Good for children.

Composer: Calvin Hampton

Composer: Ephrem Feeley

Looking for an alternative to the chant version of the Pentecost sequence? Try this original setting: a simple tune in 6/8 with plenty of harmonic interest.

Composer: John McCann

This unison Easter anthem is perfect for all of Eastertide, but can be used all year to remind us of Christ's resurrection. The light and lively accompaniment part is complimented by two C instruments, adding another level of joy to the piece, especially in the introduction and during the interlude between the verses. A wonderful addition to your Eastertide repertoire!

Arranger: Scott Hyslop | Composer: Dietrich Buxtehude

Keesecker's gentle winding of melody and simple phrase is ideal for ensembles both big and small. With optional suggestions for creating a two-part vocal texture, this piece invites choristers and faith communities into the beautiful elegance of the prologue of John's gospel.

Composer: Thomas Keesecker

Lorica means "armor" or "breastplate"; in the Irish monastic tradition, it also refers to a prayer that calls for God's protection. The time signature alternates each measure between 3/8 and 4/4, but the entrancing melody feels natural. The tune has a range just short of an octave, but the descant allows singers comfortable with high F-sharps and Es to add harmonic and rhythmic interest.

Composer: Ephrem Feeley

The Lenten season is a busy time for your choir, and this unison setting of a movement from Bach's Cantata No. 180 is the perfect solution for preparing beautiful music with minimal rehearsal time.

Composer: Johann Sebastian Bach

Great for graduations.

Composer: Rory Cooney

Lovely melody and an easy read for children and adults.

Composer: Calvin Hampton

Cantor, handbells and vocal or instrumental descant parts are optional. 10 handbells.

Arranger: Mark Cahill | Composer: Liam Lawton