, Gone, Gone, Heartbreaker, Royals, Thinking Out Loud, Don't Start Now

Marques L. A. Garrett : Choral Music by Black Composers

Review: The Oxford Book of Choral Music by Black Composers is a landmark collection of non-idiomatic compositions from the sixteenth century to the present day, providing a comprehensive introduction to an area of choral music that has been historically under-represented. This unique anthology seeks both to improve representation in the historical canon and to showcase the music of some of the best names in choral music today. 35 pieces for SATB choir, unaccompanied or with piano or organ. Mixture of sacred and secular works, including anthems, choral art songs, madrigals, motets, and part-songs.

Michael Maybrick : The Holy City

Review: Offered for SATB divisi choir and piano with optional chamber orchestra and organ accompaniment, this powerful and majestic hymn arrangement by John Stoddard is brought to you as part of the Jason Max Ferdinand Choral Series. Notably performed by the Jason Max Ferdinand Singers, this fierce arrangement was masterfully designed to have a powerful effect on singer and listener alike.

Rollo Dilworth : Weather: Stand the Storm

Review: Historically, the arts have always fulfilled the dual roles of responding to change while at the same time creating change. Weather is a poem that gives voice to the voiceless, especially those who have been and continue to be marginalized because of difference. It responds to and reflects realities that are both culturally specific and humanly universal. Professor Claudia Rankine challenges all of us (no matter your background or lived experience) to know better, to do better, to take action, and to become agents of social justice and social change. This work for choir, narrator, piano with optional Wind Symphony or Chamber ensemble, is to be a learning and growing experience for the singers, the audience, and the conductor teacher in all ways emotional and intellectual . There is a companion resource for Weather that is intended for students, educators, conductors, and audiences to learn more about the social, political, and historical context of this work. This guide offers an opportunity for everyone to deply engage with Weather and understand its critically important social and historical context. The guide, created by Dr. Colleen Sears, Professor of Music at The College of New Jersey, encourages us to honor the intent of Claudia Rankine's poetry and Rollo Dilworth's music; to become better citizens in our communities and to bridge divides through our shared humanity.

Various Arrangers : Singing About Singing in the Choir

Review: Lighthearted, humorous songs about singing in the choir. "We Can Sing That!" - With a text by the composer, this is a delightful kaleidoscope of musical snippets that highlight the joys of choral singing! "A Place in the Choir" - Here is a perfect lighter selection or encore for adult or community choir! Bottom, middle and top, every part gets to shine as all your singers take their places in the choir. What fun! "I Just Want to Sing in a Choir" - May I please sing with the choir? This novelty number answers that question with humorous lyrics and clever solo lines. Add some staging for a sure audience pleaser. "We're the Choir!" - Kirby has designed this piece so that the distinctive melodies which showcase each section at the beginning are combined for a glorious finale! A brilliant recruiting device with a lot of quasi-operatic tongue-in-cheek humor! "The Do's and Don'ts of the Audience" - After hours and hours of rehearsal, your choir is ready to perform, but is your audience ready to listen? Here is your chance to teach the audience how to perform their part of the concert! Sneezing, coughing, cell phones, when to clap - it's all here in a clever novelty madrigal style that will be just as much fun to perform as it is instructive!

Songlist: The Do's and Don'ts of the Audience, We're the Choir!, I Just Want to Sing in a Choir, A Place in the Choir, We Can Sing That!

A.R. Rahman : Barso Re

Review: Barso Re, written by A. R. Rahman and arranged for choir by Ethan Sperry, appeared in the soundtrack of the 2007 film Guru. It is an Indian take on how beautiful it can be to sing in the rain. For percussion, use a beaded gourd shaker, rasp, or tambourine for the upper line and one or more djembes or floor toms for the lower line.

