In Celebration of the Human Voice - The Essential Musical Instrument
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Walton Music was established in 1950 by Norman Luboff as a publishing house for Luboff's choral arrangements and compositions. Today, Walton serves the choral community by publishing works by noted composers such as Eric Whitacre and Ola Gjeilo, and promoting both new composition and the preservation of classics. Gunilla Luboff (spouse of the late Norman Luboff) worked for many years as the owner and editor of Walton Music. During Gunilla's tenure, she maintained and expanded the Walton catalog, helping it to become one of the leading choral catalogs in the United States and a well-respected catalog across the world. Originally from Sweden, Gunilla helped to establish Walton as a champion of Scandinavian choral music, making Scandinavian works more readily available in the United States.
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Displaying 1-35 of 35 items.
A lovely Spanish carol arranged by Norman Luboff for SSA choir. Effective vocal writing supported by a simple piano accompaniment. A classic addition to your Christmas program or service.Duration: Approx. 1:50Ê
Arranger: Norman Luboff | Performed By: Norman Luboff Choir
Here's a winner for women's groups of all ages in school, church or community settings. In the gospel style of Engelhardt's Go Tell It on the Mountain!, the energetic piano, horns and rhythm section provide a strong drive to this perfect Christmas closer or encore. Combo accompaniment (Alto Sax, Trumpet 1-2, Trombone, Rhythm) available separately. Duration: ca. 4:45.
Composer: Michael Engelhardt
Sop./Alto divisi & Descant. A joyous, fun choral fanfare perfect as a concert opener or finale. With challenging 5/4 sections adding excitement and interest, it may be performed as written or by unison voices. Duration: ca. 3:15. Performed by the Birmingham Boy's Choir - Ken Berg, conductor
Composer: Ken Berg
This perennially popular song from The Real Group is now available for treble voices, allowing younger school choirs to get into a jazzy groove with this fun, upbeat concert work. Features syncopated, Latin-like rhythms and witty lyrics, with repeated figures that make this easier to teach and learn.
Arranger: Anders Edenroth | Performed By: Real Group
The words by French poet Paul Verlaine set the frivolous tone for the women's mature voices. The playful vocal setting is matched by an elaborate piano accompaniment. This brief vignette will add spice to your concert program. Duration: ca. 2:10.
Arranger: Alan Raines
From Piae Cantiones (1582), this setting of Gaudete is in a progressive style, yet well suited to the medieval melody. Its energy is derived from the accented rhythms and dance-like percussive elements, all adding to the joyous nature of this piece. With 4-player percussion accompaniment (score and parts available separately). Also available for TTBB divisi. Duration: ca. 4:45.
Arranger: Michael Engelhardt
Expect the unexpected here! This setting for SSA choir with an optional ad lib. solo is written in contemporary gospel style, with a 16th shuffle funk groove. Originally arranged for combined women's choirs, it calls for a large choir to bring out all its effects. A great closer, encore or festival selection! Available separately: SSA, Rhythm Parts. Duration: ca. 4:00.
Arranger: Michael Engelhardt
A stunning arrangement for women's chorus of a classic Chausson song. The unique text explores the characteristics of the goddess Hebe. Can be performed with piano or harp. A beautiful selection for your treble chorus. Lynne Gackle Choral Series.Duration: Approx. 3:00MP3 Recording Choir: Baylor University Bella Voce, Lynne Gackle, conductorÊ
Arranger: Mari Esabel Valverde | Composer: Ernest Chausson
This lively and rhythmic arrangement for advanced women's choirs tells of the witches preparing for the pagan rites of spring. Depicting the change from robust festivities to the arrival of the tender beauty of spring, this masterwork gives the choir many dramatic opportunities. Duration: ca. 3:00.
Arranger: Paul Neal
One of the most recognized anthems from the English Renaissance in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive, this would work well in both concert and worship settings and provides a great way to introduce young singers to historical choral works. Available for SSA and 3-Part Mixed.
Arranger: Russell L. Robinson | Composer: Thomas Tallis
A sensitive, beautifully melodic setting of a meaningful interesting poem by Emily Dickinson. Renders a work of rare loveliness for more advanced women's choirs. Requires an accomplished oboist. This is a work of sophistication and depth for important concerts or festivals.ÊJo-Michael Scheibe Choral Series.
Composer: Daniel J. Hall
This dramatic setting uses angular melody, strong rhythms and some quirky bits of harmony to bring the spectacle of the Lewis Carroll text to life, using both 2-part and 3-part textures. Great for children's or middle school choirs, groups may wish to add choreography to further enhance the fun and drama. Duration: ca. 3:15.
Composer: David L. Brunner
This piece features Haitian rhythms and challenging harmonies. The treble setting uses a text about harmonizing life's activities - dance being one. A great festival or concert piece for developing choirs well worth the preparation efforts. While sung in Haitian Creole, it has an English translation and IPA transcription. Audio pronunciation guide and practice tracks are posted by the composer at https://sydneyguillaume.com/practice-tracks/
Composer: Sydney Guillaume
From Venezuelan composer and conductor Cristian Grases comes this energetic setting of a traditional Venezuelan folk song, its Latin flavor supported by guitar and percussion (parts included). Unison passages flow into easily grasped harmonies, and sensible repetition enables learning. An exciting addition to world music! In Spanish.ÊVenezuelan folk music comes to life in this spirited call-and-response piece that tells a part-nostalgic, part-aphoristic story about life, loss, nature, and dance. . . . It's a quick, rhythmic, and colorful addition to a multicultural concert program.-Dr. Ryan Kelly, PMEA News, Winter 2018Ê
Arranger: Cristian Grases
Taking a well-known solo art song by Gabriel Faure, Alan Raines has beautifully arranged it for treble voices with lush sonority and romantic appeal. In French with an English translation and pronunciation guide provided.
