In Celebration of the Human Voice - The Essential Musical Instrument
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An internationally recognized choral director, Henry Leck is a professor emeritus in choral music at Butler University, where he served on the faculty for 27 years. He is the Founder and Conductor Laureate of the Indianapolis Children’s Choir, which he served as Artistic Director for 30 years. Under his leadership. the organization grew to and continues to be one of the largest and most respected children’s choir programs in the world.
Henry Leck Creating Artistry
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Displaying 1-50 of 117 items.
The imagery inspired by the robin include new beginnings, wisdom, clarity and even the divine. This simple, folk-like ballad hopes to inspire these themes. The perennial message of empowerment and the joy of song will offer passion and strength to your students and listeners.
Composer: Daniel Brinsmead
This beautiful and prayerful song is perfect for graduations, memorials, programs of remembrance or simply to close your choral concert. The choral writing supports any voice type singing any vocal line making it ideal for choirs with changing voices or choirs with established singers.
Composer: Jude Roldan
Here is a sweet carol from the Venezuelan tradition. The text is in Spanish with an easy to read phonetic pronunciation guide. Piano, triangle and claves are provided in the choral score but an expanded instrumentation including flute, oboe, clarinet and string bass will make this a real feature in your Christmas concert.
Arranger: Alejandro Rivas
The grandeur of Ralph Waldo Emerson's skyborn music text creates a canvas for Dan Forrest's magnificent sonorities in this superb selection for choir and soloist with piano or optional strings. Breathtaking in its beauty and imagery!
Composer: Dan Forrest
Kodály teachers and all who value teaching sight-reading will enjoy this creative set of American folksongs. An excellent choice for building skills and performing in concert, it includes: King Kong Kitchie (Performance time: 1:40), All Night, All Day (Performance time: 2:30), Cotton Eye Joe (Performance time: 1:50).
Arranger: Shelly Cooper
Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard my friends in choir rehearsing the piece, I thought the music might also say, 'Hail, Mother Earth!' It is meant to transcend religions and to serve as a prayer for our planet. The earth needs our healing.
Composer: Emile Serper
Use your community network to find a banjo player and add some Appalachian flavor to your concert with this fresh setting! A fun novelty feature with banjo and percussion, you can supplement it further with guitar, mandolin and bass, or just use piano to imitate the bluegrass sounds. A great showcase for SSA choirs in middle school and up!
Arranger: Tim Sharp
A perfect introduction to vocal jazz, this Irving Berlin classic gets an updated treatment that's perfect for developing style with your treble choirs. It swings!
Arranger: Ron Caviani | Composer: Irving Berlin
Four rain-themed folk songs combine to create a delightful medley that is ideal for introducing three-part singing and is also a lot of fun to perform! Includes: I Don't Care if the Rain Comes Down; It's Raining, It's Pouring; Rain, Rain, Go Away; Raining Again Today. Duration: ca. 2:40.
Arranger: Shelly Cooper
Written for and premiered by the 2011 ACDA National Children's Honor Choir, Henry Leck, conductor, this is a treble chorus closer extraordinaire! The famous strains of the popular standard from the 1920s are punctuated by a fabulous scat chorus and an over-the-top 4-hand piano accompaniment. Perfect for choreography! Duration: ca. 2:30.
Arranger: Ken Berg
The majesty and joy of Christmas resounds in this festive work by Michael W. Smith and arranged for treble choir, soloist and brass. An ideal concert opener or finale! Brass parts available digitally (tpt 1, tpt 2, hn, tbn, tba). Durataion: ca. 2:45.
Arranger: Martin Ellis | Performed By: Michael W. Smith
A playful duet by flute and oboe enhances this delightful setting of a Catalan carol that will bring joy to Christmas concerts by treble choirs from children through adult with its well-crafted vocals, interesting compositional techniques and charming piano accompaniment.
Arranger: Nancy Grundahl | Composer: Traditional
Written for the city of Northfield, Minnesota, this work celebrates the hopes and dreams of the early settlers who valued the principles of equal rights, education, faith and public service. An excellent tribute to all American communities and ideal for many civic occasions. With flute.
Composer: Daniel Kallman
This a cappella setting of the traditional American folk hymn creates a wonderfully expressive atmosphere for treble voices that is ideal for developing phrasing, intonation and sight-reading skills. A great selection for contest and festival performance! Duration: ca. 2:25.
Arranger: Susan Brumfield
The fiery rhythms of South America explode with this exciting showpiece arranged by Martin Ellis for the Indianapolis Children's Choir. Cumana is an island off the coast of Venezuela and this arrangement will take you there in your imagination!Available separately: 3-Part Treble. Performance Time: Approx. 2:30.