Songlist: Barso Re

A.R. Rahman : Music From the Indian Cinema

Review: Jai Ho was written for the 2008 Oscar winning film Slumdog Millionaire. While this is a British movie, director Tony Boyle wanted to acknowledge Indian tradition. He asked A.R. Rahman to write a song in the style of his music for the Indian cinema to be choreographed and performed during the ending credits. The resulting piece is a victory dance capturing the essence of the movie's story. Balleilakka is a song from the Tamil film Sivaji, which means "The Boss." The text of this piece is a tongue-twister lamenting how traditional Indian culture is being subsumed and listing the speaker's memories of his homeland in increasingly faster syllabic patterns. O Saya was written for the Oscar winning film Slumdog Millionaire. The song appears at the beginning as we are introduced to just how horrible living conditions are int he slums of India. The lyrics have no meaning, nor does the title. They are just nonsense syllables that form a wail. The melodic patterns are based loosely on the patterns one might hear in the slums as the Muslim call to worship blasts from the minarets, but they are more a call to action than a call to prayer. When people sing this piece, hopefully they will consider taking some action against poverty themselves. Barso Re, written by A. R. Rahman and arranged for choir by Ethan Sperry, appeared in the soundtrack of the 2007 film Guru. It is an Indian take on how beautiful it can be to sing in the rain. For percussion, use a beaded gourd shaker, rasp, or tambourine for the upper line and one or more djembes or floor toms for the lower line.

Songlist: Jai Ho!, Balleilakka, O Saya, Zikr, Barso Re

Aaron Copland : Four Motets for Mixed Voices

Review: These four motets were composed in the fall of 1921 while Copland was studying with Nadia Boulanger in Paris. The four motets have remained unpublished until now. Writing to Copland about them in 1924, Boulanger tells the composer that "those motets sound in the voices in a stunning manner."

Songlist: Help Us, O Lord, Sing Ye Praises To Our King, Have Mercy On us, O My Lord, Though, O Jehovah, Abideth Forever

Aaron Copland : In The Beginning

Review: With text from Genesis this is a very interesting and rewarding extended work for mixed chorus a cappella and features a solo for Mezzo-Soprano.

Songlist: In The Beginning

Aaron Copland : Las Agachadas - The Shake-down Song

Review: Based on melody No. 202 in Kurt Schindler's collection: "Folk Music and Poetry of Spain and Portugal." The chorus is to be divided into two groups: The main choral body, and a conrasting smaller "Solo group" of approximately 3 or 4 voices to a part.

Songlist: The Shake-down Song

Aaron Copland : Old American Songs Complete

Review: Mixed voice arrangements by David Brunner, Irving Fine, Glenn Koponen, Gregory Rose, and R. Wilding-White collected for the first time in a complete edition. Includes the original notes on the songs.

Songlist: The Boatmen's Dance, The Dodger, Long Time Ago, Simple Gifts, I Bought Me a Cat, The Little Horses, Zion's Walls, The Golden Willow Tree, At the River, Ching-a-ring Chaw

Adolphus Hailstork : Four Spirituals

Review: Conceived a a set there is also a short prelude.

Songlist: Great Day!, In Dat Great Gettin' Up Mornin', Cert'ny Lord, He's Got the Whole World In His Hand

Adolphus Hailstork : Three Dunbar Hymns

Review: Paul Laurence Dunbar was born June 27, 1872 in Dayton, Ohio. He died there on February 9, 1906. Dunbar was the first African-American poet to garner national critical acclaim. He penned a large body of dialect poems, standard English poems, essays, novels, and short stories, before he died at age 33. His work often addressed the difficulties encountered by members of his race and the efforts of African-Americans to achieve equality in America. He was praised both by the prominent literary critics of his time and by his literary contemporaries.

Songlist: When Storms Arise, Lead Gently, Lord, Little Lamb

Alan Billingsley : O Little Christmas Town

Review: What a delightful children's musical for the Christmas season! O Little Christmas Town centers on God's ultimate plan for the town of Bethlehem. Dialogue is at times lighthearted, and at others, incredibly profound as the citizens of Bethlehem share the news of the Messiah's birth. The work is about 20 minutes in length, with an overture and five pieces that contain new melodies as well as familiar carols. It may be accompanied by piano, or by using the accompaniment CD. Production of this musical is extremely accessible with simple, yet effective suggestions for sets, props, and parts that may be performed by girls or boys.

