Review: Darmon Meader presents two favorite Aesop fable put to song. "The Tortoise and The Hare" starts slowly like the turtle, and ends quickly like the bunny! A fun challenge for any group, and enjoyable for all audiences. High School and above. The second SATB original setting of "The Boy Who Cried Wolf" is a fun challenge and well worth the journey for any seasoned ensemble. With hilarious lyrics and Meader's New York Voices idiomatic jazz writing, this piece is sure to be a concert hit. WithÊThe Lion and the Mouse,ÊMeader completes his charming, jazz-infused Aesop's fables trilogy.ÊDo not overlook these charming pieces

Songlist: The Boy Who Cried Wolf, The Tortoise and The Hare, The Lion and the Mouse

Review: Darmon Meader, director and founder of the New York Voices vocal ensemble, has become world famous for his remarkable choral arrangements. His new arrangements of 'Coventry Carol' and 'The First Noel' have taken on a breathtaking new sound and presentation in these surprising and exquisite piece. 'We Three Kings' is a masterwork for a cappella SATB choir with optional percussion accompaniment. The Eastern feel of the popular carol, We Three Kings is accentuated by the open intervals of the vocal parts and the unique percussion instruments scored within. This is another Darmon Meader holiday classic!

Songlist: Coventry Carol, The First Noel, We Three Kings

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: "What Child is This?" - Darmon Meader uses early and classical music qualities with harmonic updates and new melodic ideas in his arrangement of this classic English Christmas carol. Those familiar with his style will not be disappointed and those new to his music will be delighted to program this holiday favorite. "In the Bleak Midwinter" - This gorgeous holiday favorite has been infused with the magic of Darmon Meader's signature jazz style. Sure to melt the hearts of holiday concert audiences, it is dedicated to jazz composer Steven Zegree and the Singing Hoosiers. Appropriate for ensembles of all sizes, they will never tire of rehearsing or performing In the Bleak Midwinter. "Silent Night" - Often performed by New York Voices, Darmon Meader's a cappella arrangement of the timeless German Christmas carol favorite features Meader's signature vocal jazz style sprinkled with lush harmonic colors. A gorgeous addition to any holiday concert. Darmon Meader works his magic with the familiar carol "O Come, O Come, Emmanuel." This particular carol seems to lend itself to the many metrical alterations and rich harmonic textures we have come to expect from Meader and The New York Voices.

Songlist: What Child is This?, In the Bleak Midwinter, Silent Night, O Come, O Come Emamanuel

Review: The swinging Rodgers and Hart tune "I Could Write a Book" is classic vocal jazz. Includes a scat solo, which is written out or can be sung ad lib. The singers are definitely the stars here, though the arrangement can be done with a variety of accompaniments: piano alone, small instrumental combo, or full jazz ensemble. With "Do Nothin' Till You Hear from Me" Darmon adds his vocal jazz touch to Duke Ellington's classic. The lazy, medium swing tempo is just right, and the full-sounding piano accompaniment supports the voices. A breathtaking New York Voices arrangement of the touching ballad "For All We Know", recorded on their CD A Day Like This. The piano accompaniment is stunning and the vocal writing is contemporary. Definitely a great choice for accomplished groups to demonstrate their skill.

Songlist: I Could Write a Book, Do Nothin' Till You Hear from Me, On a Clear Day, For All We Know

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "Love Is Here to Stay" was the last one written by George Gershwin before his untimely death at the age of 39. New York Voices' Darmon Meader has arranged it in a classic a cappella vocal jazz style, with surprisingly little divisi for such a full-sounding arrangement. An extraordinary song, an extraordinary arrangement. Darmon takes a swinging approach to "Taking a Chance on Love", with a tight vocal arrangement accompanied by piano or optional jazz trio. Clever lyrics make it a real audience pleaser, and your singers will appreciate the masterly vocal writing. Vocal jazz groups: don't miss it. "I Can't Believe That You're in Love with Me" was recorded by New York Voices on their Sing, Sing, Sing album.

Songlist: I Can't Believe That You're in Love with Me, Taking A Chance On Love, Love Is Here to Stay

Voicing: a-cappella/arrangements/vocal-jazz/

Review: In "Heartache Tonight" rock & roll, country, and streetcorner sensibilities combine in this fun, up tempo of the Eagles classic. Complete with handclaps and footstomps, this arrangement features a high tenor solo and lots of moving harmony, making it a perfect closing song or encore. "Only You (and You Alone)" is a streetcorner ballad made famous by The Platters is the perfect showcase for a male quartet that's looking for a fun doo-wop piece. The solo is in the first tenor, and crosses into falsetto frequently, allowing for a powerhouse vocal showcase, and the other three parts have fun with the lyrics. Street corner meets close harmony in this rendering of Paul Simon's ode to days-gone-by " Still Crazy After All These Years". Perfect for graduations and retrospective events. The tenor solo can be shared or split between several singers. Light vocal percussion is optional. First a hit for Maurice Chevalier, then Louis Prima, then David Lee Roth, the catchy, flirtatious songs, 'Just A Gigalo/I Ain't Got Nobody' have topped the charts for three generations. Tuneful, playful background parts support a tenor or Baritone solo (which can be shared): send your soloist into the audience and you'll have a huge crowd pleaser.

