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Early Music Arrangements of Female Voices
Songbooks, Arrangements and/or Media
Displaying 1-6 of 6 items.
Jerry Weseley Harris (arranged by) : Renaissance Pieces for Treble Voices Jerry Weseley Harris has more than 500 published choral compositions, arrangements and editions, sold throughout the world. Here is a great collection of arrangements from some of the masters of the Renaissance period that are accessible and fun to sing. Songlist: Three Renaissance Pieces for Treble Voices Vol 1, Aye Me, Hey Ho, Though Philomela Lost Her Love, Renaissance Pieces for Treble Voices Vol 2, Oh Follow, Follow On!, Fire, Fire, My Heart, Renaissance Pieces for Treble Voices Vol 3, Farewell, Dear Love, Since I First Saw Your Face, Love Learns By Laughing, My Bonnie Lass, Amyntas With Phylis Faire 
John Leavitt : Renaissance Women This collection is a fantastic resource for introducing the music of the Renaissance to your women's choir. Songlist: How Merrily We Live, Sonatemi un balleto, Je le vous dirai!, Mein Feinslieb, Tanzen und Springen
Simon Halsey : Six Motets for Upper Voices (Collection) From the Faber Choral Programme Series, includes four settings of Ave Maria and two settings of Tantum Ergo. Available: SA. Songlist: Ave Maria b, Ave Verum, Tantum Ergo, Ave Maria c
Various Arrangers : Rennaissance Chorals for Women The French chanson "Mon Coeur Se Recommande A Vous" (a polyphonic song popular in the 15th and 16th centuries) focuses on the subject of love. Performance notes and a pronunciation guide for the eight lines of French are included in the publication, or use the sensitive English text provided by Dr. Robinson. New edition for SSA choirs! "Exsultate Justi" - Sixteenth-century composer Lodovico Viadana created this wonderful work that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting that will give your women a chance to shine. The most famous of all 15th Century Italian madrigals "Fa Una Canzona" is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included. This fine collection offers arrangement that are both challenging and rewarding and will certainly help boost your singers confidence. Songlist: Two Renaissance Chorals (Adoramus Te / Ave Maria), Fa Una Canzona, Go Now, My Love, Exsultate Justi, Domine Fili Unigenite (from Missa Primi Toni), O Music, Thou Most Lovely Art, Mon Coeur Se Recommande A Vous
Various Arrangers : Medieval Songs for Upper Voices Our fascination with the music of the medieval era continues to grow and grow. This collection with contemporary notation and helpful performance options offers the modern choir an opportunity to celebrate the music of the past. "If Ye Love Me" is one of the most recognized anthems from the English Renaissance, in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive, this would work well in both concert and worship settings, and provides a great way to introduce young singers to historical choral works. "Domine Fili Unigenite" features canonic imitation, vocal ostinati, and delicately intertwining melodies, this a cappella setting is stunning. "Gloria Patri" has powerful antiphonal effect provides a dramatic vehicle for the English or Latin text! An appealing Renaissance work for both your mixed and treble ensembles! "Exultate Justi" is the famous Psalm 33 motet by Lodovico Grossi da Viadana adapted for younger ensembles. This composition is written in the typical Renaissance style of motets (a cappella sacred works) and madrigals (a cappella secular works). "Celebrate This Day Together" - energetic and rhythmic 16th-century piece is an excellent introduction to the music of the Renaissance. Includes secular or Christmas lyrics and optional hand drum. Songlist: Domine Fili Unigenite, Exultate Justi, Gaudete Christus est natus, Celebrate This Day Together, There is no rose, Alleluia
Various Arrangers : Mediaeval Songs for Female Voices "O Virgin Resplendent" - A late medieval canon, moving almost entirely in fluid eighth-note triplets, comes to rest at the end of each phrase. Edited by Mark Winges for the Piedmont Children's Choirs, this piece works beautifully as a processional. "Marriage bed of Chastity" - This lively 13th-century conductus from the Las Huelgas manuscript, with added optional percussion parts, makes a very effective processional. Mary is the "marriage bed of chastity" sought by God the Father for bearing the Son. "O frondens virga" - This new edition of Hildegard's antiphon places it in its liturgical context, pairing it with a plainchant "Magnificat" (included in this edition by William Flynn). The reprise of the antiphon has an optional added voice in organum, reflecting medieval performance practice. Latin, with full translation and historical and performance notes. "Dancing" - "I stumble and tumble," begins this freely-rendered medieval text, set in 6/4 over a delightfully lurching scat ostinato in 12/8. Written for the women of the Cornell University Chorus, it works easily when conducted in a big 2. English. "Circle" - In this medieval mystic text the circle is an image for meditation, first excluding, then embracing, the world. The musical setting reflects the image with contracting and expanding textures, and a soprano solo. Songlist: O Virgo Splendens (O Virgin Resplendent), Castitatis thalamum (Marriage bed of chastity), O frondens virga (O branch, coming into leaf), Dancing, Circle |
Displaying 1-49 of 49 items.
