The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers - Jonathan Rathbone, Ben Parry & Mark Williams - were long-standing members of the Swingle Singers.

This exciting collection by Bob Chilcott gives a jazzy twist to nine favourite folk songs from around the world. The spiral-bound edition is accompanied by a fantastic backing CD, allowing choirs to perform with jazz-trio accompaniment. Bob Chilcott currently conducts the chorus at the Royal College of Music in London and is in great demand as a guest conductor and leader of choral workshops worldwide.

Songlist: Composer's Note, A La Claire Fontaine (There by the Crystal Fountain), En La Macarenita (Down in Macarena), Hush, Little Baby, Sakura (Cherry Tree), Scarborough Fair, Tell My Ma, The House of the Rising Sun, Tuoll' On Mun Kultani (There is my Loved one), Waltzing Matilda, CD Tracklist and Credits

Without a doubt one of the most popular songs of the 20th century, "Don't Worry, Be Happy" is re-created here in an exact transcription of the Bobby McFerrin's original hit recording from the album "Simple Pleasures." 3 Soprano parts, 2 Alto parts, and a very hip Bass line back up the soloist or soloists of your choice - a cappella. Great fun to sing and to hear! A reverent and truly beautiful rendition of the widely known "23rd Psalm," this piece is frequently used in religious services. It's pace is slow and contemplative, and the music enhances the beauty of the language. As recorded on Bobby's "Medicine Music" CD. In "Grace," alto, tenor, and bass voices suggest the chant-like song of a carillon while the sopranos create a rhapsodic melody. This meditative score is enhanced with rhythmic breathing and optional parts for two cellos or cello section. Transcribed from "Hush," Bobby's duo album with Yo-Yo Ma. Each of Bobby's arrangements comes with extensive performance notes. With text adapted from the Book of Matthew, "Manna" provides a simple refrain with wonderfully textured variations that bring light to the thought "Whoever believes in Me will live forever." "Manna" includes a through-composed piano part as an additional color in the ensemble. "Come to Me" is rhythmic music full of life, freedom, and joy. An up-tempo piece to make everyone feel good, "come to me" with text adapted from the Book of John, includes parts for vocal percussion, body percussion, and handclaps. As recorded on Bobby's "Simple Pleasures" CD.

Songlist: knickknack, Don't Worry Be Happy, Grace, 23rd Psalm, Manna, Come to Me

This 3 movement Vocal Jazz Suite was inspired by many composers and arrangers of many dispirit styles of music - from the Baroque period through the most sophisticated, modern jazz era. The title 'Trichromat,' with each movement bearing a title involving a color, should not suggest that the composer "hears" music in colors, rather it pays homage to jazz titles in general with their frequent use of colors. Dale Jergenson currently serves as composer-in-residence for Cantori Domino and at St. Cyril of Jerusalem Church in Encino, California, and is active in writing scores for television, commericials, documentaries and feature films.

Songlist: Green Peace, Red Hot!, Blue Ice

"Skye Boat Song" - Originally commissioned for several combined choirs, this arrangement is a modern interpretation of the classic Scottish folk song with Darmon Meader's updated harmonic and rhythmic sensibilities. Though treated with a more modern approach, a traditional choir will find this piece to be very approachable as they explore the more intricate, lush harmonies for which Darmon has become well-known contest and festival approved! "That Ever I Saw" - "She is gentle and also wise; of all other she beareth the prize, that ever I saw, to hear her sing, to see her dance!" is a delightful anonymous text, stunningly set in a soft, romantic song by Darmon Meader. This choral work will soon find its way into the repertoire of a cappella treble choirs everywhere. "The Water Is Wide" - Darmon Meader's arrangement of this well-known folk song expertly blends lyricism with jazz. Gorgeous harmonies and solo opportunities abound in this sure-to-please choral. "Shenandoah" - One of the most beautiful of all American Folk Songs is given a restored, classy setting by the very gifted director and arranger of the New York Voices ensemble, Darmon Meader. Skillfully balancing unison passages with satisfying fourpart textures, Meader's a cappella version of this well-known melody is a wonderful concert choice for a good high school or college choir.

Songlist: Skye Boat Song, That Ever I Saw, The Water Is Wide, Danny Boy, Shenandoah

Continuing our New York Voices Series, we present this hot new arrangement by Darmon Meader for the New York Voices. In the tradition of their charts, "Smack Dab in the Middle" is a slick arrangement and is full of fun and humor. The Big Band chart is also available! An excellent choice for any top-notch vocal jazz ensemble. "Bli-blip" - This quirky gem from Duke Ellington has been a staple from the jazz vocal group New York Voices for years and is an audience favorite. The tune is relatively simple and NYV member, Darmon Meader, turns it on its ear, creating a fantastic SATB arrangement. "Moonlight in Vermont" - Lush, contemporary jazz harmonies and styles define this arrangement with each vocal line featured as if they were soloists. Chord symbols are included for the accomplished jazz pianist but the realized piano part is worthy of any player. This is a swing ballad that will leave your audience breathless.

