Review: Following the success of Songs of Africa (for mixed voices), Fred Onovwerosuoke presents six authentic arrangements of African songs scored for upper voices and percussion. Published in two small collections - this set for SA and the second for SSA - the songs originate from a variety of locations, including Zimbabwe, Botswana, Nigeria, and the Benin Republic. With texts to celebrate an assortment of themes, such as harvest, Christmas, play/leisure, and marriage, these arrangements are sure to delight all choirs looking for something a bit different. An English translation and a pronunciation guide are provided.

Songlist: Aluwa Sio, Aleluya!, Kayra Sillo, Irapada, Yesu Sore, HJeppepe!

Voicing: a-cappella/arrangements/world-music/

Review: Muslim choral music? There are numerous examples of group singing in the Muslim world, almost all of which is non-notated. Many of these group singing genres date back several centuries, such as the genre of Arab music called the muwashshahat, a song tradition that started in Muslim Spain and has continued vigorously until modern times.While there are numerous examples of Muslim group singing, notated part-singing is a product of colonization, Westernization, Christianization, and now globalization. It is becoming increasingly popular for composers in the Muslim world to arrange and compose music for the Western-style choir, and this collection serves to introduce participants to the breadth of Muslim culture, some Muslim songs, and the great diaspora of music of the Muslim world through a selection of pieces from different social, and cultural contexts.

Songlist: Ai'Yu, Fog Elna Khel, Adinu, Yal Asmar Ellon, Entarisi Ala Benziyor, Lammaa Badaa Yatathannaa, El-Helwa Di

Review: "Kumbargung" - One of the easiest and most immediately appealing from Stephen Leek's In Construction series. It is suitable for singers of all ages and uses indigenous Australian words that are spoken in rhythm at various pitch levels. "Kumbargung" means "night" and other evocative words include "ungi gungi" (grasshopper) and "goolay yali" (pelican). A delight for all ages! "Tunggare" means "voice" or "to sing" in an Australian dialect. This is a wonderful opening or closing to a concert. There is much repetition and very easy tenor and bass parts, so it is perfect for a high school choir (and other choirs as well!). It may also be used as a choral piece for audience participation. "Riawanna" is an Australian native word for "circles" and the piece is a do-it-yourself round with thousands of possibilities. It includes mixed meters. The final instruction in the accompanying notes says it all: "have fun".

Songlist: Kumbargung, Riawanna, Tunggare

Voicing: sheet-music-world/South+Seas/Australia/

Review: Stephen Leek's famous work from Songs of Passage. "Ngana" means "shark" and the piece strikingly captures the driving energies, rhythms and vivid colors of the island seascape found around the northeastern tip of Australia. Pronounced "ungahyullyull" meaning "hawk dreaming". The text reflects the thoughts of the sheep farmer herding his sheep, ever aware of the hawk circling overhead. The second of Stephen Leek's Songs of Passage, this is a highly evocative and beautiful composition using easy but effective modern compositional techniques. The music includes "boxes" of material for singers to work through as well as traditionally scored sections. The writing is easy to sing though it contains some chord clusters. Some song texts in an Australian Aboriginal language, some in English. Lots of fun here!

Songlist: Ngana, Ngayulyul, Coraparena, Ceduna, Tabulam

Voicing: sheet-music-world/South+Seas/Australia/

Review: Escape to a tropical paradise this Christmas with this happy holiday song! Bright Caribbean rhythms and buoyant melodies add a special sparkle. "Haitian Noel" - The Haitian folk carol is in the style of a Merengue and will give your concert Caribbean sparkle! A pronunciation guide is provided for the Creole lyrics and English lyrics are also included. "The Virgin Mary Had A Baby Boy" - This arrangement explores the Caribbean style known as "Afro-Cuban": independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Every section of the choir is spot-lit; every section gets its turn to lead. The piece would especially suit a choir in search of something seasonal but upbeat which is not a "novelty number."

Songlist: Jamaican Noel, Caribbean Christmas Holiday, A Cuban Carol, The Virgin Mary Had A Baby Boy

Voicing: sheet-music/carribean/

Review: Chua-ay is based on a popular folksong in the Philippines that depicts the Igorot tribes at work, pounding rice by means of a huge mortar and heavily weighted posts in order to separate the rice grains from their outer shells or husks. The piece begins with bird-calls serenely chanted by two sopranos and followed by a set of rhythmic vari- ations on the repetitive three-note theme of Chua-ay. Foot stomps suggest the mortar and pestle action that also enhances the earthy character of this northern folksong. Leron, Leron sinta or "My Dear, Little Leron," is a popular Filipino folk song from the Tagalog region. It is traditionally a work song, reprsenting those who work in the fields harvesting fruits, though the origin is unclear due to the lack of scholarly literature that examines Philippine folk music. Because of its catchy tune, it is often presented as a children's song, though some parts of the text may have been meant for a more mature audience. Some sources also refer to it as a courtship song. "Ilay Gandangan" is a popular piece among Filipino choirs. Derived from a sun chant of the Maguindanao tribe, the people call on the sun god, Ilay, to end the rain that is covering the land.

Songlist: Chua-ay, Ilay Gandangan, Leron, Leron Sinta, Mamayog Akun

Voicing: sheet-music/philippines/

Review: Haiku is a Japanese form of poetry comprised of three lines of five, seven, and five syllables. Jerry Estes has crafted a set of four short pieces set to original haiku... one for each season of the year. All are beautiful in their simplicity. Well suited for Orff accompaniment; bells and rhythm instrument parts are included in the publication. An outstanding learning and performing piece for 2-part choirs. A delicate melody swirls and twirls like drifting snow in this tasteful arrangement of a traditional Japanese school song "Yuki". The three short Japanese phrases (and several English words) are easy-to-learn and bring to mind icy images of wintertime. "Uji River" is the most unique multicultural piece you will sing this year. A primarily English text tells the spectacular story of an ancient Japanese fishing tradition on the Uji River. And a traditional Asian folk melody floats above a gentle koto-like piano. Magical for treble voices, and highly effective when TB singers sound like fishermen. Tsuki means "moon," and is one of just a few Japanese words sung in this pentatonic scale-based song. Other words describe the beauty of the Japanese moon throughout the year. A captivating and memorable piece.

