This delicate unison setting of the well-known Irish Blessing is both simple and lyrical, providing an emotional connection between singers and listeners. The rise and fall of each musical phrase builds momentum to the fourth phrase, allowing the melody to soar. Ideal benediction for concert or service!

Composer: David Pote

This sprightly English folk tune makes a delightful showcase for unison or optional 3-part voices, with a light and joyful accompaniment and easily learned melody and harmonies. Great for teaching sight-reading! Available separately: Unison (opt. 3-Part Treble). Duration: ca. 3:04.

Arranger: Ken Berg

This sprightly English folk tune makes a delightful showcase for unison or optional 3-part voices, with a light and joyful accompaniment and easily learned melody and harmonies. Great for teaching sight-reading! Available separately: Unison (opt. 3-Part Treble). Duration: ca. 3:04.

Arranger: Ken Berg

The haunting Celtic melody interweaves with the undulating piano textures for an unforgettable concert moment. Ideal for building vocal musicianship in treble choirs. Performance Time: Approx. 2:45

Arranger: Robert Hugh

This joyful da capo aria by Telemann with violin will showcase developing vocal skills for treble singers in middle school or community children's choir. A delightful introduction to Baroque style!

Arranger: Eloise Porter

This charming unison piece expresses a child-like wonder and amazement at the simple things in nature: a singing bird, a bubbling stream, the warm sun and the budding trees. Very musical and singable, treble choirs will enjoy the imagery and musicality. Duration: ca. 3:00.

Composer: Daniel Kallman

From the Vivaldi Magnificat, this edition is a perfect selection to introduce your treble chorus to Baroque style! An excellent choice for festival and competition. In Latin. Available: Unison Treble. Duration: ca. 2:00.

Composer: Antonio Vivaldi

Here is the second movement from JS Bach's beautiful Magnificat. This music soars and lies beautifully in the voice. With only eight Latin words making up the text, rehearsal time can be dedicated to vowel uniformity, breath, phrasing and discovering Baroque style.

Composer: Johann Sebastian Bach

This buoyant setting of the traditional text will fill your Christmas concert with great joy! Primarily unison, with optional divisi at the end and flute. Performance Time: Approx. 1:50.

Composer: Ken Berg

Here is a lively American singing game arranged for young treble singers in such a way that the parts almost teach themselves! The verse/refrain is in pentatonic, so the canonic harmonies are easily learned. Great for teaching sight-reading, too! Duration: ca. 2:10.

Arranger: Ken Berg

Here is a lively American singing game arranged for young treble singers in such a way that the parts almost teach themselves! The verse/refrain is in pentatonic, so the canonic harmonies are easily learned. Great for teaching sight-reading, too! Duration: ca. 2:10.

Arranger: Ken Berg

Unison treble choirs can experience the beauty and elegance of this movement from the Mozart Mass in C Minor and gain appreciation for music of the Classical era. The flute obbligato adds to the authenticity. Duration: ca. 2:45.

Arranger: Melissa Malvar-Keylock

Written for the 2004 Georgia Sixth Grade honor choir, this gently rocking 6/8 setting is supported by a beatiful harp-like accompaniment. Performance Time: Approx. 2:30

Arranger: Ken Berg

Written for the 2004 Georgia Sixth Grade honor choir, this gently rocking 6/8 setting is supported by a beatiful harp-like accompaniment. Performance Time: Approx. 2:30

Arranger: Ken Berg

This Jalmaican folksong may be sung in unison or in three parts with accessible layered harmonies and delightful percussion and keyboard accompaniment. Irresistible!

Arranger: Ken Berg

This Jamaican folksong may be sung in unison or in three parts with accessible layered harmonies and delightful percussion and keyboard accompaniment. Irresistible!

Arranger: Ken Berg

Younger choirs will enjoy singing this unison work that captures the playfulness of cats in the piano accompaniment and highlights numerous names that we call our feline friends. A wonderful exercise in diction!

Composer: Stan Spottswood

A beautiful and inspirational text forms the lyric framework for this deeply moving song. O music, wrap me in your arms. Let me soar to farther shores. Point me to the stars. With optional flute (part included). Performance Time: Approx. 4:20

Composer: Mary-Hannah Klontz

Spirituals are an important part of the educational canon for young singers, and they serve as a powerful reminder of the enduring cultural importance of the African American musical tradition. This unison/2-Part setting offers a playful sense of urgency as well as alternate lyrics for church and school use.

Arranger: Scott Atwood

Simple unison singing is complemented by a jazz-flavored piano accompaniment. Performance Time: Approx. 3:20

Arranger: Ken Berg

Simple unison singing is complemented by a jazz-flavored piano accompaniment. Performance Time: Approx. 3:20

Arranger: Ken Berg

The Jumblies, by the 19th century writer, Edward Lear, is a tale full of fantasy and humor, in which the adventurous, endearing, and colorful Jumblies decide to set sail over rough seas in a sieve, a kitchen utensil used as a strainer. Younger choirs will enjoy the fanciful verse as they recount the Jumblies' foolish and dangerous journey!

Composer: Melissa Malvar-Keylock

This imaginative setting of the Robert Lewis Stevenson poem evokes the sights and sounds of the moon at night, shining on all the creatures at night. Ideal for developing expression with young choirs. Performance Time: Approx. 1:30.

Composer: Bret Silverman

This beautiful folk song lament from northern England is given a creative treatment in this new arrangement. Set in the uneven meter of 5/8 and with an accompaniment that can be realized by piano, guitar or harp, this is a teaching piece for your choir. The counter melody can be sung or played by a C instrument like a flute or oboe.

Arranger: Paul Ayres

The sturdy melody of a favorite Sacred Harp tune is first presented in unison by the choir, decorated by a flute obbligato. Verse 3 is sung by a soloist, while in verse 4 the choir returns with the melody and a descant for a jubilant finish. Ideal for Christmas concerts or festival performances by children's choirs and middle school.

Arranger: Ken Berg

The sturdy melody of a favorite Sacred Harp tune is first presented in unison by the choir, decorated by a flute obbligato. Verse 3 is sung by a soloist, while in verse 4 the choir returns with the melody and a descant for a jubilant finish. Ideal for Christmas concerts or festival performances by children's choirs and middle school.

Arranger: Ken Berg

This imaginative set of two poems by Robert Louis Stevenson are ideal for developing expression and vocal tone with young choirs. The first, Bed in Summer, is in a stately waltz tempo with a serene lyricism. The second, the popular Where Go the Boats, is in a playful 3/4.

Composer: Bret L. Silverman

Drawing from Latin, European and Indian roots, this concert piece allows the singers to share in the hope and dreams of children all over the world. Available: SSA(B), Unison. Approx. Time: 3:30.

Composer: Gerald Wirth