Review: "Big Bunch a Little Bunch" is a traditional Bahamian song about the many beloved recipients of a woman's roses. This lively, rhythmic arrangement for mixed choir is ideal for a world music concert or other festival performances. "Ripe Tomata Green Peas" is a traditional market song by Bahamian composer/conductor Cleophas Adderley offers a light-hearted treatment that is sometimes solemn, sometimes frenzied. With optional hand percussion, this a cappella setting will bring your concert to a spirited conclusion! "Jamaican Noel " is a bright and cheerful original that will surely be heard resounding throughout the halls of your school - it's that irresistible! The delightful settings of "Three Bahamian Folk Songs" are by the founder and director of the Bahamas National Youth Choir and will add a little caribbean calypso to you program. What fun!

Songlist: Big Bunch a Little Bunch, Ripe Tomata Green Peas

Voicing: sheet-music/carribean/

Review: Beautiful lyric lines and warm harmonies are the centerpiece of Philip Lawson's stunning a cappella setting 'Danny Boy'. This work is sure to leave your listeners spellbound! 'Geordie' is a colorful and lively Scottish ballad telling the tale of Lady Ann, gone to Edinburgh to save her man Geordie from wrongful execution. Each of the four vocal parts has its chance to sing! In 'Celtic Lullaby,' english composer David Fanshawe has crafted a song of delicate beauty and rich nuance based on a traditional Celtic melody. May be performed for Christmas and other concert programs. The beautiful 'Irish Blessing' text is creatively set in an expressive a cappella original work by Audrey Snyder.

Songlist: Danny Boy, Geordie (How the Lady Saved her Man), An Irish Blessing

Voicing: sheet-music/ireland/

Review: Unusual and charming but not unduly difficult, this fun arrangement by honored Canadian choral master Jon Washburn can be sung in either transliterated Chinese or in English. Includes 'Kang Ding Love Song' and 'Looking for Plum Blossoms in the Snow.' "Hsiao Cheng Ku Shih" and "Diu Diu Tang" are skillfully interwoven in this unique setting for Philip Lawson of the King's Singers. "Mo Li Hua" - Numerous composers have been drawn to the haunting melody of the popular Chinese folk song Jasmine Flower. This setting seeks to restore the tune to a more authentic stylistic palette with a few Western elements. For mixed voices, soprano solo, flute and optional plucked instrument, includes translation and transliteration.

Songlist: Chinese Melodies - Two Songs on Love and Nature, Two Chinese Folksongs, Diu Diu Tang, Mo Li Hua, Hsiao Cheng Ku Shih

Voicing: sheet-music/china/

Review: Christmastime should certainly be a time for peace around the world so add an international flavor to your holiday program by including some Christmas songs from other nations. "Jamaican Noel" is a bright and cheerful original by Kirby Shaw and will surely be heard resounding throughout the halls of your school - it's that irresistible! Noted choral arranger John Bertalot with a delightful arrangement of " Calypso Carol". The traditional Spanish carol " Fum, Fum, Fum" highlights the night of Jesus' birth in joyful celebration! Light vocal style is highlighted by the placement of an "extra" quarter rest! Fresh! The joyful Filipino Christmas Carol "Pasko Na Naman: is a welcome addition to the season. San Francisco conductor and arranger George Hernandez, has masterfully arranged a simple SATB, a cappella setting that simply works!. High school, college and community choirs will love this piece.

Songlist: Fum, Fum, Fum, Les Anges Dans Nos Campagnes (Angels We Have Heard On High), Four Carols of Other Nations, Rocking Carol

Voicing: a-cappella/arrangements/christmas/world-music/

Review: Lajos Bardos' Hungarian composition, 'Erik A Som,' has easy melodies and harmonies, the challenge comes with the text, as the Hungarian language is a bit more difficult, than others, to learn. Hungarian words are always accented on the first syllable. There are no diphthongs; if two vowels appear together, each is distinctly pronounced. A helpful guide to learn how to speak the text is included. 'Chindia,' is perhaps Pascanu's most famous composition. It is based on an instrumental Romanian folk dance by the same name. 'Chindian' besides being the name of a folk dance, refers both to the time of day just before the sun sets and to the place in the sky where the sun goes down. The dance is perfomed by both men and women in a closed circle, the dancer's arms on each other's shoulders. A vigorous dance, it uses small steps, and may include amusing, somewhat athletic stunts. This wordless piece is very exciting to sing! 'Sednalo e Djore dos' is based on a very famous Bulgarian folk tune that has circulated in the oral tradition of Bulgarian folk singers for many years. It is characterized by its short and repetitive melodic line flavored with a lot of humorous energy. In this arrangement, the arranger has paraphrased the melody slightly thus allowing it to become a good foundation for harmonic variations. Ivan Hrusovsky's 'Rytmus' has excellent, fun rhythms along with great (but relatively simple) harmonies. The latin text moves niceley with the melodies.

Songlist: Rytmus, Sednalo e Djore dos, Chindia, Erik A Som (The Cherries Ripen)

Voicing: a-cappella/arrangements/world-music/

Review: Cantor Rena Shapiro's take on the Israeli classic "Eili, Eili" is a fantastic a cappella addition to any repertoire. The setting's savvy utilization of just three voices gives it lots of mileage with a beginning choir but provides plenty for an advanced one to work with in terms of expression and nuance. The piece includes sections in both Hebrew and English. The flowing, contrapuntal movement in Cantor Davidson's setting of Psalm 121 ("A song of ascents...") is at once modern and madrigal, and provides options for singing in English, Hebrew, or both. The song S'Vivon depicts the Hanukkah dreydl, a small top with four sides. Each side of the dreydl contains one of the four Hebrew initials of the phrase, "(A) Great Miracle Happened There."