Songlist: Four Seasons of Haiku, Japanese Snow Song (Yuki), Uji River, Tsuki (Japanese Moon), Sing Hallelu!

Voicing: sheet-music/japan/

Review: The Latin American Choral Series brings the exciting sounds of Latin America to choirs throughout the world. Selected by Oscar Escalada, the series includes a tremendous variety of styles ranging from the first polyphonic music composed in the New World, to traditional folksongs, tantalizing tangos, love songs and original compositions.

Songlist: Mudanzas, Pueblito Mi Pueblo, Cinq Chansons Folklorques D'Guadeloupe, Five Folksongs From Haiti, Guanchi Torito (Little Orphan Calf), Libertango

Voicing: a-cappella/arrangements/choral-latin-america/

Review: The exuberant arrangement of an Eastern Inner Mongolian folk song "Dorven Dalai' exhorts everyone from the Four Seas (the "four corners of the earth" or all nations) to fill their wine bowls with the best of wine, to rejoice and sing and enjoy this moment of happiness together. "Naiman Sharag" - Mongolian songs often praise horses, real and legendary, reflecting the close relationship between horses and humans. A 13th century chronicle refers to the eight chestnut horses of Chinggis Khan, and they have thus become a symbol of national identity which embodies the Mongol's love for their native language and culture. Indigenous Mongolian musical rhythms are often patterned after the rhythm of a running horse. Such rhythms represent one of the major ethnic features of Mongolian music, and can be found throughout this piece. "Zeregleent Gobi" was written for the Inner Mongolian Youth Chorus Troupe and "Bless Us, O God" is an a cappella setting of a Mongolian prayer.

Songlist: Dorven Dalai (The Four Seas), Naiman Sharag (Eight Chestnut Horses), Zeregleent Gobi (Mirage on the Gobi Desert), Bless Us, O God

Review: Tskhenosnuri is one of the most performed and popular Georgian folk songs, and has been recorded in different versions by the best-known folk choirs. Much of the text consists of nonsense syllables - think of them as the Georgian version of "fa la la. "Khatelishvili (1932-1988) wrote Khorumi in 1964. It is based on a unique 5/4 Adzharian folk dance rhythm and some melodic fragments which were common in the folk dance music of the Georgian province of Adzharia. This edition presents the piece in its original form. The text is a "Naduri" is a working song from the Imereti region in western Georgia; calls for unique Georgian yodeling technique known as krimanchuli.

Songlist: Tskhenosnuri, Naduri, Khorumi, Dachrilis Simghera

Review: "Eagle Hill" - Young voices will soar like the eagle in this accessible work for treble choir. The text was shaped from a ritual song of the Pawnee nation which revered the eagle for its strength and wisdom. Students from the commissioning choir wrote poetry, which the composer incorporated into this setting. "Songs of the Earth" - This choral pairs two venerable Native American songs: a Hopi chant and a traditional Arapaho Native song. With recorders and percussion, the songs are blended together to form a partner song at the conclusion of the piece. A striking addition to your concert! "Canoe Song" - A favorite North American tune is creatively arranged incorporating unison and 2-part harmony, round and partner-style singing with original music. A treasure chest of teaching and learning that includes optional percussion instruments and a text that reflects the Native American philosophy of reverence for the earth. "Shoshone Love Song" - This tender setting of a Native American poem features extended legato phrasing and delicate musicality. The simple piano accompaniment supports the expressive vocal textures. "Grandfather, Great Spirit" - With a text based on a Sioux Nations prayer, the composer has this to say, For native peoples, the spirits of nature and the earth are a strong presence, as are the spirits of their ancestors and the living traditions of their culture. Approach this song with honesty, sincerity, reverence and with awe.

Songlist: Eagle Hill, Songs of the Earth, Canoe Song, Shoshone Love Song, Grandfather, Great Spirit

Review: "Come on the Trail of Song" - Memley celebrates the Native American culture with an exquisite triptych of poems and song called Three Native American Settings. The original music is consumed with the sounds of the Native American spirit in all three selections. Although they can be performed separately, the set provides a reverent tribute to a beautiful culture. "Shoshone Love Song" - This tender setting of a Native American poem features extended legato phrasing and delicate musicality. The simple piano accompaniment supports the expressive vocal textures. Ideal for concert or festival programming! "Onokenoga" (or Lake of the Gods to the Mohawk First Nation people) depicts an ancient Mohawk legend of tragic romance. So deep was the connection between these two young lovers, legend has it that the spirit of the young girl wanders the shores to this day searching for her lost mate. "Waniska" - The Cree Indians from the North American continent have a delightful morning song that has been artfully arranged by Brian Tate. Beginning with bird sounds the melody line is first presented by the sopranos. A pedal point is set by the tenors and basses as the altos take their turn with the tune. As with so many Tate arrangements, staging is easily a part of the presentation, as the simple lines cross and lift one another. Some suggestions are provided but each group will find their own path. "Spirit of the Winding Water (A Navajo Prayer)" Native American wisdom and philosophy provide rich awareness of finding the sacred in all things. For this new work, musical phrases and rhythms are assembled from Native American chants and mixed with new music filled with this awareness. Native American instruments are suggested with more traditional instruments offered when these are not available.

