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Individual Folios
Displaying 1-50 of 676 items.
A Christmas time stunner that truly stands out! This a cappella arrangement is brilliantly crafted with a constantly evolving undercurrent of motives that imitate the sounds of flutes and drums ("tu-re-lu, pat-a-pan, fa la la"). The addition of body percussion gives a remarkably anthemic feel for today's choirs.
Arranger: Tom Fettke
This festive partner song combines the traditional Mexican folk song "Dale, Dale, Dale" with an original tune all about swinging at the piñata. What a great choice for the holidays, or celebrations of any kind! With a choice of English or Spanish words and perfectly paired independent melodies, it's sure to be a hit for singers taking their first cracks at harmony.
Arranger: Mary Donnelly
Victor's arrangement of this gentle nativity carol from Spain is sung entirely in the original language (a pronunciation and translation are included). This sensitive treatment captures the lullaby mood and adds a light rhythmic undercurrent in moderate 3/4 time. The tonality shifts seamlessly between D minor and D major to reflect a text that moves from quieting the baby to a rushing fountain and singing birds. While the words do return, no two verses are set in the same manner, creating an ever-evolving arrangement. Piano fingers dance over the keys with triplet turns and easily grasp the bigger chords in the supportive and stylistic accompaniment. A nice contrast on holiday programs.
Arranger: Victor C. Johnson
Victor's arrangement of this gentle nativity carol from Spain is sung entirely in the original language (a pronunciation and translation are included). This sensitive treatment captures the lullaby mood and adds a light rhythmic undercurrent in moderate 3/4 time. The tonality shifts seamlessly between D minor and D major to reflect a text that moves from quieting the baby to a rushing fountain and singing birds. While the words do return, no two verses are set in the same manner, creating an ever-evolving arrangement. Piano fingers dance over the keys with triplet turns and easily grasp the bigger chords in the supportive and stylistic accompaniment. A nice contrast on holiday programs.
Arranger: Victor C. Johnson
Here's a cheerful traditional English round with a stately gait that is well suited for concert or festival use. As this classical-sounding arrangement progresses, we modulate up with each verse and trade leadership on the canon. The final verse adds a buoyant descant above two previously sung voice parts, leaving only a four-bar ending to rehearse. A handful of optional lyrics allow you to adapt the general text for holiday programs.
Arranger: Russell Robinson
Carefully placed staccatos and well-chosen chord inversions illuminate the gospel style of this original anthem of hope. It's a perfect pep talk or pick-me-up theme song for whenever your program needs a lift. A solo voice becomes a duet before all the singers join in and grow with intensity. Several ascending key changes raise spirits, ensuring that the uplifting message resonates. "Everything will be alright, everything will be okay, 'cause I can see a new horizon on a brand new day." If you don't perform with the kickin' SoundTrax accompaniment, be sure to add a groovin' drummer and riffing organ of your own. We dare you (and your audience) not to clap along!
Composer: Greg Gilpin
Carefully placed staccatos and well-chosen chord inversions illuminate the gospel style of this original anthem of hope. It's a perfect pep talk or pick-me-up theme song for whenever your program needs a lift. A solo voice becomes a duet before all the singers join in and grow with intensity. Several ascending key changes raise spirits, ensuring that the uplifting message resonates. "Everything will be alright, everything will be okay, 'cause I can see a new horizon on a brand new day." If you don't perform with the kickin' SoundTrax accompaniment, be sure to add a groovin' drummer and riffing organ of your own. We dare you (and your audience) not to clap along!
Composer: Greg Gilpin
Carefully placed staccatos and well-chosen chord inversions illuminate the gospel style of this original anthem of hope. It's a perfect pep talk or pick-me-up theme song for whenever your program needs a lift. A solo voice becomes a duet before all the singers join in and grow with intensity. Several ascending key changes raise spirits, ensuring that the uplifting message resonates. "Everything will be alright, everything will be okay, 'cause I can see a new horizon on a brand new day." If you don't perform with the kickin' SoundTrax accompaniment, be sure to add a groovin' drummer and riffing organ of your own. We dare you (and your audience) not to clap along!