Songlist: Eili, Eili, Shir Hama'alot, S'Vivon

Voicing: a-cappella/jewish/

Review: "Casita de Campo" is one of the most popular love songs from the Dominican Republic. It describes a modest, and yet beautiful, little rural house in the Cibao region where the composer evokes the consummation of a passionate and virginal love. It is a "cancion-bolero," a typical Caribbean romantic song form in quadruple meter, slow-paced, which is also a centerpiece of serenades. "Chanflin" is a typical Dominican merengue in its melody and form. Chanflin is a young woman, very good looking. The merengue section refers to a "neighborhood gossip." The jaleo section refers to Chanflin dressing in a finicky manner. "La Lluvia" is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. With percussion. "Son de Camaguey" is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general. "O Sapo" - In this irresistible Brazilian song setting, vocal lines imitate percussion patterns to create a truly infectious groove. Newly arranged for SSATB chorus. With optional percussion.

Songlist: O Sapo, Maquerule, Casita de Campo, Chanflin, La Lluvia, Son de Camaguey

Voicing: a-cappella/arrangements/choral-latin-america/

Review: Written for the Harvard Glee Club, this arrangement of 'Skye Boat Song' is men's choral singing at its best! Jameson Marvin sets this beautiful Scottish folksong combining both the jauntiness of a sailor's air and the sensitivity of a lullaby. From the Mark Foster catalog, 'What Wondrous Love Is This' is another well-loved folk hymn arrangement from J. Harold Moyer. Written for the Kansas Mennonite Men's Chorus, Moyer has taken a beautiful folk hymn and crafted it into an exquisite choral anthem. Using the modal folk melody, he has embellished the harmony with broad, open chords and scalar movement, giving the piece a chant-like quality. The a cappella arrangement of 'Home on the Range' bursts with colorful harmonies and textures which expertly interpret the text. Described by some as a "perfect melody," this American standard gives your ensemble a chance to show off their impeccable tuning and blending abilities for concert, contest, or festival. Features unison phrases, brief solo sections, and lush, unexpected harmonies. A traditional Irish folksong, 'The Minstrel Boy,' is a fun and exciting four part men's arrangement. The baritone solo in the middle of the piece is definitely noteworthy! 'Tenting On the Old Campground' is known as the most popular 'melancholy song' of the Cival War. It was written in 1862 by a concert ballad singer from New Hampshire wh was deferred from army service because of 'feebleness of constitution.' But he did sing it for Union troops in the field. The song appealed to soldiers on both sides of the conflict. This would be a great addition to your concert! 'Let's Drink!' is a fun three part men's piece that can be sung during your concert or even at the after-party!

Songlist: Home On The Range, Let's Drink, Minstrel Boy, Skye Boat Song, Tenting on the Old Campground, What Wondrous Love Is This?

Voicing: a-cappella/arrangements/ttbb/

Review: "Kalinka" is about a young man sitting under a red berry bush (Kalinka), singing of his feelings for his sweetheart. The expressiveness of the song is achieved through the contrast between a lively and rhythmic chorus and the more legato and subdued verses. The Russian folk song "One Day By The River A Young Cossack Roamed" is transcribed and arranged here based on a version sung by Olga and Kristina Bashirin in Irkutsk, Russia, in July of 1993. Includes both English and Russian text with pronunciation guide for the Russian. "The Birch Tree" Arranged by Stanislav Gribkov, the artistic director and chief conductor of the St. Petersburg TV and Radio Choir, this intricate setting sounds harder than it is.

Songlist: Kalinka, One Day By The River A Young Cossack Roamed, Birch Tree

Voicing: cds/russian-choral-music/

Review: Norway is a country rich in folk tradition, and in these piece, elements of folk dance and instrumental music are clearly represented. These tunes are fun, singable, and would fit perfectly on a program of multicultural music, or as a stand-alone on a concert of a more diverse nature. Complete IPA guide included. "The text exists merely to give form to the music and is meaningless," says Finnish composer Mantyjarvi, whose "El Hambo" in 1999 was an instant success with American high school choirs. In "Pseudo-Yoik" he takes a humorous look at the stereotype of the Lapland folk music. Fun stuff!

Songlist: Pseudo-Yoik, God Morgan Ola Reppom, Ned I Vester Soli Glader, Ekorn Gjekk pa Volln og Slo

Voicing: a-cappella/arrangements/choral-northern-europe/

Review: Add a breath of salty sea air to your repertoire with one of these traditional sea chanties. Lots of fun to sing and with performance notes. Originally from England, where "All for Me Grog" was heard in music halls as well as on ships, the shanty was sung while working the capstan and the halyard. Swedish composer and conductor, Robert Sund wrote this playful arrangement of "What Shall We Do With The Drunken Sailor?" leaving ample room for both women and men to excel in this well-known sea chantey. The tongue-twisting text brings this arrangement to an impressive ending!

Songlist: Blue Whale, Slugs, Fish, Fish, Fish, Fish

Voicing: sheet-music/sea-shanties/

Review: Sea shanties are an early tradition in a cappella music and are great fun to sing. Here we offer a selection of classics for male voices. The English sea shanty "All For Me Grog", already a success in SATB and 3-Part Mixed voicings, is now available for men's chorus, just the way it would have been heard originally when sung by sailors as they pulled long heavy ropes on early Navy vessels. Noted arranger Vijay Singh brings us three classics that will provide excellent programming materials for male quartets, ensembles and choirs. "Leave Her, Johnny, Leave Her" is a playful arrangement in which the ensemble encourages one of its own (Johnny) to bid farewell to his female shore leave companion. Encourage the singers to imagine they are loading the ship for departure and watching with amusement as young Johnny tries to bid his lady farewell. 'Bangidero" is derived from a traditional sea chantey in which a crew sings of admiration for its captain and his tales of shore leave opportunities in South America. "Her Bright Smile", based on the plaintive words of an anonymous sailor poem, details the sailor's loneliness and longing for his ladylove. Marshall Bartholomew, arranger for much of the Yale Glee Club repertoire, does a fine job with the traditional "What Shall We Do With The Drunken Sailor?".