Songlist: Come on the Trail of Song, Shoshone Love Song, Onokenoga, Waniska, Spirit of the Winding Water (A Navajo Prayer)

Voicing: sheet-music/native-american/

Review: "Party, Me Heartey" - Hoist the sail and join the pirate crew with this fun and novel pirate original song. Shiver me timbers, this will transfer your choir into singing pirates and it's sure to make a swashbucklin' showstopper! Perfect for costumes, movement and staging."I'se the B'y" -Young singers will love this spirited Newfoundland folk song that dances with a sea chanty text. There's energy from start to finish with a moving piano line that supports individual, unison, and part-singing. Great fun for your guys too!"Pirate for a Day" - Avast ye mateys! This rollicking original will be the hit of any concert. Perfect for men or treble choirs your students will have a blast with some easy 'pirate' choreography."Across the Western Ocean' - Originally arranged in 1948, Dougherty's sea chanties have been a staple of the solo repertiore. This choral edition brings this compelling repertoire to a new generation of singers. Well-crafted and expressive.

Songlist: I'se the B'y, The Drunken Sailor, Across the Western Ocean, Party, Me Heartey, Pirate for a Day

Review: Here's some songs for the cowgirls. A fun theme for a set. "Cowboy Take Me Away" - A young girl dreams of romance and adventure in this heartfelt song by the Dixie Chicks that soared to the top of the country and pop charts! "I Want to Be a Cowboy's Sweetheart" - Originally recorded by Patsy Montana in 1935, this was the first country song by a female artist to sell more than one million records. Subsequently covered by Suzy Bogguss, the Dixie Chicks and LeAnn Rimes, it's a sweet and sassy novelty song that will showcase your SSA choirs. "(Ghost) Riders in the Sky" - This 1961 hit captures all the mystery and excitement of a spectral stampede. This western classic will be tremendously fun to perform! "The Colorado Trail" - This gentle setting of a traditional cowboy song starts with one part and slowly builds to three-part harmony. Weep all ye little rains, wail, winds wail, all along...the Colorado trail. "Home on the Range" - Considered the anthem of the American West, this a cappella arrangement will show off your choirs tuning and blend, with unison lines blossoming into full harmonies for an accessible and impressive choral showcase. "The Streets of Laredo" - This novel treatment of the classic cowboy song is anything but the original. Completely reharmonized with extended phrases and a minor mode for the third verse will make it perfect for that concert or festival while still motivating with its contemporary harmonies.

Songlist: Cowboy Take Me Away, I Want to Be a Cowboy's Sweetheart, (Ghost) Riders in the Sky, The Colorado Trail, Home on the Range, The Streets of Laredo

Voicing: sheet-music/cowboy-songs/

Review: Here's a wonderful selection of well crafted arrangements African folk songs for unaccompanied female voices. "Amavolovolo" is a popular Zulu traditional song as arranged by Rudolf de Beer, former conductor of the Drakensbeg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authentic percussion and movement suggestions give this selection great visual appeal. "Ogo Ni Fun Oluwa" is an exuberant celebration of the birth of Christ through layered African polyrhythms and call-and-response vocal phrases. The singers encourage the audience to rejoice, shout and clap with them, making this selection a wonderful processional or concert opener. Percussion, Yoruba translation and pronunciation are included. "N'kosi Sikelel' I Afrika" is a dignified song, a Pan-African Anthem and is sung throughout the continent. This setting may be sung a cappella, or with chimes and layered percussion. "Mohlang ke kgotlelang hae" is a popular South African traditional song as arranged by Rudolf de Beer. What a vivid connection to the people and culture of that part of the world! Includes percussion and pronunciation guide.

Songlist: Mohlang ke kgotlelang hae (When I Return Home), N'kosi Sikelel' I Afrika, Ogo Ni Fun Oluwa, Amavolovolo

Voicing: a-cappella/arrangements/choral-african/

Review: Bobobo is a traditional dance of the Ewe people in the Volta Region of Ghana. There are many variations from village to village, and many songs may be used. A village rendition is a lively event and will often last all day or night. The popular worship song "Hakuna Mungu Kama Wewe " from Kenya can be performed in a variety of ways, by adding movement while singing, incorporating percussion instruments into the performance, or as a processional. Opening with a simple unison melody, the song progresses into two parts and finally adds a descant-like 3rd voice part. "Nakutakia Siku Njema! " is accessible for young choirs, and makes fun of common tourist phrases in Swahili, so don't look for a deep meaning in the text! A rhythmic pulse provides lots of fun for the singers and creates an exciting performance! "Duond Akuru" is based on the Kenyan phrase for "the voice of the dove" this composition combines the imagery of the African landscape and its musical essence.

Songlist: Bobobo Suite, Duond Akuru, Nakutakia Siku Njema! (Have a nice day), Hakuna Mungu Kama Wewe

Voicing: a-cappella/arrangements/choral-african/

Review: "The Wild Rover" - Once again, Mark Sirett has captured the spirit of a text and assigned it to the best possible voicing. Mark's arrangement is lively and robust. With its repeated chorus, it will be easy to learn and fun to sing. "Star of the County Down" - This Irish ballad is full of great singing for your multicultural programming. Excellent ranges for developing boy's voices and includes independent, unison and full three-part harmony writing. A lively flute and percussion part adds performance options. "Dear Old Ireland" - This traditional nineteenth-century Irish-Canadian lumberjack song is a lively jig and perfect for the young men of your choir. It is energetic and rhythmic with moderate ranges at both the upper and lower extremes. Great for recruiting! "Danny Boy" - This beloved Irish melody is perfect for teaching artistry and vocal technique with its gentle phrasing and imaginative expression. A wonderful selection for younger festival and honor choirs and contest! "Carrickfergus" - This traditional Irish tune, sometimes known as The Sick Young Lover, dates back to the mid 1800s. You will captivate audiences with this beautiful setting for male voices and piano

Songlist: The Wild Rover, Star of the County Down, Dear Old Ireland, Danny Boy, Carrickfergus

Voicing: world/ireland

Review: "Tatlo Sa Buhay" (Three Philippine Songs on Life) consists of a children's song, a lullaby, and a love song, this collection of folk tunes is full of lively rhythms and enchanting melodies. "Paruparong Bukid" - The Field Butterfly is a humorous song about the alikeness of a field butterfly to a 1900 Filipino lady dressed in her glamorous formal dress with tall butterfly sleeves. She struts swaying her hips down the aisle of the church as everyone looks on. The Filipino choral arrangements that George Hernandez has written are some of the most popular in the Pavane catalog. Also available in SATB divisi, P1364. For high school and college treble choirs. Medium difficulty. "Rosas Pandan" - This Filipino or Visayan folk song is about joy and love. George Hernandez, conductor of the Saringhimig Singers from San Francisco has captured the native flavor in this rousing arrangement. Selected for the Ron Kean Multicultural series, high school and college choirs will love it. "Halina't Umawit Sa Panginoon" - Begins gently but soon breaks into a dynamic and pulsating hallelujah section that is captivating. Treble choirs of all ages, medium difficulty.

