In Celebration of the Human Voice - The Essential Musical Instrument
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Individual Folios
Displaying 1-50 of 511 items.
Wish your audience a iMerry Christmas and a Happy New Year” in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, itis a great choice for any seasonal performance: Christmas concerts, community events, madrigal feasts, door-to-door caroling, singing telegrams---you name it! Fun, flexible, and festive in all voicings.
Arranger: Donald Moore
A folk-like setting of Maya Angelou's empowering poem, which compares a bird's longing to be liberated with that of all people. Hayes chooses a minor key with plenty of harmonic tension and a walking tempo that suggests the footsteps of those who have come before. The final Picardy third is the ultimate symbol of freedom. This is the second movement from the song cycle Like Dust I Rise.
Arranger: Mark Hayes
Black as the midnight, and white as the snow; gold as the sunshine, my cat of calico.” A bouncy and buoyant melody is supported by a folk-song-style piano accompaniment and some easy-to-sing harmonic patterns in this truly charming 2-part original by Andy Beck. Singers wonit be able to get enough of the tongue-twisting patter text as they tell the tale of the whimsically colorful cat. Directors can take special pride in teaching the optional cue notes and accented descant that adds a fluffy coat near the end.
Arranger: Andy Beck
A light bossa nova beat is the groove of this upbeat music number. The lyrics are entirely in English except for the title, "Cante una Canción," which means "sing a song." Singable vocal lines are supported by an easygoing piano accompaniment. Ideal for general concerts any time of year. Featured on the "Hooray for Hollywood!" movement DVD #28868.
Composer: Jay Althouse
A light bossa nova beat is the groove of this upbeat music number. The lyrics are entirely in English except for the title, "Cante una Canción," which means "sing a song." Singable vocal lines are supported by an easygoing piano accompaniment. Ideal for general concerts any time of year. Featured on the "Hooray for Hollywood!" movement DVD #28868.
Composer: Jay Althouse
A light bossa nova beat is the groove of this upbeat music number. The lyrics are entirely in English except for the title, "Cante una Canción," which means "sing a song." Singable vocal lines are supported by an easygoing piano accompaniment. Ideal for general concerts any time of year. Featured on the "Hooray for Hollywood!" movement DVD #28868.
Composer: Jay Althouse
Part Spanish, mostly English, but all together it's sizzling fun for concert and show ensembles alike. "Con la música somos uno. WIth music, we are one." Featured on Showbiz! choral movement DVD (00-35858).
Composer: Jay Althouse
Part Spanish, mostly English, but all together it's sizzling fun for concert and show ensembles alike. "Con la música somos uno. WIth music, we are one." Featured on Showbiz! choral movement DVD (00-35858).
Composer: Jay Althouse
This contemporary gospel-style rouser denounces oppression and serves as a choral anthem for equal rights. A confident solo voice helps deliver a determined message in the unwavering words of Maya Angelou. If performing as a set, an alternate ending segues directly into the closing movement of Like Dust I Rise. When performing separately, Mark Hayes includes an upward modulation that propels us to the final, most spirited refrain.
Arranger: Mark Hayes
This is the time to add this multicultural gem to your concert program. Part Spanish, part English, but all fresh, fun, and sizzling! "Listen to the music, the sweet, sweet music." Featured on the Shine! Movement DVD (00-34720).
Composer: Jay Althouse
This is the time to add this multicultural gem to your concert program. Part Spanish, part English, but all fresh, fun, and sizzling! "Listen to the music, the sweet, sweet music." Featured on the Shine! Movement DVD (00-34720).
Composer: Jay Althouse
This is the time to add this multicultural gem to your concert program. Part Spanish, part English, but all fresh, fun, and sizzling! "Listen to the music, the sweet, sweet music." Featured on the Shine! Movement DVD (00-34720).
Composer: Jay Althouse
A beautiful Native American poem gives gratitude for summer rain. A haunting melody emphasizes a minor mode. Optional rhythm instruments heighten the multicultural appeal. A truly artistic experience for developing choirs.
Composer: Earlene Rentz
Feature a student or adult fiddle player on this rousing arrangement of four favorite folk tunes from the heart of America. Ranges in the 3-part mixed edition are spot on for developing voices, and cued notes in the 2-part/SSA offer flexibility for your treble choir. An optional SoundTrax CD adds even more fun!
Arranger: Sally K. Albrecht
This traditional Hawaiian chant was used when master canoe builders called for people to bring trees down from the mountains to the ocean side so that canoes could be built. Now set to music, the words teach us to stand up together and work as a team. An upbeat hook, a spoken word section, and a contrasting countermelody combine at the end to create the ultimate multicultural experience. Download the digital ChoreoTrax for even more fun!
Composer: Ruth Morris Gray
This traditional Hawaiian chant was used when master canoe builders called for people to bring trees down from the mountains to the ocean side so that canoes could be built. Now set to music, the words teach us to stand up together and work as a team. An upbeat hook, a spoken word section, and a contrasting countermelody combine at the end to create the ultimate multicultural experience. Download the digital ChoreoTrax for even more fun!