Songlist: Only You (And You Alone), Still Crazy After All These Years, Just A Gigalo/I Ain't Got Nobody

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Based on the Nat "King" Cole classic big band recording, this arrangement of "Orange Colored Sky" stacks a swingin' close harmony quartet on a walking vocal bass with soprano lead (either section or solo). Plenty of syncopated rhythms and playful background lyrics make this very fun to sing. The center "instrumental" section allows you to feature a quartet of your most impressive part singers. The a cappella arrangement of "Come Fly With Me" takes the listener on a trip around the world on the wings of one of Frank Sinatra's most iconic songs. Walking bass and playful background parts support a swingin' solo. Vocal percussion optional. "Caravan" - imagine Duke Ellington taking a year's sabbatical in Morroco: A wordless, rhythmically complex Middle-eastern tinged arrangement that breaks into straight jazz in the B section. S, A and T split in half with one trio echoing the other's tight horn sectin-like voicings. Vocal or standad percussion works well here especially multiple percussionists. With "Sing, Sing, Sing" you'll swear you hear an entire big band coming out of your voices in this lyricless take on Benny Goodman's classic recording. Not so easy to sing, but very impressive when all put together and a huge crowd pleaser. No solo, melodic lines move from part to part. vocal percussion is optional.

Songlist: Sing, Sing, Sing, Come Fly With Me, Orange Colored Sky, Caravan

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Here's a collection of three song each from three of the greatest songwriters of the classic jazz song - Gershwin, Porter and Ellington. Highly-regarded arranger Jay Althouse offers some stunning, tight, and tasty harmonies for unaccompanied mixed voices that can be performed separately or as three different sets by composer.

Songlist: A Cole Porter Jazz Trio, Just One Of Those Things, You Do Something To Me, An Ellington Jazz Trio, Solitude, It Don't Mean a Thing (If It Ain't Got That Swing), A Gershwin Jazz Trio, I Got Rhythm, Someone to Watch Over Me, Night and Day, Satin Doll, Nice Work If You Can Get It

Voicing: sheet-music/vintage/

Review: Charts from the Swingle Singers' stellar christmas album, 'The Story of Christmas. 'The Carol Medley,' 'Silent Night' and 'The Twelve Days of Christmas' are all exquisite, eight-part, Jonathan Rathbone arrangements for mixed choirs, while 'We Three Kings' is a hip jazzy take on the popular carol, written for a four-part men's choir.

Songlist: Carol Medley, We Three Kings, The Twelve Days of Christmas, Silent Night

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Charts from the Swingle Singers' stellar christmas album, 'The Story of Christmas. These three, eight-part, Jonathan Rathbone arrangements will challenge your choir and entice your audience with their beautiful melodies and intricate rhythm and harmony.

Songlist: O Come, O Come Emamanuel, Coventry Carol, Gabriel's Message

Voicing: a-cappella/arrangements/8-parts/

Review:

Songlist: Nine Hundred Miles, Swing Low, Sweet Chariot, The Oak and the Ash

Voicing: a-cappella/arrangements/8-parts/

Review: Here's a handy, jazzy collection that's great for both concerts and caroling! Set in an easy, swingy style, these tunes will be a big hit with your audiences.

Songlist: Christmas Jazz 1, Christmas Jazz 11, The Holly and the Ivy, Silent Night, Jingle Bells, We Wish You a Merry Christmas, Carol of the Bells, Go, Tell It on the Mountain

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Here's a handy, jazzy collection that's great for both concerts and caroling! Set in an easy, swingy style, these tunes will be a big hit with your audiences.

Songlist: Christmas Jazz 1, Christmas Jazz II, Jingle Bells, We Wish You a Merry Christmas, The Holly and the Ivy, Silent Night, Go, Tell It on the Mountain, Carol of the Bells

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Here's a handy, jazzy collection that's great for both concerts and caroling! Set in an easy, swingy style, these tunes will be a big hit with your audiences.

Songlist: Go, Tell It On The Mountain, The Holly And The Ivy, Silent Night, Carol of the Bells, Jingle Bells, We Wish You A Merry Christmas

Voicing: sheet-music/female-voices/

Review: Lambert Hendricks & Ross mastered the art of vocal bebop and the Jon Hendricks classic "Everybody's Boppin'" proves the point with its frantic tempo and the fast swing groove underneath. A vocal jazz tour-de-force! "Birdland" is a quintessential jazz classic with lyrics by the incomparable Jon Hendricks in a funky fusion setting by noted arranger Paris Rutherford. A perfect showcase for vocal jazz groups! Darmon Meader's arrangement of "Charleston Alley" pays tribute to Lambert, Hendricks & Ross, as well as Charlie Barnet, while expanding the voicings, and also placing the song in a much more "SATB-friendly" key. This arrangement is a great introduction to the classic vocalese style of Lambert, Hendricks & Ross, and will work well for most medium to advanced vocal jazz groups.