Songlist: What Shall We Do With The Drunken Sailor?, Leave Her, Johnny Leave Her, Bangidero, Her Bright Smile, All For Me Grog

Voicing: sheet-music/sea-shanties/

Review: "Rain, Rain, Beautiful Rain" - The famed South African vocal group Ladysmith Black Mambazo led by Joseph Shabalala creates moments of transformative beauty with their unique sound and vivid imagery. Choirs will enjoy recreating this evocative work. "Harambee" - In Kenya, the Swahili word harambee has multiple meaning. When a group of people gather to complete a difficult physical task, they often say, "one, two, thre ... harambee!!" In this context the words means: "let's go, let's get it done." A special gathering to raise money for building a church or school is also called a harambee. These gatherings often feature long speeches, music and dancing. In the context of this composition, harambee means unity - working together. In a time of increased multi-cultural awareness, Bwana Awabariki offers an ideal piece of African culture for both churches and schools. The song emphasizes rhythm, blend, and African-style vocalism with broad, open chords and the familiar low, low bass part. This warm a cappella blessing would be especially effective with added percussion. This a cappella setting of a traditional South African praise song "Gabi, Gabi" just bursts with joyful energy. Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice.

Songlist: Rain, Rain, Beautiful Rain, Harambee, Bwana Awabariki, Gabi, Gabi

Voicing: a-cappella/arrangements/ttbb/

Review: "Toshima Mochi Tsuki Bushi" is a Japanese folk song from Tokyo-To (Tokyo District). It is celebratory in nature, and implies that it might be sung as a work song while pounding rice into rice balls (mochi). The making of mochi is a collaborative family activity associated with the new year. Comprised of a children's song, a lullaby, and a love song, this collection of Filipino folk tunes is full of lively rhythms and enchanting melodies.

Songlist: Toshima Rice Pounding Song, Pen-Pen de Sarapen, Salidummay, Pamulinawen

Voicing: a-cappella/arrangements/choral-asia/

Review: Rollicking and upbeat, this playful setting of 'Tell My Man,' a traditional Irish children's song, is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibility and make it a winner! The King's Singers bring home a winner with their arrangement of 'Irish Lullaby.' Both fun and challenging, this soothing 6-part gem is sure to be enjoyed by all. Fred Prentice's compelling arrangement of 'O Danny Boy' has a beautiful tenor solo and rich 8 part harmony throughout. Another King's Singers classic, 'She Moved Through The Fair,' this beautiful Irish ballad is one of the their favorite and most-requested concert selections. With 'The Irish Blessing,' Joyce Eilers Bacak uses the traditional lyric, "May the road rise to meet you." Her a cappella creation makes a moving, easily-taught concert closer.

Songlist: She Moved Through the Fair, The Irish Blessing, O Danny Boy, Tell My Ma

Voicing: sheet-music/ireland/

Review: This setting of one of America's favorite folksongs "Shenandoah" is a great opportunity for students to perform an a cappella work. As the piece floats along, propelled by a gentle surge of eighth notes symbolizing the "rollin' river," dissonances and melodic shifts lie beneath to challenge your choir. "All For Me Grog" - The rough and tumble life of a sailor and his adventures on the high seas is celebrated in this rousing English sea shanty known from Nova Scotia to Australia. This a cappella setting of a traditional South African praise song "Gabi, Gabi" just bursts with joyful energy. Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice.

Songlist: Gabi, Gabi, All For Me Grog, Shenandoah

Voicing: a-cappella/arrangements/3-parts/

Review: Several variants of the famous English folk ballad "Barb'ry Ellen" are incorporated into this evocative setting for women's voices. First performed by the Varsity Women's Choir of Appleton North High School, James Heiks, conductor. "Ya Faraoule" is a combination of Christian Lebanese songs of romantic longing with Muslim Egyptian songs of romantic joy. There are plenty of sensuous, serpentine Middle Eastern lines for singers. The gentle and expressive arrangement of "Danny Boy" works equally well highlighting a solo or small ensemble. A music that celebrates the Australian continent and its peoples. "Kungala" is a typically energetic and inventive piece, using gesture and stage movement as well as vocalisation to create an atmosphere of energy and joy. "Queen Jane" - A slow melody of breathtaking beauty of an old ballad on Jane Seymour, third wife of Henry VIII. Lots of opportunity for storytelling - the sopranos are Jane, 2nd sopranos the Narrator and the altos are Henry. Moving and sad.

Songlist: Queen Jane, Ya Faraoule, Danny Boy, Kungala, Three Chinese Songs

Voicing: a-cappella/arrangements/world-music/

Review: This eclectic collection contains six diverse gems for female singers. "Freedom Come"is in the style of a South African freedom song: creating an atmosphere in which hope can increase, healing can occur, and connections to our common humanity can be strengthened. "Waly, Waly" is a masterful setting of a well-loved, Scottish ballad that is rich in harmonic texture. "Poor Wayfaring Stranger" is a beautiful arrangement of an American folk hymn written for the Brigham Young University Women's Chorus. "Melodijas" is a Latvian text by J. Sudrabkalns wherein musical concepts become metaphors for the complexities of life. Peteris Barisons's arrangement enhances the meaning of the text while simultaneously evoking rich, warm tone and expressive delivery. "Sulle Mulle" features Barbershop-style singing, composed by Alo Ritsing, esteemed teacher, composer and conductor at the Heino Eller Music School in Estonia. Finally, "Wana Baraka" is a popular, religious Kenyan song, arranged by Shawn Kirchner to express the quality of joy and improvisation that comes with spontaneous music-making.