Composer: Greg Gilpin
This poem has long been a favorite of singers due to its deep passion and expressive imagery, not to mention the warm vowels at the end of each line. In this artistic setting, Greg Gilpin incorporates a contemporary harmonic palette, expressive tempo nuances, and elegant dynamic shading to form a colorful garden of sound. The final chord suggests the rose/thorn quality of love, as singers sustain sweet dissonance. Give special consideration to the S.S.A. voicing---the romantic text may have great appeal to your ladies.
Arranger: Greg Gilpin | Composer: Robert Burns
This poem has long been a favorite of singers due to its deep passion and expressive imagery, not to mention the warm vowels at the end of each line. In this artistic setting, Greg Gilpin incorporates a contemporary harmonic palette, expressive tempo nuances, and elegant dynamic shading to form a colorful garden of sound. The final chord suggests the rose/thorn quality of love, as singers sustain sweet dissonance. Give special consideration to the S.S.A. voicing---the romantic text may have great appeal to your ladies.
Arranger: Greg Gilpin | Composer: Robert Burns
This poem has long been a favorite of singers due to its deep passion and expressive imagery, not to mention the warm vowels at the end of each line. In this artistic setting, Greg Gilpin incorporates a contemporary harmonic palette, expressive tempo nuances, and elegant dynamic shading to form a colorful garden of sound. The final chord suggests the rose/thorn quality of love, as singers sustain sweet dissonance. Give special consideration to the S.S.A. voicing---the romantic text may have great appeal to your ladies.
Arranger: Greg Gilpin | Composer: Robert Burns
The title provides an important timestamp for an unprecedented year. Veteran choral composer Jay Althouse constructed this very special work in remembrance of lives lost during the pandemic. His setting of the traditional Latin text is built upon a melody inspired by nature: "Near the end of my walk that day, I heard a bird singing three notes over and over again. I came home and began writing. The bird's song is the first three notes of the opening melody." Solemn, prayerful, and poignant.
Arranger: Jay Althouse
This sensitive choral ballad is sure to ignite "all the feels," as your singers ask for validation from the influential adults in their lives. Lyrical lines and uncomplicated voice parts allow even the youngest performers to get right to the heart of the piece---the touching message, especially poignant in the final unaccompanied phrase. Parents and teachers should have tissues on hand!
Arranger: Mark Burrows
This Appalachian folk song, wonderfully arranged in a breathtaking a cappella setting, will give you chills. Opens and closes with a female trio. Strong choral writing for mixed or treble choirs.
Arranger: Jay Althouse
A folk-like setting of Maya Angelou's empowering poem, which compares a bird's longing to be liberated with that of all people. Hayes chooses a minor key with plenty of harmonic tension and a walking tempo that suggests the footsteps of those who have come before. The final Picardy third is the ultimate symbol of freedom. This is the second movement from the song cycle Like Dust I Rise.
Arranger: Mark Hayes
The traditional Ubi Caritas text is uniquely set as an uptempo jazz waltz. Just one sentence in Latin plus a few English lyrics make it clear that this song is all about "charity and love." As you've come to expect from this composer, the canon is a true skill-builder---with a modal melody that moves from unison to two and eventually three independent layers (using descant singers for 2-part choirs). Don't miss the jazzy flute obbligato available free online.
Arranger: Andy Beck
The traditional Ubi Caritas text is uniquely set as an uptempo jazz waltz. Just one sentence in Latin plus a few English lyrics make it clear that this song is all about "charity and love." As you've come to expect from this composer, the canon is a true skill-builder---with a modal melody that moves from unison to two and eventually three independent layers (using descant singers for 2-part choirs). Don't miss the jazzy flute obbligato available free online.
Arranger: Andy Beck
Introduce Saint-Saën's beloved instrumental chamber work in a highly creative way! Playful original lyrics accompany strong two-part writing and an enchanting piano accompaniment. To get the full effect, consider adding the optional flute part for "Aquarium," and/or the optional xylophone part for "Fossils." May be performed separately or as a four-minute concert set.