Songlist: Charleston Alley, Birdland, Everybody's Boppin', Desafinado (Slightly Out of Tune)

Voicing: sheet-music/vintage/

Review: Sing the songs of one of the finest vocal jazz groups ever! "Manhattan Transfer in Concert" is a swinging medley of "Birdland", "Spice Of Life" and "Tuxedo Junction" and are some of the groups signature performance songs. The super Manhattan Transfer hit "Operator" is totally irresistible! An improvisational spirit in a hot groove for pop, jazz, or show use! Jam to "The Boy From New York City", the sassy '60s hit that was covered by Manhattan Transfer. A terrific chart by Kirby Shaw. Get your kicks with the Manhattan Transfer standard "Route 66" in a swingin' arrangement also by Kirby Shaw.

Songlist: Manhattan Transfer In Concert, Operator, Route 66, Tuxedo Junction, The Boy From New York City

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Mac Huff's arrangement of Bobby Darin's "Dream Lover" is from the Manhattan Transfer's recording and "Choo Choo Boogie" will put your choir on the jazz track! Hip '40s lyrics and the burnin'. "A Nightingale Sang In Berkeley Square" very deservedly won a Grammy for best vocal arrangement and here is a note-for-note arrangement that matches the original recording! "How High The Moon" is an up-tempo piece has exciting vocal writing. The vocal jazz standard "Java Jive" gets a great a cappella treatment with the Kirby Shaw touch! Still swings!

Songlist: Java Jive, A Nightingale Sang in Berkeley Square, Choo Choo Ch' Boogie, Dream Lover

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Its the ladies turn to sing the songs of one the the greatest jazz vocal groups ever! "Choo Choo Ch'Boogie" will put your choir on the jazz track with its hip '40s lyrics. This accessible setting of "A Nightingale Sang in Berkeley Square" retains all the flavor of the original Manhattan Transfer hit. Four of Manhattan Transfer's signature songs are showcased here in a 6-minute mini-medley "Manhattan Transfer Swings!" that will totally energize your concert! Includes: Four Brothers, Route 66, That Cat Is High, Tuxedo Junction. A driving beat leads this chart of fresh new chord changes and rhythmic surprises. "The Boy from New York City" - Terrific for show, jazz or concert choirs and the SSA voicing will thrill your women's groups!

Songlist: Choo Choo Ch' Boogie, A Nightingale Sang in Berkeley Square, Operator, Manhattan Transfer Swings!, The Boy from New York City

Voicing: a-cappella/arrangements/vocal-jazz-female/

Review: The vocal jazz standard "Java Jive" gets a great a cappella treatment with the Kirby Shaw touch! Still swings! The four brothers of the Woody Herman sax section achieved legendary status with the tune "Four Brothers"; later Lambert, Hendricks and Ross recorded a vocal version, followed by Manhattan Transfer's rendition. Paris Rutherford's setting simplifies the vocals slightly while retaining all the drive of the original. Awesome closer to any concert! "Choo Choo Ch'Boogie" will put your choir on the jazz track with its hip '40s lyrics. Four of Manhattan Transfer's signature songs are showcased here in a 6-minute mini-medley "Manhattan Transfer Swings!" that will totally energize your concert! Includes: Four Brothers, Route 66, That Cat Is High, Tuxedo Junction.

Songlist: Java Jive, Four Brothers, Operator, Choo Choo Ch' Boogie, Manhattan Transfer Swings!

Voicing: a-cappella/arrangements/vocal-jazz-mixed/

Review: This valuable publication features easy a cappella vocal jazz arrangements from the pen of jazz educator Michele Weir. These holiday classics fare all arranged perfectly in a light jazz style for today's singers. Includes a second group of three Christmas numbers arranged in a light, a cappella, vocal jazz style. Excellent material for your show and jazz choirs. Appropriate for beginning or established groups.

Songlist: A Holiday Jazz Trio, I'll Be Home for Christmas, Jingle Bell Rock, A Christmas Jazz Trio, O Christmas Tree, Winter Wonderland, Santa Claus Is Comin' to Town, Let It Snow! Let It Snow! Let It Snow!

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: This valuable publication features easy a cappella vocal jazz arrangements from the pen of jazz educator Michele Weir. These holiday classics fare all arranged perfectly in a light jazz style for today's singers. Includes a second group of three Christmas numbers arranged in a light, a cappella, vocal jazz style. Excellent material for your show and jazz choirs. Appropriate for beginning or established groups.

Songlist: A Holiday Jazz Trio, I'll Be Home for Christmas, Jingle Bell Rock, A Christmas Jazz Trio, O Christmas Tree, Winter Wonderland, Let It Snow! Let It Snow! Let It Snow!, Santa Claus Is Comin' to Town

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: "When I'm 64" - This Lennon/McCartney favorite is as charming as ever! Bass primarily has a walking line, while the melody changes hands from the soprano to the tenor. "Don't Know Why" - A ballad of the 40's in block harmonies. The tempo is medium. "My Funny Valentine" - Classic ballad by Rodgers and Hart. This jazz arrangement features lush harmonies and many solo lines for all parts.

Songlist: When I'm Sixty-Four, My Funny Valentine

Voicing: sheet-music/female-voices/

Review: "Fum Fum Fum" is a traditional Christmas folk song from Catalan with bright tempo and traditional harmonies. Two verses are in Spanish and two in English. It is a straight four-part singing without solos. " O Come With Us" is an English carol with bright tempo and contrapuntal lines. A fun sing! Traditional carol " The Holly And The Ivy" with non-traditional rhythm setting in 6/8. Bright tempo, and several solo sections. "That You Gonna Call Your Pretty Little Baby/a Child Is Born" is a two-song blend of a traditional spiritual and a Thad Jones' jazz classic. Solos meant for free interpretation. Never more than 4-parts at once includig solos. These sophisticated arrangements willl add some sizzle to your Christmas program.