Songlist: Freedom Come, Waly, Waly, Poor Wayfaring Stranger, Melodijas, Wana Baraka

Voicing: a-cappella/arrangements/world-music/

Review: Mellifluous Samoan lull words, like "manulele" (bird), and "suamalie," (sweet) are the basis for the hypnotic lullaby of repeated and recombined pentatonic patterns, titled 'Malolo.' Accessible to average choirs, this piece, with its subtle rhythmic interest and carefully crafted dynamic changes, is rewarding for more advanced choirs as well. The "macho march" setting of the Israeli pioneer song, 'Artsa Alina,' makes fine use of rapid alternation between unisons and vigorous chords. This one is a rouser! The Hebrew text is phonetically underlaid, with full Hebrew text and translation, with prononciation guide, included. Because 'K'wae-jina ching-ching nah-neh' builds on repeating short verses and refrains, this song of warning and complaint is accessible to western singers. Suggestions for performance alternatives give additional flexibility.The Korean text is underlaid phonetically, with full Korean text and translation, and guides to pronunciation, given as well. The haunting melody of 'Shenandoah' is variously placed against pedal points, with unison phrase closings, in the alto line, and at close imitation, to give the acoustic feeling of the singers' listening and longing for the sound of the beloved. Lush voicing and the subtle rhythmic texture of the choral accompaniment highlight the simple appeal of 'Suo Gan.' With full Welsh text and phonetic rendition underlaid in the score, and word-by-word and prose translations.

Songlist: Malolo (Lullaby on a Samoan text)., Artsa alinu (We have come up to the land), K'wae-jina ching-ching nah-neh, Shenandoah, Suo-Gan

Voicing: a-cappella/arrangements/world-music/

Review: The need to provide our students with exposure to the music of all of the world's cultures has never been greater. Lana Walter brings us the rhythmic work "Ning Wendete" for women's choir from Kenya. All of its authentic charms are captured in the rhythmic variation. A complete translation and pronunciation guide are provided. A new treatment for women's choir of the renowned Scottish air "Loch Lomond". Beautiful, flowing harmonies and solo opportunities combine to create a lush yet sensible setting of this classic folk favorite. Gentle flashes of 'Simple Gifts' add a grace and charm that make this a truly unique setting! Robert DeCormier's a cappella setting of the American folk melody "Wayfaring Stranger" has been part of the choral repertoire for many years. If you haven't performed this recently, do it now!

Songlist: Charlottown, Sing Hallelu!, Ning Wendete, Poor Wayfaring Stranger, My Heart Is Full of Merriment and Joy

Voicing: a-cappella/arrangements/world-music/

Review: The famed South African vocal group Ladysmith Black Mambazo led by Joseph Shabalala creates moments of transformative beauty with their unique sound and vivid imagery. Choirs will enjoy recreating the evocative classic "Rain, Rain, Beautiful Rain". "Amavolovolo" is a popular Zulu traditional song as arranged by Rudolf de Beer, former conductor of the Drakensbeg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authentic percussion and movement suggestions give this selection great visual appeal. The Zulu dowry song "Imaliyam" will be a challenging and impressive concert feature. An excellent choice for better high school choirs and up.

Songlist: Imaliyam, Rain, Rain, Beautiful Rain, Amavolovolo

Voicing: a-cappella/arrangements/choral-african/

Review: Most known for her singing with and musical compositions performed and recorded by Sweet Honey In The Rock, Dr. Barnwell has composed and arranged music appearing on 10 recordings on the Rounder, Flying Fish, Earthbeat!/Warner and Music For Little People Labels and has been a commissioned composer on numerous and varied dance, choral, film, and video.

Songlist: Prayer, We Are..., In Unity, No Mirrors in My House

Voicing: sheet-music/female-voices/

Review: Most known for her singing with and musical compositions performed and recorded by Sweet Honey In The Rock, Dr. Barnwell has composed and arranged music appearing on 10 recordings on the Rounder, Flying Fish, Earthbeat!/Warner and Music For Little People Labels and has been a commissioned composer on numerous and varied dance, choral, film, and video.

Songlist: Hope, Would You Harbor Me?, Wanna Die Easy, When I Die

Voicing: sheet-music/female-voices/

Review: Most known for her singing with and musical compositions performed and recorded by Sweet Honey In The Rock, Dr. Barnwell has composed and arranged music appearing on 10 recordings on the Rounder, Flying Fish, Earthbeat!/Warner and Music For Little People Labels and has been a commissioned composer on numerous and varied dance, choral, film, and video.

Songlist: Wanting Memories, Breaths, Spiritual

Voicing: sheet-music/female-voices/

Review: Most known for her singing with and musical compositions performed and recorded by Sweet Honey In The Rock, Dr. Barnwell has composed and arranged music appearing on 10 recordings on the Rounder, Flying Fish, Earthbeat!/Warner and Music For Little People Labels and has been a commissioned composer on numerous and varied dance, choral, film, and video.