Songlist: Tatlo Sa Buhay - (Three Philippine Songs on Life), Halina't Umawit Sa Panginoon, Paruparong Bukid, Rosas Pandan

Voicing: sheet-music/philippines/

Review: The highly successful French movie Les Choristes (The Chorus) was nominated for an Oscar for Best Foreign Language Film and "Vois sur ton chemin (See Upon Your Path)' was nominated for Best Original Song with the musical theme reoccurs throughout the movie and expresses the central image of the story: Joys of childhood, too quickly forgotten erased. A golden light shines steadily at the very end of the path. "Caresse sur l'ocean" is an enchanting melody with wonderful interwoven harmony, this expressive song paints an evocative image of a bird aloft on the wind, traveling far distances, from snowy far-off lands to castles in Spain. "Cerf-volant " is a buoyant song that beautifully depicts the image of a kite flying high in the air implying a child's imaginative wishes and dreams. "Lueur d'ete" dramatically portray the emotions, dreams and fears of the children in the story. Images of summer, like our childhood memories, remain always in our heart. Includes the original French and English lyrics.

Songlist: In Memoriam, Vois sur ton chemin (See Upon Your Path), Caresse sur l'ocean (Caress Upon the Ocean), Cerf-volant (Kite Flying), Lueur d'ete (Summer's Warm Light), Compere Guilleri

Voicing: sheet-music-world/French/

Review: As a Distinguished Professor at the University of Missouri-Kansas City Conservatory of Music and Dance, a prolific composer and recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters, Chen Yi blends Chinese and Western traditions, transcending cultural and musical boundaries.

Songlist: Sakura, Sakura, Arirang, Xuan, Written on a Rainy Night (Tang poem), Landscape, Know You How Many Petals Falling?

Voicing: a-cappella/arrangements/choral-asia/

Review: Commissioned by and dedicated to the Singapore Youth Choir, under the direction of Jennifer Tham, who premiered the works in July 2004 for their 40th anniversary celebration. Chen's unique musical language brings ancient texts and melodies into the current day; the resulting blending is still indicative of both realms. For better concert choirs looking for a diverse yet challenging program.

Songlist: A Single Bamboo Can Easily Bend, A Horseherd's Mountain Song, The Flowing Stream, The Sun Is Rising With Our Joy, Two Chinese Folk Songs

Voicing: sheet-music/china/

Review: "Mbiri kuna Mwari" is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare, Zimbabwe, in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The text is the Shona translation of the opening section of the Gloria of the Mass Ordinary. This traditional lullaby, "Thula, Babana," is from the eastern coastal region of South Africa. The singular sweetness of the melody has made it a favorite with South African choirs and audiences. In this arrangement, the melody is repeated several times, passing from one voice to the other, with a gradual variation and accumulation of accompanying texture, before fading into silence. Also included in this package is "Ghana Alleluia," "Kenya Melodies," and "African Celebration."

Songlist: Ghana Alleluia, Kenya Melodies, Mbiri Kuna Mwari, African Celebration

Voicing: a-cappella/arrangements/choral-african/

Review: An all a cappella collection of folk songs from a land where singing is second nature to most of it's inhabitants! Traditional folk song "Rosas Pandan" is a song of joy and love. George Hernandez, conductor of the Saringhimig Singers from San Francisco has captured the native Visayan flavor in this rousing and playful arrangement "Caturog Na, Nonoy" is a beautiful lullaby which features an alto solo accompanied by the choir. The joyful, Filipino Christmas Carol "Pasko Na Naman!" is a welcome addition to the season. George Hernandez, has masterfully arranged a simple SATB, a cappella setting that simply works!. High school, college and community choirs will love this piece. "Ay, Ay, Ay, O Pag-Ibig!" is a fun and lively arrangement of a traditional Tagalog folksong. Includes pronunciation and translation notes. "Paruparon Bukid" (The Field Butterfly) is a humorous song comparing a butterfly to a Filipina dressed in her glamourous formal dress with tall butterfly sleeves as she moves down the aisle of the church, swaying her hips as every one looks on.

Songlist: Caturog Na, Nonoy, Rosas Pandan, Pasko Na Naman, Ay, Ay, Ay, O Pag-Ibig!, Paruparong Bukid

Voicing: sheet-music/philippines/

Review: This set of seven movements uses a broad palette of choral orchestration. The first piece, "The Lands Around My Dwelling" (Inuit), features free and changing meters and frequent divisi. Movement two, "As My Eyes Search" (Chippewa), is energized by close canonic entries. Movement three "War Song" (Sioux), is a vigorous piece with canonic imitation and some tone clustering, starting with a single voice parts and expanding to full SSAATTBB texture. Movement four, "Love Song" (Nahuatl), in alternating 8/8 and 9/8 is a lyrical, rhapsodic setting of a ravishing text. Movement five, "Pleasant It Looked" (Winnebago), features a soprano soloist (imitating a boy soprano) and is a quiet meditation. Movement six, "Upward Going" (Tewa), is again move vigorous, and Movement seven "Two Dream Songs" (Wintu), concludes the work in a quiet benediction.

