Warm year-end lyrics create an a cappella greeting card for the season, "wishing boundless love and lasting peace." A plucked bass vocal line and some sweet sonorities from the inner voices form a beautiful accompaniment for the sopranos' melody. The pleasing lilt of this stylish song will have everyone snapping along. Fresh and fun.

Composer: MaryAnne Muglia

An earnest soloist is accompanied by the soulful "oo"s of an a cappella choir during the expressive introduction to this spirited original. Soon we take a turn as the piece bursts into an exciting, rhythmic, and polyphonic tour de force. Thrilling in all voicings!

Arranger: Greg Gilpin | Composer: John Parker

A lively, a cappella chorus opens and closes this original Christmas spiritual with a sweet rubato chorale in the middle. Composed in a traditional style with a contemporary flair, each section of the choir has a moment to shine, especially the basses/baritones--singing spirited interjections throughout.

Arranger: Andy Beck

Enjoy this original a cappella Christmas spiritual with optional bongo drum accompaniment. A slower contrasting middle section quotes a bit of "Go, Tell It on the Mountain." Features optional solos and descant. Exciting and rhythmic. And church choirs will enjoy it, too.

Arranger: Jay Althouse | Composer: Jay Althouse

Would Pachelbel approve? Who knows. But singers and audiences surely will! This rhythmic rendition presents the famous "Canon in D" with nonsensical scat syllables. Sing a cappella or with the optional piano accompaniment. It's guaranteed to be the most memorable three minutes of any concert program.

Arranger: Alan Billingsley | Composer: Johann Pachelbel

A basic synopsis of the Spanish: let's celebrate the holiday by playing tambourines and rattles. This lively a cappella arrangement of the traditional Andalusian villancico offers downloadable percussion parts, as inspired by the text. Ruth Morris Gray's real-world teaching experience and seasoned writing skills are evident throughout, ensuring a smooth rehearsal process during the busiest time of year. A fun way to bring variety to holiday programs!

Arranger: Ruth Morris Gray

Everything you have come to love and expect from a Jay Althouse Christmas spiritual, and a whole lot more. Lively and quick lyrics, solid rhythmic hooks, and refreshing parallel chords fill every phrase, followed by melodic riffs from the men's section. A contrasting middle section gently holds back before the A section returns including a well-written modulation and rousing descant over the final flourish. A great addition to your choral library.

Arranger: Jay Althouse | Composer: Jay Althouse

After racking up over a million views on YouTube, this unique a cappella stunner by BYU's Vocal Point and the All-American Boys Chorus is now available for SATB divisi choirs. Contemporary harmonies and layered choral textures support two soloists during the folk-like verses and bring importance to the full choral refrains. A familiar Holst melody makes a few appearances and a three-part treble chorus (or descant group) is an ethereal addition at the end.

Arranger: McKay Crockett | Composer: Gustav Holst

Familiar words, new melody. Ruth's cheerful a cappella setting of the yuletide text accentuates the "peace on earth" lyric, adding a harmonically rich bridge on just those words. Crisp choral "ding dong" entrances, a melodic twist in the middle, and a tuneful final descant decorate the otherwise strophic verses. Add to the festivity (and anchor the minor-key tonality) with optional tubular bells or chimes.

Arranger: Ruth Morris Gray | Composer: Henry Wadsworth Longfellow

Familiar words, new melody. Ruth's cheerful a cappella setting of the yuletide text accentuates the "peace on earth" lyric, adding a harmonically rich bridge on just those words. Crisp choral "ding dong" entrances, a melodic twist in the middle, and a tuneful final descant decorate the otherwise strophic verses. Add to the festivity (and anchor the minor-key tonality) with optional tubular bells or chimes.

Arranger: Ruth Morris Gray | Composer: Henry Wadsworth Longfellow

Celebrate the baby's birth in Bethlehem with this change-of-pace a cappella spiritual, set in a walking tempo with four optional percussion parts (available free at alfred.com/choralparts). Feel and hear the Christmas story come alive!

Arranger: Sally K. Albrecht | Composer: Jay Althouse

In the words of Jamaican musicologist Marjorie Whylie, "Jamaican folk songs are full of social commentary, censure, and recrimination in a vehicle of humor." This publication includes three charming arrangements for a cappella singers and percussion. One describes a comical scene at a train station; a second playfully questions a neighbor about some missing food; and the third (complete with simple instructions to recreate a ringplay game) cheers a naughty cousin who threw his aunt's coat out the window. A printed guide and online video provide vetted learning tools for the Patois language. Unique, authentic, fun!

Arranger: Marjorie Whylie

Tambourine and hand drum enhance the dance-like character of this Spanish villancico that dates back to the Renaissance era. This arrangement makes brilliant use of varied a cappella textures, from soloists over solid block chords to vigorous rhythmic interplay between voice parts. A true standout Christmas selection for discerning choirs.

Arranger: Mark Burrows

This Torres Strait Islands folk song presents a wonderful opportunity for a cappella choirs to perform with authentic world percussion instruments (common alternates offered). All the voicings are built on a traditional repeat structure that begins in unison and unfolds into more harmony with each verse. A brief bridge of original music punctuates the repeated sections. Choirs around the globe have enjoyed adding movement to this playful nature song.

Arranger: Greg Gilpin

This Torres Strait Islands folk song presents a wonderful opportunity for a cappella choirs to perform with authentic world percussion instruments (common alternates offered). All the voicings are built on a traditional repeat structure that begins in unison and unfolds into more harmony with each verse. A brief bridge of original music punctuates the repeated sections. Choirs around the globe have enjoyed adding movement to this playful nature song.

Arranger: Greg Gilpin

This Torres Strait Islands folk song presents a wonderful opportunity for a cappella choirs to perform with authentic world percussion instruments (common alternates offered). All the voicings are built on a traditional repeat structure that begins in unison and unfolds into more harmony with each verse. A brief bridge of original music punctuates the repeated sections. Choirs around the globe have enjoyed adding movement to this playful nature song.

Arranger: Greg Gilpin

The vibrant vocables of this extraordinary original have no literal meaning, but bubble with rhythmic joy. An add-on opening introduces three independent voice parts before unfolding into a complete rondo that grows to an action-packed ending. Pair this impressive follow-up with Greg's original Vox; both can be performed a cappella or with optional piano.

Arranger: Greg Gilpin

The vibrant vocables of this extraordinary original have no literal meaning, but bubble with rhythmic joy. An add-on opening introduces three independent voice parts before unfolding into a complete rondo that grows to an action-packed ending. Pair this impressive follow-up with Greg's original Vox; both can be performed a cappella or with optional piano.

Arranger: Greg Gilpin

A well-constructed original a cappella Christmas spiritual built upon a memorable chorus of interlocking rhythms. The gripping minor key, dramatic dynamic contrasts, and a compelling modulation will make for an impressive holiday performance.

Arranger: Greg Gilpin

Feature your best solo crooner(s) on this '50s inspired a cappella chorus that begs Santa for a timeless teen wish: "Won't you bring me someone to love?" The choir serves equally as the featured act (of the chorus and bridge) and the backup singers (for two dreamy verses). The final falsetto phrases and 7th chord cadence deliver a sweet doo-wop ending.

Arranger: Andy Beck | Composer: Andy Beck