A mixolydian melody becomes the foundation for this stately three-part canon with madrigal style counterpoint. Festive flute and hand drum parts add a Renaissance music touch to a piece with only 12 bars of singing to teach. Ideal for processionals, madrigal feasts, or as a concert opener.
Composer: Sally K. Albrecht
Greet seasonal concertgoers with this festive original sung in the madrigal style. Joyful (and mostly step wise) "fa la la" refrains are sung following each of two welcoming verses, arranged with slightly different choral colors the second time. A wonderful Renaissance inspired SoundTrax sets the early music tone, or consider playing the keyboard part on a harpsichord synthesizer.
Arranger: Douglas Wagner | Composer: Douglas Wagner
This piece is the third in the set of "Three Marian Antiphons for Treble Choir" by Palestrina and edited by Raymond Sprague. As in the first two pieces, the editor has provided a clean and uncluttered score in order to provide a canvas on which the informed conductor and well-trained choir can create a fresh and true interpretation of this beautiful Renaissance masterpiece.
Composer: Giovanni Pierluigi da Palestrina
This 13th century carol has been arranged by Philip Lawson in a contemporary style that retains some of its ancient roots. With intertwining voices, interesting two against three rhythms, it has a freshness that will enhance concerts in school, community and church!
Arranger: Philip Lawson | Composer: Traditional
All the beauty of Renaissance vocal lines in a dramatic, contemporary setting. Conservative ranges will allow many age groups to enjoy this beautiful piece.
Arranger: Joan Szymko
This is the second of Three Marian Antiphons for Treble Choir. The first is "Salve Regina," also published by Roger Dean (15/1853R), and the third will follow next year. Written in two sections--the first, long and legato; the second, very rhythmic--this is sure to become a standard in the women's repertoire for colleges and festivals.
Arranger: Raymond Sprague | Composer: Giovanni Pierluigi da Palestrina
One of a number of short motets written by Italian composer, Claudio Monteverdi, this madrigal style for six voices has been set for SSA, carefully weaving selected vocal lines from the original to create this stylistically authentic edition using both energized and legato singing.
Arranger: Jill Gallina | Composer: Claudio Monteverdi
Many people will be familiar with the beautiful music of Hildegard von Bingen. Here O'Regan has woven a mesmerising and inventive homage to Bingen's twelfth-century sequence. A fantastic showcase for any confident upper-voice group.
Arranger: Tarik O'Regan | Composer: Hildegard von Bingen
Featuring canonic imitation, vocal ostinati, and delicately intertwining melodies, this a cappella setting is stunning.
Arranger: Matthew Michaels | Composer: Giovanni Pierluigi da Palestrina
The most famous of all 15th Century Italian madrigals is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included.
Arranger: Russell Robinson | Composer: Orazio Vecchi | Country: Italy
Set a cheerful holiday tone with this new song by Jim Brickman and Victoria Shaw! It's fresh and upbeat and perfectly captures the joy of the season! Very singable and ideal for choirs of all ages and levels! Available separately SATB, SAB, SSA and ShowTrax CD. Rhythm parts available as a digital download. Duration: ca. 2:36.
Arranger: Victoria Shaw | Composers: Victoria Shaw and Jim Brickman Performed By: Victoria Shaw
Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The new SSA arrangement sounds polished with treble voices, and in the 3-part mixed edition, the male part has a limited 5-note range...great for changing voices. A perfect first madrigal for any choir.
Arranger: Russell Robinson | Composer: Thomas Morley
The green movement seems so contemporary, it comes as a shock to find the words of this music were written by Hildegard von Bingen of the 12th century. Kirke Mechem has created a round that cleverly employs an unending circle-of-fifths progression to capture the never stopping reality of the round. Commissioned by the Peninsula Women's Chorus, Martin Benvenuto, Artistic Director. Duration: Ca. 4 minutes 30 seconds
Arranger: Kirke Mechem | Composer: Hildegard von Bingen
The opening unison chant is first contrasted by vigorous rhythmic sections, then developed with masterful weaving of the vocal line. A must for outstanding treble choirs.
Arranger: Joan Szymko
This is a contemporary setting of the traditional Vespers antiphon for Christmas Eve, Hodie Christus natus est. The African and jazz influences found in this score were inspired by the composer's experiences in Ghana. Written for SSA choir, piano and Djembe(the Djembe is improvised and no part is included), this setting captures the multicultural spirit of the song.