Songlist: War Song, Upward Going, Two Dream Songs, Pleasant It Looked, Love Song, The Lands Around My Dwelling, As My Eyes Search

Voicing: sheet-music/native-american/

Review: Fun settings of a traditional Estonian carols, these secular winter-themed songs reflects on the joys of winter and skating in a gentle waltz feel. Brisk and energetic songs with simple melody, limited ranges and shared rhythmic patters make them enjoyable for high school mixed choirs.. In Estonian, with a pronunciation guide and a singing English translation, this suits both beginning and more advanced mixed choirs, with quick and easy preparation for both choir and accompanist. Both Estonian and English text.

Songlist: Ule Lume Lagedale (Over Snowy Winter Roads), Skating (Uisutamas), Little Tommy's Choir

Voicing: sheet-music-world/Baltics/

Review: "Loch Lomond" is one of the most famous of all Scottish song - a song of friendship, of love, and of parting. While "Auld Lang Syne" has become one of the most familiar in our culture, oft used for ushering in the new year, it remains a heartfelt air, extolling enduring friendship and waxing nostalgic over the passage of time. "The Birks Of Aberfeldy" is a dance piece! Let the rhythm and accents hold sway as the piano rolics and the singers tease, tempt, cajole and invite the Bonnie Lassie! Also Included in this package is the hauntingly beautiful "Skye Boat Song," and "Afton Water."

Songlist: Skye Boat Song, Afton Water, The Birks of Aberfeldy, Auld Lang Syne, Loch Lomond

Voicing: sheet-music/scotland/

Review: The English lecturer, conductor, adjudicator, composer and arranger, Louis Halsey, studied music at Cambridge, where he sang in the celebrated King's College Choir, before embarking on a music career which has taken him all over the world conducting, lecturing, examining and adjudicating. Here are a collection of folk songs from each of the four countries in the United Kingdom.

Songlist: Going to Mass Last Sunday, My Love She's a Venus, O No, John!, Ye Banks and Braes

Voicing: a-cappella/arrangements/choral-england/

Review: Steven Sametz has earned increasing renown in recent years as both composer and conductor. He is the Ronald J. Ulrich Professor of Music and director of Lehigh University Choral Arts, one of the country's premiere choral programs. He also serves as Artistic Director for the elite a cappella ensemble, The Princeton Singers and is the founding director of The Lehigh University Choral Composer Forum, a summer course of study designed to mentor emerging choral composers. This is a wonderful collection of folk songs with songs from Bosnia, Thailand, Russia and Germany that will add a nice international flavor to your program.

Songlist: Kein Feuer, Keine Kohle, Kann Brennen, So Heiss, Ne Sedi, Djemo, Ngam Sang Duan, Pai Duli Vwihdui Ja

Voicing: a-cappella/arrangements/world-music/

Review: Selected for the Ron Kean multicultural series, these Serbian folk songs have been tastefully arranged by educator, Tina Harrington. Although these pieces can be performed alone, it is actually a partner with "Sano Duso." "Ajde Jano" is a playful love song that frolics and skips as its text celebrates dancing and singing. Even as the music shifts from F minor to major and back again, the ethnic modality transports you to Serbia. A more tender love song than its partner piece, they program perfectly together.

Songlist: Sano Duso, Ajde Jano

Voicing: a-cappella/arrangements/world-music/

Review: Selected for the Ron Kean Multicultural Series, "African Processional" utilizes sounds from African folk songs and a joyful chorus emerges with an occasional solo interjection. "Ning Wendete" is a traditional folk song from Kenya and is a conversation between a man and a woman. "I love you, but you do not love me. How is that? If you do not love me, you had better tell me so." Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice. "The Coca Cola Song" is a playful contemporary African folksong and is a lot of fun to perform with layered vocal parts, African percussion, and humorous references to the choir members singing. Celebrative and highly rhythmic, "African Noel" shines with energy and excitment. Contrasting dynamics and optional percussion make this one a real creative and refreshing Christmas selection. Beautiful in its simplicity, your choir will have fun with this one!

Songlist: African Processional, E Oru O, Ning Wendete, O Sifuni Mungo, An African Song Game (The Coca Cola Song), African Noel

Voicing: a-cappella/arrangements/choral-african/

Review: The first two South African Folk Songs are in Shangani. The first seems to be in recognition of the arrival of the first white settlers off the west coast of Africa, ostensibly in the 17th century. The second, Tulan, Nimamele!, speaks for itself. They are both best done in a strong, boisterous fashion. Freedom Come is The closing movement of Bandari: Inside These Walls, a five-movement work encompassing a variety of African styles and combining Swahili and English texts. Freedom Come is written in the style of a South African freedom song; it creates an atmosphere in which hope can increase, healing can occur, and connections to our common humanity can be strengthened.

Songlist: Two South African Folk Songs, Kpanlongo, Freedom Come, Keep quiet and listen, See, coming at a distance, the German ship

Voicing: a-cappella/arrangements/choral-african/

Review: Two distinctive cultures combine in the unique choral change-of-pace known as 'An Afro-Celtic Diddle.; Featuring African percussion and Irish-inspired vocals, this delightful piece is fun, fun, fun! Disney's powerful African song, 'One by One.' will bring down the house. 'Dubula' is a folk song of the Xhosa people of South Africa. The style is boisterous, party-hardy and open-throated. The South African Zulu song, 'Womoweh (Mbube),' was first recorded in the early 1940s by Solomon Linda. Pete Seeger later transcribed the song for The Weavers. Once adapted to their own style, it become one of their greatest hits. The Five African songs in 'Hamba Lulu' have a rhythmic energy that propels the music and stirs the human spirit. With a variety of performance options, this collection will be an outstanding addition to your choral library. Stephen Hatfield's fun tune, 'African Celebration' is gem that can be used in any concert series needing that extra world music flavor, it comes complete with a pronunciation guide to help you and your choir learn the music!