Arranger: Heather Sorenson
A Renaissance-era carol brought up to date in a fresh contemporary setting. Veteran Broadway music director and conductor Ben Cohn brings a modern musical theatre sound to this traditional English song. A serenely sparse piano part (during two opening alto solos) gradually grows to a full and glorious accompaniment as more voices join. Listen closely for the juxtaposed stillness/motion and minor/major that symbolize the cold of winter versus the warmth of the season. The entire piece garners edge-of-your-seat wonder, but the greatest chills will come when brief strains from four additional carols trickle in. Simply stunning.
Arranger: Ben Cohn
A Renaissance-era carol brought up to date in a fresh contemporary setting. Veteran Broadway music director and conductor Ben Cohn brings a modern musical theatre sound to this traditional English song. A serenely sparse piano part (during two opening alto solos) gradually grows to a full and glorious accompaniment as more voices join. Listen closely for the juxtaposed stillness/motion and minor/major that symbolize the cold of winter versus the warmth of the season. The entire piece garners edge-of-your-seat wonder, but the greatest chills will come when brief strains from four additional carols trickle in. Simply stunning.
Arranger: Ben Cohn
This enthusiastic gospel treatment of the traditional Christmas spiritual is a bona fide roof-raiser! Additive verses feature solos, duets, or entire sections, and everyone joins in for the exuberant refrains. A final repeated chorus stacks voice parts to take the rockin' arrangement over the top. Don't miss the fantastic SoundTrax! This title is available in SmartMusic.
Arranger: Adam Podd
This enthusiastic gospel treatment of the traditional Christmas spiritual is a bona fide roof-raiser! Additive verses feature solos, duets, or entire sections, and everyone joins in for the exuberant refrains. A final repeated chorus stacks voice parts to take the rockin' arrangement over the top. Don't miss the fantastic SoundTrax! This title is available in SmartMusic.
Arranger: Adam Podd
This thrilling concert/contest work boasts an array of musical moods and artful contrasts. A striking minor theme opens the piece, enhanced by percussive handclaps and punctuated by emphatic cadences from the piano. In the middle, a lyrical major-key melody surfaces along with beautifully sustained legato choral phrases. A joyful recapitulation ends this tour de force even stronger than it began.
Arranger: David Waggoner
This thrilling concert/contest work boasts an array of musical moods and artful contrasts. A striking minor theme opens the piece, enhanced by percussive handclaps and punctuated by emphatic cadences from the piano. In the middle, a lyrical major-key melody surfaces along with beautifully sustained legato choral phrases. A joyful recapitulation ends this tour de force even stronger than it began.
Arranger: David Waggoner
Presenting Victor Herbert's instantly recognizable "March of the Toys" with all-new hilarious lyrics! This festive feature reads like a wacky to-do list of holiday preparations with non-stop punchlines from the choir and a couple cameo soloists. Your fullest sounds, brightest faces, and biggest personalities are on full display with this theatrical celebration of the season. Get ready to giggle when handheld percussion instruments and sound effects (played by choristers) introduce a parade of unwanted out-of-town guests. It's a crazy cast of characters and Christmas chaos straight out of a comedic holiday movie. Mark Hayes provides a showy piano reduction and a grand orchestration (on the SoundTrax or SoundPax) from fanfare to finish. Visit to download free staging suggestions: alfred.com/countdownstaging
Arranger: Mark Hayes
Presenting Victor Herbert's instantly recognizable "March of the Toys" with all-new hilarious lyrics! This festive feature reads like a wacky to-do list of holiday preparations with non-stop punchlines from the choir and a couple cameo soloists. Your fullest sounds, brightest faces, and biggest personalities are on full display with this theatrical celebration of the season. Get ready to giggle when handheld percussion instruments and sound effects (played by choristers) introduce a parade of unwanted out-of-town guests. It's a crazy cast of characters and Christmas chaos straight out of a comedic holiday movie. Mark Hayes provides a showy piano reduction and a grand orchestration (on the SoundTrax or SoundPax) from fanfare to finish. Visit to download free staging suggestions: alfred.com/countdownstaging
Arranger: Mark Hayes
A sweet and whimsical view of youth, this piece is sure to charm and delight. A gently playful melody twists and turns through a shifting palette of harmonic colors. Expressive unison becomes rich harmony as the enchanting poem blossoms. "Dandelion child, dancing on air, a kiss of life, a laugh to share."
