Written for the Madison Youth Choirs, this Ave Maria setting is in a contemporary style, with two equal in range and importance voice parts. The hand chimes add a beautiful legato feel that is reflected in the singing. With flute and tone chimes.

Arranger: Dan Krunnfusz

This setting breathes new life into the old nursery rhyme. An uneven and unusual meter adds a touch of whimsical excitement to the ride along with an accompaniment that feels both playful and regal. Body percussion interludes bring another dimension to the performance

Composer: James M. DesJardins

A lively piece for two-part treble voices, Cantamos celebrates the power of singing while its spicy accompaniment moves every line forward in a lively dance until the very last Sing!

Arranger: James M. DesJardins

Eugene Field's poetry is full of fanciful imagery of trolls and elves toiling in caverns deep in the forest. David Poole depicts these creatures with angular, chromatic lines that portray the quirkiness of the impish laborers. His use of constant eighth notes paints the relentless, perpetual comings and goings of the trolls. Duration: 2:20.

Arranger: David E. Poole

This short, 3 line prayer has found favor from presidents to world leaders and the solo fisherman. Here it is set as a simple, a cappella duet for treble voices. This is a wonderful benediction for worship as well as a lovely concert piece for young singers.

Composer: Lee Kesselman

Inspired by the traditional Sami yoik, a very old vocal tradition among the Sami people of Scandinavia and Russia, this beautiful music was used in the Disney animated film Frozen. Now available in several voicings, all choirs can now enjoy these works that are infused with style and ethnic authenticity that will bring a wonderful and unique sound to your choral concert.

Arranger: Emily Crocker | Composer: Frode Fjellheim | Musical: Frozen

Inspired by the traditional Sami yoik, a very old vocal tradition among the Sami people of Scandinavia and Russia, this beautiful music was used in the Disney animated film Frozen. Now available in several voicings, all choirs can now enjoy these works that are infused with style and ethnic authenticity that will bring a wonderful and unique sound to your choral concert.

Arranger: Emily Crocker | Composer: Frode Fjellheim | Musical: Frozen

With piano & violin. Home on the Range is one of the best known Cowboy Songs. The harmonies used in this arrangement express the longing nature of the text. The beautiful tune of the refrain along with the sad violin help to create that feeling of desire to somehow grasp the beauty of the land. Duration: ca. 2:30.

Arranger: Mark Hierholzer

i shall imagine exudes a joyous self-confidence in the miracle of being alive, unperturbed by the vagaries of human perception of what is beautiful. Poetry by e.e. cummings. (1:55)

Arranger: Daniel Brewbaker

Inspired by a poem written by Nick Page's father and his father's belief in humanity's capacity for greatness, Nick has crafted a song of love, healing and hope. Although written for 2 parts, this piece would work well with an older, mixed voice choir in unison on the part 2 line and younger voices on the top line. Nine different languages are used to express the word Peace. Duration: ca. 3 minutes 30 seconds

Arranger: Nick Page

Inspired by a poem written by Nick Page's father and his father's belief in humanity's capacity for greatness, Nick has crafted a song of love, healing and hope. Although written for 2 parts, this piece would work well with an older, mixed voice choir in unison on the part 2 line and younger voices on the top line. Nine different languages are used to express the word Peace. Duration: ca. 3 minutes 30 seconds

Arranger: Nick Page

This is a jazz medley of three traditional Kentucky folk songs: Old Dan Tucker, Billy Boy and Turkey in the Straw. Optional Bass & Drum parts available separately: 48001572

Arranger: David Elliott

Composed in strophic form, this work is a celebration of the many ways through which we experience beauty in our lives. From sight and sound to art and song, beauty surrounds us and enriches our world. This accessible and uplifting positive musical ode would be a strong addition to any concert setting for treble choirs. Duration: 3:45.

Arranger: Allan E. Naplan

London Bridge is a theme and variations (with major, minor and lydian modalities) that plays with the contrasts in this simple song: contrasts of happiness and sadness. The happy innocence of a delightful and very old children's song and the sadness of what some believe to be it's historical roots - the prison built on top of London Bridge. Duration: 2:45.

Arranger: Nick Page

From its first line of text, Psalm of Earth takes the listener on a journey through the wonder of creation that surrounds us. Subtle harmonic surprises in the music reflect a touch of the unexpected along this journey.

Arranger: James M. DesJardins

Commissioned by the Young Voices of Colorado in Littleton, Colorado, one month prior to the Columbine tragedy, this work was premiered one year later at the first anniversary of the event. Beginning as a solemn and simple statement, this powerful piece soon blossoms into a hopeful and exuberant blessing for peace. Duration ca. 3:35.

Arranger: Allan E. Naplan

The Boston Trot is written to familiarize students with certain elements of jazz style by contrasting a familiar melody with a jazz version of the same. Optional Jazz Combo parts available separately (48001537).

Arranger: David J. Elliott

Set in a laid-back calypso style, this playful and imaginative work taps into a child's age-old wish for a pet, but not just ANY pet! With whimsical lyrics and an irresistible rhythmic groove, younger choirs will enjoy this clever and easily-learned choral change of pace!

Arranger: Stephen Hatfield

Set in a laid-back calypso style, this playful and imaginative work taps into a child's age-old wish for a pet, but not just ANY pet! With whimsical lyrics and an irresistible rhythmic groove, younger choirs will enjoy this clever and easily-learned choral change of pace!

Arranger: Stephen Hatfield

There are many variants of this song in England, Scotland and America. As this version evolves, the lady abandons her life of luxury for the romantic freedom of the gypsies, eluding capture and living out her life in tranquility. The melody is accompanied by the piano in the style of a balladeer guitar accompaniment. Duration: ca. 4:15.

Arranger: Robert Hugh

This piece portrays nature as a magical, living entity. While the vocal lines are generally supported by the piano, during the middle section they perform independently as the piano accompaniment adds a descant melody above. Duration: ca. 2:30.

Arranger: Daniel Shaw

Wee Willie Winkie is a well known Scottish nursery rhyme which has been sung to Scottish children from the 1840's to the present day. It tells the story of a wee boy running through the dark streets in his night gown, visiting all of the houses to tell the children to go to bed and get to sleep. This fun and simple setting employs the Scottish folk song Coulter's Candy and Three Blind Mice in the chorus. Duration: CA. 2 minutes

Arranger: Mandy Miller

Capturing the excitement and enthusiasm of the three intrepid seafarers heading out into the wind and waves for some moonlit fishing, Benjamin Kornelis has set this famous children's poem. The text will offer many opportunities to work on crisp, clear diction. The refrain is different than the verses so form can be explored. And there are multiple key changes making modulation another musical concept to explore. Duration: ca. 3:00.

Arranger: Benjamin Kornelis

This Chinese lullaby reflects a simpler time, showing the journey that a child travels as they fall asleep. An English translation and phonetic singing translation and the original Cantonese characters are included in the music. With opt. glockenspiel and flute.

Composer: Lily Grant