Songlist: An Afro-Celtic Diddle, One by One, Dubula, Wimoweh (Mbube), Hamba Lulu, African Celebration

Voicing: a-cappella/arrangements/choral-african/

Review: "Nukapianguaq" (pronounced Nuhk-ah-pee-ang-guaq) attempts to present Inuit music in a choral setting that remains as faithful as possible to the aesthetics of the original tradition. Inuit chants are usually reflective in nature and spiritual in intent. "On The Rooms" - An audience need not be familiar with the history of Newfoundland and Labrador, Canada's easternmost province, to get the sense that an epic story is unfolding before them. Based on the maritime heritage of Newfoundland and Labrador, this modern folk song creates an atmosphere of sea air and hard work. The arrangement of this beautiful Indian song "Land of the Silver Birch" was made by the Finnish music educator Pentti Paalanen in the 1970s for his high school choir in the town of Joensuu. Since all three verses are set to the same music, the necessary contrasts must come from a careful consideration of the text. These contrasts, or variations, need not be very great, however, as a certain monotony and mystery belongs to the character of this song. This Canadian Folksong "Petty Harbour Bait Skiff" describes the tragic sinking of a Bait Skiff near Petty Harbour in 1852, losing all but one of the crew.

Songlist: On The Rooms, Land of the Silver Birch, Nukapianguaq, Petty Harbour Bait Skiff, Oolichan

Voicing: a-cappella/arrangements/choral-canada/

Review: "Big Bunch a Little Bunch" is a traditional Bahamian song about the many beloved recipients of a woman's roses. This lively, rhythmic arrangement for mixed choir is ideal for a world music concert or other festival performances. "Ripe Tomata Green Peas" is a traditional market song by Bahamian composer/conductor Cleophas Adderley offers a light-hearted treatment that is sometimes solemn, sometimes frenzied. With optional hand percussion, this a cappella setting will bring your concert to a spirited conclusion! "Jamaican Noel " is a bright and cheerful original that will surely be heard resounding throughout the halls of your school - it's that irresistible! The delightful settings of "Three Bahamian Folk Songs" are by the founder and director of the Bahamas National Youth Choir and will add a little caribbean calypso to you program. What fun!

Songlist: Big Bunch a Little Bunch, Ripe Tomata Green Peas

Voicing: sheet-music/carribean/

Review: Beautiful lyric lines and warm harmonies are the centerpiece of Philip Lawson's stunning a cappella setting 'Danny Boy'. This work is sure to leave your listeners spellbound! 'Geordie' is a colorful and lively Scottish ballad telling the tale of Lady Ann, gone to Edinburgh to save her man Geordie from wrongful execution. Each of the four vocal parts has its chance to sing! In 'Celtic Lullaby,' english composer David Fanshawe has crafted a song of delicate beauty and rich nuance based on a traditional Celtic melody. May be performed for Christmas and other concert programs. The beautiful 'Irish Blessing' text is creatively set in an expressive a cappella original work by Audrey Snyder.

Songlist: Danny Boy, Geordie (How the Lady Saved her Man), An Irish Blessing

Voicing: sheet-music/ireland/

Review: Unusual and charming but not unduly difficult, this fun arrangement by honored Canadian choral master Jon Washburn can be sung in either transliterated Chinese or in English. Includes 'Kang Ding Love Song' and 'Looking for Plum Blossoms in the Snow.' "Hsiao Cheng Ku Shih" and "Diu Diu Tang" are skillfully interwoven in this unique setting for Philip Lawson of the King's Singers. "Mo Li Hua" - Numerous composers have been drawn to the haunting melody of the popular Chinese folk song Jasmine Flower. This setting seeks to restore the tune to a more authentic stylistic palette with a few Western elements. For mixed voices, soprano solo, flute and optional plucked instrument, includes translation and transliteration.

Songlist: Chinese Melodies - Two Songs on Love and Nature, Two Chinese Folksongs, Diu Diu Tang, Mo Li Hua, Hsiao Cheng Ku Shih

Voicing: sheet-music/china/

Review: Christmastime should certainly be a time for peace around the world so add an international flavor to your holiday program by including some Christmas songs from other nations. "Jamaican Noel" is a bright and cheerful original by Kirby Shaw and will surely be heard resounding throughout the halls of your school - it's that irresistible! Noted choral arranger John Bertalot with a delightful arrangement of " Calypso Carol". The traditional Spanish carol " Fum, Fum, Fum" highlights the night of Jesus' birth in joyful celebration! Light vocal style is highlighted by the placement of an "extra" quarter rest! Fresh! The joyful Filipino Christmas Carol "Pasko Na Naman: is a welcome addition to the season. San Francisco conductor and arranger George Hernandez, has masterfully arranged a simple SATB, a cappella setting that simply works!. High school, college and community choirs will love this piece.

Songlist: Fum, Fum, Fum, Les Anges Dans Nos Campagnes (Angels We Have Heard On High), Four Carols of Other Nations, Rocking Carol

Voicing: a-cappella/arrangements/christmas/world-music/

Review: Lajos Bardos' Hungarian composition, 'Erik A Som,' has easy melodies and harmonies, the challenge comes with the text, as the Hungarian language is a bit more difficult, than others, to learn. Hungarian words are always accented on the first syllable. There are no diphthongs; if two vowels appear together, each is distinctly pronounced. A helpful guide to learn how to speak the text is included. 'Chindia,' is perhaps Pascanu's most famous composition. It is based on an instrumental Romanian folk dance by the same name. 'Chindian' besides being the name of a folk dance, refers both to the time of day just before the sun sets and to the place in the sky where the sun goes down. The dance is perfomed by both men and women in a closed circle, the dancer's arms on each other's shoulders. A vigorous dance, it uses small steps, and may include amusing, somewhat athletic stunts. This wordless piece is very exciting to sing! 'Sednalo e Djore dos' is based on a very famous Bulgarian folk tune that has circulated in the oral tradition of Bulgarian folk singers for many years. It is characterized by its short and repetitive melodic line flavored with a lot of humorous energy. In this arrangement, the arranger has paraphrased the melody slightly thus allowing it to become a good foundation for harmonic variations. Ivan Hrusovsky's 'Rytmus' has excellent, fun rhythms along with great (but relatively simple) harmonies. The latin text moves niceley with the melodies.

