Bach's famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts, richly enhancing this choral work. A beautiful way to introduce your singers to important works of the master composers.

Arranger: Tom Fettke

Bach's famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts, richly enhancing this choral work. A beautiful way to introduce your singers to important works of the master composers.

Arranger: Tom Fettke

Bach's famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts, richly enhancing this choral work. A beautiful way to introduce your singers to important works of the master composers.

Arranger: Tom Fettke

Bach's famous instrumental arioso is set here with a simple Latin text. The expressive piano accompaniment can be used alone or with the optional string parts, richly enhancing this choral work. A beautiful way to introduce your singers to important works of the master composers.

Arranger: Tom Fettke

Based on two children's poems by Robert Louis Stevenson, this imaginative setting uses ample unison singing with an optional flute part included.

Composer: Mary Donnelly

Based on two children's poems by Robert Louis Stevenson, this imaginative setting uses ample unison singing with an optional flute part included.

Arranger: Mary Donnelly | Composer: Mary Donnelly

Elizabeth Barrett Browning's well-loved poem sings beautifully in this setting for mixed voices. Unison blooms to four-part writing throughout, and the text is painted with a soaring melody while rich contemporary harmonies reflect the mood and message of the text. Gorgeous for younger as well as older choirs with an exquisite piano accompaniment.

Arranger: Jay Rouse

Elizabeth Barrett Browning's well-loved poem sings beautifully in this setting for mixed voices. Unison blooms to four-part writing throughout, and the text is painted with a soaring melody while rich contemporary harmonies reflect the mood and message of the text. Gorgeous for younger as well as older choirs with an exquisite piano accompaniment.

Arranger: Jay Rouse

The Russian poet Aleksandr Sergeyevich Pushkin's text infuses emotion into this SATB choral setting. Combining contemporary harmonies, a sweeping romantic melody, traditional Russian poetry, and the universal message of love and loss, this arrangement allows for lessons on many levels.

Arranger: Jay Rouse

The Russian poet Aleksandr Sergeyevich Pushkin's text infuses emotion into this new SSAA voicing of the best-selling SATB choral setting. Combining contemporary harmonies, a sweeping romantic melody, traditional Russian poetry, and the universal message of love and loss, this arrangement allows for lessons on many levels.

Arranger: Jay Rouse

Poem by Sarah Teasdale regarding the satisfaction of the artist and their work is simple with flowing piano accompaniment. The art of quiet to full singing is explored throughout the work, creating exquisite interpretation of lyric in a stunning selection for concert, contest and festival.

Composer: Greg Gilpin

Lyric based on the poem by Sidney Royse Lysaght, speaks the blessings of when love enters our lives. Melodic writing rises and falls weaving with rich choral arranging, rests above a well-crafted and challenging piano accompaniment propelling this musical work.

Composer: Victor C. Johnson

Victor Johnson's expressive writing continues with this SATB setting of Swinburne's poetic work. Layered harmonic writing above a sophisticated accompaniment creates musical pictures of the romantic text: If love were what the rose is, and I were like the leaf, our lives would grow together.... A gorgeous selection for concert of contest.

Composer: Victor C. Johnson

One of the best known and oft-quoted poems from World War I, Greg Gilpin's setting of this text is exquisitely solemn, quiet and emotional. Now available for 2-Part voices, the haunting melodic motif and simple harmonic structure creates a beautiful selection for remembrance of veterans at home and abroad.

Composer: Greg Gilpin

One of the best known and oft-quoted poems from World War I, Greg Gilpin's setting of this text is exquisitely solemn, quiet and emotional. The musical interpretation is filled with rich harmonic structures supporting a haunting melodic motif creating beautiful selection for remembrance of veterans at home and abroad.

Composer: Greg Gilpin

One of the best known and oft-quoted poems from World War I, Greg Gilpin's setting of this text is exquisitely solemn, quiet and emotional. The musical interpretation is filled with rich harmonic structures supporting a haunting melodic motif creating beautiful selection for remembrance of veterans at home and abroad.

Composer: Greg Gilpin

The famous words of Christina Rossetti and the music of Gustav Holst are beautifully set for a cappella voices by Jay Rouse. It begins with wind-like oos that are followed by a more contemporary choral setting. A stunning selection for your choir and audience. Duration: ca. 4:00.

Arranger: Jay Rouse | Composer: Gustav Holst

Distinctive text about love from Sara Teasdale with lush harmonic writing juxtaposed with athletic melodic lines and dynamic dissonant clusters. An excellent choice for concert or festival opener or closer.

Composer: Mark Hayes

Jack London's text has been masterfully set by Rosephanye Powell who fills it with a variety of sounds from lilting joy to moments of spoken thoughts to melancholy reflection. The piano accompaniment is dynamic on its own yet supportive of the well-crafted vocal writing. A superb piece for contest and concert.