Songlist: Smack Dab in the Middle, Sing, Sing, Sing, Bli-blip, Moonlight in Vermont

Darmon Meader presents two favorite Aesop fable put to song. "The Tortoise and The Hare" starts slowly like the turtle, and ends quickly like the bunny! A fun challenge for any group, and enjoyable for all audiences. High School and above. The second SATB original setting of "The Boy Who Cried Wolf" is a fun challenge and well worth the journey for any seasoned ensemble. With hilarious lyrics and Meader's New York Voices idiomatic jazz writing, this piece is sure to be a concert hit. WithÊThe Lion and the Mouse,ÊMeader completes his charming, jazz-infused Aesop's fables trilogy.ÊDo not overlook these charming pieces

Songlist: The Boy Who Cried Wolf, The Tortoise and The Hare, The Lion and the Mouse

"Love Is Here to Stay" was the last one written by George Gershwin before his untimely death at the age of 39. New York Voices' Darmon Meader has arranged it in a classic a cappella vocal jazz style, with surprisingly little divisi for such a full-sounding arrangement. An extraordinary song, an extraordinary arrangement. Darmon takes a swinging approach to "Taking a Chance on Love", with a tight vocal arrangement accompanied by piano or optional jazz trio. Clever lyrics make it a real audience pleaser, and your singers will appreciate the masterly vocal writing. Vocal jazz groups: don't miss it. "I Can't Believe That You're in Love with Me" was recorded by New York Voices on their Sing, Sing, Sing album.

Songlist: I Can't Believe That You're in Love with Me, Taking A Chance On Love, Love Is Here to Stay

The swinging Rodgers and Hart tune "I Could Write a Book" is classic vocal jazz. Includes a scat solo, which is written out or can be sung ad lib. The singers are definitely the stars here, though the arrangement can be done with a variety of accompaniments: piano alone, small instrumental combo, or full jazz ensemble. With "Do Nothin' Till You Hear from Me" Darmon adds his vocal jazz touch to Duke Ellington's classic. The lazy, medium swing tempo is just right, and the full-sounding piano accompaniment supports the voices. A breathtaking New York Voices arrangement of the touching ballad "For All We Know", recorded on their CD A Day Like This. The piano accompaniment is stunning and the vocal writing is contemporary. Definitely a great choice for accomplished groups to demonstrate their skill.

Songlist: I Could Write a Book, Do Nothin' Till You Hear from Me, On a Clear Day, For All We Know

This five-song volume includes songs your jazz ensemble will love to sing! Each of these songs is a classic on its own, and in the hands of master a cappella arranger Deke Sharon they become true vocal jazz classics. "Always" is 4-part SATB, with the melody passing among the parts. "Blue Skies" is Sop/Mezzo/Alto/Tenor/Bass, with the Alto written as "optional" (in case you need to sing it with just four parts) and includes a scat break. "Oh What A Beautiful Morning" is scored for SATB with a baritone solo - a very cool jazz waltz! Everyone gets a turn in "Route 66," both with the melody and little scat opportunities. Finally, "What'll I Do" is a gorgeous 4-part rubato ballad spiced with plaintive triplets echoing the refrain in thebackground. A real winner!

Songlist: Always, Blue Skies, Oh, What A Beautiful Mornin', What'll I Do, Route 66

This collection features five-part arrangements of your favorite jazz standards. Most are SATB plus solo, but "Autumn Leaves" is five luscious parts.

Songlist: Autumn Leaves, Fever, I Could Write A Book, If I Loved You, It Don't Mean a Thing (If It Ain't Got That Swing), Steppin' Out With My Baby, Walkin' My Baby Back Home

Looking for show choir numbers that show off the vocals? Here are five Broadway hits that will be sure winners with your audience.

Songlist: I Can Do That, Maybe, Put On A Happy Face, Seansons Of Love, This Nearly Was Mine

Yes, you want to sing patriotic songs, but you want them with a bit of a contemporary twist? Then check out these charts by Deke Sharon. Standard "America The Beautiful" is scored SATB w/solo (alto or baritone), with a 12/8 groove. George M. Cohan's "Yankee Doodel Dandy" is a driving swing, with unexpected syncopations and some whistling with an SSATB voicing. Then there's Neil Diamond's "(Coming to) America" - a contemporary ode to our country of immigrants (SSATB). Lee Greenwood's modern anthem "God Bless The USA" is designed to send shivers down the spines and bring audiences to their feet. And finally, you can rock out to the Steve Miller Band chart "Living In The USA" - SSAB w/tenor solo - with a decidedly more jaundiced view of American culture. A little something for everyone!

Songlist: America, God Bless The USA, Living In The USA, America, The Beautiful, Yankee Doodle Dandy

A collection of mostly a cappella arrangements from quite possibly the greatest vocal jazz arranger ever.

Songlist: The Fool On The Hill, Here, There And Everywhere, Michelle, We've Only Just Begun, Yesterday, Try to Remember, On a Clear Day, Emily, Where Is Love?, The Sound of the Singers Unlimited

Includes the Grammy Award winner "A Nightingale Sang In Berkeley Square" as recorded by The Manhattan Transfer. The note-for-note arrangement matches the original recording!

Songlist: Deck The Halls, The Gene Puerling Sound, Silent Night, Snowfall, A Nightingale Sang in Berkeley Square, April in Paris, Autumn in New York, Dancing in the Dark, Indian Summer

There certainly is no more influential and revered a cappella arranger than the brilliant Gene Puerling. From his auspicious beginnings as a founding member of the vocal jazz group the Hi-Lo's, with whom he recorded thirteen albums between the years of 1953-1964, Gene revealed the talent and promise that would later be fully realized with his work as director, arranger and performer with the Singers UnLimited. SATB, accompanied with optional rhythm section

Songlist: Button Up Your Overcoat, Georgia On My Mind, Rockin' Chair, The Shadow of Your Smile, Small Fry

Voice Dance, a wordless vocal dance celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love. Voice Dance II, continuing the wordless vocal dance celebrating the human voice and the joy of singing together. Bright with bounce and musical joy, this piece is perfect for any occasion. VoiceDance III. Greg has created a wordless vocal dance that has an African feel full of rhythmic, percussive and forward-moving vocal expression. Use of repetitive lines allows this work to be learned rather easily. Outstanding for festivals, concerts and even multicultural events! VoiceDance IV Soft consonants fill the jazz syllables while the energetic music of rhythm and vocal textures paint an incomparable picture of vocal sound. The piece is made up of repetitive phrases and sections, so learning is easier than imagined when first hearing this extraordinary choral.