Songlist: Sound-Bite from Beijing, On Children, More Than a Paycheck, There Is A Balm in Gilead

Voicing: sheet-music/female-voices/

Review: "What Christmas Means to Me" - This Motown classic gets a holiday remake with the Cee Lo Green cover from his Cee Lo's Magic Moment CD. Show choirs, pop choirs - any kind of choirs! All will love the boost of rhythmic energy this tune will bring to a holiday concert! "Please Come Home for Christmas" - Cee Lo Green's Christmas album featured this R&B classic that captures all of Cee Lo's coolness for your holiday program and offers the assurance that better Christmases are ahead! "Run Rudolph Run" - Made famous by Chuck Berry and recently covered by Billy Ray Cyrus, this guitar-fueled Christmas favorite will add excitement and energy to all your holiday programs! It's perfect for choreography! "This Christmas" - Add a touch of R&B to your holiday with this soulful hit from the seventies! The fireside is blazing bright; we're caroling through the night. And this Christmas will be a very special Christmas for me.

Songlist: What Christmas Means to Me, Please Come Home for Christmas, Run, Rudolph, Run, This Christmas

Review: "What Christmas Means to Me" - This Motown classic gets a holiday remake with the Cee Lo Green cover from his Cee Lo's Magic Moment CD. Show choirs, pop choirs - any kind of choirs! All will love the boost of rhythmic energy this tune will bring to a holiday concert! "Please Come Home for Christmas" - Cee Lo Green's Christmas album featured this R&B classic that captures all of Cee Lo's coolness for your holiday program and offers the assurance that better Christmases are ahead! "This Christmas" - Add a touch of R&B to your holiday with this soulful hit from the seventies! The fireside is blazing bright; we're caroling through the night. And this Christmas will be a very special Christmas for me.

Songlist: What Christmas Means to Me, Please Come Home for Christmas, This Christmas

Review: Jerry Weseley Harris has more than 500 published choral compositions, arrangements and editions, sold throughout the world. Here is a great collection of arrangements from some of the masters of the Renaissance period that are accessible and fun to sing.

Songlist: Three Renaissance Pieces for Treble Voices Vol 1, Aye Me, Hey Ho, Though Philomela Lost Her Love, Renaissance Pieces for Treble Voices Vol 2, Oh Follow, Follow On!, Fire, Fire, My Heart, Renaissance Pieces for Treble Voices Vol 3, Farewell, Dear Love, Since I First Saw Your Face, Love Learns By Laughing, My Bonnie Lass, Amyntas With Phylis Faire

Voicing: a-cappella/arrangements/early-music/

Review: Some choral classics from the Renaissance period. First published in 1603, the quintessential John Dowland madrigal "Weep You No More Sad Fountains" has been newly edited by Russell Robinson. SATB and 3-part mixed choirs will enjoy the lush texture and rich harmonic structure, which exemplifies music of the Renaissance era, and appreciate the high quality of Dr. Robinson's tidy edition. Solid choral repertoire. Long a standard in the choral repertoire, Palestrina's "Adoramus Te" continues to be a favorite for contest or festival. Range is excellent for the SATB junior high choir. Sixteenth century Italian composer Adriano Banchieri must have had quite the sense of humor. The classic light-hearted concert work "Counterpoint Of The Animals" has been a staple in choral repertoire for decades. Now Russell Robinson brings us a new setting that will add a touch of classy fun to any serious concert. Glorious polyphony soars in this edition of Victoria's "O Magnum Mysterium". Long melismas and fugal entrances are part of the beauty of this great Renaissance work. For contest, festival or concert use.

Songlist: Two Renaissance Chorals (Adoramus Te / Ave Maria), O Magnum Mysterium, Fa Una Canzona, Counterpoint of the Animals, Weep You No More, Sad Fountains, Adoramus Te

Voicing: a-cappella/arrangements/early-music/

Review: This is a fine collection of unaccompanied music from some of the master's of the golden age of polyphony. Missa Ave Regina Coelorum (c.1464) is Dufay's crowning achievement and we know that Dufay requested that this Angus Dei be sung on his deathbed. Crucifixus was originally intended for solo voices, but is transcribed here for four-part male chorus. It may be sung effectively by solo voices, chamber choir, or full chorus. Everybody's repertoire should include some examples of this early music style and are both fun and interesting to perform. This music has been sung for 500 plus years and still continues to please!

Songlist: Du Tout Plongiet, Sanctus from the Mass for Four Voices, O How Amiable Are Thy Dwellings, O Sacrum Convivium, Angus Dei from 'Missa Ave Regina Coelorum', Crucifixus

Voicing: a-cappella/arrangements/early-music/

Review: "O Magnum Mysterium" was written in the late Renaissance period by Tomas Luis de Victoria, this beautiful piece captures the wonder and mystique of Christ's birth. Russell Robinson has arranged O Magnum Mysterium, making it more accessible to both school and church choirs, by setting it in a slightly higher key than the original, and with notation that is more easily understood. The music of the Renaissance has a pure clarity of sound that every singer should experience. Ruth Elaine Schram's setting of "Agnus Dei" is a lush setting with parts intertwining in the most unexpected ways, forming uniquely beautiful harmonies. The cyclical nature of the piece reiterates the meaning of the text, a fervent prayer, "Lamb of God, grant us peace." Festival or contest piece for schools, and a moving Lenten anthem for the sanctuary. A passionate Latin text, "Adoramus Te" embodies all of the purity and pristine beauty of Renaissance music. Sung a capella, this reverent masterwork may be used in concert, contest, or festival settings by school or church groups. Appropriate for high school children. Robert Shaw commissioned Chester Alwes to make an edition of Tomas Luis de Victoria's motet, "O Vos Omnes", which was to be sung as part of the Robert Shaw Summer Festival in France. Robert Shaw has added tempo indication and expressive and dynamic marks, which indicates his feelings about how the piece should be realized in contemporary performance giving modern conductors the guidance of one of America's foremost choral musicians. The a cappella madrigal from the high Renaissance "Adieu, Sweet Amaryllis" is now available as a choral. It features opportunities for dynamic contrasts and development of musical line. John Leavitt has edited the piece with optional cue notes to make the tenor range more accessible to a larger group of singers. This madrigal is stunningly beautiful. This buoyant Spanish love song"Catinga" includes words by Gil Vincente and extols the beauty of one beyond compare, asking sailor, soldier, and shepherd if they have ever seen such loveliness. Cantiga is sung a cappella, with the voices simulating the strumming of a guitar and providing percussive accompaniment to the melody. Great fun!