Arranger: Penny Rodriguez
Crisp and cool as a peppermint stick, this re-imagined carol is refreshing in every way. From the light swing rhythms of the familiar melody to a jazz fantasia of "Fa la la's" in counterpoint, it's just the right blend of familiar, fun, and festive! A rhythm section SoundTrax is available.
Arranger: Jay Althouse
Crisp and cool as a peppermint stick, this re-imagined carol is refreshing in every way. From the light swing rhythms of the familiar melody to a jazz fantasia of "Fa la la's" in counterpoint, it's just the right blend of familiar, fun, and festive! A rhythm section SoundTrax is available.
Arranger: Jay Althouse
Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection---the first movement of Vivaldi's masterwork of the same name. Choral phrasing is obvious, as we alternate between brief marcato statements and longer lines that deliver satisfying suspensions. As always, Dr. Liebergen includes an informative editor's note and a complete IPA pronunciation guide for the Latin text (eight words in total). This title is available in SmartMusic.
Arranger: Patrick M. Liebergen | Composer: Antonio Vivald
Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection---the first movement of Vivaldi's masterwork of the same name. Choral phrasing is obvious, as we alternate between brief marcato statements and longer lines that deliver satisfying suspensions. As always, Dr. Liebergen includes an informative editor's note and a complete IPA pronunciation guide for the Latin text (eight words in total). This title is available in SmartMusic.
Arranger: Patrick M. Liebergen | Composer: Antonio Vivald
Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Classical period, including energized homophonic choral lines, structured musical form, and stark dynamic contrasts.
Arranger: Patrick M. Liebergen | Composer: Franz Joseph Haydn
Taken from Haydn's masterwork Heiligmesse, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Classical period, including energized homophonic choral lines, structured musical form, and stark dynamic contrasts.
Arranger: Patrick M. Liebergen | Composer: Franz Joseph Haydn
Have you ever heard of a bear with wings? Or a biffalo-buffalo-bison? How about a wallaboo? A. A. Milne, best-known as the author of Winnie the Pooh, penned this playful poem about amusing animals, both real and imagined, at a zany zoo. This clever children's choral offers plenty of musical moments (including independent counterlines and logical 2-part harmonies) in between giggles. Perform with a light, bright tone and crisp consonants on the patter-like words. Two likely results: hilarious rehearsals and a roaring crowd!
Arranger: Katie O'Connor-Ballantyne | Composer: A. A. Milne
Written as a prompt for discussing diversity, equity, and inclusion, this heartfelt song favors no group over another, but rather emphasizes the value of each individual. Follow the ever-changing texture as an earnest unison melody blossoms into a fully harmonized bridge, before new and compelling lines are introduced and interwoven. In the end, you'll have a patchwork quilt with many unique squares joined together to create one thing of beauty.
Arranger: Andy Beck
Written as a prompt for discussing diversity, equity, and inclusion, this heartfelt song favors no group over another, but rather emphasizes the value of each individual. Follow the ever-changing texture as an earnest unison melody blossoms into a fully harmonized bridge, before new and compelling lines are introduced and interwoven. In the end, you'll have a patchwork quilt with many unique squares joined together to create one thing of beauty.
Arranger: Andy Beck
Written as a prompt for discussing diversity, equity, and inclusion, this heartfelt song favors no group over another, but rather emphasizes the value of each individual. Follow the ever-changing texture as an earnest unison melody blossoms into a fully harmonized bridge, before new and compelling lines are introduced and interwoven. In the end, you'll have a patchwork quilt with many unique squares joined together to create one thing of beauty.
Arranger: Andy Beck
We won't go until we get some---but how exactly do you make that holiday confection, anyway? Find the answer in this playful, original (and completely secular) holiday canon loosely based on a fragment from "We Wish You a Merry Christmas." Prepared with old English Dickensian flair, the round stacks in three, a perfect recipe for building harmony skills.