Composer: Ruth Morris Gray
This traditional Hawaiian chant was used when master canoe builders called for people to bring trees down from the mountains to the ocean side so that canoes could be built. Now set to music, the words teach us to stand up together and work as a team. An upbeat hook, a spoken word section, and a contrasting countermelody combine at the end to create the ultimate multicultural experience. Download the digital ChoreoTrax for even more fun!
Composer: Ruth Morris Gray
This traditional Hawaiian chant was used when master canoe builders called for people to bring trees down from the mountains to the ocean side so that canoes could be built. Now set to music, the words teach us to stand up together and work as a team. An upbeat hook, a spoken word section, and a contrasting countermelody combine at the end to create the ultimate multicultural experience. Download the digital ChoreoTrax for even more fun!
Composer: Ruth Morris Gray
Bossa nova (Portuguese for "new trend") is a musical genre that began in Brazil in the 1950s. The combination of samba rhythms, jazz sonorities, and lyrical melodies created a new, sophisticated style that was soon embraced by musicians worldwide. Here's a quintessential bossa nova on just three Latin words. Optional flute and/or vibraphone (available free online) add another smooth layer to this hip contemporary choral.
Composer: Andy Beck
Bossa nova (Portuguese for "new trend") is a musical genre that began in Brazil in the 1950s. The combination of samba rhythms, jazz sonorities, and lyrical melodies created a new, sophisticated style that was soon embraced by musicians worldwide. Here's a quintessential bossa nova on just three Latin words. Optional flute and/or vibraphone (available free online) add another smooth layer to this hip contemporary choral.
Composer: Andy Beck
Bossa nova (Portuguese for "new trend") is a musical genre that began in Brazil in the 1950s. The combination of samba rhythms, jazz sonorities, and lyrical melodies created a new, sophisticated style that was soon embraced by musicians worldwide. Here's a quintessential bossa nova on just three Latin words. Optional flute and/or vibraphone (available free online) add another smooth layer to this hip contemporary choral.
Composer: Andy Beck
This sweet setting of the famous Scottish folk song generously passes the melody from voice to voice, while gently stretching the traditional rhythms of the piece. Piano players will enjoy the flowing arpeggios of the supportive accompaniment, and singers will savor the long legato lines.
Arranger: Mary Donnelly
This sweet setting of the famous Scottish folk song generously passes the melody from voice to voice, while gently stretching the traditional rhythms of the piece. Piano players will enjoy the flowing arpeggios of the supportive accompaniment, and singers will savor the long legato lines.
Arranger: Mary Donnelly
This sweet setting of the famous Scottish folk song generously passes the melody from voice to voice, while gently stretching the traditional rhythms of the piece. Piano players will enjoy the flowing arpeggios of the supportive accompaniment, and singers will savor the long legato lines.
Arranger: Mary Donnelly
Here's a partner song arrangement of the favorite American folk tune that teaches some history and culture as well! The creative countermelody imitates sounds of musical instruments, which many Erie Canal passengers played to pass the time on their long journey through the locks. Educational and enjoyable!
Arranger: George L. O. Strid
With words taken from a variety of traditional Irish blessings set to a warm, lyrical melody, this treble choir selection is sure to uplift and delight. Both voices get a chance to sing melody and harmony. Consider this a "signature song" to include on every performance this year.
Composer: Mark Burrows
A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Expressive singing and vocal artistry are encouraged by the gentle ebb and flow of tempo.
Arranger: Jay Althouse
A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Expressive singing and vocal artistry are encouraged by the gentle ebb and flow of tempo.
Arranger: Jay Althouse
A hushed a cappella opening in rich harmony immediately captures the ear. The flowing piano joins just before two brief optional solos introduce the beloved nightingale and her tuneful melody. Expressive singing and vocal artistry are encouraged by the gentle ebb and flow of tempo.
Arranger: Jay Althouse
This extraordinary arrangement of the traditional American folk song belongs in every choral library! An urgent "round and around" vocal motive serves as a rhythmic engine throughout the entire piece as the modal melody gets playfully tossed from voice to voice in a variety of styles, but always with class, creativity, and good humor.
Arranger: Greg Gilpin
This extraordinary arrangement of the traditional American folk song belongs in every choral library! An urgent "round and around" vocal motive serves as a rhythmic engine throughout the entire piece as the modal melody gets playfully tossed from voice to voice in a variety of styles, but always with class, creativity, and good humor.
Arranger: Greg Gilpin
From a favorite childhood game comes a lesson about solving conflicts cooperatively, rather than competitively. A fun ostinato section near the end gets your kids singing three independent vocal lines in a snap. The rock 'n' roll feel is sure to be a hit with younger groups! Staging suggestions available on Alfred's Movin' DVD.
Composer: Andy Beck
Maya Angelou's most popular poem about triumph over adversity comes brilliantly to life in this vivid setting by Mark Hayes. The bright shuffle tempo and bluesy piano riffs perfectly embody Angelou's strength, courage, and determination to rise above. One of the most uplifting choral selections of our time! This is the final movement from the song cycle Like Dust I Rise.