Songlist: Rytmus, Sednalo e Djore dos, Chindia, Erik A Som (The Cherries Ripen)

Voicing: a-cappella/arrangements/world-music/

Review: Cantor Rena Shapiro's take on the Israeli classic "Eili, Eili" is a fantastic a cappella addition to any repertoire. The setting's savvy utilization of just three voices gives it lots of mileage with a beginning choir but provides plenty for an advanced one to work with in terms of expression and nuance. The piece includes sections in both Hebrew and English. The flowing, contrapuntal movement in Cantor Davidson's setting of Psalm 121 ("A song of ascents...") is at once modern and madrigal, and provides options for singing in English, Hebrew, or both. The song S'Vivon depicts the Hanukkah dreydl, a small top with four sides. Each side of the dreydl contains one of the four Hebrew initials of the phrase, "(A) Great Miracle Happened There."

Songlist: Eili, Eili, Shir Hama'alot, S'Vivon

Voicing: a-cappella/jewish/

Review: "Casita de Campo" is one of the most popular love songs from the Dominican Republic. It describes a modest, and yet beautiful, little rural house in the Cibao region where the composer evokes the consummation of a passionate and virginal love. It is a "cancion-bolero," a typical Caribbean romantic song form in quadruple meter, slow-paced, which is also a centerpiece of serenades. "Chanflin" is a typical Dominican merengue in its melody and form. Chanflin is a young woman, very good looking. The merengue section refers to a "neighborhood gossip." The jaleo section refers to Chanflin dressing in a finicky manner. "La Lluvia" is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. With percussion. "Son de Camaguey" is a Cuban folk song from which the composer takes the refrain and then frames it with kaleidoscopic patters of ostinati inspired by the song, and by Afro-Cuban music in general. "O Sapo" - In this irresistible Brazilian song setting, vocal lines imitate percussion patterns to create a truly infectious groove. Newly arranged for SSATB chorus. With optional percussion.

Songlist: O Sapo, Maquerule, Casita de Campo, Chanflin, La Lluvia, Son de Camaguey

Voicing: a-cappella/arrangements/choral-latin-america/

Review: Written for the Harvard Glee Club, this arrangement of 'Skye Boat Song' is men's choral singing at its best! Jameson Marvin sets this beautiful Scottish folksong combining both the jauntiness of a sailor's air and the sensitivity of a lullaby. From the Mark Foster catalog, 'What Wondrous Love Is This' is another well-loved folk hymn arrangement from J. Harold Moyer. Written for the Kansas Mennonite Men's Chorus, Moyer has taken a beautiful folk hymn and crafted it into an exquisite choral anthem. Using the modal folk melody, he has embellished the harmony with broad, open chords and scalar movement, giving the piece a chant-like quality. The a cappella arrangement of 'Home on the Range' bursts with colorful harmonies and textures which expertly interpret the text. Described by some as a "perfect melody," this American standard gives your ensemble a chance to show off their impeccable tuning and blending abilities for concert, contest, or festival. Features unison phrases, brief solo sections, and lush, unexpected harmonies. A traditional Irish folksong, 'The Minstrel Boy,' is a fun and exciting four part men's arrangement. The baritone solo in the middle of the piece is definitely noteworthy! 'Tenting On the Old Campground' is known as the most popular 'melancholy song' of the Cival War. It was written in 1862 by a concert ballad singer from New Hampshire wh was deferred from army service because of 'feebleness of constitution.' But he did sing it for Union troops in the field. The song appealed to soldiers on both sides of the conflict. This would be a great addition to your concert! 'Let's Drink!' is a fun three part men's piece that can be sung during your concert or even at the after-party!

Songlist: Home On The Range, Let's Drink, Minstrel Boy, Skye Boat Song, Tenting on the Old Campground, What Wondrous Love Is This?

Voicing: a-cappella/arrangements/ttbb/

Review: "Kalinka" is about a young man sitting under a red berry bush (Kalinka), singing of his feelings for his sweetheart. The expressiveness of the song is achieved through the contrast between a lively and rhythmic chorus and the more legato and subdued verses. The Russian folk song "One Day By The River A Young Cossack Roamed" is transcribed and arranged here based on a version sung by Olga and Kristina Bashirin in Irkutsk, Russia, in July of 1993. Includes both English and Russian text with pronunciation guide for the Russian. "The Birch Tree" Arranged by Stanislav Gribkov, the artistic director and chief conductor of the St. Petersburg TV and Radio Choir, this intricate setting sounds harder than it is.

Songlist: Kalinka, One Day By The River A Young Cossack Roamed, Birch Tree

Voicing: cds/russian-choral-music/

Review: Norway is a country rich in folk tradition, and in these piece, elements of folk dance and instrumental music are clearly represented. These tunes are fun, singable, and would fit perfectly on a program of multicultural music, or as a stand-alone on a concert of a more diverse nature. Complete IPA guide included. "The text exists merely to give form to the music and is meaningless," says Finnish composer Mantyjarvi, whose "El Hambo" in 1999 was an instant success with American high school choirs. In "Pseudo-Yoik" he takes a humorous look at the stereotype of the Lapland folk music. Fun stuff!

Songlist: Pseudo-Yoik, God Morgan Ola Reppom, Ned I Vester Soli Glader, Ekorn Gjekk pa Volln og Slo

Voicing: a-cappella/arrangements/choral-northern-europe/

Review: Add a breath of salty sea air to your repertoire with one of these traditional sea chanties. Lots of fun to sing and with performance notes. Originally from England, where "All for Me Grog" was heard in music halls as well as on ships, the shanty was sung while working the capstan and the halyard. Swedish composer and conductor, Robert Sund wrote this playful arrangement of "What Shall We Do With The Drunken Sailor?" leaving ample room for both women and men to excel in this well-known sea chantey. The tongue-twisting text brings this arrangement to an impressive ending!