Voicing: Children

Alan Bullard : Anthems

Review: This anthology of ten mixed-voice anthems by Alan Bullard combines new material written specially for the collection with established favourites from the Oxford catalogue, some of which appear here for the first time with SATB scoring. Including the joyful 'Cantate Gloria' and the beautiful 'From the break of the day', Alan Bullard Anthems contains an attractive selection of works suitable for a variety of liturgical seasons and will appeal to all mixed-voice choirs.

Songlist: From the break of the day, Sursum corda (Lift up your hearts), Jesus Christ, we bow before thee, Let the people praise thee, O God, Hail the day that sees him rise, O Saviour of the world, Cantate Gloria, Prayer for Peace, God in Mine Eternity, We thank you, Lord

Alan Bullard : O Come, Emmanuel

Review: O Come, Emmanuel is an Advent Celebration, suitable for both church and concert choirs. It is based on the 7 Great 'O' Antiphons, and fragments of the well-known plainsong hymn permeate the work. To these, Bullard has added settings of a number of other Advent texts and hymns, including the beautiful 'There is a rose-tree', a rousing setting of 'Chanticleer Carol', and new arrangements of 'Gabriel's Message' and 'Joy to the world!'. The work may be sung throughout by SATB choir, or a range of soloists may take some of the lines. The accompaniment - for organ or piano, or with small orchestra or chamber group - is equally flexible. A number of the movements make highly effective separate pieces and anthems. Written with the composer's long and practical experience, O Come, Emmanuel is a strikingly original work for Advent and Christmas that will enhance both liturgical celebrations and concert programmes at this time.

Songlist: The advent of our God, O Wisdom, Where shall Wisdom be found?, O Lord of Lord, Come, thou long-expected Jesus, O Root of Jesse, There is a rose-tree, O Key of David, Earth grown old, Thy kingdom come! on bended knee, O Morning Star, Chanticleer, O King of the Nations, Joy to the world!, And they shall call his name Emmanuel, O Emmanuel, Gabriel's Message, Lo! he comes with clouds descending

Alan Bullard : Oxford Book of Flexible Choral Songs

Review: 'The Oxford Book of Flexible . . .' anthologies are the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options, clearly explained throughout, enabling perfomance by various combinations of singers - mixed choirs, upper-voice choirs, choirs with few men, unison choirs, small choirs. Flexible voices and piano, with options for unison and two-part singing (mixed or upper/lower)

Alan Bullard : Psalmi Penitentiales

Review: Psalmi Penitentiales comprises three settings of sections from the Penitential Psalms, interspersed with four arrangements of the well-known Ubi caritas plainchant. Often recited during Lent, the three psalms that Bullard has chosen give expression to feelings of penitence and remorse. The setting, for mixed four-part choir with organ or piano accompaniment, responds to the drama and changes of mood within the Latin text with expressive melodic lines and richly varied harmonies. The psalms may also be performed separately, giving the work added flexibility in performance. Psalmi Penitentiales is an excellent companion to Bullard's Wondrous Cross, ideal for choirs seeking a substantial choral work for Lent and Passiontide.

Songlist: Antiphon: Ubi Caritas, Domine, ne in furore tuo arguas me, Antiphon: Ubi Caritas, De profundis, Domine, exaudi orationem meam

Alan Bullard : Wondrous Cross

Review: Wondrous Cross is a reflective work suitable for church or concert choirs at Passiontide. Bullard skilfully weaves the traditional Seven Last Words of Christ with linking biblical passages, 3 well-known hymns, and settings of 4 well-known sacred texts, including 'Drop, drop, slow tears' and 'Ave verum corpus' (both of which may be sung as independent motets) to create a moving and at times dramatic work. The short solos are perfectly suited to members of the choir, and strings (quartet, quintet, or ensemble) may optionally join the organ or piano in the accompaniment. If performed liturgically, the work may be interspersed with prayers and readings. The result is a flexible and striking work that re-presents this timeless story for a modern audience. String parts and full scores are available to hire from the Music Hire Library.

