This short original setting of the Adoramus Te text allows choirs to develop tone quality, blend and expressiveness through homophonic harmonies and legato phrasing with occasional dissonances and suspensions. An excellent a cappella selection for contest!

Composer: Robert Townsend

Here is a popular Zulu traditional song as arranged by Rudolf de Beer, former conductor of the Drakensbeg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authentic percussion and movement suggestions give this selection great visual appeal.

Arranger: Rudolf de Beer

This work for unaccompanied mixed voices and two soloists is a setting of a traditional Holocaust melody for a moving tribute to those who perished. A powerful and dramatic selection for remembrance and memorial concerts as well as other occasions.

Arranger: John Conahan

This rich setting of the Ave Maria text captures the essence of sincerity and transformation through the progression of harmonies. The thrilling cluster chords epitomize the challenging moments in life as they relax into the simplicity of open consonance. A stunning work for capable mixed choirs from high school and up!

Composer: John Conahan

Lovely warm harmonies will fill your performance space with this short setting of the traditional Irish blessing. A few slight lyric alterations provide a more enveloping framework for the listener and offer hope for a future meeting. Ideal for both secular and sacred programming.

Composer: John Conahan

Invigorating vocal percussion and layered harmonies bring life and energy to this Brazilian children's song that will be an excellent world music addition to concerts in middle school and up. In Portuguese with background information, translation and pronunciation.

Arranger: Will Lopes

This Bolivian folksong is alive with rhythm and movement! Body and vocal percussion give this a cappella setting intensity and drive - a wonderful showcase for mixed choruses in school and community!

Arranger: Will Lopes

This a cappella setting of the traditional American folk hymn creates a wonderfully expressive atmosphere for treble voices that is ideal for developing phrasing, intonation and sight-reading skills. A great selection for contest and festival performance! Duration: ca. 2:25.

Arranger: Susan Brumfield

This Celtic blessing is well-known and loved in many different versions and this setting will be especially effective as a gentle closing number or encore for school and community choirs. Easily-learned, it offers opportunities to teach flowing lines, diction and dynamic contrast.

Composer: Brian Tate

Feature a special soloist with this tour de force a cappella setting of the 1963 #1 hit by Manfred Mann and bring down the house! An awesome closer or encore!

Arranger: Ken Berg | Composer: Jeff Barry | Performed By: Manfred Mann

This latest selection from the Henry Leck Creating Choral Artistry series will be debuted by the ACDA Junior High Honor Choir in February. Based on the Kenyan phrase for "the voice of the dove" this composition combines the imagery of the African landscape and its musical essence. Available separately: SATB, SAB and SSAA. Performance Time: Approx. 3:40. Percussion instruments

Composer: Rollo Dilworh

Syncopation and body percussion combine to capture the excitement of this original piece and highlight the overall feel of the Flamenco style. A wonderful and unique showcase for mixed choirs from high school and up!

Composer: Will Lopes

Lush harmonies and smooth voice leading permeates this arrangement of the legendary song, Georgia on My Mind. The state of Georgia officially designated Ray Charles' version as the official state song in 1979, and it remains part of the Great American Songbook tradition.

Arranger: Tripp Carter | Composer: Hoagy Carmichael

Now available in a treble voicing, this energetic spiritual features a soloist with choral backup, bright percussive rhythms, a bluesy vocal bass line and the visual appeal of body percussion making this a first-rate showcase for mixed or treble choirs!

Arranger: Ken Berg

This popular worship song from Kenya can be performed in a variety of ways, by adding movement while singing, incorporating percussion instruments into the performance, or as a processional. Opening with a simple unison melody, the song progresses into two parts and finally adds a descant-like 3rd voice part.

Arranger: Kirk Aamot

After a brief polyphonic introduction by the women, this favorite African-American spiritual moves into a homophonic setting featuring long legato lines, controlled dynamics, all with a focus of creating drama through this powerful text.

Arranger: Brian Tate

This bright, up-tempo spiritual rejoices in what awaits us in heaven (beautiful robes, new shoes, golden harps) and also pokes humorously at those who just may not be allowed through the pearly gates - everybody talkin' 'bout heaven ain't goin' there. Vibrant, syncopated rhythms and the lively melody provide ample opportunities for an interesting and expressive concert showcase!

