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American Standards Arranged for Male Voices
| A selection of songbooks and sheet music arrangements of American Standards for male voices. |
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Songbooks, Arrangements and/or Media
Displaying 1-5 of 5 items.
Bob Martin : Men's Vocal Jazz Standards 2 "Blue And Sentimental" is a slow grooving version of this Basie classic. It starts out right on the chorus with everyone on words. "Oo's" on bridge the first time around with a half step modulation into the last 'A'. This is a very tight arrangement with ample opportunity to work on swing feel by accenting the upbeat on eighth note passages. "I've Got A Crush On You" starts with a rubato introduction into a slow-ish swing groove for the chorus. The verse is in the middle and is sung rubato with "oo's" behind the lead. Back to tempo second time around with a half-step modulation into the last'A' with a ritard into the ending. "Let's Get Away From It All" is a snappy, toe-tapping rendition. It starts right in on the chorus and cruises along to a big ending. Straight-ahead, very fun to sing, and makes a great show opener. "Lillette" is a somewhat rare tune performed by the Nat Cole trio in his early days. It starts out with a rubato verse going into a snappy chorus with tons of fun syncopated rhythms that keep things moving. Stop time kicks in the tag send this one off with a bang. Songlist: Blue and Sentimental, I've Got a Crush on You, Lillette 
Close Harmony Popular Classics : Anything Goes & 3 Other Songs  Four popular classics by the likes of Jerome Kern and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites, David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by, brimming with the swing and swagger of the Barbershop style. Arranged for a quartet of Alto, Tenor, Baritone and Bass voices, each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing. The close-harmony style not only presents a uniquely satisfying and playful challenge to the singers, but will also delight and amuse audiences everywhere, no matter what the occasion! Songlist: Anything Goes, Singin' In The Rain, Spread A Little Happiness, The Charleston
Various Arrangers : Men's Vocal Jazz Standards 1 A very happy version of "Sunday" inspired by Sinatra's famous recording. The bass leads in with everyone on words right off the bat. There are fun syncopations and falls in the chorus with a half-step modulation with no pivot chord (a sort of key 'slam'). Saturday Night is the Loneliest Night of the Week quoted in the tag. This is a very fun arrangmenet. "Without A Song" What more can we say? A beautiful song, a beautiful arrangement. 'Over the Raininbow' is a simple, yet beautiful harmonization of the classic tune. 'You Are Too Beautiful' is an easy, yet effective arrangement of this all time Rodgers and Hart ballad, that gives your men's section a chance to really shine! Songlist: Sunday, Without a Song
Various Arrangers : Men's Pop Standards for 3 Parts Stephen Stills wrote "Find The Cost of Freedom" after visiting a Civil War battle site and the emotion is still potent today: "All the brave soldiers that cannot get older been asking after you ... Find the cost of freedom buried in the ground." The a cappella texture makes it especially moving. "Come Go With Me" - Put a special soloist out front with this doo-wop hit of the '50s! Here's a super arrangement of the top pop hit "Stand By Me" from 1961. "Sixteen Tons" - Here's a great a cappella setting of the Tennessee Ernie Ford work song from the '50s. Excellent independence of voices! Songlist: Find The Cost of Freedom, Come Go With Me, Stand By Me
Various Arrangers : Classic American Songs For Male Voices James Erb's classic arrangement of the American folk song "Shenandoah" has taken its rightful place in our contemporary choral literature. Now James gives us a wonderful, richly scored setting for men. Seriously consider this for your men's ensemble on your next concert. It's a winner! "Blue Moon' the classic Rodgers and Hart song, takes on a whole new life with its upbeat do-wop arrangement by Jeff Funk. It was featured on the Grease soundtrack. It's funky, it's rhythmic, it's fun. It's Don Moore's a cappella setting of that old-time campfire tune "Workin' on the Railroad" for men's voices. This surely will be a favorite. Snap your fingers on this one. Russell Robinson embraces all the beauty and sensitivity of "Misty" the Errol Garner pop tune in a very simple setting that will add a touch of class to any choral concert. Songlist: Shenandoah, Blue Moon, Workin' on the Railroad, Misty |
Displaying 1-47 of 47 items.
Delightful, accessible setting of one of Berlin's classic melodies, also perfect for special occasions such as homecoming or dances.
Arranger: Donald Moore | Composer: Irving Berlin
Hammerstein and Kern's popular hit, and part of the American songbook, is presented with a light and jazzy Latin feel, complete with optional instrumental parts or rhythmic accompaniment track. Smooth vocal lines sit above the exciting samba-like accompaniment. Accessible to all levels and gorgeous for many voicings. Duration: ca. 3:25
Arranger: Mark Hayes | Composer: Jerome Kern | Lyricist: Oscar Hammerstein II.