Songlist: Fum, Fum, Fum, The Holly and the Ivy, O Come With Us, What You Gonna Call Your Pretty Little Baby / A Child Is Born

Voicing: a-cappella/arrangements/christmas/ssaa/

Review: The World War II classic, "I'll Be Seeing You", by Irving Kahal and Sammy Fain, evokes memories of the big band era, while staying in the a cappella realm. Rubato, mellow blends and dynamic shaping are keys to this Darmon Meader arrangement. It creates the melancholy feelings that are significant in time of war when loved ones are missed and longed for. A beautiful selection for the holidays and the New Year, as well as graduation. "Baby Driver" - Sheer, unbridled fun! For college or adult jazz chorus, this arrangement as sung by the New York Voices is a bit tricky, but well worth the effort. It features incredible harmony and rhythm and some a cappella sections, but the purpose of this piece is not to get technical-just to have fun! Four-part scat singing frames the piece on either end, while your baritone soloist goes to town (with great choral support) on each verse. Baby Driver, extracted from the New York Voices Songs of Paul Simon CD, is a toe-tappin', hand-clappin' jazz party. Invite everyone you know! The timeless Irish folk song "The Last Rose Of Summer" has been arranged by the renowned Darmon Meader of the group New York Voices. Simple unison and harmonies that respect the tune and lyric open then graduate to a more contemporary sound to add freshness without difficulty. A dream to teach and sing!

Songlist: I'll Be Seeing You, Baby Driver, The Last Rose Of Summer, Come Home

Voicing: a-cappella/arrangements/vocal-jazz/

Review: NEW YORK VOICES is the Grammy Award winning vocal ensemble renowned for their excellence in jazz and the art of group singing. Like the great groups that have come before, such as Lambert, Hendrick and Ross, Singers Unlimited, Manhattan Transfer and Take 6, they have learned from the best and taken the art form to new levels. Written by Caprice Fox and arranged by Darmon Meader, New York Voices' A Cappella arrangement of 'Silence of Time' is a gorgeous rubato vignette for the mature vocal group. Intriguing harmonies and voicings give this arrangement its rich texture. In the tradition of jazz vocalese, Duke Ellington's 'Caravan' comes alive with new lyrics and additional new music. An exciting and challenging program selection for the more advanced vocal jazz ensemble. Heavily influenced by Chick Corea, 'The sultan Fainted,' a Darmon Meader/Peter Eldridge original, combines HIGH energy Brazilian rhythm with intricate harmonies and wacky lyrics! 'To Dare the Moon' incorporates lush voicings, alternating between samba and funk/rock grooves. Open solo sections add plenty of variety to this exciting original. 'Sign of Spring' is set in a Brazilian funk style. With an opening section in Portuguese moving to solos in English then dynamic chorus sections, this is one of the most exciting new charts we've seen. Very, very hip! The funk/rock song, 'National Amnesia,' by Darmon Meader has become very popular for the right reasons. Very hip voicings combine with a message that is right for today.

Songlist: Silence of Time, Caravan, The Sultan Fainted, To Dare The Moon, Sign of Spring, National Amnesia

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Here are more dazzling arrangements by the world-famous vocal group, New York Voices. ''Round Midnight' opens as a rubato ballad, then solo alternating with choral sections building to a double-time vocal scat solo. After the solos, then vocals build to a dramatic and strong ending climax. 'Baroque Samba' opens in four-part with a traditional Baroque approach, then surprisingly changes to samba style. This chart is appropriate for an array of concert programming. In 'Now or Never,' an unusual and lovely opening leads to the solo soprano verse, which alternates with a fun and catchy chorus. A recurring mixed meter section and beautiful lyrics add to make this a popular favorite. 'Sassy Samba' is a smooth yet driving Jimmy Heath samba with soli opening that leads to a soprano solo, then alternates group vocals with solo breaks, a vocal percussion section and drum solo. Packed with fun and lots of audience appeal. 'Open Invitation,' a New York Voices original, is set in a relaxed Brazilian style. The song contains smooth melodic content and lush harmonies. This is a great alto feature which builds to an exciting vamp.

Songlist: Round Midnight, Baroque Samba, Now Or Never, Sassy Samba, Open Invitation

Voicing: a-cappella/arrangements/vocal-jazz/

Review: Continued, by popular demand, we bring you another set of fun vocal arrangements, as performed by New York Voices. 'Stolen Moments,' a fresh jazz treatment of the Oliver Nelson classic features an opening alto solo. The open improvisation section features the string voicings of the New York Voices. A must for your jazz library. 'Do You Wanna Know What I Want, a New York Voices original, is a pop-flavored tune boasts a strong female solo and a killer soli section. Four-part vocals in a rock setting with male solo and a solo break make 'Street Party' a winner! This chart by Peter Eldridge of the New York Voices packs lots of entertainment. SATB with rhythm section and synthesizer. Caprice Fox wrote the lyrics for New York Voices' fabulous arrangement of 'Who Knows.' Set in a rock ballad style, the sound of this original is rich and rhythmic, yet very sensitive.