Composer: Mark Sirett
This bright and joyous work by a well-known Swedish composer can be performed with or without the optional liturgical chant in the beginning. It is a great choice for a jubilant Christmas concert opener.
Composer: Agneta Skold
Utilizing a traditional Latin text, fiery piano accompaniment and mixed meters, John Leavitt's popular festival piece is challenging, but definitely worth the extra effort. Use the optional percussion to further intensify this dramatic Christmas anthem. Available: SATB, SSA, TTBB. Performance Time: Approx. 2:50.
Arranger: John Leavitt
One of the most recognized anthems from the English Renaissance in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive, this would work well in both concert and worship settings and provides a great way to introduce young singers to historical choral works. Available for SSA and 3-Part Mixed.
Arranger: Russell L. Robinson | Composer: Thomas Tallis
This buoyant setting of the traditional German carol is a sparkling showpiece for treble choirs. Brilliant and virtuosic!Available separately: 3-Part Treble and VoiceTrax CD. Performance Time: Approx. 3:00.
Arranger: Nancy Grundahl
A wonderful selection, this octavo offers two settings of the same melody: SSA voices for processional use with three soloists; and the more developed SSAA arrangement for concert purposes with soprano and alto solos.
Arranger: Doug Claybrook
Composed originally for solo soprano and figured bass, this new arrangement offers a counter melody to the second verse. All voices join together for a strong, unison final verse.
Arranger: Melissa Malvar-Keylock | Composer: Henry Purcell
or with Strings or Piano (Harp). Duration: ca. 3:20.
Arranger: James Helme Sutcliffe
Composer Hughes has combined a thirteenth century plainsong with the fifteenth century German carol for a fascinating result.
Arranger: David V. Montoya
Jameson Marvin, through his work with Harvard and Radcliffe, has re-established the importance of teaching polyphony in the modern choral classroom. This beautiful setting of the Magnificat by Palestrina has been editited by Dr. Marvin to accommodate modern notation, clefs and measure lines. He also maintains rhythmic groupings enabling the singers to move beyond the tyranny of the bar line and bring a beautiful and authentic performance to the stage.
Arranger: Jameson Marvin | Composer: Giovanni Pierluigi da Palestrina Performed By: Harvard Glee Club
Following the unison plainchant opening, Kendrick provides a dramatic setting of the text utilizing both rhythmic variety, and the feel of the plainsong.
Arranger: Donald Kendrick
Renaissance song from Morley's The First Booke of Ayres, 1600. Introduction for children to Renaissance music (Elizabethan period) as well as older experienced singers.
Arranger: Marie Stultz | Composer: Thomas Morley
This French chanson (a polyphonic song popular in the 15th and 16th centuries) focuses on the subject of love. Performance notes and a pronunciation guide for the eight lines of French are included in the publication, or use the sensitive English text provided by Dr. Robinson. New edition for SSA choirs!
Arranger: Russell Robinson | Composer: Orlando Lassus | Country: France
Christmas setting for upper voices (three parts) of a traditional 15th-century English text with Latin refrain: 'Gabriel of high degree...'/ 'Ut nova: Ave fit ex Eva'. An explanation of the Latin pun is included in the publication.
Composer: James MacMillan
Thanks to the skillful editing of Russell Robinson, now SSA and 3-part mixed choirs can enjoy this merry madrigal from the traditional repertoire. Superbly reduced to preserve the harmonic and melodic structure of Thomas Morley's original work. A quintessential madrigal featuring dynamic variations, much repetition, and joyful "fa-la-la's."
Arranger: Russell Robinson | Composer: Thomas Morley
This thrilling work for women's chorus from Michael Engelhardt will offer something totally unique for your program. A mix of sustained vocal lines and articulated passages along with both counterpuntal and homophonic writing make this a truly remarkable composition. This will be a favorite of your singers. Recording Choir: Pacific Lutheran University Singers; Brian Galante, conductor
Arranger: Michael Engelhardt | Composer: Hildegard von Bingen
Written for the Wheaton College Christmas Festival, this work with a text by Christian mystic, Hildegard of Bingen, should feel very free, personal and almost improvisational. The close harmony requires careful attention to balance among the parts and is worthy of any fine women's choir.
Arranger: Lee Kesselman | Composer: Hildegard von Bingen
Written in the late Renaissance period, this beautiful piece captures the wonder and mystique of Christ's birth. Robinson's arrangement, now available for SSA voices, has made it more accessible by setting it in a slightly higher key than the original and with notation that is more easily understood. Suitable for any time of year, too, for concert or contest.
Arranger: Russell Robinson
Originally published in 1585, this motet for women's voices is in the typical polyphonic style of Victoria -- and it is a must for serious treble choirs.
