In Celebration of the Human Voice - The Essential Musical Instrument
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Displaying 1-12 of 12 items.
When presented in an acoustic-pop style, the appeal of this piece will be immediate. Through the composer's beautiful baptismal text, which is both personal and communal, we are reminded of the wondrous gift that a helpless infant can be for us.ÊFor cantor or soloist
Composer: Michael Mahler
"Don't be afraid" assures this comforting text written for those in suffering. The gentle folklike tune is scored for any combination of two voices with an accompaniment that consistently anticipates the third beat of the bar. The cello part could be played on another instrument capable of producing a legato line in a tenor register.
Composer: Tony Alonso
Driving eighth notes (in the style of the 1980s hit "Gloria,") propel this piece based on Matthew 12:18. A song of praise, well suited to the contemporary ensemble or praise band. Mostly unison, but with enough harmony and a concluding descant to sustain good musical interest.Ê
Arranger: Mary Howarth | Composer: Tom Franzak
Drawn from Luke's account of the Emmaus story, this rather folklike and systematically syncopated verse and refrain moves along at a good tempo making it an ideal processional. The essentially SAT scoring of the choral parts (basses can double the melody) lends a tight contemporary sound. Additional interest is created through a bridge section and instrumental interlude.Violin or C Instrument
Composer: Tony Alonso
Upbeat and with an engaging refrain, this delightful piece is sure to please everyone in your assembly. Based on Psalm 90, the text communicates the jubilant entreaty "Fill us with your love, O Lord, and we will sing for joy!" Choral harmonies on the refrain subtly enhance the piece, while the verses (sung by cantor alone or by 3-part choir) support the joyful message of the text.For cantor or soloist.
Composer: Paul Melley
From the Leavensong Series, "His Cross Is Every Tree" has a contemporary folk style. This unison song with an easy harmony part in thirds is conceived for keyboard with descending bass and guitar sonorities. It would have a variety of uses expressing themes of the cross, but especially poignant for Palm Sunday or Good Friday. An assembly could be included in the refrain, or the song would also be effective as a tender solo or duet.Ê
Composer: Paul Melley
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