Songlist: Voicedance, Voicedance II, Voicedance III, Voicedance IV, Voicedance V

These four spirituals have been arranged by Gwyn Arch especially for the younger or developing choir. They are fun arrangements of popular or well known spirituals that are interesting to sing and fairly straightforward to perform. The optional baritone line makes the collection suitable for choirs with a dearth of male voices but equally suitable for boys to sing as their voices change and develop.

Songlist: Swing Low, Sweet Chariot, This Little Light of Mine, When the Love Comes Trickalin' Down, Down by the Riverside

Winners of the Harmony Sweepstakes National Finals the Australian quartet The Idea of North is one of the most highly regarded vocal jazz groups performing today. "Just A Closer Walk With Thee" is an old gospel song arranged in a swing, trad jazz style and features each performer with solo sections. It has quasi instrumental parts to sing including trumpet, trombone and even banjos! Originally inspired from the movie sound track, "White Men Can't Jump" this fun arrangement is sure to leave your audience wanting more. "Amazing Grace" and "Sweet Sweet Spirit" retain their gospel meaning and flavor while given the wonderful vocal jazz treatment from the talented arranger Andrew Piper. These arrangements are all highly recommended!

Songlist: Amazing Grace, Sweet Sweet Spirit, Just A Closer Walk With Thee

Here's a collection of three song each from three of the greatest songwriters of the classic jazz song - Gershwin, Porter and Ellington. Highly-regarded arranger Jay Althouse offers some stunning, tight, and tasty harmonies for unaccompanied mixed voices that can be performed separately or as three different sets by composer.

Songlist: A Cole Porter Jazz Trio, Just One Of Those Things, You Do Something To Me, An Ellington Jazz Trio, Solitude, It Don't Mean a Thing (If It Ain't Got That Swing), A Gershwin Jazz Trio, I Got Rhythm, Someone to Watch Over Me, Night and Day, Satin Doll, Nice Work If You Can Get It

Former Swingle Singers Jonathan Rathbone has developed a reputation for creating challenging but highly rewarding arrangements for more experienced singers and here is a great example. Fun to learn, fun to sing!

Scottish traditional song based on the text of Robert Burns

Featured on the Swingle Singer's CD titled 'Notability,' this fast paced classical romp is fun and challenging for even the most advanced choral groups

One of the Swingle Singers' most well known vocalized overatures, this very advanced chart includes the complete work all sung with inner-changable scat syllables

Largo from New World Symphony

Songlist: Nine Hundred Miles, Swing Low, Sweet Chariot, The Oak and the Ash

This is what you've been waiting for! Introduce your young singers to the basics of vocal jazz with nine original songs illustrating a specific jazz concept. With educator notes included, this is an excellent introduction to an original American art form. Kirby Shaw helps kids learn more about vocal jazz in this easy-to-sing and educational collection. Each original song focuses on a different aspect of jazz singing.

Songlist: Blues, Blues , Blues, Riff City, Inflections, Blue Notes, Scat Like That, Jump, Jive and Jam!, Schoolhouse Blues, A La Mode

Lambert Hendricks & Ross mastered the art of vocal bebop and the Jon Hendricks classic "Everybody's Boppin'" proves the point with its frantic tempo and the fast swing groove underneath. A vocal jazz tour-de-force! "Birdland" is a quintessential jazz classic with lyrics by the incomparable Jon Hendricks in a funky fusion setting by noted arranger Paris Rutherford. A perfect showcase for vocal jazz groups! Darmon Meader's arrangement of "Charleston Alley" pays tribute to Lambert, Hendricks & Ross, as well as Charlie Barnet, while expanding the voicings, and also placing the song in a much more "SATB-friendly" key. This arrangement is a great introduction to the classic vocalese style of Lambert, Hendricks & Ross, and will work well for most medium to advanced vocal jazz groups.

Songlist: Charleston Alley, Birdland, Everybody's Boppin', Desafinado (Slightly Out of Tune)

Sing the songs of one of the finest vocal jazz groups ever! "Manhattan Transfer in Concert" is a swinging medley of "Birdland", "Spice Of Life" and "Tuxedo Junction" and are some of the groups signature performance songs. The super Manhattan Transfer hit "Operator" is totally irresistible! An improvisational spirit in a hot groove for pop, jazz, or show use! Jam to "The Boy From New York City", the sassy '60s hit that was covered by Manhattan Transfer. A terrific chart by Kirby Shaw. Get your kicks with the Manhattan Transfer standard "Route 66" in a swingin' arrangement also by Kirby Shaw.