Arranger: Alan Raines | Composer: Gabriel Faure
Now Touch the Air Softly, a lovely poem by former United States Poet Laureate William Jay Smith, has been set with great care for developing voices by David Brunner. A simple and lilting piano accompaniment and a dancing oboe part combine with the voices to make this a beautiful addition to your treble choir repertoire.
Composer: David L. Brunner
This lush, lovely setting of Debussy's solo art song arranged for SSA choir contrasts unison passages with fully developed harmonic sections, all supported by a marvelous piano accompaniment for a full expression of the quintessential French sound. Not difficult, this is perfectly suited for women's choirs from high school on up. In French. Divine!
Arranger: Alan Raines | Composer: Claude Debussy
With its Spanish flair evocative of Carmen, this exciting arrangement for SSA choir and piano provides a wonderful opportunity for treble and women's choirs to showcase their performance attitude. Well suited to concerts, competitions or festivals. In French. Duration: approx. 2:35
Arranger: Tucker Biddlecombe | Composer: Georges Bizet
For women's groups, this Croatian song, with its lovely poem about the Good Shepherd being our eternal starlight, is set to a distinctive, strong musical theme. The expressive dynamics in the choral line are complemented by the skillfully written piano part. Duration: ca. 4:25.
Composer: Ivan Bozicevic
This setting of the traditional folk hymn would work well for middle school treble and high school women's choirs. The piano part echoes its expressive intensity and sense of hope and expectation. Duration: ca. 7:10.ÊJo-Michael Scheibe Choral Series.
Arranger: Jonathan Rodgers
Ola Gjeilo's first publication for developing voices features a new text by acclaimed lyricist, Charles Anthony Silvestri. Exploring the beauties of each of the four seasons, the words have been wonderfully set for children's choir (SSA) by the composer, with a supportive piano part and optional flute part that soars above. Don't miss this wonderful selection. Duration: Approx. 3:05
Composer: Ola Gjeilo
Some Glad Morning allows us to see spring through the poet's eyes: the early green like leafy birds, the ground breaking open as dark as coffee beans and the clouds in a spirited ballgame with the sun. The choir should portray all of the contrasting moods by following the expressive directions throughout the piece. The piano is a significant collaborator as the work builds up to a grand climax. Duration: ca. 3:45
Composer: Carolyn Jennings
Here is a fresh, treble arrangement of the all-time favorite Austrian carol. The flute offers a countermelody and the vocal arrangement invites singers to learn blending, vocal line, and word stress. A great selection for the holiday repertoire of today's choirs.
Arranger: Ken Berg
Now available for women's voices! Rollicking and upbeat, this playful setting of a traditional Irish children's song is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibility and make it a winner! Duration: ca. 2:15.
Arranger: Jon Washburn
A lovely poem by Sara Teasdale inspired this new composition by Thomas Juneau. Perfect for young women's choirs at the middle school and high school levels. A nice melody with accessible part-writing and a simple piano accompaniment. Your young singers will enjoy this love song.
Composer: Thomas Juneau
Beautifully written for high school women's voices, Paul Carey's romantic, lyrical setting of John Boyle O'Reilly's restrained yet passionate poem would be ideal for any concert or festival. Sustained vocal passages are mirrored by expressive legato lines in the violin part - all supported by a tasteful piano accompaniment. Simply elegant.
Composer: Paul Carey
Three delightful poems from Lewis Caroll's Alice in Wonderland have been set with whimsy by composer John Carter. Young singers will enjoy the poetry, "How Doth the Little Crocodile," "Beautiful Soup," and "'Tis the Voice of the Lobster." Wonderful, accessible vocal writing with a few twists and turns for a fun challenge!Duration: Approx. 3:45MP3 Recording Choir: Chattanooga Girls Choir, LuAnn Holden, conductorÊ
"Oh, Follow, Follow On" (France) & "Spring, Now Spring" (Germany). These pieces add lightness to any women's choir repertoire - one of new love, the other of Spring's new birth. In French and German respectively with English translations.
Arranger: Jerry Wesely Harris
This tender rendering of a Scottish lament gives young treble choirs a chance to develop their expressiveness and vocal color in a work which is easily taught and programmed. Taken from a longer work, Stuff 'n Nonsense, it would also suit more mature choirs. Easy piano accompaniment.
Arranger: Norman Luboff | Performed By: Norman Luboff Choir
This composition was inspired by a poem that incorporates various bird sounds, with melodies based on the actual songs. A charming and playful piano part supports the motif of this song - just right for spring concerts! For high school women and beyond.
Composer: Carl Ashley
This is an accessible and fresh work for treble choirs on the themes of peace and hope. Approachable vocal lines and a supportive accompaniment make this appropriate for young treble choirs, while the rich and universal text will also work for high school, college, and community groups.
Composer: Susan LaBarr
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