Songlist: Prelude, The First Words, There is a green hill far away, The Second Words, The Third Words, When my love to God grows weak, The Fourth Words, Drop, drop, slow tears, Were You There?, The Fifth Words, Ave verum corpus, The Sixth Words, God so loved the world, The Seventh Words, In the departure of the Lord, When I survey the Wondrous Cross

Alan Wilson : Carols Old and New - Easter

Review: Volume IV of Seasonal Carols Old & New is an exciting new venture into previously unexplored territory. Apart from a small number of Easter carols, there has been little music available for festivals other than Christmas. In Seasonal Carols Volume IV all the main seasons are represented, and in addition festivals such as Corpus Christi, Candlemas, The Transfiguration of Saints' Days receive timely attention. As a complete contrast and in a secular vein, a new rustic mixedvoice arrangement of King Henry VIII's "Pastime With Good Company" has been added. This volume is intended to give churches, schools and colleges a wide selection of material that will help to add a richer feeling to a liturgically - based Christian year.

Songlist: A Lenten Prayer, A Carol for Lent, A Song for Holy Week, Christ the Lord is Risen, Easter Day, Christ ist erstanden, Water from the Wells of Salvation, In this sign conquer, I am with you - Yes to the end of time, Spirit of God, A Whitsun Hymn, Be present, Holy Trinity, By day and night they sing, Taste and See, Alleluia, Sing to Jesus, The Old Man's King, O Lord of Hosts, All Heaven Possessing, Saints Alive, A Carol to Mary, Carol for Peace (Kum ba Yah), A Carol for Unity (Peace Depends on Unity), Pastime With Good Company

Albert McNeil : Al McNeil Spirituals

Review: Treat yourself to seven, rousing spirituals by Albert McNeil, who is well-known to the national choral community, having been honored on four occasions with "Command Performances" before the prestigious American Choral Directors Association in 1981 in New Orleans, in 1985 at their Salt Lake City Convention, at their 1997 convention in San Diego, California, and most recently in February, 2000, at Los Angeles during the ACDA Western Division Convention held on the campus of Loyola-Marymount University.

Songlist: Hold Out Your Light, He's Got the Whole World, Open the Window, Noah, John, The Revelator, My Long White Robe, All My Trials

Alexander L'Estrange : Zimbe!

Review: Zimbe! is a 40-minute work for SATB chorus, children's choir and jazz quintet with percussion, by the UK composer Alexander L'Estrange. It is a vibrant sequence of twelve African and gospel songs, charting a day in the life of an African village. There are simple children's playground songs from Ghana and Zimbabwe, a Xhosa lullaby for mothers of the victims of Apartheid, a rousing drinking song, and music used on religious occasions. Zimbe! will also provide an exciting new repertory piece for choral societies who may be looking for a follow-up to the world-influenced works of David Fanshawe and Karl Jenkins. The addition of the children's choir enables choirs to forge, or renew, relationships with local school or community choirs.

Alfred Einstein (Edited by) : The Golden Age of Madrigals

Review: A selection of classic Italian madrigals, mostly a cappella and all with English lyrics.

Songlist: Fortune Once Made Us Happy, Last Slumber Eternal End, Lo How Aurora W/Gold, Love In Truth To A Lover, My Queenly Sun Before, Of Marble you are Fashioned, Since Beauty That Is Boundless, Therein Deep Sighing, This Parting Will Slay Me, When I Think How I Languish, When I Was Merry Stripling, Wild Silvan Creatures

Alice Parker : Melodious Accord: A Concert of Praise

Review: This "Concert of Praise" is entirely based upon hymn tunes and texts found in the first five editions of a shape-note hymnal entitled Genuine Church Music. This cantata is divided into four movements: Welcome; Old Testament; New Testament; and Farewells.Keyboard reduction provided in Choral Score may be played either on piano or organ alone. If both are used together, the piano should play the harp part and the organ should play the brass part.

Songlist: House of our God, Lord, I approach thy mercy-seat, Come, ye disconsolate, Be joyful in God, The voice of my beloved sounds, Guide me, O thou great Jehovah, When I survey the wonderous cross, Come, O thou traveler unknown, O how happy are they, What glorious day is drawing nigh, How sweet to reflect, How pleasant thus to dwell below, God moves in a mysterious way

Alice Parker : Sermon from the Mountain (Martin Luther King, Jr.)