Songlist: O Magnum Mysterium, Agnus Dei, Adoramus Te, O Vos Omnes, Cantate Domino, Adieu, Sweet Amaryllis, Catinga

Voicing: a-cappella/arrangements/early-music/

Review: "O Virgin Resplendent" - A late medieval canon, moving almost entirely in fluid eighth-note triplets, comes to rest at the end of each phrase. Edited by Mark Winges for the Piedmont Children's Choirs, this piece works beautifully as a processional. "Marriage bed of Chastity" - This lively 13th-century conductus from the Las Huelgas manuscript, with added optional percussion parts, makes a very effective processional. Mary is the "marriage bed of chastity" sought by God the Father for bearing the Son. "O frondens virga" - This new edition of Hildegard's antiphon places it in its liturgical context, pairing it with a plainchant "Magnificat" (included in this edition by William Flynn). The reprise of the antiphon has an optional added voice in organum, reflecting medieval performance practice. Latin, with full translation and historical and performance notes. "Dancing" - "I stumble and tumble," begins this freely-rendered medieval text, set in 6/4 over a delightfully lurching scat ostinato in 12/8. Written for the women of the Cornell University Chorus, it works easily when conducted in a big 2. English. "Circle" - In this medieval mystic text the circle is an image for meditation, first excluding, then embracing, the world. The musical setting reflects the image with contracting and expanding textures, and a soprano solo.

Songlist: O Virgo Splendens (O Virgin Resplendent), Castitatis thalamum (Marriage bed of chastity), O frondens virga (O branch, coming into leaf), Dancing, Circle

Voicing: a-cappella/arrangements/early-music/

Review: Our fascination with the music of the medieval era continues to grow and grow. This collection with contemporary notation and helpful performance options offers the modern choir an opportunity to celebrate the music of the past. "If Ye Love Me" is one of the most recognized anthems from the English Renaissance, in a new adaptation specifically geared to the limits of younger voices and middle school choirs. Intimate and expressive, this would work well in both concert and worship settings, and provides a great way to introduce young singers to historical choral works. "Domine Fili Unigenite" features canonic imitation, vocal ostinati, and delicately intertwining melodies, this a cappella setting is stunning. "Gloria Patri" has powerful antiphonal effect provides a dramatic vehicle for the English or Latin text! An appealing Renaissance work for both your mixed and treble ensembles! "Exultate Justi" is the famous Psalm 33 motet by Lodovico Grossi da Viadana adapted for younger ensembles. This composition is written in the typical Renaissance style of motets (a cappella sacred works) and madrigals (a cappella secular works). "Celebrate This Day Together" - energetic and rhythmic 16th-century piece is an excellent introduction to the music of the Renaissance. Includes secular or Christmas lyrics and optional hand drum.

Songlist: Domine Fili Unigenite, Exultate Justi, Gaudete Christus est natus, Celebrate This Day Together, There is no rose, Alleluia

Voicing: a-cappella/arrangements/early-music/

Review: Arcadelt is known for his homophonic, tuneful settings. Provided with a new English text by the editor, the late Renaissance work "Come Join In Singing" is perfect for the emerging mixed ensemble. The boys' range is limited to five notes. Performed a cappella, with keyboard or with instruments, this work is ideal for concert, contest or festival. The easy-to-sing concert work "Sing Gloria!" is built on Billing's Wake Ev'ry Breath canon. It's an ideal concert opener that will be a welcome addition to every choral library. "Laudate Dominum" - Victoria, one of Spain's finest composers of the Renaissance, has been immortalized for his combination of melodic lines which weave beautiful tonal tapestries. This work, in our Easy Choral Masterworks series, is very short and accessible for young voices. Perfect for concert or contest. The most famous of all 15th Century Italian madrigals "Fa Una Canzona" is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included.

Songlist: Come, Join in Singing, Sing Gloria!, Laudate Dominum, Fa Una Canzona, Two Renaissance Chorals

Voicing: a-cappella/arrangements/early-music/

Review: Sixteenth century composer Lodovico Viadana created the wonderful work "Exultate Justi" that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting that will give either your men a chance to shine. The well-known song "Psallite" by Praetorius from the German Renaissance period has long been a part of our choral repertoire. Russell Robinson has created an easy-to-sing SATB setting as well as a three-part men's edition. A perfect way to present standard choral repertoire to your developing choirs.

Songlist: Two Renaissance Chorals (Adoramus Te / Ave Maria), Exultate Justi, Psallite, Ave Maria

Voicing: a-cappella/arrangements/early-music/

Review: The French chanson "Mon Coeur Se Recommande A Vous" (a polyphonic song popular in the 15th and 16th centuries) focuses on the subject of love. Performance notes and a pronunciation guide for the eight lines of French are included in the publication, or use the sensitive English text provided by Dr. Robinson. New edition for SSA choirs! "Exsultate Justi" - Sixteenth-century composer Lodovico Viadana created this wonderful work that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting that will give your women a chance to shine. The most famous of all 15th Century Italian madrigals "Fa Una Canzona" is brought to life in this new Russell Robinson edition from our Developing SATB Repertoire series. Both English and Italian texts are included. This fine collection offers arrangement that are both challenging and rewarding and will certainly help boost your singers confidence.