Arranger: Paul Carey

Set to the majestic This is the day that the Lord hath made psalm text, this highly flexible a cappella work is especially good for a multi-choir festival or concert. Short and accessible, the work opens antiphonally with fanfare-like phrases, moving to a more subdued contrasting section before returning to the opening music for an uplifting conclusion.

Composer: Judith Herrington

This traditional folk song is one of many song varieties from the Republic of Georgia. The song was originally sung by mothers to heal and calm sick children. A helpful pronunciation guide is provided to assist in learning the non-English text.

Arranger: Brady Weldon

This sparkling setting of the traditional French carol will show your treble choir at its best! Includes an optional finger cymbal and drum part. A French pronunciation guide available on the VoiceTrax CD. Performance Time: Approx. 2:15. Available separately: 3-Part Treble div. a cappella and VoiceTrax CD.

Arranger: Nancy Grundahl

This tender lullaby from the Panay Island in the Philippines is traditionally sung by a sister or other female relative to help the child fall asleep while the mother is at work. The gentle melody is well-supported by the vocal and piano underlay and it may be sung a cappella as well. In the Visayan language, with English translation and pronunciation guide.

Arranger: Jude B. Roldan

Here is the Latin antiphon from the requiem mass for unaccompanied voices and soloists. Varied textures and a full dynamic range give this setting an emotional context that will offer appropriate challenge and reward.

Composer: Harriet Steinke

Here is the traditional spiritual in a contemporary and dramatic setting for women's unaccompanied voices, opening with a beginning unison melody, performed in a slow, heavy manner. When the tempo picks up, the melody is supported by the other voices and a recurring rhythmic groove that adds to the urgency of the text.

Arranger: Randi Grundahl Rexroth

The music of East Africa reflects the joyful spirit of the people as seen in these three selections from Kenya, collected and arranged by ethnomusicologist and educator Tim Gregory. These short songs are easily learned by young choirs and adaptable enough for more experienced ensembles and may be performed as single selections or as one continuous medley. Field video, movement and other helpful online information are referenced within the publication. Songs include: Karibu Wageni (Welcome Visitors), Siku Ya Leo (This Day), Wako Wapi? (Where Are You?).

Arranger: Tim Gregory

This setting of the traditional African American Christmas spiritual features a baritone soloist supported by unaccompanied mixed voices. Varying in tone color, dynamic contrast and texture from verse to verse, this selection will enhance Christmas programming in school, community and church!

Arranger: Paul Carey

Here is a popular South African traditional song as arranged by Rudolf de Beer, former conductor of the Drakensberg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Includes percussion and pronunciation guide.

Arranger: Rudolf de Beer

Here is a popular South African traditional song as arranged by Rudolf de Beer, former conductor of the Drakensberg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Includes percussion and pronunciation guide.

Arranger: Rudolf de Beer

This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learned and a singer and audience favorite!

Arranger: Bernard Krüger

Now available for mixed voices! This traditional greeting/salutation song of the Kwangali and Sotho people, with authentic call and response vocals, djembe, bass drum and shakers will be easily learned and a singer and audience favorite!

Arranger: Bernard Krüger

Accessible for young choirs, this piece makes fun of common tourist phrases in Swahili, so don't look for a deep meaning in the text! A rhythmic pulse provides lots of fun for the singers and creates an exciting performance! Duration: ca. 3:15.

Arranger: Peter B. Emerson

Fast, rhythmic, with accents, textural twists and a slow rubato middle section, this short secular a cappella work is full of surprises and comic elements. With an Italian text by Charles Anthony Silvestri, it is a perfect encore!

Composer: John Conahan

This rich setting of the Latin Eucharistic hymn offers an expression of devotion through rich harmonies and a treble obbligato. A stunning work for capable mixed choirs from high school and up!

Composer: John Conahan

This setting of a Latin hymn text for unaccompanied treble voices is a fervent and expressive outpouring of devotion. Ideal for treble choirs in school and community for contest, festival and sacred concerts.

Composer: Jude Roldan

This spiritual setting is ideal for honor choirs, festivals and advanced groups from high school and up. It is highlighted by rich syncopated and polyrhythmic sections, and the use of divisi male chorus is reminiscent of quartet singing. Thrilling!

Arranger: Robert Townsend

This colorful work from the Philippines portrays the soundscape of the Cordilleras, a mountainous region in the northern part of the country. Opening with a peaceful chant, representing the rice fields at sunrise, the tranquility is soon interrupted by animal calls and festive shouts of children playing. Serenity finally returns at sunset. A showpiece for treble choirs!