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Alice Parker : Songs from the Dragon Quilt

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Alice Parker : Songstream

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Alice Parker / Robert Shaw : Singin' in the Spirit

Review: An exciting collection of five classic spiritual settings which can be performed separately or together as a suite.

Songlist: I'm Goin' to Sing, Steal Away, I Got Shoes, Deep River, John Saw duh Numbuh

Allan Robert Petker : A Festival Gloria

Review: This 8-minute work has three distinct sections that flow together without stopping. The Gloria section that opens the work is exuberant and rhythmic. The miserere middle section is poignant and stirring. The et in terra pax section is assuring and comforting. Other accompaniments are available by rental: Brass Quintet and Percussion, Chamber Orchestra and Full Orchestra.

Allan Robert Petker : Te Deum - Laudamus Propter Musicam

Review: The traditional Te Deum takes on a fresh perspective with this three-movement work. The entire title really means praise to God for music, and the first movement pays homage to our Baroque ancestry in it Handelian treatment, but in modern day tonalities. The second is lush and tender, while the third blends the traditional Latin text with the beautiful poetry of Fred Pratt Green, When in our Music God is Glorified. Composed for choir and orchestra, it is performable with just piano and in several different orchestral options. It is already been performed in numerous U.S. halls, including Carnegie Hall, and in Europe. It is medium to difficult.

Songlist: You Rise, I Fall

Anders Nyberg : Freedom is in Your Hand

Review: Here is a new and powerful collection of songs from South Africa, celebrating the country's freedom! Following the popular first collection Freedom Is Coming, the songs in this new set are for mixed voices with solos, finger-snapping, optional drum accompaniment and more! In English and African languages.

Songlist: Forward, Performance Suggestions, Freedom Is In Your Hand, Ewe Thina (We Walk His Way), Oh Yini (Where Are You?), Sithi Jabula (My Joy Is Jesus), Hosanna Nkosi Phezulu (Hosanna Praised Be God on High), Azisenzeni na? (What Have We Done?), We Shall Never Die, Honono, I Live and Move

Andrew Carter : Anthems

Review: A collection of 10 of Andrew Carter's finest and most popular pieces. Approachable for a range of choirs with a wide variety of liturgical uses.

Songlist: An Affirmation, Dear Lord and Father of Mankind, Deep Peace, Go before us, O Lord, God be in my head, Mary's Magnificat, May the mystery of God enfold us, Rejoice in the Lord alway, The Light of the World, The Lord is my shepherd

Andrew Carter : Laudate Dominum

Review: This spirited and attractive work is a setting of the Latin version of Psalm 148, one of the most celebrated and joyful hymns of praise to the Lord of heaven. Conjuring a rich tapestry of sonorities and textures, Andrew Carter has created a highly tuneful work in eight well-contrasted movements full of joy and vivid in colour. Laudate Dominum is original and approachable - suitable for all choral societies.

Songlist: Laudate Dominum, Sol et luna, Quia ipse dixit, Laudate Dominum de terra, Dracones et omnes abyssi, Montes et colles, Juvenes et virgines, Confession

Andy Beck : A Cappella Overtures

Review: Six world-famous opera overtures arranged for SATB choirs with a sense of adventure. Sung entirely on nonsensical "dops" and "bops," this fast-paced musical collage is guaranteed to both entertain and educate! Includes snippets from: Fidelio, The Barber of Seville, Die Fledermaus, The Magic Flute, The Marriage of Figaro, and William Tell.

Anita Kerr : Broadway Charts

Review: A collection of classic Broadway songs arranged in Anita's inimitable style.