Songlist: Manhattan Transfer In Concert, Operator, Route 66, Tuxedo Junction, The Boy From New York City

Mac Huff's arrangement of Bobby Darin's "Dream Lover" is from the Manhattan Transfer's recording and "Choo Choo Boogie" will put your choir on the jazz track! Hip '40s lyrics and the burnin'. "A Nightingale Sang In Berkeley Square" very deservedly won a Grammy for best vocal arrangement and here is a note-for-note arrangement that matches the original recording! "How High The Moon" is an up-tempo piece has exciting vocal writing. The vocal jazz standard "Java Jive" gets a great a cappella treatment with the Kirby Shaw touch! Still swings!

Songlist: Java Jive, A Nightingale Sang in Berkeley Square, Choo Choo Ch' Boogie, Dream Lover

Beginning as a waltz, "I Get A Kick Out Of You," this lively Cole Porter tune goes into 4 at the bridge. Initiated by the bass, this time change provides a good vehicle for practicing four in the space of three and vice versa. The tune is short, punctuated by rhythmic shots and ends with a bang. "Let's Do It" is impossible to sing without a smile. Humor, wit, quotes as well as insect and animal sounds thrive throughout its four verses. It's a challenge but well worth the work--and talk about a crowd please! "Love For Sale" is a challenging setting for Cole Porter's cynical look at love. From a soulful alto solo, we move to an up-tempo Latin groove suggestive of life on the street. Featured again in the bridge is the alto whose message is colored by humorous comments and quotes. Rich harmonies abound and build to a dynamic ending. A vamp is used throughout "What Is This Thing Called Love" as an introduction, interlude, ending and even as accompaniment for a be-bop chorus where high women's voices bemoan the pain of love gone wrong. Soprano, as solo or section, is featured on melody throughout this chart.

Songlist: I Get A Kick Out of You, Let's Do It (Let's Fall in Love), Love For Sale, What Is This Thing Called Love?

"When I'm 64" - This Lennon/McCartney favorite is as charming as ever! Bass primarily has a walking line, while the melody changes hands from the soprano to the tenor. "Don't Know Why" - A ballad of the 40's in block harmonies. The tempo is medium. "My Funny Valentine" - Classic ballad by Rodgers and Hart. This jazz arrangement features lush harmonies and many solo lines for all parts.

Songlist: When I'm Sixty-Four, My Funny Valentine

NEW YORK VOICES is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that have come before, such as Lambert, Hendrick and Ross, Singers Unlimited, Manhattan Transfer and Take 6, they have learned from the best and taken the art form to new levels. Written by Caprice Fox and arranged by Darmon Meader, New York Voices' A Cappella arrangement of 'Silence of Time' is a gorgeous rubato vignette for the mature vocal group. Intriguing harmonies and voicings give this arrangement its rich texture. In the tradition of jazz vocalese, Duke Ellington's 'Caravan' comes alive with new lyrics and additional new music. An exciting and challenging program selection for the more advanced vocal jazz ensemble. Heavily influenced by Chick Corea, 'The sultan Fainted,' a Darmon Meader/Peter Eldridge original, combines HIGH energy Brazilian rhythm with intricate harmonies and wacky lyrics! 'To Dare the Moon' incorporates lush voicings, alternating between samba and funk/rock grooves. Open solo sections add plenty of variety to this exciting original. 'Sign of Spring' is set in a Brazilian funk style. With an opening section in Portuguese moving to solos in English then dynamic chorus sections, this is one of the most exciting new charts we've seen. Very, very hip! The funk/rock song, 'National Amnesia,' by Darmon Meader has become very popular for the right reasons. Very hip voicings combine with a message that is right for today.

Songlist: Silence of Time, Caravan, The Sultan Fainted, To Dare The Moon, Sign of Spring, National Amnesia

Here are more dazzling arrangements by the world-famous vocal group, New York Voices. ''Round Midnight' opens as a rubato ballad, then solo alternating with choral sections building to a double-time vocal scat solo. After the solos, then vocals build to a dramatic and strong ending climax. 'Baroque Samba' opens in four-part with a traditional Baroque approach, then surprisingly changes to samba style. This chart is appropriate for an array of concert programming. In 'Now or Never,' an unusual and lovely opening leads to the solo soprano verse, which alternates with a fun and catchy chorus. A recurring mixed meter section and beautiful lyrics add to make this a popular favorite. 'Sassy Samba' is a smooth yet driving Jimmy Heath samba with soli opening that leads to a soprano solo, then alternates group vocals with solo breaks, a vocal percussion section and drum solo. Packed with fun and lots of audience appeal. 'Open Invitation,' a New York Voices original, is set in a relaxed Brazilian style. The song contains smooth melodic content and lush harmonies. This is a great alto feature which builds to an exciting vamp.

Songlist: Round Midnight, Baroque Samba, Now Or Never, Sassy Samba, Open Invitation

Continued, by popular demand, we bring you another set of fun vocal arrangements, as performed by New York Voices. 'Stolen Moments,' a fresh jazz treatment of the Oliver Nelson classic features an opening alto solo. The open improvisation section features the string voicings of the New York Voices. A must for your jazz library. 'Do You Wanna Know What I Want, a New York Voices original, is a pop-flavored tune boasts a strong female solo and a killer soli section. Four-part vocals in a rock setting with male solo and a solo break make 'Street Party' a winner! This chart by Peter Eldridge of the New York Voices packs lots of entertainment. SATB with rhythm section and synthesizer. Caprice Fox wrote the lyrics for New York Voices' fabulous arrangement of 'Who Knows.' Set in a rock ballad style, the sound of this original is rich and rhythmic, yet very sensitive.

Songlist: Stolen Moments, Do You Know Wanna Know What I Want, Street Party, Who Knows?