With more than 300 different recordings released since it was first written in 1970, this iconic love song won Willie Nelson the Grammy award in 1982. It is here set in an intimate and understated way. Perfect for concert or show choirs.
Arranger: Ed Lojeski | Composer: Willie Nelson Performed By: Willie Nelson
From the classic, award-winning motion-picture Casablanca comes this exceptional swing ballad. Who can forget that famous opening line: "You must remember this, a kiss is just a kiss, a sigh is just a sigh." Now your men's and women's choirs can perform this superb Russell Robinson arrangement. Consider utilizing the exceptional accompaniment track.
Arranger: Russell Robinson | Composer: Herman Hupfeld | Musical: Casablanca
This classic Rodgers and Hart song takes on a whole new life with its upbeat do-wop arrangement by Jeff Funk. It was featured on the Grease soundtrack.
Arranger: Jeff Funk | Composer: Richard Rodgers
Everyone will think of Elvis when they hear this one! Take your audience back to the early days of rock and roll with this '50s pop classic.
Arranger: Jeff Funk | Composer: Carl Lee Perkins
Ray Charles was one-of-a-kind and so was his music. This arrangement is based on his rousing performance of the Everly Brothers' hit; a song considered one of the 500 greatest songs of all times by Rolling Stone magazine. You'll love this energizing rendition complete with rhythm and horns and a treat for your women to sing as well as mixed choirs.
Arranger: Paul Langford | Composer: Felice Bryant Performed By: Ray Charles
Originally arranged for the Gay Men's Chorus of Los Angeles, this Kander and Ebb Cabaret classic is delightfully cheeky and molto espresso! Available separately: SATB, TTBB. Duration: ca: 3:00.
Arranger: Kevin Robison | Composer: John Kander | Lyricist: Fred Ebb | Musical: Cabaret
This popular torch song was originally composed for Ella Fitzgerald, but ended up being dropped from the film Pete Kelly's Blues. She would eventually record it six years later, but in the meantime, a recording by Julie London introduced it to the world. Jay's sweet harmonies make for a bluesy arrangement.
Arranger: Jay Althouse | Composer: Arthur Hamilton | Lyricist: Arthur Hamilton Performed By: Ella Fitzgerald
This Christmas standard is one of the most recorded holiday songs of our time. This arrangement awakens the beloved song to new possibilities, dressing it in a sophisticated suit of traditional choral elements and light jazz. The creative crescendo of the original song unfolds verse by verse as the news of the Christ Child's birth goes from the shepherd boy to the people everywhere. The call and response format is maintained but refreshed by shimmering chords and creative counterpoint. A study in choral color, don't miss the opportunity of sharing this wonderful Christmas classic with your audience. Score and Parts (fl 1-2, ob/eng hn, cl 1-2, bn, hn 1-2, tpt 1/flugel, tpt 2-3, tbn 1-2, perc 1-3, hp, pno, dm, b, vn 1-2, va, vc, db) available as a digital download.
Arranger: Craig Courtney | Composer: Noel Regney
It's perhaps the most touching of the Gershwins' love songs. The lyrics show the sophistication of Ira and the music epitomizes the genius of George. The arrangement is brilliant in its simplicity, including just a touch of Rhapsody in Blue at the end. An American classic for today's choirs.
Arranger: Jay Althouse | Composer: George Gershwin | Lyricist: Ira Gershwin | Musical: Girl Crazy
This Sondheim standard is all about being positive, not taking "no" for an answer. And this awesome Mark Hayes arrangement is truly outstanding! Alternating between rapid and rhythmic unison patter and full choral harmony, the driving rhythms of the accompaniment generate a sense of urgency throughout. Exciting!
Arranger: Mark Hayes | Composer: Stephen Sondheim
First introduced in the Broadway musical Lady Be Good, this Gershwin hit has been covered by Rosemary Clooney, Michael Feinstein, The Four Tops, and many more. Mark's exciting arrangement effectively includes everything from Latin rhythm to Swing!
Arranger: Mark Hayes | Composer: George Gershwin
Frank Sinatra, Dean Martin and Sammy Davis Jr. were one of many in the Las Vegas casino scene and made the rat pack name famous and beloved. Here is a medley of some of their hits they did individually and as a group in concerts, stage, television and film. The medley, fantastic for mixed as well as men's choirs, includes You're Nobody Till Somebody Loves You, Everybody Loves Somebody Sometime, and Come Fly with Me.
Arranger: Ryan O'Connell
Musical programs the world over will be marking the anniversaries of the Gershwins' births throughout 1997 and 1998. This wonderful choral showcase of Gershwin hits arranged by Carl Strommen can be the focal point for any program throughout both years. As always from Carl, highly singable and exceptionally entertaining!