Arranger: Ruth Morris Gray
We won't go until we get some---but how exactly do you make that holiday confection, anyway? Find the answer in this playful, original (and completely secular) holiday canon loosely based on a fragment from "We Wish You a Merry Christmas." Prepared with old English Dickensian flair, the round stacks in three, a perfect recipe for building harmony skills.
Arranger: Ruth Morris Gray
We won't go until we get some---but how exactly do you make that holiday confection, anyway? Find the answer in this playful, original (and completely secular) holiday canon loosely based on a fragment from "We Wish You a Merry Christmas." Prepared with old English Dickensian flair, the round stacks in three, a perfect recipe for building harmony skills.
Arranger: Ruth Morris Gray
After a year with limited music making, there could be nothing better. Imagine throwing open the shutters to sing with your neighbors as this beautiful piece unfolds. It's consistently lyrical and legato, with peaks and valleys built into the dynamics to heighten emotions and capture joy. We love this expressive piano part, especially the delicate music box-inspired introduction. Don't miss the dramatic modulation before the pinnacle refrain crescendos to a big finish.
Composer: David Waggoner
After a year with limited music making, there could be nothing better. Imagine throwing open the shutters to sing with your neighbors as this beautiful piece unfolds. It's consistently lyrical and legato, with peaks and valleys built into the dynamics to heighten emotions and capture joy. We love this expressive piano part, especially the delicate music box-inspired introduction. Don't miss the dramatic modulation before the pinnacle refrain crescendos to a big finish.
Composer: David Waggoner
After a year with limited music making, there could be nothing better. Imagine throwing open the shutters to sing with your neighbors as this beautiful piece unfolds. It's consistently lyrical and legato, with peaks and valleys built into the dynamics to heighten emotions and capture joy. We love this expressive piano part, especially the delicate music box-inspired introduction. Don't miss the dramatic modulation before the pinnacle refrain crescendos to a big finish.
Composer: David Waggoner
Victor Johnson's driving setting of the traditional African-American spiritual conveys a sense of urgency that builds from beginning to end, including a dramatic optional descant in the final chorus. A hardy piano accompaniment propels the arrangement and supports the syncopated singers, who are fully harmonized in all voicings.
Arranger: Victor C. Johnson
Victor Johnson's driving setting of the traditional African-American spiritual conveys a sense of urgency that builds from beginning to end, including a dramatic optional descant in the final chorus. A hardy piano accompaniment propels the arrangement and supports the syncopated singers, who are fully harmonized in all voicings.
Arranger: Victor C. Johnson
Victor Johnson's driving setting of the traditional African-American spiritual conveys a sense of urgency that builds from beginning to end, including a dramatic optional descant in the final chorus. A hardy piano accompaniment propels the arrangement and supports the syncopated singers, who are fully harmonized in all voicings.
Arranger: Victor C. Johnson
How many ways can you say "friend"? Mark weaves a sweetly singable canon out of the word "friend" in 16 different languages, spanning cultures from six continents. A flexible coda at the end offers the opportunity for additional languages, allowing you to customize the piece to reflect the unique makeup of your choir and community.
Arranger: Mark Burrows
This ideal concert opener presents a fusion of joyful Latin phrases and exuberant English text. A contrasting "Alleluia" section echoes legato lines between paired parts. Use the optional divisi at the end for a triumphant and dashing finale!
Composer: Sonja Poorman
After weeks of waiting, it's finally time to open those holiday gifts. As the kids gleefully tear into their presents, wrapping paper, ribbons, tags, and bags go flying---it's a gift wrap riot! This rockin' hand jive is a total blast. The vocal parts pretty much teach themselves, so there's plenty of time to add the familiar hand motions or learn Andy's full choreography (printed in the score and available as a free ChoreoTrax video online). If holiday novelty numbers have become a tradition at your school, you won't want to miss this one!
Arranger: Andy Beck
An achievable thriller on a familiar Latin text! Jay Althouse's compelling mixed meter theme develops into a shimmering array of contemporary harmonies in this exciting, angular work. A reflective adagio section in the middle offers contrast before returning to the rhythmic opening.
Arranger: Jay Althouse
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