Arranger: Raymond Sprague | Composer: Tomas Luis DeVictoria
The familiar Latin text Dona Nobis Pacem is set here with great beauty. This is a timeless piece so appropriate for the here and now. Lee Dengler's exquisite vocal lines and masterful choral texturing combine to make this classic prayer an anthem of thoughtful contemplation and soothing assurance. The violin obbligato adds beauty and delicacy to this lovely composition, and we are pleased to now offer a full orchestration and new SAB and TTBB voicings. Score and Parts (fl 1-2, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-2, tba, perc 1-2, timp, hp, vn 1-2, va, vc, db) available as a digital download.
Composer: Lee Dengler
This piece may be sung for penitential services or during Lent by SSA or SAB; the two upper voices are canonic and the third part is the chorale melody, which may be doubled by cello or organ. The sung translation is by Herman Stuempfle. Accompaniment can be played by cello or organĘ
Composer: Samuel Scheidt
Arranger: Jerry Weseley Harris | Country: Scotland
Enjoy this lighthearted Renaissance-era madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, optional hand drum part, or perform entirely a cappella.
Arranger: Patrick Liebergen | Composer: Guillaume Costeley
Donald Moore delivers a fresh new setting of this, the most famous of Thomas Morley's madrigals. Written in SSA or TTB editions to be performed by either your men's or women's ensembles, the arrangements are easy to sing, yet sound delightful. Add some variety to any concert with this one!
Arranger: Donald Moore | Composer: Thomas Morley
This balletti from the Renaissance period should be performed lightly and energetically. Three-part choirs of any gender may choose to sing in Italian or English, a cappella or accompanied. Optional flute and hand drum parts are available free at alfred.com/choralparts.
Arranger: Patrick Liebergen | Composer: Giovanni Gastoldi
Especially arranged for double 3-part mixed or SSA choirs, each phrase of this famous Italian madrigal is sung by Choir I and repeated precisely by Choir II, many times overlapping to create a textured choral sound. Russell Robinson's masterful adaptation includes an English or Italian text, a useful pronunciation guide, and informative performance notes that will help educate your students.
Arranger: Russell Robinson | Composer: Orlando Lassus
Canzonet introduces young singers to Renaissance music. Less difficult than madrigal, offers challenge for young singer to sing independently and lightly. Based on original publication of 1593. SSA and opt. Piano. Level 3 Difficulty (grades 5-8 and advanced treble ensemble).
Arranger: Marie Stultz
This well-prepared edition of Thomas Morley's 16th century madrigal may be performed a cappella or with the supportive keyboard accompaniment. Resounding homophonic phrases alternate with "fa la la" polyphony and are repeated at a softer dynamic. Solid repertoire for SSA choirs. Featured on PianoTrax 3 Accompaniment CD (00-34744).
Arranger: Patrick Liebergen | Composer: Thomas Morley
Arranger: Jerry Weseley Harris
Here is the traditional English carol in a colorful setting full of rhythmic and harmonic surprises and playful effects. Easily learned and impressive in performance, your choir and their listeners will enjoy this joyful musical treat! Available separately: SATB, SSA, ChoirTrax CD. Chamber Orchestra score and parts available as a printed edition and as a digital download (fl 1-2, ob, cl 1-2, bn, perc 1-2, hp, vn 1-2, va, vc, db). Duration: ca. 2:10.
Arranger: John Leavitt
Two choral classics from the Renaissance period - "Adoramus Te" (Palestrina) and "Ave Maria" (Arcadelt) - are now available in this easy SATB edition. They were previously released in men's, women's, and three-part mixed voicings. An exceptional addition to any concert!
Arranger: Russell Robinson
Originally part of his longer work Cantiones Sacrae, the canon on the famous text from Ecclesiastes ("Vanity, vanity, all is vanity") was published by Dutch composer Jan Pieterszoon Sweelinck in 1619. This arrangement features three equal voices and may be performed with or without the supportive piano accompaniment.
Composer: Sweelinck
The English Renaissance composer Thomas Weelkes gave us the madrigal Welcome Sweet Pleasure in 1598 as an SSATB score. Patrick Liebergen has edited and arranged this wonderful work into an SSA choral that is dance-like and excellent for teaching text declaration. The accompaniment is optional, making the work perfect for any general concert or madrigal dinner performance.
Arranger: Patrick Liebergen | Composer: Thomas Weelkes
Sung in unison, two, three, and eventually four-part round, this beautiful melody was penned by sixteenth century master of polyphony Thomas Tallis. An excellent teaching piece, the lyrical tune (set with an original winter text) sits so well in the voice. As a special touch, phrases from "In the Bleak Midwinter" are artfully woven throughout.
Composer: Thomas Tallis
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