In Celebration of the Human Voice - The Essential Musical Instrument
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A large series with a wide selection of primarily secular arrangements for male voices..
Displaying 1-20 of 20 items.
Three-part women's and men's ensembles will excel with this majestic a cappella concert work. Joyful melodic motives are passed from voice to voice, and percussive handclaps bridge varied sections of the well-developed form. Especially effective in antiphonal formation!
Arranger: Sally K. Albrecht
Cut from the same cloth as the great traditional spirituals, this riveting original boasts unwavering rhythmic intensity, gripping minor key sonorities, and a tenacious, meaningful text. Presented in a musical form that builds and builds to the big finish!
Arranger: Greg Gilpin | Composer: John Parker
This a cappella feature for treble or male choirs is an oustanding choice for any time of year. Strong individual voice lines add up to an exciting, dynamic, and vibrant concert feature. ABA format with a lyrical legato section in the middle.
Arranger: Sally K. Albrecht
Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation features flowing contrapuntal lines, appropriate vocal ranges, and tasteful editor's marks for a truly authentic performance. Enjoyable to sing, valuable to teach, and splendid to hear.
Arranger: Russell Robinson | Composer: Thomas Morley
Available for the first time for male choruses, Pitoni's Cantate Domino is one of the great masterpieces of standard choral repertoire. Top-notch concert and contest literature.
Arranger: Donald Moore | Composer: Giuseppe Ottavio Pitoni
Here is a practical and useful arrangement of a well-known American spiritual for 4-part menis choirs. A pleasure to sing, with energized rhythms, achievable a cappella, and chromatic modulations as the body part lyrics unfold. Solid menis repertoire.
Arranger: Donald Moore
This nature-inspired poem celebrates our connection to the rising sun, incorporating equal parts English and Hawaiian text. Rhythmic and harmonic motives sound authentic throughout. Highly creative.
Composer: Ruth Morris Gray
This well-edited arrangement includes a charming secular text, light polyphonic texture, changing meters, and contrasting dynamics. Perfect for men's or 3-part mixed choirs as a first madrigal or Renaissance feature.
Arranger: Russell Robinson | Composer: John Farmer
The familiar African-American spiritual in a fresh rhythmic setting! Opening with just a shaker and unison voices, a tapestry of percussion ostinatos and traditional choral harmony gradually unfolds before returning back to the clean lines of the beginning. Well-planned key changes ensure successful a cappella modulations for less-experienced groups. Three notated percussion parts are included in the publication.
Arranger: Andy Beck
New for TTBB! One of the best in a long line of exuberant, original, a cappella Christmas spirituals by Jay Althouse. It opens with an energetic melody sung by the low voice with the upper three voices singing in counterpoint above. Rhythmic energy develops the piece and it ends with an electrifyimg eight measure coda that's the pinnacle of excitement. No solos, no tempo changes make for quick learning. In the classic spiritual tradition, yet fresh and contemporary.
Arranger: Jay Althouse
From Vijay's Celtic Songs, this lament is sensitive, mournful, as the 'lassie fine and fair' waits for her fisherman love to return from the pounding sea. A truly unique musical experience. In our Belwin Festival Choral Series.
Composer: Vijay Singh
This arrangement of a favorite Thomas Morley madrigal, a popular choice in the 3-part voicing, is now available for SATB and TBB choirs. Bright tonalities and buoyant contrapuntal textures display the sound of Renaissance choral music. Another fine Robinson edition.
Arranger: Russell Robinson | Composer: Thomas Morley
This popular general-purpose spiritual is now available for your men. Creative and full-sounding choral writing features both homophonic and 2-part textures. Clever, innovative, non-sacred text: "No need to knock, the door is open, just come on in." This choral work has many uses and can be performed in any concert, any time of year. A top-seller! Featured on the new staging DVD/Video "On the Stage!" (DVD #23037, Video #23129).
Arranger: Sally K. Albrecht
Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the 3-part mixed/SAB voicing includes several alternate notes to accommodate the vocal ranges of young men. May be sung in English, Italian, or a combination of both.
Arranger: Patrick Liebergen | Composer: Giovanni Gastoldi
Introduce madrigal singing with this wonderful edition of the Thomas Morley classic. This new men's choir arrangement sounds full and effectively captures the character and spirit of early music. Suitable for large groups or small ensembles, this excellent teaching piece will be a staple of your choral library.
Arranger: Russell Robinson | Composer: Thomas Morley
What a unique love-song set for the guys! These two English madrigals may be sung a cappella or with the piano, or you may choose to add the optional cello on the second piece. A gentleman's touch of class.
Arranger: Patrick Liebergen | Composer: Thomas Morley
"Walk a mile in your neighbor's shoes. You'll understand them better if you do." That's the story behind this a cappella, spiritual-style original. Filled with surprising musical twists and turns; it's rhythmically clever, melodically interesting, and harmonically pleasing.
Arranger: Mark Hayes | Composer: Pepper Choplin
Some history: this song comes from Haiti, but actually refers to the first King of Angola, Ngolo Kiluanje, who was revered as a great king. The Creole word for "king" ("wa") plus the king's name ("Ngolo") became "Wangolo." It's an authentic folk song recalling the peace and prosperity the Angolan people enjoyed before colonization. This rhythmic rendition, which may be performed without piano if desired, includes optional body percussion, suggested parts for djembe and other instruments, optional solos in the call and response section, plus a final descant that tops off the triadic parallel harmonies. Check out the free online ChoreoTrax video for some creative riser choreography.
Arranger: Ruth Morris Gray
This a cappella spiritual features solid vocal harmonies to make your choirs sound their best. Listen for touches of "All Night, All Day." Builds to a hand-clapping key change with an independent bass line, then yet another with a soprano descant.
Arranger: Jay Althouse
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