Arranger: Maria Theresa Vizconde-Roldan

From a serene and ethereal opening, this traditional spiritual transitions into an energetic gospel refrain, with call and response lines and exciting vocal effects. An outstanding treble showcase! With piano or optional a cappella.

Arranger: Nancy Grundahl

The adventurous spirit of the Scottish highlands is colorfully portrayed in this set of pieces by Ken Berg which can all be performed separately or as a group. This tender ballad for a cappella mixed voices is profoundly moving in its simplicity. Performance Time: Approx. 3:10.

Arranger: Ken Berg

With insightful program notes, an easy to read pronunciation guide, and instructions on how to utilize the percussion and an elegant score, here is a wonderful introduction for your men to sing a high energy folk song from Africa.

Arranger: Bernard Krüger

The opening of this popular spiritual is presented in the traditional a cappella style, but before long it kicks into a fun and funky gospel groove that presents the melody punctuated by insertions of the word trouble! along with characteristic scoops and other vocal effects in a celebratory outpouring of spirit.

Arranger: Brian Tate

Written as an homage to ancestors both slave and free, this two song collection (1. Git Outta My Way & 2. Sacrifices of Righteousness) explores both the European-influenced spiritual style and the gospel-spiritual style. Each of these calls on the singers to explore different singing styles and acts as a wonderful teaching tool both historically and musically.

Composer: Kellori R. Dower

The Grammy-winning singer Kelly Clarkson scored big with an elegant, pitch-perfect and rousing rendition of "The Star-Spangled Banner" at Super Bowl XLVI with choral back-up provided by the Indianapolis Children's Choir, conducted by Henry Leck. Here is the arrangement in two keys, the original in G, as sung by Kelly and a B-flat edition, for use with soprano or tenor soloist, or a group of singers. Recorded by the Indianapolis Children's Choir, Rachel Anderson, soloist.

Arranger: Henry Leck | Composer: Francis Scott Key | Performed By: Kelly Clarkson

Be quiet, be still, listen and hear, far away a voice is calling, this is the translation of this original work that evokes the wonder and beauty of the country of South Africa. The gentle declaration of the text, with subtle movement, background drum and rich harmony portray the dignity and culture of the music and the people.

Composer: Rudolf de Beer

Don't be afraid to let your true colors show! A message that all of us need to hear. This iconic song by pop/rock legend Cyndi Lauper is timeless. This new arrangement relies on the strong heritage of the original while bringing new sensitivities that reflect the times we live in.

Arranger: Jesse Hampsch | Composer: Tom Kelly | Performed By: Cyndi Lauper

Here is an original celebratory piece in Swahili based on Romans 8:31, carrying the message that we can move forward in life because we know that God is on our side. With solid harmonies, a steady groove, optional choreography and percussion, this piece will enhance programs in school, community and church choirs.

Composer: Will Lopes

Collected and written down by Anders Nyberg, these praise songs (Singabahambayo, Haleluya!, and Pel tsa rona) helped the people of South Africa give birth to freedom. Traditionally this music is sung a cappella; however, percussion may be added if desired. Henry Leck, Artistic Director of the Indianapolis Children's Choir, arranged this choral setting. Available separately: 3-Part Treble a cappella; SATB a cappella.

Arranger: Henry H. Leck

This South African folksong will add a simple yet colorful flavor to any concert program with a tongue-in-cheek teasing of a special girl who likes to show off! Easily-learned with primary triads and layered vocal lines, you can accompany with shaker and djembe.

Arranger: Ngqibeko Peter Ncanywa

This a cappella arrangement of the traditional spiritual pulses with rhythmic energy in this setting for mixed voices and baritone soloist. Vivid contrasts, layered vocal phrases and varied textures make this a superb showcase for choirs in church, school and community.

Arranger: John Conahan

First recorded by Louis Armstrong, What a Wonderful World was inducted into the Grammy Hall of Fame in 1999. This arrangement captures the joyful spirit of the song while using limited ranges, making it a great choice for any mixed ensemble.

Arranger: Tripp Carter | Composer: George David Weiss | Performed By: Louis Armstrong

I will meet you when the roses come again - these nostalgic words form the touching refrain of this a cappella setting for male voices. Offering many opportunities for developing style, intonation and expression, this is an ideal selection for developing choirs in middle and high school.

Composer: Thomas Juneau