Songlist: Stolen Moments, Do You Know Wanna Know What I Want, Street Party, Who Knows?

Voicing: a-cappella/arrangements/vocal-jazz/

Review: 'Overs' is an introspective beauty full of angular voicings and a poignant lyric. Peter Eldrige's arrangement of this excellent Paul Simon tune offers much solo opportunity, or if preferred, the piece can be performed as a group feature. 'Me and Julio' is another great NYV arrangement of a Paul Simon classic. 'Soon One Day' features an unusual a cappella opening into the dramatic solo as recorded by Caprice Fox on the recent Hearts of Fire album. Alternating solo and chorus sections build to an interesting shout section with influences of Gospel and African music. Auxiliary percussion and vocal sounds add to the impact in this exciting arrangement. A beautiful opening for mezzo soloist begins 'Now That The Love Is Over,' a funk/rock arrangement by Darmon Meader. This chart will put a real "kick" into your jazz group.

Songlist: Overs, Me and Julio, Soon One Day

Voicing: a-cappella/arrangements/vocal-jazz/

Review: 'Way of the World' is the title track for the New York Voices Hearts of Fire album. A funk/rock setting of the rock classic, this arrangement features exciting voicings that really allow the featured soprano solo to soar! The classic A. C. Jobim bossa nova, 'Desafinado,' arranged by Darmon Meader, features both male and female solos interspersed with lush vocal textures. Instrumental solo space is also built into the arrangement. Also, written by A. C. Jobim, lyrics by Kim Nazarian and arranged by Darmon Meader, 'Modinha' is a haunting a cappella piece. It starts with a female solo building to a rich 4-part texture and winds down to a moody finish. A great a cappella moment in any concert.

Songlist: That's The Way of the World, Desafinado, Modinha

Voicing: a-cappella/arrangements/vocal-jazz/

Review: The introspective ballad, 'Prelude / Interlude' gives solo opportunities for all voices, and a short ensemble section. A beautiful change of pace for your ensemble. 'Giant Steps' is an exciting Darmon Meader arrangement of the Coltrane Classic. Great soli sections will provide a welcome challenge for the ambitious choir. This Darmon Meader arrangement of the Duke Ellington classic, 'In a Mellowtone' combines the Ellington Big Band, Basie Big Band and Lambert, Hendricks and Ross versions. The arrangement features vocalese section for solo male and female as well as intricate backgrounds for the ensemble. The song builds to a dynamic shout chorus based on the Frank Foster/CBO arrangement. 'Cottontail' is a smokin' be-bop chart. This one just cooks, cooks and cooks from beginning to end. SSATB

Songlist: Prelude / Interlude, Giant Steps, In a Mellow Tone, Cotton Tail

Voicing: a-cappella/arrangements/vocal-jazz/

Review: These Paul Simon classics has been dynamically arranged by Peter Eldridge and Darmon Meader and recorded by the venerable New York Voices. Smooth jazz vocals and solo lines play against a rhythmic percussion background making up these hot charts that were recorded on the CD New York Voices Sing the Songs of Paul Simon. For show choir or vocal jazz ensemble, this humorous and energetic arrangement features a Louisiana Cajun groove of "Why Don't You Write Me?," allows for a lot of solo lines interspersed with group vocals and includes a fun swing section as well. Fabulous! Piano accompanied.

Songlist: Mother and Child Reunion, Me & Julio Down by the School Yard, Loves Me Like A Rock, Why Don't You Write Me?

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "Here Comes Santa Claus" - Gene Autry's famous Christmas song from 1948 is a bona fide holiday classic and gets a vocal jazz makeover in this swingin' setting that will showcase your singers at their best! Perfect for all kinds of concerts! "The Man With The Bag And Santa Baby" - These two holiday favorites are a perfect match! Add some swing to your performance with Kris Kringle and sing about that luxury gift list as well. This selection is pure fun with fantastic jazz arranging for mixed choirs and will be a blast for your women too! The jazzy Christmas standard "That's What I Want For Christmas" has been recorded by such artists as Ella Fitzerald, Nancy Wilson, and SheDaisy, just to name a few! With a gentle swing feel, romantic lyrics, and rich, accessible vocal harmonies, choirs of all kinds will love performing this arrangement. It's especially nice for the ladies!

Songlist: Here Comes Santa Claus, The Man With The Bag And Santa Baby, That's What I Want For Christmas

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Here's a collection from vocal jazz guru Phil Mattson. "Love For Sale" was written for Chanticleer in a gospel a cappella feeling featuring a female solo. "Dancing In The Dark" was arranged for the Swedish vocal jazz ensemble, The Real Group. It is written in an a cappella bossa nova groove with some quasi-funk sections. The arrangement, which treats text as a metaphor for human life, features vocal percussion opportunities. The classic Manhattan Transfer arrangement of "Body and Soul" includes lyrics about Coleman Hawkins and jazz singer Eddie Jefferson. "Love Lost" - An original piece by the Four Freshmen that was the title song from their beautiful album with strings. Has opportunities to feature both vocal and instrumental solos. SATB with rhythm section. "You Must Believe In Spring" - A lovely text beautifully set to music by Michel LeGrand with lyrics by Alan and Marilyn Bergman, featuring spots for three short solos. One of the most profound lyrics over the last fifteen years. With piano.