Composer: Rosephanye Powell

Jack London's text has been masterfully set by Rosephanye Powell who fills it with a variety of sounds from lilting joy to moments of spoken thoughts to melancholy reflection. The piano accompaniment is dynamic on its own yet supportive of the well-crafted vocal writing. A superb piece for contest and concert.

Arranger: Rosephanye Powell | Composer: Rosephanye Powell

Simple, elegant and useful for all age levels, this setting of the traditional Irish Blessing is a perfect closing selection for concert, festival or graduation. A lovely work for sacred use as well. Available separately: SATB, SSA, 3-Part Mixed, 2-Part, PianoTrax CD. Duration: ca. 2:30.

Arranger: Jay Rouse

Simple, elegant and useful for all age levels, this setting of the traditional Irish Blessing is a perfect closing selection for concert, festival or graduation. A lovely work for sacred use as well. Available separately: SATB, SSA, 3-Part Mixed, 2-Part, PianoTrax CD. Duration: ca. 2:30.

Arranger: Jay Rouse

Simple, elegant and useful for all age levels, this setting of the traditional Irish Blessing is a perfect closing selection for concert, festival or graduation. A lovely work for sacred use as well. Available separately: SATB, SSA, 3-Part Mixed, 2-Part, PianoTrax CD. Duration: ca. 2:30.

Arranger: Jay Rouse

Simple, elegant and useful for all age levels, this setting of the traditional Irish Blessing is a perfect closing selection for concert, festival or graduation. A lovely work for sacred use as well. Available separately: SATB, SSA, 3-Part Mixed, 2-Part, PianoTrax CD. Duration: ca. 2:30.

Arranger: Jay Rouse

Sara Teasdale's text is beautifully set by Brad with lush harmonies that feature slight dissonance, text painting, and imitation. So musical and expressive, it's a wonderful selection for concert, contest, and festival. Available separately: SATB, PianoTrax CD (35027473). Duration: 2:38.

Composer: Brad Nix

Sara Teasdale's text is beautifully set by Brad with lush harmonies that feature slight dissonance, text painting, and imitation. So musical and expressive, it's a wonderful selection for concert, contest, and festival. Available separately: SATB, PianoTrax CD (35027473). Duration: 2:38.

Arranger: Brad Nix | Composer: Brad Nix

The words of Henry Wadsworth Longfellow are playfully set to music in this 2-part choral. The drip-drop piano part sets the scene and gradually the piece becomes more animated, playing between 2/2 and 6/8 meters. It is absolutely delightful when the section of vocal rain begins. Optional ad lib suggestions for use of rain stick and other percussion instruments are included. Available separately: StudioTrax CD. Duration: 2:37.

Composer: Janet Gardner

Let us always meet each other with a smile for a smile is the beginning of love. Based on the words of Mother Teresa, this and other selected quotes are woven together to create a stunning lyric of love and compassion. Melody and harmony weave above a flowing piano accompaniment and optional violin. The piece also contains a short narrative at the beginning and the end, focusing on Mother Teresa. Commissioned for the 2014 Texas Music Educators' Convention by Victor Johnson.

Composer: Greg Gilpin

Based on the words of Mother Teresa, this and other selected quotes are woven together to create a stunning lyric of love and compassion. With melody and harmony weaving above a flowing piano accompaniment and optional violin, this new SATB and SAB voicings also contain a short narrative at the beginning and the end focusing on Mother Teresa. Extremely moving.

Composer: Greg Gilpin

Based on the words of Mother Teresa, this and other selected quotes are woven together to create a stunning lyric of love and compassion. With melody and harmony weaving above a flowing piano accompaniment and optional violin, this new SAB voicing also contains a short narrative at the beginning and the end focusing on Mother Teresa. Extremely moving.

Composer: Greg Gilpin

Based on the words of Mother Teresa, this and other selected quotes are woven together to create a stunning lyric of love and compassion. With melody and harmony weaving above a flowing piano accompaniment and optional violin, this new SATB and SAB voicings also contain a short narrative at the beginning and the end focusing on Mother Teresa. Extremely moving.

Arranger: Greg Gilpin | Composer: Greg Gilpin

Based on the words of Mother Teresa, this and other selected quotes are woven together to create a stunning lyric of love and compassion. With melody and harmony weaving above a flowing piano accompaniment and optional violin, this new SAB voicing also contains a short narrative at the beginning and the end focusing on Mother Teresa. Extremely moving.

Arranger: Greg Gilpin | Composer: Greg Gilpin

One of Yeats most well loved poems from his third volume of poetry, The Wind Among the Reeds, is exquisitely set in this thoughtful choral work of romance and dreams. Careful painting of the text throughout creates a musical landscape for advanced choirs as well as developing voices.