Songlist: Anything You Can Do, My Favorite Things (from The Sound of Music), One, Singing in the Rain, What I Did for Love

Anthony G. Petti : The Chester Book of Motets - Volume 1

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Contents: Alma Redemptoris (Da Palestrina) - Christus Factus Est (Anerio) - Ego Sum Panis Vivus (Da Palestrina) - Ego Sum Panis Vivus (Da Palestrina) - In Monte Oliveti (Ingegneri) - O Rex Gloriae (Marenzio) - O Sacrum Convivium (Croce) - Regina Caeli (Soriano) - Requiem Aeternam (Anerio) - Sisut Cervus (Da Palestrina) - Super Flumina (Da Palestrina) - Tribus Miraculis (Marenzio).

Anthony G. Petti : The Chester Book of Motets - Volume 10

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Contents: Adoramus Te Christe (Nanino) - Dominator Coelorum (Festa) - Gaude Virgo Maria (De Victoria) - Gloria Laus (Perez) - Manus Tuae Domine (Morales) - Mirabile Mysterium (Vinci) - O Beata Trinitas (Da Palestrina) - Repleti Sunt Omnes (Esquivel) - Voce Mea (Porta).

Anthony G. Petti : The Chester Book of Motets - Volume 11

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Contents: Ave Maria (Papa) - Cantate Domino (Hassler) - Eripe Me De - Inimicis (Raselius) - In Nomine Jesu (Handl) - Jubilate Deo (De Rore) - Justorum Animae (Lassus) - Magi Videntes Stellam (Amon) - Peccantem Me Quotidie (De Monte) - Stetit Jesus (Regnart).

Songlist: Jubilate Deo, Ave Maria, Cantate Domino, Justorum Animae, Eripe Me De Inimicis, In Nomine Jesu, Magi Videntes Stellam, Peccantem Me Quotidie, Stetit Jesus

Anthony G. Petti : The Chester Book of Motets - Volume 12

Review: A comprehensive series of Latin motets from the Renaissance period, combining old favorites with lesser-known works. This volume include works by Robert Ramsey, Byrd, Palestring and Peter Philips, including: Alma Redemptoris (Orlandus Lassus) - Beata Viscera (William Byrd) - Canite Tuba (Palestrina) - Hodie Christus Natus Est (Jan Sweelinck) - O Beatum Et Sacrosanctum Diem (Peter Phillips) - O Sapienta (Robert Ramsey) - Orietur Stella Jacob (Handel) - Surge Illuminare Jerusalem (Francesco Corteccia) - Tria Sunt Munera (Juan Esquivel).

Songlist: ALMA REDEMPTORIS ORLANDUS LASSUS, BEATA VISCERA WILLIAM BYRD, CANITE TUBA PALESTRINA, HODIE CHRISTUS NATUS EST SWEELINCK, JAN, O BEATUM ET SACROSANCTUM DIEM PHILIPS, PETER, O SAPIENTA ROBERT RAMSEY, ORIETUR STELLA JACOB HANDL, SURGE ILLUMINARE JERUSALEM FRANCESCO CORTECCIA, TRIA SUNT MUNERA JUAN ESQUIVEL

Anthony G. Petti : The Chester Book of Motets - Volume 16

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Contents: Ad Te Domine Levavi (Hakenberger) - Domine Dominus Noster (Lassus) - Gloria In Excelsis (Nanino) - O Magnum Mysterium (Da Palestrina) - Pastores Loquebantur (Guerrero) - Rorate Caeli (Handl) - Veni Domine (De Morales) - Verbum Caro Factum Est (Hassler).

Anthony G. Petti : The Chester Book of Motets - Volume 2

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Includes: Agnus Dei (Thomas Morley) - Alleluia (John Tavener) - Audivi (John Tavener) - Ave Verum Corpus (William Byrd) - Cibavit Eos (William Byrd) - Dum Transisset (Robert Johnson) - Euge Caeli (Thomas Tallis) - Gloria Laus (Christopher Tye) - In Manus Tuas (John Shepherd) - Sancte Deus (Thomas Tallis) - Senex Puerum (Byrd, William) - Venite Comedite (William Byrd).