This new choral collection represents and celebrates the incredible cross-section of high-level artistry of the beloved New York Voices - the award-winning vocal jazz group the world has adored for nearly 30 years. Peter Eldridge, Lauren Kinhan, Darmon Meader, and Kim Nazarian have defined and raised the bar for jazz ensemble arranging and singing style and have influenced and inspired musicians, audiences, and music educators with every arrangement, workshop, and performance.

This collection includes personal photographs, historical notes regarding New York Voices, words of tribute from other well-known jazz musicians, and personal memoirs from each member. The songs range from traditional standards like "I'll Be Seeing You,", "Sing, Sing, Sing," and Ellington's "Bli-Blip," to contemporary classics from Paul Simon and a Peter Eldridge original. Now you can learn, sing, and enjoy these outstanding jazz vocal arrangements that have been crafted by the New York Voices.

Songlist: Baby Driver, Bli-Blip, Bookends, Come Home, I'll Be Seeing You, Me & Julio Down by the School Yard, Mother And Child Reunion, Old Friends, Sing, Sing, Sing, Smack Dab In The Middle, Why Don't You Write Me

The World War II classic, "I'll Be Seeing You", by Irving Kahal and Sammy Fain, evokes memories of the big band era, while staying in the a cappella realm. Rubato, mellow blends and dynamic shaping are keys to this Darmon Meader arrangement. It creates the melancholy feelings that are significant in time of war when loved ones are missed and longed for. A beautiful selection for the holidays and the New Year, as well as graduation. "Baby Driver" - Sheer, unbridled fun! For college or adult jazz chorus, this arrangement as sung by the New York Voices is a bit tricky, but well worth the effort. It features incredible harmony and rhythm and some a cappella sections, but the purpose of this piece is not to get technical-just to have fun! Four-part scat singing frames the piece on either end, while your baritone soloist goes to town (with great choral support) on each verse. Baby Driver, extracted from the New York Voices Songs of Paul Simon CD, is a toe-tappin', hand-clappin' jazz party. Invite everyone you know! The timeless Irish folk song "The Last Rose Of Summer" has been arranged by the renowned Darmon Meader of the group New York Voices. Simple unison and harmonies that respect the tune and lyric open then graduate to a more contemporary sound to add freshness without difficulty. A dream to teach and sing!

Songlist: I'll Be Seeing You, Baby Driver, The Last Rose Of Summer, Come Home

'Overs' is an introspective beauty full of angular voicings and a poignant lyric. Peter Eldrige's arrangement of this excellent Paul Simon tune offers much solo opportunity, or if preferred, the piece can be performed as a group feature. 'Me and Julio' is another great NYV arrangement of a Paul Simon classic. 'Soon One Day' features an unusual a cappella opening into the dramatic solo as recorded by Caprice Fox on the recent Hearts of Fire album. Alternating solo and chorus sections build to an interesting shout section with influences of Gospel and African music. Auxiliary percussion and vocal sounds add to the impact in this exciting arrangement. A beautiful opening for mezzo soloist begins 'Now That The Love Is Over,' a funk/rock arrangement by Darmon Meader. This chart will put a real "kick" into your jazz group.

Songlist: Overs, Me and Julio, Soon One Day

'Way of the World' is the title track for the New York Voices Hearts of Fire album. A funk/rock setting of the rock classic, this arrangement features exciting voicings that really allow the featured soprano solo to soar! The classic A. C. Jobim bossa nova, 'Desafinado,' arranged by Darmon Meader, features both male and female solos interspersed with lush vocal textures. Instrumental solo space is also built into the arrangement. Also, written by A. C. Jobim, lyrics by Kim Nazarian and arranged by Darmon Meader, 'Modinha' is a haunting a cappella piece. It starts with a female solo building to a rich 4-part texture and winds down to a moody finish. A great a cappella moment in any concert.

Songlist: That's The Way of the World, Desafinado, Modinha

The introspective ballad, 'Prelude / Interlude' gives solo opportunities for all voices, and a short ensemble section. A beautiful change of pace for your ensemble. 'Giant Steps' is an exciting Darmon Meader arrangement of the Coltrane Classic. Great soli sections will provide a welcome challenge for the ambitious choir. This Darmon Meader arrangement of the Duke Ellington classic, 'In a Mellowtone' combines the Ellington Big Band, Basie Big Band and Lambert, Hendricks and Ross versions. The arrangement features vocalese section for solo male and female as well as intricate backgrounds for the ensemble. The song builds to a dynamic shout chorus based on the Frank Foster/CBO arrangement. 'Cottontail' is a smokin' be-bop chart. This one just cooks, cooks and cooks from beginning to end. SSATB

Songlist: Prelude / Interlude, Giant Steps, In a Mellow Tone, Cotton Tail

These Paul Simon classics has been dynamically arranged by Peter Eldridge and Darmon Meader and recorded by the venerable New York Voices. Smooth jazz vocals and solo lines play against a rhythmic percussion background making up these hot charts that were recorded on the CD New York Voices Sing the Songs of Paul Simon. For show choir or vocal jazz ensemble, this humorous and energetic arrangement features a Louisiana Cajun groove of "Why Don't You Write Me?," allows for a lot of solo lines interspersed with group vocals and includes a fun swing section as well. Fabulous! Piano accompanied.

Songlist: Mother and Child Reunion, Me & Julio Down by the School Yard, Loves Me Like A Rock, Why Don't You Write Me?

