In Celebration of the Human Voice - The Essential Musical Instrument
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At its founding in 1927, RSCM was organization that consisted of a training college for church musicians (called the College of St. Nicolas) and an association of affiliated churches committed to attaining high standards of musical performance. The RSCM has grown to become an international and ecumenical organization, with more than 11,000 affiliates in the United Kingdom, United States, Canada, Australia, New Zealand, South Africa, Nigeria and throughout Europe. RSCM America has more than 400 affiliates crossing denominational lines and the boundaries of nearly every state.
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Displaying 1-39 of 39 items.
Even if you already own a version of Mozart's famous "Alleluia," you'll definitely want the quality editing and arranging of this Royal School of Church Music edition in your music library.Ê
Arranger: David Patrick | Composer: Wolfgang Amadeus Mozart
GIA is the proud US distributor of anthems from the Royal School of Church Music. Harris' "Behold the Tabernacle of God" is a quintessential British anthem of the 20th century. As the text suggests, it is appropriate for any season of festivity.
Composer: William Harris
A choral blessing using the first stanza of this familiar hymn. A gentle piece with solo and choir accompanied throughout with undulating eighths in the organ treble over sustained chords. Mostly pianissimo, rising briefly to fortissimo, and ending ppp. Quite simply, beautiful.Ê
Composer: Philip Wilby
This contemporary carol for Christmas proclaims the message that salvation has come with the birth of an infant king. The opening pages of the composition feature the soprano section, first in unison supported by the organ, followed by the rest of the choir providing an angelic a cappella accompaniment support to the tune. By the ending verse, the men's voices have a few measures with the melody, the altos and soprano divisi providing the angelic soundscape. All voices merge to unison for the final, fading phrase.
Composer: Malcolm Archer
While the title suggests images of a faithful and trusted shepherd, the Pollock text is not a paraphrase of the venerable Psalm 23. This gentle setting for SATB choir and organ relies on dynamics, as well as a cantabile style in sync with the text, for its effect. A well-prepared choir won't mind the relatively independent organ score.Ê
Composer: Grayston Ives
The Chinese proverb "It is better to light one candle than to curse the darkness" comes to mind in this anthem. The text reminds us that the light of Christ continually penetrates the world of darkness and that we are the bearers of that light.
Composer: Richard Shephard
A setting of this famous Wesley text for Easter Sunday. Especially suitable if you suddenly discover half of your choir will be away. It is bold, jubilant, and musically interesting while being mostly unison with some generic two-part division and an SATB a cappella stanza that could be done unison or two-part with accompaniment.
Composer: David Ogden
With this piece, you have a strong arrangement of the congregation-pleasing ST. COLUMBA-sturdy in its composition, but not overly complex, eliminating the need for too much rehearsal time. This one should be in everyone's library!Ê
Arranger: Martin How | Composer: C.V. Stanford
This miniature collection of modern masterpieces is well worth a place in every serious church musician's choral library:"Jesu! Dulcis Memoria" is a luscious anthem for SATB voices and treble solo alternating between sections a cappella and with organ. Excellent intonation required to wed these exquisite verses."Prayer for a New Mother" with text by the inimitable American author and sparkling wit Dorothy Parker is for unison voices, or would make an equally provocative and stunning art song for a solo voice."The Birds" with words by the prolific Anglo-French master Hilaire Belloc is worthy of impeccable performance of the highest rank: "When Jesus Christ was four years old, The angels brought him toys of gold..."This set is a pure jewel to be enjoyed and performed in a variety of creative liturgical and concert settings.
Composer: Richard Shephard
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