Songlist: SENEX, AGNUS DEI MORLEY, THOMAS, ALLELUIA TAVERNER, JOHN, AUDIVI TAVERNER, JOHN, AVE VERUM CORPUS BYRD, WILLIAM, CIBAVIT EOS BYRD, WILLIAM, DUM TRANSISSET JOHNSON, ROBERT, EUGE CAELI TALLIS, THOMAS, GLORIA LAUS TYE, CHRISTOPHER, IN MANUS TUAS SHEPHERD, JOHN, SANCTE DEUS TALLIS, THOMAS, VENITE COMEDITE BYRD, WILLIAM

Anthony G. Petti : The Chester Book of Motets - Volume 3

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Contents: Anima Mea (Rivaflecha) - Ave Maria (Victoria) - Canite Tuba (Guerrero) - Ego Sum Panis Vivus (Esquivel) - Gloriose Confessor (Guerrero) - Janitor Caeli (Ortiz) - O Magnum Mysterium (Victoria, Tomas Luis De) - Peccantem Me Quotidie (Morales) - Pueri Hebraeorum (Victoria) - Regina Caeli (Morales) - Simile Est Regnum (Morales).

Anthony G. Petti : The Chester Book of Motets - Volume 4

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Contents: Cantate Domino (Hassler) - Deus In Adjutorium (Senfl) - Ecce Concipies (Handl) - Ecce Quomodo (Handl) - Factus Est Repente (Aichinger) - Laetentur Caeli (Hassler) - Puer Natus (Praetorius) - Regina Caeli (Aichinger) - Resonet In Laudibus (Handl) - Salve Rex Noster (Praetorius) - Tu Es Petrus (Hassler) - Verbum Caro (Walter).

Songlist: CANTATE DOMINO HASSLER, DEUS IN ADJUTORIUM SENFL, ECCE CONCIPIES HANDL, ECCE QUOMODO HANDL, FACTUS EST REPENTE AICHINGER, LAETENTUR CAELI HASSLER, PUER NATUS PRAETORIUS, REGINA CAELI AICHINGER, RESONET IN LAUDIBUS HANDL, SALVE REX NOSTER PRAETORIUS, TU ES PETRUS HASSLER, VERBUM CARO WALTER

Anthony G. Petti : The Chester Book of Motets - Volume 5

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in editions by Anthony G. Petti. Contents: Ave Maria Gratia Plena (Desprez, Josquin) - Crux Fidelis (Papa) - Gustate Et Videte (Isaac) - Haec Dies (Arcadelt) - Improperium (Lassus) - Jerusalem Surge (Isaac) - Jubilate Deo (Lassus, Orlandus) - O Magnum Mysterium (Willaert) - O Quam Gloriosum (Vaet) - Scio Enim (Lassus) - Tu Solus (Des Prez).

Anthony G. Petti : The Chester Book of Motets - Volume 9

Review: The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published for the first time. All appear in completely new editions by Anthony G. Petti. Contents: Ave Virgo Gloriosa (Dering) - Confirma Hoc Deus (Byrd) - Justorum Animae (Byrd) - O Nata Lux De Lumine (Tallis, Thomas) - O Sacrum Convivium (Tallis) - Omnes Gentes Plaudite (Tye) - Precamur Sancte Domine (White) - Terra Tremuit (Byrd) - Tibi Laus (Philips).

Anton Armstrong (editor) : I Will Trust in the Lord: Five Spirituals

Review: This collection showcases five of Undine Smith Moore's spirituals edited by Anton Armstrong and includes an instructional forward written for this newly-engraved edition.

Songlist: I Believe This Is Jesus, I'm Going Home, I Will Trust in the Lord, Oh, That Bleeding Lamb, We Shall Walk through the Valley

Anton Bruckner : Mass in D Minor

Review: Anton Bruckner composed his Mass No. 1 in D minor for soloists, mixed choir, orchestra and organ in 1864, and then later revised it in 1876 and 1881-1882. Vocal score, in Latin. 76 pages. Includes: Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei.

Anton Bruckner : Mass in F Minor

Review: A Choral Worship Cantata in SATB divisi with SATB Soli voicing, composed by Anton Bruckner.

Anton Bruckner : Psalm No. 150

Review: This Kalmus Edition is the SATB divisi with Soprano Solo Choral Worship Cantata by Anton Bruckner for Choir.