Songlist: Two Renaissance Chorals (Adoramus Te / Ave Maria), Fa Una Canzona, Go Now, My Love, Exsultate Justi, Domine Fili Unigenite (from Missa Primi Toni), O Music, Thou Most Lovely Art, Mon Coeur Se Recommande A Vous

Voicing: a-cappella/arrangements/early-music/

Review: The greatest English composer of his generation, comparable in stature to his most distinguished continental contemporaries, William Byrd was a versatile composer. Byrd's compositions for the church may be separated into those for the Catholic liturgy and those designed for the officially recognised Church of England. The first category includes settings of the Mass for three, four and five voices, and a large quantity of other works for the various seasons of the church year. Well-known for his keyboard works here are a collection of his a cappella arrangements that have has been sung in English cathedrals uninterrupted for the past four centuries.

Songlist: Non Nobis Domine, Haec Dies, Justorum Animae, Laetentur Caeli

Voicing: a-cappella/arrangements/early-music/

Review: The greatest English composer of his generation, comparable in stature to his most distinguished continental contemporaries, William Byrd was a versatile composer. Byrd's compositions for the church may be separated into those for the Catholic liturgy and those designed for the officially recognised Church of England. The first category includes settings of the Mass for three, four and five voices, and a large quantity of other works for the various seasons of the church year. Well-known for his keyboard works here are a collection of his a cappella arrangements that have has been sung in English cathedrals uninterrupted for the past four centuries. For SATB choir.

Songlist: O Magnum Mysterium, Prevent Us, O Lord, Rorate Caeli Desuper, Ave Verum Corpus, Exsurge Domine

Voicing: a-cappella/arrangements/early-music/

Review: Melody Tunney is widely known for her sacred solo performances with husband Dick, and for their recordings and numerous producing projects including First Call, but Mel's arranging and writing talents far exceed even her singing! This extraordinary arrangement of "What Wondrous Love Is This' has been requested time and time again by singers out there who have watched her perform it! Arranged with an Alto Solo lead, which is signature Melody Tunney, 'Thou Didst Leave Thy Throne' is just stunning! Emotion packed and reverent, this stirring choral evokes worship. With some degree of ability required, and the majority of the parts divisi, this arrangement will be fun and challenging! Tunney continues her gorgeous arranging skills with a stunning a cappella setting of 'Holy, Holy, Holy.' Her contemporary style and brilliant use of harmonization makes this an unforgettable setting for worship of all style.

Songlist: Holy, Holy, Holy, Thou Didst Leave Thy Throne, What Child Is This?, What Wondrous Love Is This?

Voicing: a-cappella/arrangements/sacred/

Review: One of the most well known A Cappella groups of today, Take 6 continues to amaze us with their beautiful and unique arrangements. 'A Take 6 Christmas' is an exciting medley of classic Christmas carols, including "Silent Night," "Hark! The Herald Angels Sing," "Sweet Little Jesus Boy," and "O Come, All Ye Faithful," as recorded on the He Is Christmas album. In 'A Quiet Place,' the guys take this subtle hymn and turn into a triumphant, yet soothing, gem with lush harmonies and lots of heart.

Songlist: A Take 6 Christmas (A Medley), Hark! The Herald Angels Sing (medley), Sweet Little Jesus Boy (medley), O Come, All Ye Faithful (medley)

Review: A collection of prayer songs that will both inspire and delight singers, congregations and audiences alike. For unaccompanied mixed voices.

Songlist: Three Prayers, Prayer to Jesus, Evening Prayer, Hear my Prayer, The Lord's Prayer, A Child's Prayer

Voicing: a-cappella/arrangements/contemporary-christian/

Review: First Call member, Melodie Tunney continues her gorgeous arranging skills with this stunning a cappella setting of "Holy, Holy, Holy.' Her contemporary style and brilliant use of harmonization makes this an unforgettable setting for worship of all styles. 'Blessed assurance, Jesus is mine!' The artistic and talented Ken Berg arranges these poignant words penned by Fanny Crosby in 'Assurance.' A challenging a cappella setting, Assurance is well worth the rehearsal time and energy, which will produce a thrilling performance for any service of worship or concert. Beautiful, worshipful and comforting, this gorgeous arrangement of Lelia Morris' 'Nearer, Still Nearer' is arranged by Bob Burroughs in his signature style. The harmony is stunning while the a cappella rendition allows the impact of those chords to shine. A surprise phrase of 'draw me nearer, nearer, nearer blessed Lord,' brings this piece to a gripping close. Arranged with an Alto Solo lead, which is signature Melody Tunney, 'Thou Didst Leave Thy Throne' is just stunning! Emotion packed and reverent, this stirring choral evokes worship. With some degree of ability required, and the majority of the parts divisi throughout, the end result is thrilling. Text resounding, "O come to my heart, Lord Jesus," it is perfect or Christmas or any time of the church year.

Songlist: Assurance, Nearer, Still Nearer

Voicing: gospel/contemporary-christian-cds/

Review: This arrangement of "Abide With Me" begins with a very beautiful and effective male a cappella section. This sets the stage for the rest of the piece which rises in intensity and volume until the final and triumphant ending. Abide With Me displays mans complete dependence on God and is very moving for both the audience and the singer. "Sweet, Sweet Spirit" is a bright and warm song that is perfect for a large choir. The fact that it is A Cappella adds greatly to the rich charm of the piece as well as making it highly rewarding to sing. "A Prayer" - This inventive and original composition bestows rich and luminous harmonies to the a cappella choral parts. It is a haunting call for the Lord to save us from sin. This piece requires proficient sopranos and is very fulfilling to an innovative and talented choir. "Hail, all hail", is an animated and vivid a cappella piece. This work will explore the brighter colors and sounds of the choir, allowing a powerful majestic result. Great for Christmas, this work allows the choir to let loose and make a joyful sound!