Songlist: Dancing In The Dark, Love For Sale, Body And Soul, Love Lost, You Must Believe In Spring

Voicing: a-cappella/arrangements/vocal-jazz/

Review: This tender a cappella treatment of John Coltrane's beautiful ballad, "Naima," without lyrics. It features a female soloist, with rich broken-chord harmonizations beneath. Randy has his "finger on the trigger" with this a cappella instrumental-style arrangement of the Quincy Jones' funk tune, "Love Is In Control." You'll have fun with this one! The first a cappella vocal version of this famous Chick Corea Latin classic, "Spain." This chart features a strong baritone or alto soloist in the rubato introduction, accompanied by thick vocal "spread voicings," then kicks into the familiar up-tempo samba feel, with quick octave unisons for all voices. After going through the tune, it opens up for improvisation solos over the chorus, with the bass singers continuing the samba-bass feel while the upper voices do horn-type hits and pads behind the soloist. A high, then low ending brings the piece to an impressive close. Requires good range by soprano and bass. First tenor part can be sung by alto if necessary. "Take 5" was commissioned by UNC for the Axidentals to sing on a special concert with the Dave Brubeck.

Songlist: Naima, Love Is In Control, Stolen Moments, Take Five, I Belong to You, Stolen Moments

Voicing: a-cappella/arrangements/vocal-jazz/

Review: 'How Come It Is So Hard To Be The Way You Are' is a rockin' humorous look at today's society. The recording of the English version of this song can only be found on the album, 'Get Real.' 'Heavenly Crystal,' the english version of a folk song well known in Sweden, this arrangement is inspired by the music of J.S. Bach. Just plain cool - there's no other way to describe Anders Edenroth's newest arrangement, 'Words'! Edenroth has created a witty, sophisticated examination of the nature of 'words' - their sense, their social role, and the varied ways they can be sung and spoken - which will intrigue jazz choirs at all levels. "Gota" - Pronounced 'geu-ta' (hard 'g') - has its name from the Faeroe Islands in the Northern Atlantic. The music line and wordless vocal jazz treatment fuses with ethnic folk music in a truly original way. A true 'performance piece' and favorite in the repertoire of Swedish vocal giants The Real Group, Gota has quickly gained recognition world wide. For vocal jazz oriented high school and beyond.

Songlist: Words, Heavenly Crystal, How Come It Is So Hard To Be The Way You Are, Gota

Voicing: a-cappella/arrangements/vocal-jazz/

Review: The CD 'Nothing But The Real Group' was met with nothing but praise and excitement by fans worldwide. This package includes 3 titles from that album - 'Chili Con Carne,' Anders Edenroth's most popular original arrangement; this title has become a staple in the high school and collegiate Jazz Choir repertoire. 'As Rain,' another Anders Edenroth original; this beautiful ballad will challenge the singers and warm the hearts of any who hear it. Their arrangement of 'God Only Knows,' is a very worthy treatment of the Beach Boys' classic. Also included is 'A Cappella In Acapulco' another exciting Anders Edenroth original with an exciting Latin groove, featured on their album titled 'Unreal.' Anders Edenroth's playful, humorous composition, 'I Sing, You Sing,' features a wickedly catchy tune and clever lyrics, with a repeating refrain and verse structure that make this a pleasure to learn. Perfect for a good high school jazz choir and beyond! Featured on their CD 'One For All.'

Songlist: Chili Con Carne, As Rain, A Cappella In Acapulco, God Only Knows, I Sing, You Sing

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "There Will Never Be Another You " is a sensitive treatment of the jazz standard that opens as a ballad before moving to a buoyant swing feel. Great tune, great arrangement. SATB a cappella with soprano solo. "Come Sunday" - Careful voice leading makes the contemporary harmonic changes and chord voicings in this chart quite accessible in this SSATBB a cappella arrangement. It features a strong 5 and 6 part into featuring the first chorus with a pyramid background behind a soprano melody moving into spread harmonies. The second chorus is open for a improvised solo with a tag over a 3-part harmonized background with walking bass. The chart ends with a 6-way harmonized "quasi-shout" chorus moving back into the origianl melody. Stevie Wonder's "Sir Duke" never had it so good in this marvelous Edenroth arrangement.

Songlist: There Will Never Be Another You, Come Sunday, Sir Duke, Very Early

Voicing: a-cappella/arrangements/vocal-jazz/

Review: A timeless Burt Bacharach song "I'll Never Fall In Love Again" is brought to new life by Anders Edenroth. A straightforward and accessible arrangement that celebrates the classic sound of the late '60s. This challenging vocal jazz arrangement of "It Don't Mean a Thing" captures the energy and pizazz of Duke Ellington's original. For skilled singers - not a dull moment! "Since You've Been Gone" - A cheeky arrangement of an original song by Anders Edenroth and Emma Nilsdotter from The Real Group. A great chance to tell those past loves that "I'm better off without you!"

