In Celebration of the Human Voice - The Essential Musical Instrument
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The Choral Music Experience library is a culturally diverse and distinctive repertoire appropriate for study and performance. Based on the concept of "education through artistry" the choral series is organized in levels of musical challenge spiraling upward in complexity from Beginning to Advanced.
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Displaying 1-16 of 16 items.
This arrangement of the traditional Brazilian worship song builds slowly but intensely from a simple, sparse beginning to a fiery final verse. The choral parts are accessible but effective for choirs large and small. Improvised hand percussion can be added easily. An IPA pronunciation guide and a translation for the Spanish text are provided.
Arranger: Roger Bergs
This is one of the most popular love songs from the Dominican Republic. It describes a modest, and yet beautiful, little rural house in the Cibao region where the composer evokes the consummation of a passionate and virginal love. It is a "cancion-bolero," a typical Caribbean romantic song form in quadruple meter, slow-paced, which is also a centerpiece of serenades.
Arranger: Juan-Tony Guzman
Written for SATB choir, solo, two hand percussion players and string bass, composer Hatfield mixes Spanish and English texts and explores how a community supports and nourishes an individual, even as the individual inspires the community. Coining a new musical style with the piece that he calls Middle-East Latin the music mixes choral counterpoint and a percussive dance groove that will surely become infectious to both singer and listener. Duration: 4:15
Composer: Stephen Hatfield
Written for SATB choir, solo, two hand percussion players and string bass, composer Hatfield mixes Spanish and English texts and explores how a community supports and nourishes an individual, even as the individual inspires the community. Coining a new musical style with the piece that he calls Middle-East Latin the music mixes choral counterpoint and a percussive dance groove that will surely become infectious to both singer and listener. Duration: 4:15
Arranger: Stephen Hatfield | Composer: Stephen Hatfield
This truly unique work was written to commemorate the 50th anniversary of the Puerto Rican Institute of Culture. Full of sonorities, rhythms, and melodies that capture the very essence of Puerto Rican culture, Estampas Criollas pulses with the beat of this tropical island.
Composer: Ernesto Cordero
This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. With percussion.
Arranger: Stephen Hatfield
This is in the southern Mexican style of the Huapango. In this fast and fun music, with the flash of reds, yellows and greens and the flash in the rhythm, it's as if the entire landscape becomes the dancer's dress with a riot of color represented in the music.
Composer: Stephen Hatfield
This is in the southern Mexican style of the Huapango. In this fast and fun music, with the flash of reds, yellows and greens and the flash in the rhythm, it's as if the entire landscape becomes the dancer's dress with a riot of color represented in the music.
Arranger: Stephen Hatfield | Composer: Stephen Hatfield
Combining the Andean folk song Ojos Azules with folk songs from Ecuador and Peru, this is the sort of music that Stephen Hatfield has excelled at for so long. Scored here for choir and percussion - small and large shaker, guiro and floor tom - it will be impossible for your singers to refrain from moving to the music and the audience from dancing in the aisles.
Arranger: Stephen Hatfield
Combining the Andean folk song Ojos Azules with folk songs from Ecuador and Peru, this is the sort of music that Stephen Hatfield has excelled at for so long. Scored here for choir and percussion - small and large shaker, guiro and floor tom - it will be impossible for your singers to refrain from moving to the music and the audience from dancing in the aisles.
Arranger: Stephen Hatfield
Son de Camaguey is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general.
Arranger: Stephen Hatfield
Infectious rhythms and playful melodies characterize this setting. These newly composed melodies and rhythms, while not distinctly Venezuelan, capture the vitality and charm of the region. Duration: ca. 3:00.
Arranger: David L. Brunner
Written with a contemporary Salsa feel and a text created from a collection of letters from the chorus of the Forest Ridge School of the Sacred Heart, this work expresses ideas about life in high school and the feeling of moving on. Scored for piano and optional guitar, cello, bass and percussion. Duration: ca. .
Composer: Francisco J. Nunez
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