Paris Rutherford is a regents professor in jazz studies at the University of North Texas (UNT) in Denton, Texas, where he coordinates vocal jazz studies and directs UNT Jazz Singers. A sought-after clinician in vocal jazz, Rutherford has over eighty vocal jazz arrangements in publication and here we have a collection of his a cappella arrangements. From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of this classic Kurt Weill song "Lost In The Stars" will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs. Jazz lovers will truly enjoy this wonderful a cappella setting of "Detour Ahead". Interesting harmony and well-crafted vocal lines makes this tune particularly enjoyable. "This Is All I Ask" is a jazz standard recorded by all the greats in a superb a cappella setting for vocal jazz and concert groups alike. Wonderful for developing blend and balance.

Songlist: Lost In The Stars, The Very Thought of You, I Got It Bad (and That Ain't Good), Yesterdays, This Is All I Ask (Beautiful Girls Walk A Little Slower), Detour Ahead, Lost In The Stars

Here's a collection from vocal jazz guru Phil Mattson. "Love For Sale" was written for Chanticleer in a gospel a cappella feeling featuring a female solo. "Dancing In The Dark" was arranged for the Swedish vocal jazz ensemble, The Real Group. It is written in an a cappella bossa nova groove with some quasi-funk sections. The arrangement, which treats text as a metaphor for human life, features vocal percussion opportunities. The classic Manhattan Transfer arrangement of "Body and Soul" includes lyrics about Coleman Hawkins and jazz singer Eddie Jefferson. "Love Lost" - An original piece by the Four Freshmen that was the title song from their beautiful album with strings. Has opportunities to feature both vocal and instrumental solos. SATB with rhythm section. "You Must Believe In Spring" - A lovely text beautifully set to music by Michel LeGrand with lyrics by Alan and Marilyn Bergman, featuring spots for three short solos. One of the most profound lyrics over the last fifteen years. With piano.

Songlist: Dancing In The Dark, Love For Sale, Body And Soul, Love Lost, You Must Believe In Spring

This tender a cappella treatment of John Coltrane's beautiful ballad, "Naima," without lyrics. It features a female soloist, with rich broken-chord harmonizations beneath. Randy has his "finger on the trigger" with this a cappella instrumental-style arrangement of the Quincy Jones' funk tune, "Love Is In Control." You'll have fun with this one! The first a cappella vocal version of this famous Chick Corea Latin classic, "Spain." This chart features a strong baritone or alto soloist in the rubato introduction, accompanied by thick vocal "spread voicings," then kicks into the familiar up-tempo samba feel, with quick octave unisons for all voices. After going through the tune, it opens up for improvisation solos over the chorus, with the bass singers continuing the samba-bass feel while the upper voices do horn-type hits and pads behind the soloist. A high, then low ending brings the piece to an impressive close. Requires good range by soprano and bass. First tenor part can be sung by alto if necessary. "Take 5" was commissioned by UNC for the Axidentals to sing on a special concert with the Dave Brubeck.

Songlist: Naima, Love Is In Control, Stolen Moments, Take Five, I Belong to You, Stolen Moments

The CD 'Nothing But The Real Group' was met with nothing but praise and excitement by fans worldwide. This package includes 3 titles from that album - 'Chili Con Carne,' Anders Edenroth's most popular original arrangement; this title has become a staple in the high school and collegiate Jazz Choir repertoire. 'As Rain,' another Anders Edenroth original; this beautiful ballad will challenge the singers and warm the hearts of any who hear it. Their arrangement of 'God Only Knows,' is a very worthy treatment of the Beach Boys' classic. Also included is 'A Cappella In Acapulco' another exciting Anders Edenroth original with an exciting Latin groove, featured on their album titled 'Unreal.' Anders Edenroth's playful, humorous composition, 'I Sing, You Sing,' features a wickedly catchy tune and clever lyrics, with a repeating refrain and verse structure that make this a pleasure to learn. Perfect for a good high school jazz choir and beyond! Featured on their CD 'One For All.'

Songlist: Chili Con Carne, As Rain, A Cappella In Acapulco, God Only Knows, I Sing, You Sing

'How Come It Is So Hard To Be The Way You Are' is a rockin' humorous look at today's society. The recording of the English version of this song can only be found on the album, 'Get Real.' 'Heavenly Crystal,' the english version of a folk song well known in Sweden, this arrangement is inspired by the music of J.S. Bach. Just plain cool - there's no other way to describe Anders Edenroth's newest arrangement, 'Words'! Edenroth has created a witty, sophisticated examination of the nature of 'words' - their sense, their social role, and the varied ways they can be sung and spoken - which will intrigue jazz choirs at all levels. "Gota" - Pronounced 'geu-ta' (hard 'g') - has its name from the Faeroe Islands in the Northern Atlantic. The music line and wordless vocal jazz treatment fuses with ethnic folk music in a truly original way. A true 'performance piece' and favorite in the repertoire of Swedish vocal giants The Real Group, Gota has quickly gained recognition world wide. For vocal jazz oriented high school and beyond.

Songlist: Words, Heavenly Crystal, How Come It Is So Hard To Be The Way You Are, Gota

"There Will Never Be Another You " is a sensitive treatment of the jazz standard that opens as a ballad before moving to a buoyant swing feel. Great tune, great arrangement. SATB a cappella with soprano solo. "Come Sunday" - Careful voice leading makes the contemporary harmonic changes and chord voicings in this chart quite accessible in this SSATBB a cappella arrangement. It features a strong 5 and 6 part into featuring the first chorus with a pyramid background behind a soprano melody moving into spread harmonies. The second chorus is open for a improvised solo with a tag over a 3-part harmonized background with walking bass. The chart ends with a 6-way harmonized "quasi-shout" chorus moving back into the origianl melody. Stevie Wonder's "Sir Duke" never had it so good in this marvelous Edenroth arrangement.