Songlist: Abide With Me, Sweet Sweet Spirit, A Prayer, Hail, All Hail

Voicing: a-cappella/arrangements/8-parts/

Review: And now for something completely different for Advent! So much of our traditional music for the season of waiting is slow and in a minor key. The emphasis is on longing and despair. John Parker and David Lantz break the mold with 'Great Day A-Comin,' an exuberant neo-spiritual, Great Day A-Comin'. Focusing on the joy to come, this exciting a cappella number simply bubbles over with good cheer. A spirited change for the later weeks of Advent. Donald Moore's 4 part arrangement of 'Beautiful Savior' is a beautiful take on the Silesian melody, a great worship piece! 'Wonderful Savior' is a simple, yet expressive arrangement of the familiar hymn tune, BENTON HARBOR. Careful stepwise voice leading aids in learning and creates a seamless harmonic effect. The distinctive second verse set in minor is quite effective. For Lent, Holy Week, or as preparation for a time of prayer, this beloved hymn anthem is very moving. Spirited and sparkling, Jay Althouse's 'Alleluia' is the perfect all-occasion octavo. Available in women's or SATB voicings, this cheerful a cappella anthem is appropriate for church or school use, in concert, contest, festival, or worship settings. 'Nearer, My God, to Thee' is lovely and very moving. Pure, pristine harmonies reflect the simple desires of this prayer. Yet as the yearnings intensify with each verse, so do the textures and tone colors of this wonderful a cappella arrangement. The third verse, in particular, has some fabulous dissonances and rhythmic effects.

Songlist: Alleluia, Beautiful Saviour, Great Day A-Comin', Nearer My God to Thee, Wonderful Saviour

Voicing: a-cappella/arrangements/sacred/

Review: "This Is My Father's World" - This favorite hymn has been tastefully arranged for 4-part women's a cappella voices. Singers will enjoy the interesting lines, and listeners will celebrate a new arrangement of this classic hymn. In keeping with Sister Rosetta Tharpe's stylistic blend, this arrangement of "Heaven Somewhere " has a funky doo-wop flavored middle section that reminds us just how many different rock styles go back to the gospel source. This fresh treatment of the timeless "The Water Is Wide" allows for solos, duets and all voices in a largely homophonic setting. Strong harmonies with additional new lyrics add a positive and uplifting message. "Prayer" is a powerful and moving work and includes the traditional Kyrie Eleison.

Songlist: The Lord's Prayer, The Water Is Wide, This Is My Father's World, Prayer

Voicing: a-cappella/arrangements/contemporary-christian/

Review: 'The Nightingale (Die Nachtigall)' was composted on June 19, 1843 and published as No. 4 in Sechs Lieder, Op 59. Words by Johann Wolfgang von Goeth, based on a Greek folksong published in 'Chants populaires de la Grece moderne' with French translations by Claude Charles Fauriel accompanying the original texts. Goethe's version, published in 1827 is entitled 'Landlich, though Mendelssohn preferred the title given here. 'The Woodland Singers (Die Waldvogelein)' was composed on June 19, 1843 and published as No 4 in Sechs Lieder, Op 88. The author of the words, given simply as Scutz, is almost certainly heinrich Schutz who published a volume of 'Vermischte Gedichte' at Karlsruhe in 1841. 'Song for the New Year (Neujahrslied)' was composed on August 8, 1844 and published posthumously as No 1 in Sechs Lieder, Op 88. Words by Johann Peter Hebel (1760-1826). The original poem has five verses, of which Mendelssohn set only the first four.

Songlist: The Nightingale, The Woodland Singers, Song for the New Year

Voicing: sheet-music-world/German/

Review: First a book, then a Broadway musical and now a hit movie. Now available in a powerful a cappella setting Bring Him Home, the anguished prayer from Les Miserables, is a poignant expression of the romance and turmoil in this monumental musical epic. An ideal selection for jazz, pop and concert choirs from high school and up. The lush a cappella setting of the powerful ballad I Dreamed A Dream is memorable and will surely be a concert favorite. Eponine sings of her unrequited love for the Marius, and how she dreams of being with him in On My Own. The rich harmonies in this unaccompanied setting will enhance any program.

Songlist: Bring Him Home, On My Own, I Dreamed A Dream

Review: A collection of four different medleys of some of Disney's greatest movie songs. Dozens of classics songs are included on these fun and accessible arrangements

Songlist: Disney Dazzle! (Medley), Disney Spectacular (Medley), Disney Movie Magic (Medley), The Musical World of Walt Disney

Voicing: musicals/disney-harmony-voices/

Review: Bring out your inner princess with this collection of three different medleys of Disney classic songs specifically suitable for the girls.

Songlist: Songs of a Disney Princess, Happily Ever After - A Disney Celebration for Women's Voices (Medley), Songs of a Disney Hero

Voicing: musicals/disney-harmony-voices/

Review: A second collection of four different medleys of some of Disney's greatest movie songs. Dozens of classics songs are included on these fun and accessible arrangements

Songlist: Disney on Stage, Disney Friendship Favorites, Songs of a Disney Hero, Songs of a Disney Villain

Voicing: musicals/disney-harmony-voices/