Composer: Victor C. Johnson

One of Yeats' most well loved poems from his third volume of poetry, The Wind Among the Reeds, is exquisitely set in this thoughtful choral work of romance and dreams. Careful painting of the text throughout creates a musical landscape for advanced choirs as well as developing voices.

Composer: Victor C. Johnson

This poem, first published in the collection The Rose in 1893, is one of Yeats' earlier lyric poems. Doug Wagner's original music is rich and full with an expressive piano accompaniment. A lovely choral for mixed voices, you'll find the text makes this ideal for men's voices. Available separately: SATB, T(T)BB, PianoTrax CD (35027473). Duration: ca. 3:24.

Arranger: Douglas Wagner | Composer: Douglas Wagner

This poem, first published in the collection The Rose in 1893, is one of Yeats' earlier lyric poems. Doug Wagner's original music is rich and full with an expressive piano accompaniment. A lovely choral for mixed voices, you'll find the text makes this ideal for men's voices. Available separately: SATB, T(T)BB, PianoTrax CD (35027473). Duration: ca. 3:24.

Arranger: Douglas Wagner | Composer: Douglas Wagner

This lesser-known poem is intriguing and mysterious; perfect for singers to discuss and interpret in rehearsal. The piano accompaniment gently steps and tiptoes under the haunting melody and harmonic writing. Drama, tempo, and dynamic contrast create a mixture of moments in storytelling and sure to capture your singers' and audience's attention.

Composer: Greg Gilpin

This lesser-known poem is intriguing and mysterious; perfect for singers to discuss and interpret in rehearsal. The piano accompaniment gently steps and tiptoes under the haunting melody and harmonic writing. Drama, tempo, and dynamic contrast create a mixture of moments in storytelling and sure to capture your singers' and audience's attention.

Composer: Greg Gilpin

This lesser-known poem is intriguing and mysterious; perfect for singers to discuss and interpret in rehearsal. The piano accompaniment gently steps and tiptoes under the haunting melody and harmonic writing. Drama, tempo, and dynamic contrast create a mixture of moments in storytelling and sure to capture your singers' and audience's attention.

Arranger: Greg Gilpin | Composer: Greg Gilpin

Rich choral sonorities fill this expressive and contemporary concert setting of an e.e. cummings poem. Thoughtful vocal entrances begin the piece followed by the ebb and flow of dynamics and harmonies, engaging the singer to explore the romantic text.

Composer: Mark Burrows

The poem by Louisa May Alcott describes the chilling scene of winter with a brisk and exciting piano accompaniment inspiring the rhythmic vocal lines. A terrific opportunity for dynamic singing, text study and enunciation work as a concert, contest or festival selection.

Composer: Bruce W. Tippette

This novel Rossetti poem about time ends with a wink of humor and is delightfully set for 2-part voices with optional descant. The arrangement also includes simple percussion parts for solid musical learning, creating a smart performance piece.

Arranger: Janet Gardner

A reflective and poignant text of how many create one; suitable for all ages. Full harmonic writing with dynamic contrast creates a beautiful interpretation of text. An independent yet supportive piano accompaniment enhances the setting.

Composer: Greg Gilpin

A reflective and poignant text of how many create one; suitable for all ages. Full harmonic writing with dynamic contrast creates a beautiful interpretation of text. An independent yet supportive piano accompaniment enhances the setting.

Composer: Greg Gilpin

A reflective and poignant text of how many create one; suitable for all ages. Full harmonic writing with dynamic contrast creates a beautiful interpretation of text. An independent yet supportive piano accompaniment enhances the setting.

Composer: Greg Gilpin

A reflective and poignant text of how many create one; suitable for all ages. Full harmonic writing with dynamic contrast creates a beautiful interpretation of text. An independent yet supportive piano accompaniment enhances the setting.

Arranger: Greg Gilpin | Composer: Greg Gilpin

A reflective and poignant text of how many create one; suitable for all ages. Full harmonic writing with dynamic contrast creates a beautiful interpretation of text. An independent yet supportive piano accompaniment enhances the setting.

Arranger: Greg Gilpin | Composer: Greg Gilpin

A reflective and poignant text of how many create one; suitable for all ages. Full harmonic writing with dynamic contrast creates a beautiful interpretation of text. An independent yet supportive piano accompaniment enhances the setting.

Arranger: Greg Gilpin | Composer: Greg Gilpin

The words every American should know are set musically with strength and dynamic excellence. A solid piano accompaniment supports the vocal line, yet remains independent in interest and thought. This is a fantastic patriotic selection that can be performed as a single work or paired with The National Anthem. Available separately: SATB, PianoTrax CD (35027473). Duration: ca. 2:34.

Composer: Ann Macdonald Diers