Songlist: There Will Never Be Another You, Come Sunday, Sir Duke, Very Early

"Lullaby of Birdland" - Introduce your young choir to this famous jazz classic! Set in an easy swing with great part-writing and craftsmanship!"A-Tisket, A-Tasket" - Was it red? No no no. Was it brown? No no no. The famous Ella Fitzgerald rendition of a classic nursery song is a sassy, jazzy twist on the familiar lyrics. A great Discovery Series choice for developing jazz style in your younger choirs! "Sweet Home Chicago" - Introduce your young singers to the blues with this Robert Johnson classic from 1937, memorably covered by The Blues Brothers. With the shuffle style rhythm, vocal fall-offs and accessible jazz harmonies, learning opportunities abound! "Choo Choo Ch' Boogie" - This 1940s classic is the perfect introduction to swing music for developing choirs. Easy voice-leading and a supportive accompaniment make this a breeze to learn.

Songlist: Lullaby of Birdland, A-Tisket, A-Tasket, Sweet Home Chicago, Choo Choo Ch' Boogie, Don't Get Around Much Anymore

Since the release of Ticket to Ride, the Swingle Singers have received many requests from choirs and a cappella groups for their Beatles' arrangements. Finally, they have published a companion songbook to the popular album. The book contains the seventeen songs from the CD arranged for four to eight voices and features a bonus arrangement of "Here, There and Everywhere" for AATTBB. These wonderful arrangements include the original scat syllables used on the recording as well as alternated endings for the songs that fade out. Another great addition to the Swingle publications, this book will have your group creating a new wave of Beatle mania at your next concert.

Songlist: Penny Lane, Revolution, Day Tripper, Norwegian Wood, Birthday, Lady Madona, Yesterday, Strawberry Fields Forever, Drive My Car, Blackbird / I Will, When I'm Sixty-Four, The Fool On The Hill, All My Loving, I Am The Walrus, Goodnight, Here, There And Everywhere, Ticket To Ride

All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.'

Songlist: The Ash Grove, Bushes and Briars, Charlie is My Darling

All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.'

Some of the great vocal jazz arrangers and one of the greatest modern songwriters! "The Look Of Love" - A cool Latin groove and great vocal writing make this Zegree chart a real standout! "What The World Needs Now" - Opening with a soulful soprano sax, this setting moves into a jazz waltz and then a driving 4/4 groove, returning to the jazz waltz for the final vocal build on the lyric: for everyone! "I Say a Little Prayer" - Michele Weir has given this 1967 pop hit by Dionne Warwick a fresh treatment that is ideal for jazz, pop and concert choirs! Solo and group, cascading vocal phrases and a contemporary keyboard part add interest! "A House Is Not a Home" - Philip Lawson, former lead baritone and arranger for the King's Singers has used his experience and talents to set this powerful Burt Bacharach ballad for concert choirs. In the style of the Luther Vandross rendition, this is a powerful concert closer. "Alfie" - arranged by the acclaimed vocal jazz educator Phil Mattson, this song and text is among the most meaningful in contemporary music. Rich harmonies highlight the powerful emotions inherent in the text.

Songlist: The Look Of Love, What The World Needs Now, I Say a Little Prayer, A House Is Not a Home, Alfie

One of the greatest songs of all time, Jerome Kern's classic romantic ballad "The Way You Look Tonight" shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in a superb arrangement by Kirby Shaw. "Smile" - This exquisitely lush a cappella setting of the familiar lyric, "smile though your heart is breaking", shares a wonderful message of hope and perseverance. An ideal closing selection. The beautifully lyrical Gershwin ballad "Love Walked In" has never before had such a well-crafted, fully textured setting! This gorgeous a cappella treatment is well suited to traditional concert and pop programs! Phil Mattson does a wonderful jazz arrangement of " I'll Be Seeing You" while "How Deep Is the Ocean" has varied choral textures and luscious harmonies that makes Irving Berlin standard an ideal selection for a cappella vocal groups. Ultimately romantic!

Songlist: The Way You Look Tonight, Smile, I'll Be Seeing You, Love Walked In

There's nothing more fun to sing than a great show tune! An inspired a cappella treatment of the "Fats" Waller classic "Ain't Misbehavin'". Many fun options in the center section - "Rudy Vallee" solo, tap solo, etc. Totally unique! A classic Kirby Shaw setting of a Gershwin ballad " Love Is Here To Stay" is a delight. Here's a stunningly beautiful arrangement of the classic Broadway ballad "On A Clear Day". Steve Zegree's a cappella jazz voicings are breathtaking! Recorded by many artists including Tony Bennett, Frank Sinatra and Bobby Darrin, "Once Upon A Time" was featured in the Broadway production of All American. Beautiful harmonies and a lyrical melody combine to make this special.

