Truly an uplifting piece of promise and hope with a stirring history, this setting by English composer Paul Ayres is appropriate for graduation ceremonies, and concert occasions. Appropriate for both children's voices or adult voices, the optional cello part is a moving addition. A chamber orchestral accompaniment is available separately.

Composer: Paul Ayres

The first Solfege Suite consists of three pieces of contrasting styles: Bolero, Galop, and March. The names give away the character, but the truly fabulous part is that the text is all solfege. Singers learn about musical names, intervals and solfege, while singing programmable music. Written for the 2006 Alabama ACDA Young Voices Boys Choir, directors have been begging for the music's release since its premiere.

Composer: Ken Berg

The first Solfege Suite consists of three pieces of contrasting styles: Bolero, Galop, and March. The names give away the character, but the truly fabulous part is that the text is all solfege. Singers learn about musical names, intervals and solfege, while singing programmable music. Written for the 2006 Alabama ACDA Young Voices Boys Choir, directors have been begging for the music's release since its premiere.

Arranger: Ken Berg | Composer: Ken Berg

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The divisi in the melody lines are either in octaves or very simple 3rds. The harmony voice, while really cool, is entirely optional. Directors may choose to use them with a section of voices or an ensemble of voices, or not use them at all.

Composer: Ken Berg

As a follow-up to Ken Berg's extremely successful Solfege Suite #1, here is Solfege Suite #2! Besides teaching solfege, form and other musical elements, they also stand as performance pieces. Each title describes the form employed and the character of the work.

Composer: Ken Berg

As a follow-up to Ken Berg's extremely successful Solfege Suite #1, here is Solfege Suite #2! Besides teaching solfege, form and other musical elements, they also stand as performance pieces. Each title describes the form employed and the character of the work.

Arranger: Ken Berg | Composer: Ken Berg

Sometimes all you need is a title to get your attention. This is one sweet tune, with a clever word game in every phrase. Originally from an entire sweet of clever word songs for SATB, this voicing works for almost any group. Available: 2-Part.

Arranger: Allan Robert Petker | Composer: Allan Robert Petker

Sometimes all you need is a title to get your attention. This is one sweet tune, with a clever word game in every phrase. Originally from an entire sweet of clever word songs for SATB, this voicing works for almost any group. Available: 2-Part.

Composer: Allan Robert Petker

As a follow-up to Ken Berg's extremely successful Solfege Suite #1, here is Solfege Suite #2! Besides teaching solfege, form and other musical elements, they also stand as performance pieces. Each title describes the form employed and the character of the work.

Composer: Ken Berg

As a follow-up to Ken Berg's extremely successful Solfege Suite #1, here is Solfege Suite #2! Besides teaching solfege, form and other musical elements, they also stand as performance pieces. Each title describes the form employed and the character of the work.

Arranger: Ken Berg | Composer: Ken Berg

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singers learn about musical names, intervals and solfege, while singing programmable music written for the 2006 ACDA Young Voices Boys Choir, directors have been begging for the music's release since its premiere.

Composer: Ken Berg

The first Solfege Suite consists of three pieces of contrasting styles: March, Bolero, and Gallop. The names give away the character, but the truly fabulous part is that the text is all solfege. Singers learn about musical names, intervals and solfege, while singing programmable music written for the 2006 ACDA Young Voices Boys Choir, directors have been begging for the music's release since its premiere.

Arranger: Ken Berg | Composer: Ken Berg

As a follow-up to Ken Berg's extremely successful Solfege Suite #1, here is Solfege Suite #2! Besides teaching solfege, form and other musical elements, they also stand as performance pieces. Each title describes the form employed and the character of the work.

Composer: Ken Berg

As a follow-up to Ken Berg's extremely successful Solfege Suite #1, here is Solfege Suite #2! Besides teaching solfege, form and other musical elements, they also stand as performance pieces. Each title describes the form employed and the character of the work.

Arranger: Ken Berg | Composer: Ken Berg

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice and descant voice, while really cool, are entirely optional. Directors may choose to use them with a section of voices or an ensemble of voices, or not use them at all.

Composer: Ken Berg

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice and descant voice, while really cool, are entirely optional. Directors may choose to use them with a section of voices or an ensemble of voices, or not use them at all.

Arranger: Ken Berg | Composer: Ken Berg

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice, while really cool, is entirely optional. Directors may choose to use them with a section of voices or an ensemble of voices, or not use them at all.

Composer: Ken Berg

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice, while really cool, is entirely optional. Directors may choose to use them with a section of voices or an ensemble of voices, or not use them at all.

Arranger: Ken Berg | Composer: Ken Berg