Arranger: Carl Strommen | Composer: George Gershwin | Lyricist: Ira Gershwin
Gene Autry was known as the singing cowboy and this was one of his most popular songs. It was #1 on the pop and country charts and has been covered by countless artists. Here is a new and hip a cappella arrangement for your show, jazz or concert choir.
Arranger: Kirby Shaw | Composer: Oakley Haldeman
From the Broadway classic Wildcat comes this timeless hit redone in Carl Strommen's trademark style that incorporates all the frolicking fun of the original.
Arranger: Carl Strommen | Composer: Cy Coleman | Musical: Wildcat
Show choirs rejoice! This rock-pop anthem is PANIC! AT THE DISCOis highest charting hit to date. Alan Billingsleyis accessible arrangement is a faithful takedown of the original, equally effective in all voicings. The aspirational message is about rising to the top and a desire to ibe that one in a million.” Three-part mixed choirs will enjoy the SAT(B) voicing as the baritone part is optional.
Arranger: Alan Billingsley
No one but Mark Hayes could take this Gershwin masterpiece and make it into an absolutely rip-roaring, no-holds-barred choral work. You want rhythm? You'll get it, in more ways than you can count in this outstanding arrangement of one of America's great songs. A classic, by any standard.
Arranger: Mark Hayes
Carl Strommen brings his superb arranging ability to this delightful new setting of the classic favorite "I'm Always Chasing Rainbows. " An easy to sing, straight-ahead setting!
Arranger: Carl Strommen | Composer: Harry Carroll
Composer Criddle has taken this classic Stephen Foster melody and arranged it in a way that takes full advantage of the drama and humor in the Foster lyrics. Your men will love bringing these lyrics to life as Reed has inserted dramatic puases for the singers to dramatically react. Fun and laughter will be had by all.
Arranger: Reed Criddle | Composer: Stephen Foster
"I love coffee, I love tea . . ." Originally made popular by The Ink Spots in 1940 and later by The Manhattan Transfer, this jazz standard still swings today! "I love the java jive, and it loves me."
Arranger: Russell L. Robinson | Composer: Ben Oakland Performed By: The Ink Spots
(FRNK) TTBB
Arranger: William Stickles
Burt Bacharach and Rudy Perez wrote this anthem dedicated to the survivors, victims and families affected by school violence. It's powerful in both lyric and melody and will certainly move your singers, audience and community when performed. We can't live like this forever, gotta have a change of heart. We can live in peace together. Why is it always a fight? If we just respect each other, though we don't see eye to eye, if we do that, love will finally start.
Arranger: Mark Hayes | Composer: Burt Bacharach
The singers are definitely the stars here! Vocal jazz and a cappella pop groups will find this laid-back arrangement equally appealing.
Arranger: Paul Langford | Composer: George Gershwin | Lyricist: Ira Gershwin | Musical: The Goldwyn Follies
Recorded by GRAMMYae winner Bill Withers in the '70s, this optimistic song has become a beloved and respected favorite. Robert T. Gibson's groovin' arrangement stays true to the R&B style of the original while employing some gospel techniques designed to show off your singers. Optional electric bass and drumset parts fill out the sound, or perform with the super-charged SoundTrax accompaniment.
Arranger: Robert T. Gibson | Composer: Bill Withers and Skip Scarborough
Would you believe this song was written by the same songwriting team that wrote The Wizard of Oz, Harold Arlen and E. Y. Harburg? It's true. They created this number for comedian Groucho Marx to sing in the 1939 movie At the Circus. It's a tour de force of comedic writing, in the style of Gilbert and Sullivan. An absolute must-have for men's groups.
Arranger: Jay Althouse | Composer: Harold Arlen | Lyricist: Yip Harburg
From Rosemary Clooney to Lady Gaga and countless movie and television appearances in between, this hit song continues to entertain in a new TB voicing. Upbeat, rhythmic and pure fun so all you calabrese do the mambo like-a crazy!
Arranger: Jill Gallina | Composer: Bob Merrill Performed By: Rosemary Clooney
Nat King Cole's recording of this Academy Award-winning song topped the charts for eight weeks in 1950 and has been inducted into the Grammy Hall of Fame. This expressive choral setting, now also including a TTBB voicing, will allow every choir to sound their best. A gem! Available separately: SATB, SAB, SSA, TTBB, ShowTrax CD. Duration: ca. 3:00.
Arranger: Ed Lojeski | Composers: Ray Evans and Jay Livingston Performed By: Nat King Cole
Direct from the 1950's comes this delightful little song and recorded by a myriad of artists through the decades. Mark Hayes' arrangement is full of fun and life and will be appealing to all ages. Try some movement adding a little uh to your performance and a little mambo to your stage. Absolutely timeless!
