This Argentinian worship song pulses with rhythmic energy! Perfect for either a first-time world music experience or a full-fledged Latin styled performance. With piano. Duration: ca. .

Arranger: Roger Bergs

These original settings create the feeling of tenderness and sorrow so typical of the Spanish lullaby. A litling Brazilian style lullaby, a 3-part a cappella chorus, a flight of imagination for guitar solo and a comical nursery rhyme make up this compelling set.

Composer: Francisco J. Núñez

Mangulina is a dance derived from Zapateado Espanol (a Spanish heel-tapping dance). Guayacanal, originally written in the 1950's by Dominican songwriters Luis Kalaff and Bienvenido Brens, embodies what is known as the Mangulina today, and is so famous that when asked, people often think it's a folk song. This piece is best accompanied with tamborra (a double-headed drum from the Dominican Republic) and guira (a metal scraper from the Dominican Republic, scraped with a metal fork).

Arranger: Francisco J,

This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. With percussion.

Arranger: Stephen Hatfield | Composer: Stephen Hatfield

This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. With percussion.

Arranger: Stephen Hatfield | Composer: Stephen Hatfield

Hot-blooded and haughty, a mixture of delight and disdain. The central paradox of performing this piece it that the rhythms must be very incisive and exact, yet the precision must be combined with the devil-may-care festive attitude that prevents the precision from sounding clinical.

Arranger: Stephen Hatfield

A great alternative for any festive Christmas celebration. This Spanish poem celebrates the wonder of the birth of Christ through the voices of farmyard animals, triumphant angels and exuberant shepherds. The three contrasting sections include a latino folk-style Gloria accompanied by drums and maracas and a simple hymn-like tune.

Composer: Francisco Nunez

A traditional Andean folk song set for three-part treble choir, this setting employs the use of exciting percussion and authentic vocal effects. The slow, melodious theme of the introduction leads into an intensely driven middle section which will excite singers and mesmerize listeners.

Arranger: Stephen Hatfield

Velo qué bonito is a traditional Colombian song also known as Bunde de San Antonio, patron saint of the Colombian black communities. It is sung a cappella, accompanied only by a tambora, the typical Afro-Indo-American drum. Duration: 2:15

Arranger: Alejandro Zuleta