Songlist: I'll Never Fall In Love Again, It Don't Mean a Thing (If It Ain't Got That Swing), Since You've Been Gone

Real Group : The Real Group Christmas

Review: One of the most famous Christmas songs ever written, 'Silent Night' gets the Real Group treatment, this very challenging arrangement is breath-taking to say the least! 'Star Over Bethlehem' (In Swedish, 'Glans over sjo och strand') is the english version of a popular Swedish Christmas carol by Alice Tegner. 'Prepare the Way' (in Swedish, 'Bereden vag for Herran') is another heartwarming Christmas carol, soprano Margareta Jalkeus' arranges this beautiful piece. You can hear the swedish versions of all three of these songs on The Real Group's Christmas album, "En riktig jul". "The World for Christmas", title track of the Christmas CD release by The Real Group, is a timeless song for any season and carries a heartfelt wish for our world in the future. Fusing light vocal jazz with hints of chorale and folk music, this strictly SATB setting with an optional piano part is widely accessible for high school and beyond.

Songlist: Silent Night, Prepare The Way, Star Over Bethlehem, The World for Christmas

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: This TV special has become an American tradition and has been delighting kids for decades. Return to the simple joys of the Christmas season with Vince Guaraldi's jazz renditions of traditional carols and original music written for this classic holiday favorite. Celebrate the simplicity and charm of the Peanuts characters and Charlie Brown's little Christmas tree with "Just Like Me" originally recorded by Vanessa Williams in tribute to the 40th anniversary album for A Charlie Brown Christmas. This jazz-flavored miniature will delight your listeners with thoughtful lyrics and fresh harmonies.

Songlist: Christmas Time Is Here, A Charlie Brown Christmas (Medley), Just Like Me

Voicing: a-cappella/arrangements/christmas/2parts/

Review: All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.'

Songlist: The Ash Grove, Bushes and Briars, Charlie is My Darling

Voicing: a-cappella/arrangements/8-parts/

Review: All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.'

Songlist:

Voicing: a-cappella/arrangements/8-parts/

Review: Charts from the Swingle Singers' stellar christmas album, 'The Story of Christmas. These four, eight part arrangements are fun for the singers and the listeners. Especially exciting is Ben Parry's arrangement of Jingle Bells!

Songlist: And is it True?, Boar's Head Carol, Jingle Bells, Un Flambeau, Jeannette, Isabelle

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Who knew Jolly Old St. Nick was a jazzy cat? Swingin' rhythms, scat syllables, and ""instrumental"" new lyrics abound in the hip partner song "Jazzy Saint Nick" arranged by Russell Robinson. Equally accessible and educational. Oh my goodness, Santa, is 'zat really you knockin'? Audiences won't believe the fabulous rhythms and rhymes in this killer arrangement of "'Zat You, Santa Claus?"! A jazzy tune recorded by the likes of Louis Armstrong, Garth Brooks, and Harry Connick, Jr. Talk about change of pace! "It Came Upon a Midnight Clear, ""The Coventry Carol,"" and ""Angels We have Heard on High"" like you have never heard them before. This brief holiday medley delights with its jazzy harmonies and swingy waltz tempos that break only once in the balladic middle. It's here that Donald Moore weaves in two additional Christmas themes.

Songlist: Three Jazz Carols, Jazzy Old Saint Nick, I'll Be Home for Christmas, A Swingin' Christmas, 'Zat You, Santa Claus?

Voicing: a-cappella/arrangements/christmas/2parts/

Review: Let's Swing! Younger and developing groups will build important vocal jazz skills in this straight-ahead swing arrangement of Jingle Bells. Good voice-leading, well-voiced chords and a supportive and authentic accompaniment will make it right in the pocket for a successful experience! "Swing into Christmas" - Three Christmas favorites combine in a 3-minute mini-medley that will dress up your holiday concerts with some jazz style! Great for jazz, pop or concert choirs of all levels.

Songlist: Swing into Christmas, Swingle Bells!, Swing a Christmas Carol, Jingle Bell Swing

Voicing: a-cappella/arrangements/christmas/2parts/

Various Arrangers : Christmas Gems for Male Voices

Review: Spread a little Christmas cheer with the doo-wop-style arrangement of the classic '50s pop song " Rockin' Around The Christmas Tree". Works great in all the voicings. "A Holly Jolly Christmas" is easily transportable for carorling or other programming options, this doo-wop style a cappella setting of this holiday classic will be a favorite. "We Three Kings" is the exact arrangement from the chart-topping album "Christmas Cheers" by a cappella powerhouse Straight No Chaser. Wild and fun, complete with elements of Mission Impossible, Boys II Men and Reggae. 2 tenor and 1 bass solo. . Irving Berlin's classic " White Christmas " in an exquisite a cappella setting. " Run To The Manger" is an original a cappella Christmas spiritual and is packed with rhythmic vitality and inspiring lyrics. Features a great hook and call-and-response solos. " Follow That Star to Bethlehem" celebrates Christmas with an energized rhythmic drive, an optional soloist, and solid, well-crafted vocal harmonies. An excellent holiday feature!