Arranger: Mark Hayes | Composer: Dick Manning | Lyricist: Bix Reichne Performed By: Perry Como
Perfect for your guys! TB choirs will love singing this pop classic originally recorded by Ben E. King in 1961. Great lyrics, great hook, and a great message, well-crafted for changing voices!
Arranger: Roger Emerson | Composers: Jerry Leiber and Mike Stoller
Here's a super doo-wop arrangement of this top pop hit from 1961.
Arranger: Mac Huff | Composers: Jerry Leiber and Mike Stoller
The fabulous Mark Hayes arrangement is all-American, all the way! Opens with a martial verse, which sets the drums rolling and the trumpets sounding. Concert band-style SoundPax available separately, or use the SoundTrax CD. Hooray!
Arranger: Mark Hayes | Composer: George Gershwin | Lyricist: Ira Gershwin
One of the most treasured songs of all time, Gershwin's highly evocative writing mixes elements of jazz with artsong to create a masterwork of the 20th century. This tasteful choral setting weaves the melody through different voices with wordless choral textures, forming a rich backdrop of sound. Starting rubato, a full dynamic range and a dramatic piano accompaniment add to the emotion.
Arranger: Mac Huff | Composer: George Gershwin | Lyricist: Ira Gershwin | Musical: Porgy and Bess
Picture yourself walking the streets of New Orleans as you perform the first half of this popular jazz standard from the 1920s. Then listen as Jay's arrangement rocks to the end!
Arranger: Jay Althouse | Composer: Maceo Pinkard
John Denver's enduring and classic ode to West Virginia. This signature song and official state anthem continues to be one of Denver's best-selling recordings nearly 50 years on. Deftly set by Roger Emerson to develop and emphasize young men's harmonization and melodic independence skills.
Arranger: Roger Emerson | Composer: Taffy Nivert Performed By: John Denver
This dynamic new setting is sure to be a choir and audience favorite for many years to come! Arranged in a rhythmic, African, Lion King style. Donit miss the SoundTrax CD which offers multiple layers of hip percussion!
Arranger: Alan Billingsley | Composer: Hugo Peretti
Your men will be cooler than cool, scatting this catchy movie theme! The opening riff is "ba dop ba da," with finger snaps. Then the voices imitate the horns. A favorite in all voicings!
Arranger: Jay Althouse | Composer: Henry Mancini | Musical: Pink Panther
Everyone's favorite tribute to the Big Apple has been newly arranged in an unforgettable "Sinatra-style," complete with the irresistible final kick line. A choral classic, sure to last in your library for years. "Start spreadin' the news!"
Composer: Leonard Bernstein | Lyricist: Betty Comden | Musical: New York, New York
Well-crafted choral writing with an unending rhythmic drive propels this spectacular arrangement from beginning to end.
Arranger: Paul Langford | Composer: George Gershwin
Now available S.S.A.A. and T.T.B.B. One of the most charming songs from the great era of American popular song. "The way you wear your hat, the way you sip your tea . . . no, no, they can't take that away from me." The unhurried swing feel of this arrangement is right on target for the sophisticated Gershwin style. Strong voice writing and supportive piano accompaniment. A classic!
Arranger: Mark Hayes
First recorded by Ben E. King and the Drifters in 1960 this easy listening love song is here set in a doo wop style that harkens back to the 1950s with finger snaps, a doo wop bass line and a feature for a soloist who can really bring the style. The instrumental accompaniment for 2 trumpets, tenor and baritone saxophones, trombone and rhythm section is just as stylish as the vocals and together a scene with poodle skirts, bobby sox, duck tail hairstyles and all things cool from the period is set.
Arranger: Mac Huff | Composer: Mort Shuman Performed By: The Drifters
One of the top standards of all time! This rich setting will showcase concert, community and pop choirs with dreamy rubato phrasing, warm harmonies and the full range of emotional expressivity.
Arranger: Mac Huff | Composer: Irving Gordon Performed By: Nat King Cole
This wonderfully evocative a cappella setting of the Irving Berlin classic features the warm and lovely melody supported by gently pulsing vocal accompaniment, sure to create a magical moment in concert!
Arranger: Kirby Shaw | Composer: Irving Berlin
Irving Berlin's classic in an exquisite a cappella setting.
Arranger: Kirby Shaw | Composer: Irving Berlin
The Sherman Brothers may be best known for their many Disney contributions, but this pop hit shot them straight to the top of the Billboard 100 when it was covered by Ringo Starr. Quickly-learned harmonies guarantee success!
Arranger: Greg Gilpin | Composer: Richard and Robert Sherman
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