Arranger: Mark Hayes
Here's a traditional canoe song from Polynesia that sounds quite impressive with a cappella voices, handclaps, and percussion instruments. The call-and-response format of Greg's well-designed arrangement suggests people communicating from canoe to canoe as they travel between islands.
Arranger: Greg Gilpin
Here's a traditional canoe song from Polynesia that sounds quite impressive with a cappella voices, handclaps, and percussion instruments. The call-and-response format of Greg's well-designed arrangement suggests people communicating from canoe to canoe as they travel between islands.
Arranger: Greg Gilpin
Wish your audience a iMerry Christmas and a Happy New Year” in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, itis a great choice for any seasonal performance: Christmas concerts, community events, madrigal feasts, door-to-door caroling, singing telegrams---you name it! Fun, flexible, and festive in all voicings.
Arranger: Donald Moore
Wish your audience a iMerry Christmas and a Happy New Year” in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, itis a great choice for any seasonal performance: Christmas concerts, community events, madrigal feasts, door-to-door caroling, singing telegrams---you name it! Fun, flexible, and festive in all voicings.
Arranger: Donald Moore
Wish your audience a iMerry Christmas and a Happy New Year” in just a half a minute. This madrigal-style a cappella novelty is equally easy to learn and enjoyable to sing. Plus, itis a great choice for any seasonal performance: Christmas concerts, community events, madrigal feasts, door-to-door caroling, singing telegrams---you name it! Fun, flexible, and festive in all voicings.
Arranger: Donald Moore
A new classic from Donald Moore: a skillfully arranged version of the famous Bach/Gounod "Ave Maria." Your choir will sound impressive singing these lyric lines and rich harmonies set to an "Alleluia" text with a flowing piano accompaniment. Sensitive dynamics rise and fall in every stunning phrase of this must-have work for your choral library.
Arranger: Donald Moore | Composer: Johann Sebastian Bach
Cohan's famous show tune gets a lively partner song treatment! A complimentary countermelody ensures that developing singers will perform the independent musical lines with success. Add the optional choreography (printed in the publication and on the Step One! DVD and at alfred.com/video) to create the ultimate show-stopper!
Arranger: Jay Althouse | Composer: George M. Cohan
This original sea chantey is expressly designed for two-part male ensembles. Contrary motion, canonic counterpoint, and comfortable ranges make it easy for your boys to sound like men. Bring out the nautical feel with an optional C-instrument (part available free at alfred.com/choralparts).
Composer: Glenda E. Franklin
This gentle lullaby is equally appropriate for school and church, offering a nativity text and a light choral texture. Lush harmonies reflect a faint jazz influence, while ethereal words softly sing the baby to sleep. "Angels are watching over thee."
Composer: Donald Moore
This gentle lullaby is equally appropriate for school and church, offering a nativity text and a light choral texture. Lush harmonies reflect a faint jazz influence, while ethereal words softly sing the baby to sleep. "Angels are watching over thee."
Composer: Donald Moore
This gentle lullaby is equally appropriate for school and church, offering a nativity text and a light choral texture. Lush harmonies reflect a faint jazz influence, while ethereal words softly sing the baby to sleep. "Angels are watching over thee."
Composer: Donald Moore
A mixolydian melody becomes the foundation for this stately three-part canon with madrigal style counterpoint. Festive flute and hand drum parts add a Renaissance music touch to a piece with only 12 bars of singing to teach. Ideal for processionals, madrigal feasts, or as a concert opener.
Composer: Sally K. Albrecht
A mixolydian melody becomes the foundation for this stately three-part canon with madrigal style counterpoint. Festive flute and hand drum parts add a Renaissance music touch to a piece with only 12 bars of singing to teach. Ideal for processionals, madrigal feasts, or as a concert opener.
Composer: Sally K. Albrecht
A mixolydian melody becomes the foundation for this stately three-part canon with madrigal style counterpoint. Festive flute and hand drum parts add a Renaissance music touch to a piece with only 12 bars of singing to teach. Ideal for processionals, madrigal feasts, or as a concert opener.
Composer: Sally K. Albrecht
Developing 3-part mixed and SSA choirs will achieve their finest a cappella sound with this light choral inspired by traditional madrigals. Conservative vocal ranges and practical part-writing ensure quick learning at any time of year.
Arranger: Donald Moore | Composer: William Gooch
Developing 3-part mixed and SSA choirs will achieve their finest a cappella sound with this light choral inspired by traditional madrigals. Conservative vocal ranges and practical part-writing ensure quick learning at any time of year.
Arranger: Donald Moore | Composer: William Gooch
This merry madrigal will be a nice addition to your 3-part choir's a cappella seasonal repertoire. Characteristic counterpoint makes this original Donald Moore piece a familiar form but, unlike many Renaissance chorals, the vocal ranges, subject matter, and number of voice parts have been specifically designed for developing choirs. A festive feature for holiday concerts and Madrigal feasts, with just enough optional bass notes in the 3-part mixed/SAB for your developing men's section.
Arranger: Donald Moore
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