Songlist: Blue Whale, Slugs, Fish, Fish, Fish, Fish

Voicing: sheet-music/sea-shanties/

Review: Sea shanties are an early tradition in a cappella music and are great fun to sing. Here we offer a selection of classics for male voices. The English sea shanty "All For Me Grog", already a success in SATB and 3-Part Mixed voicings, is now available for men's chorus, just the way it would have been heard originally when sung by sailors as they pulled long heavy ropes on early Navy vessels. Noted arranger Vijay Singh brings us three classics that will provide excellent programming materials for male quartets, ensembles and choirs. "Leave Her, Johnny, Leave Her" is a playful arrangement in which the ensemble encourages one of its own (Johnny) to bid farewell to his female shore leave companion. Encourage the singers to imagine they are loading the ship for departure and watching with amusement as young Johnny tries to bid his lady farewell. 'Bangidero" is derived from a traditional sea chantey in which a crew sings of admiration for its captain and his tales of shore leave opportunities in South America. "Her Bright Smile", based on the plaintive words of an anonymous sailor poem, details the sailor's loneliness and longing for his ladylove. Marshall Bartholomew, arranger for much of the Yale Glee Club repertoire, does a fine job with the traditional "What Shall We Do With The Drunken Sailor?".

Songlist: What Shall We Do With The Drunken Sailor?, Leave Her, Johnny Leave Her, Bangidero, Her Bright Smile, All For Me Grog

Voicing: sheet-music/sea-shanties/

Review: "Rain, Rain, Beautiful Rain" - The famed South African vocal group Ladysmith Black Mambazo led by Joseph Shabalala creates moments of transformative beauty with their unique sound and vivid imagery. Choirs will enjoy recreating this evocative work. "Harambee" - In Kenya, the Swahili word harambee has multiple meaning. When a group of people gather to complete a difficult physical task, they often say, "one, two, thre ... harambee!!" In this context the words means: "let's go, let's get it done." A special gathering to raise money for building a church or school is also called a harambee. These gatherings often feature long speeches, music and dancing. In the context of this composition, harambee means unity - working together. In a time of increased multi-cultural awareness, Bwana Awabariki offers an ideal piece of African culture for both churches and schools. The song emphasizes rhythm, blend, and African-style vocalism with broad, open chords and the familiar low, low bass part. This warm a cappella blessing would be especially effective with added percussion. This a cappella setting of a traditional South African praise song "Gabi, Gabi" just bursts with joyful energy. Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice.

Songlist: Rain, Rain, Beautiful Rain, Harambee, Bwana Awabariki, Gabi, Gabi

Voicing: a-cappella/arrangements/ttbb/

Review: "Toshima Mochi Tsuki Bushi" is a Japanese folk song from Tokyo-To (Tokyo District). It is celebratory in nature, and implies that it might be sung as a work song while pounding rice into rice balls (mochi). The making of mochi is a collaborative family activity associated with the new year. Comprised of a children's song, a lullaby, and a love song, this collection of Filipino folk tunes is full of lively rhythms and enchanting melodies.

Songlist: Toshima Rice Pounding Song, Pen-Pen de Sarapen, Salidummay, Pamulinawen

Voicing: a-cappella/arrangements/choral-asia/

Review: Rollicking and upbeat, this playful setting of 'Tell My Man,' a traditional Irish children's song, is accented with hand-clapping and foot-stomping. Limited ranges and familiar harmonies enhance its accessibility and make it a winner! The King's Singers bring home a winner with their arrangement of 'Irish Lullaby.' Both fun and challenging, this soothing 6-part gem is sure to be enjoyed by all. Fred Prentice's compelling arrangement of 'O Danny Boy' has a beautiful tenor solo and rich 8 part harmony throughout. Another King's Singers classic, 'She Moved Through The Fair,' this beautiful Irish ballad is one of the their favorite and most-requested concert selections. With 'The Irish Blessing,' Joyce Eilers Bacak uses the traditional lyric, "May the road rise to meet you." Her a cappella creation makes a moving, easily-taught concert closer.

Songlist: She Moved Through the Fair, The Irish Blessing, O Danny Boy, Tell My Ma

Voicing: sheet-music/ireland/

Review: This setting of one of America's favorite folksongs "Shenandoah" is a great opportunity for students to perform an a cappella work. As the piece floats along, propelled by a gentle surge of eighth notes symbolizing the "rollin' river," dissonances and melodic shifts lie beneath to challenge your choir. "All For Me Grog" - The rough and tumble life of a sailor and his adventures on the high seas is celebrated in this rousing English sea shanty known from Nova Scotia to Australia. This a cappella setting of a traditional South African praise song "Gabi, Gabi" just bursts with joyful energy. Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice.

Songlist: Gabi, Gabi, All For Me Grog, Shenandoah

Voicing: a-cappella/arrangements/3-parts/

Review: Several variants of the famous English folk ballad "Barb'ry Ellen" are incorporated into this evocative setting for women's voices. First performed by the Varsity Women's Choir of Appleton North High School, James Heiks, conductor. "Ya Faraoule" is a combination of Christian Lebanese songs of romantic longing with Muslim Egyptian songs of romantic joy. There are plenty of sensuous, serpentine Middle Eastern lines for singers. The gentle and expressive arrangement of "Danny Boy" works equally well highlighting a solo or small ensemble. A music that celebrates the Australian continent and its peoples. "Kungala" is a typically energetic and inventive piece, using gesture and stage movement as well as vocalisation to create an atmosphere of energy and joy. "Queen Jane" - A slow melody of breathtaking beauty of an old ballad on Jane Seymour, third wife of Henry VIII. Lots of opportunity for storytelling - the sopranos are Jane, 2nd sopranos the Narrator and the altos are Henry. Moving and sad.

Songlist: Queen Jane, Ya Faraoule, Danny Boy, Kungala, Three Chinese Songs

Voicing: a-cappella/arrangements/world-music/