Songlist: Ain't Misbehavin', On A Clear Day, Once Upon a Time

"Autumn Leaves" - A fresh take on a classic standard with intricate, yet accessible jazz harmonies and effortless voice leading. The vocals sing like falling and drifting leaves throughout the piece. A standout ballad for your jazz, show, or concert choir! "More Than You Know" - Originally published in 1929 this great song was subsequently included in three musical films: Hit the Deck (1955), sung by Tony Martin; Funny Lady (1975), sung by Barbra Streisand; and The Fabulous Baker Boys (1989) sung by Michelle Pfeiffer (in a memorable introductory scene for her character). "When Sunny Gets Blue" - Recorded by a vast number of major artists, this standard is irresistible in its appeal! In this arrangement, the lyrics take on an important role in shaping the style, as the vocals evoke the imagery of rain beginning to fall or the wind stirring the trees. A beautiful, but challenging work, and well worth the effort! "Solitude" - Display your vocal jazz technique with this challenging chart that is highlighted by its rich harmonic tapestry. Feature a special soloist as the choir sings a supportive back-up marked by a quiet intensity.

Songlist: Autumn Leaves, More Than You Know, When Sunny Gets Blue, Solitude

"Almost Like Being in Love" - This Lerner and Loewe hit is an American classic. It is set here as an updated a cappella version by Darmon Meader for the New York Voices - an amazing vocal jazz arrangement not to be missed. Beginning with solo and backing vocals, it soon takes off in a bright, happy bounce. "Tenderly" - Surround your audience in a tapestry of sound with this a cappella ballad setting of the great American standard from 1946. The jazz vocals are relatively accessible, but offer plenty of opportunities to develop blend, style and intonation. Wonderful competition piece or as an encore for a concert choir! "Never Let Me Go" - Made famous by the legendary Dinah Washington, this deeply expressive standard is richly arranged for unaccompanied jazz choir. Expanded ranges and divisi provide challenge, but offer rewards for the advanced group. "My One and Only Love" - Beautiful a cappella textures shape this classic Sinatra ballad into a fantastic vocal jazz showpiece! From full homophonic harmonies to solo lines with vocal accompaniment, this setting is a compelling spectrum of sound.

Songlist: Almost Like Being in Love, Tenderly, Never Let Me Go, My One and Only Love

"It Only Takes a Moment" - The beautiful song from Hello Dolly in a lush a cappella ballad setting! With heartfelt lyrics, rubato phrases, and rich choral harmonies, this will be a wonderful feature for jazz, pop and concert choirs. "My Funny Valentine" - A lush a cappella setting of this timeless standard features soprano solo or soli. Quite accessible! "Their Hearts Were Full of Spring" - Originally popularized by the Four Freshmen, this iconic arrangement of the Bobby Troup song helped pave the way for a cappella vocal jazz as well as influencing the singing style of the Beach Boys. "The Nearness of You" - One of the greatest songs of all time, Hoagy Carmichael's classic romantic ballad shimmers in a rich a cappella setting highlighted by lush harmonies and gently arched phrasing in this superb arrangement.

Songlist: It Only Takes a Moment, My Funny Valentine, Their Hearts Were Full of Spring, The Nearness of You

"Birdland" - A jazz classic written by keyboardist Joe Zawinul with lyrics by Jon Hendricks now arranged for younger choirs. A perfect showcase for your beginning vocal jazz group! "Java Jive" - It's America's favorite beverage! This great standard from the '40s regained the spotlight in the Manhattan Transfer version from 1975. This well-crafted Discovery Series arrangement will showcase your young singers at their swingin' best!"Beyond the Sea" - Here is a swing treatment of the contemporary pop standard most famously recorded in a big band swing style by Bobby Darin in 1959. Great for learning vocal jazz technique."Tuxedo Junction" - From Glenn Miller to The Manhattan Transfer, this Discovery Series arrangement gives you an authentic setting for your younger choirs! Featuring the jazzy lead line supported by the ba-bop chorus and a written scat section, your singers will groove to this accessible chart!"Basin Street Blues" - Recorded by American jazz legend, Louis Armstrong, here is a great teaching tool for introducing blues styles to your younger choirs.

Songlist: Birdland, Java Jive, Beyond the Sea, Tuxedo Junction, Basin Street Blues

"Steppin' Out with My Baby" - This arrangement really sizzles! The lively treatment of this Irving Berlin standard has lots of pizzazz and makes a great teaching piece as well!"The Way You Look Tonight" - Since it first was heard in 1936, this classic song has enthralled performers and listeners everywhere! Set here in an easy Discovery Series swing, it makes a perfect first experience for young singers learning vocal jazz style!"Bandstand Boogie" - Your younger choirs will develop authentic jazz style and have fun in the process with this setting of the American Bandstand theme song. A great opener or concert theme!"Teach Me the Blues" - Your choir will love singin' the Blues with this fun and educational swingin' original. Learn about the Blues scale, blue notes, chords, riffs and more!

Songlist: Steppin' Out with My Baby, The Way You Look Tonight, Bandstand Boogie

"Chickery Chick" - Your singers will have fun with this novelty song from the 1940s and develop their vocal jazz chops at the same time! Opening in a happy-go-lucky 6/8, it sounds like an Italian street song full of nonsense lyrics, then it transitions into 4/4 swing with an easy scat section. "Stray Cat Strut" - Your younger and developing groups will dig the rockabilly sounds of Brian Setzer in this pop hit from 1983! Fun jazzy lyrics and well-crafted for success! "The Pink Panther" - From the opening strains, everyone will recognize the quirky, jazzy theme by Henry Mancini! Younger singers will beg to sing this well-crafted arrangement with scat lyrics! "He Beeped When He Shoulda Bopped" - Written by jazz great Dizzy Gillespie, this bebop standard makes a perfect introduction to the world of vocal jazz for younger choirs.

Songlist: Chickery Chick, Stray Cat Strut, The Pink Panther, He Beeped When He Shoulda Bopped