Songlist: White Christmas, Rockin' Around the Christmas Tree, A Holly Jolly Christmas, We Three Kings

Voicing: a-cappella/arrangements/christmas/ttbb/

Review: Jazz educator, Michele Weir, has thoughtfully created a fresh new treatment of the timeless Alfred Burt classic, "Caroling, Caroling". The 5/4 meter creates a rhythmic and energetic feel. Michele's use of harmonic twists adds to the thrill of this unaccompanied work. A must for any choir that sings a cappella. "Have Yourself A Merry Little Christmas" - Tight jazz harmonies give new dimension to this traditional holiday favorite. This a cappella gem is a great way for high school, college, or community choirs; vocal jazz groups; or concert choirs to end their Christmas concerts. This new musical setting of "Bethlehem" the familiar hymn text with additional original text is the newest addition to our Jazz for Christmas Series. "Bethlehem" features an a cappella introduction and tight, jazz harmonies that build to a dramatic modulation in the piano accompaniment. The solo provides an opportunity for ad-libbing in pop/jazz style. The humorous a cappella work "New Dance for the Sugar Plum Fairy" is a reduction of the original orchestral work from The Nutcracker Suite. Michele Weir is known for her vocal jazz arrangements, but this choral is a departure from the familiar. Here Michele has crafted this familiar holiday favorite with adorable lyrics by Amy Engelhardt (The Bobs) into a choral work that is delightful and fun to learn and perform.

Songlist: Caroling, Caroling, Have Yourself A Merry Little Christmas, Bethlehem, New Dance for the Sugar Plum Fairy

Voicing: a-cappella/arrangements/christmas/vocal-jazz/

Review: Your jazz, show, and concert choirs will all sound fantastic singing this classic Gershwin ballad "But Not for Me". This new a cappella arrangement offers beautiful lush harmonies with a female solo feature. Closes with one of Ira's most creative lyrics: "But there's no knot for me." The expressive ballad "When I Fall in Love" has been expertly arranged for a cappella mixed voices. A classic song plus a classic setting equals a memorable performance experience for all. Israel Kamakawiwo'ole's Hawaiian-style "Over the Rainbow" has become a prevalent part of today's popular music. Performed in Glee's first season finale by Matthew Morrison and Mark Salling, the unique setting has been sung by several American Idol contestants and featured in many TV shows and movies. In this creative arrangement, a divisi choir accompanies the soloist, duet, or small group, performing a cappella or with optional piano, ukulele, or guitar. "The More I See You" - Originally released in 1945, this standard continues to touch hearts. Langford's advanced vocal jazz setting, dividing into multiple voice parts, really brings the melody and lyrics to life. Worth the rehearsal time! "Someone to Watch Over Me" - Originally written as an up-tempo number for the musical Oh Kay!, Ira convinced George that it was better as a ballad. The lush, challenging harmonies in this arrangement prove that Ira was right!

Songlist: But Not for Me, When I Fall in Love, Over the Rainbow, The More I See You, Someone to Watch Over Me

Voicing: sheet-music/vintage/

Review: Here's a collection of four classic songs that are fun to sing and guaranteed to be audience favorites. This perennially popular song "Chile con Carne" from The Real Group is now available for treble voices, allowing you to get into a jazzy groove with this fun, upbeat concert work. Features syncopated, Latin-like rhythms and witty lyrics, with repeated figures that make this easier to teach and learn. "Alfie" is from songwriting legends Hal David and Burt Bacharach and arranged by the acclaimed vocal jazz educator Phil Mattson, this song is among the most meaningful in contemporary music. "I Have Dreamed" has rich harmonies highlight the powerful emotions inherent in the text. Lush vocal textures and expressive harmonies are the highlight of this well-crafted a cappella setting of the classic ballad from Rodgers & Hammerstein's The King and I. An excellent showcase for both concert groups and vocal jazz ensembles. "What a Wonderful World" was written for and first performed by Louis Armstrong, this popular standard rejoices in the simple enjoyment of everyday life. This lush setting is perfect for SSAA ensembles from high school and up.

Songlist: Chile Con Carne, I Have Dreamed, What A Wonderful World, Alfie

Voicing: a-cappella/arrangements/vocal-jazz/

Review: "Autumn Leaves" - A fresh take on a classic standard with intricate, yet accessible jazz harmonies and effortless voice leading. The vocals sing like falling and drifting leaves throughout the piece. A standout ballad for your jazz, show, or concert choir! "More Than You Know" - Originally published in 1929 this great song was subsequently included in three musical films: Hit the Deck (1955), sung by Tony Martin; Funny Lady (1975), sung by Barbra Streisand; and The Fabulous Baker Boys (1989) sung by Michelle Pfeiffer (in a memorable introductory scene for her character). "When Sunny Gets Blue" - Recorded by a vast number of major artists, this standard is irresistible in its appeal! In this arrangement, the lyrics take on an important role in shaping the style, as the vocals evoke the imagery of rain beginning to fall or the wind stirring the trees. A beautiful, but challenging work, and well worth the effort! "Solitude" - Display your vocal jazz technique with this challenging chart that is highlighted by its rich harmonic tapestry. Feature a special soloist as the choir sings a supportive back-up marked by a quiet intensity.

Songlist: Autumn Leaves, More Than You Know, When Sunny Gets Blue, Solitude

Voicing: a-cappella/arrangements/vocal-jazz/