Arranger: Martin Ellis
The famous artsong by Franz Schubert has been arranged for 3-part voices and tells of a casual observer admiring the movements of a frisky fish as it darts below the surface. The tone of the music changes when, to the observer's horror, a fisherman puts an end to both his and the trout's merriment by snagging the fish on his hook and reeling him in.
Arranger: D. Jason Bishop
This frequently set text by Mary Elizabeth Frye is full of hope and life. In this new setting, the violin soars as if to represent the spirit that has left the grave. The repeating text I'm not there, I'm not gone over an ascending 1/16th note pattern gives your singers the sense of traveling to places yet unknown.
Composer: James Deignan
The simple Latin prayer expanded with additional English lyrics unfolds naturally in an open, spiritual way. This accessible work makes a wonderful benediction for a concert or service and while written for 3-Part treble voices, can easily be adapted to all types of choirs.
Composer: Brian Tate
The weaving contrapuntal textures of this setting of a poem by Edgar Allen Poe, the galloping piano accompaniment and several surprising modulations depict the narrative of the gallant knight in search of El Dorado. An outstanding concert showpiece for treble choirs of all ages!
Composer: Russell Nadel
The wistful layered melodies, undulating piano accompaniment and plaintive violin obbligato create a mysterious atmosphere in this accessible work that tells the story of the Underground Railroad.
Arranger: Emily Crocker
Premiered by the Indianapolis Children's Choir and recorded by them, this is a fresh and appealing contemporary work by Pulitzer Prize winning composer Caroline Shaw. Community based treble choirs through high school and college women's choir will enjoy experiencing this captivating music. With cello.
Composer: Caroline Shaw | Performed By: Indianapolis Children's Choir
Gerakina is a Greek folk song that dances with lively spirit! Enhance your performance by adding movement or percussion, the publication includes a pronunciation guide for the easily-learned Greek phrases. Duration: ca. 1:30.
Arranger: Henry Leck
This substantial work for treble voices begins with a bell-like piano introduction before launching into the buoyant 6/8 strains of the body of the work. Jubilant rhythms dance over the underlying pulsing piano accompaniment, moving into a quasi-fugue in the middle section before the final glorious conclusion. A superb work for high school women's choruses and accomplished children's choirs.
Composer: Jude Roldan
In this, one of Schubert's first and most successful artsongs, Gretchen reflects on her sudden infatuation with Faust. The piano accompaniment, with its relentless sixteenth notes in the right hand, depicts both Gretchen's accumulating madness and the perpetual motion of the spinning wheel.
Arranger: D. Jason Bishop
This popular worship song from Kenya can be performed in a variety of ways, by adding movement while singing, incorporating percussion instruments into the performance, or as a processional. Opening with a simple unison melody, the song progresses into two parts and finally adds a descant-like 3rd voice part.
Arranger: Kirk Aamot
The driving rhythmic pulse and bright, happy text of this classic pop song from 1967 by the Turtles will be an awesome closer for treble choirs of all ages! With the melody of the verse primarily in Part III, the full choir sings the choruses and the interludes. The layered vocal patterns of the extended ending are impressive, but easily learned.
Arranger: Ken Berg | Composer: Garry Bonner
A poem by Langston Hughes forms the lyric framework for this 3-part setting. Begnning with a joyous gospel opening with three layered vocal parts, the work unfolds into a powerful affirmation of the human spirit.Available separately: 3-Part Treble, Instrumental ePak (parts for Alto Sax, Trumpet 1 & 2, Electric Bass, Drums, Violin 1 & 2, Viola and Cello) and VoiceTrax CD. Performance Time: Approx. 3:20
Composer: Rollo Dilworth
Although written for the Detroit Children's Choir, this work will be especially effective in smaller or beginning choirs who may be looking for a positive choral experience and flexible options. I will face the world with a song, is the positive message of the text and piece may be sung in unison, two parts or three parts, depending on the confidence of the singers.
Composer: Darren S. Herring
Ken Berg's arrangements have been receiving acclaim from choirs and audiences across the nation. This fiery arrangement of the traditional spiritual combines driving rhythms and captivating harmonies into a concert gospel powerhouse. Optional solos.Available separately: 3-Part Treble. Performance Time: Approx. 3:00.
Arranger: Ken Berg
This sparkling setting of the traditional French carol will show your treble choir at its best! Includes an optional finger cymbal and drum part. A French pronunciation guide available on the VoiceTrax CD. Performance Time: Approx. 2:15. Available separately: 3-Part Treble div. a cappella and VoiceTrax CD.
Arranger: Nancy Grundahl
This tender lullaby from the Panay Island in the Philippines is traditionally sung by a sister or other female relative to help the child fall asleep while the mother is at work. The gentle melody is well-supported by the vocal and piano underlay and it may be sung a cappella as well. In the Visayan language, with English translation and pronunciation guide.
Arranger: Jude B. Roldan
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