Review: "Carols of the Nativity" is a set of treasured carol texts featured in these original new contemporary settings by composer Richard Hynson. Each carol has its own distinctive charm and together they create a profoundly beautiful effect. Includes: "Angels We Have Heard on High," "Infant Holy, Infant Lowly," "It Came Upon the Midnight Clear." The powerful setting of the cherished Christmas, "O Holy Night'" standard is ideal for mass finale or processional use. Builds to a dramatic conclusion! "Masters In The Hall" is presented in an exceptional a cappella setting which emphasizes the beauty of this traditional French carol. The distinctive choral artistry of conductor Dale Warland is clearly evident in this expressive choral version of "Of The Father's Love Begotten." The simplicity of the melody and the compelling majesty of the text are captured in an a cappella setting "Silent Night." Also included in this package is an arrangement of Britten's "The Holly And The Ivy".

Songlist: Masters in This Hall, O Holy Night, Of the Father's Love Begotten, Silent Night

Voicing: a-cappella/arrangements/christmas/choral/

Review: "Silent Night" is set in an exquisite new musical setting! Beautiful countermelody and lyrical piano writing enhance a wonderfully refreshing new text! Excellent for all ages, school and church! "O Blessed Christmas" is an original Christmas work by Stan DeWitt with a Frank Pooler text is absolutely stunning! Ideal for high school choirs and beyond. In this gentle a cappella setting, Mac Huff inventively weaves together two Christmas classics "Still, Still, Still," and "Silent Night" for a magical effect. Your choir will love sharing the "good news" with this brand new arrangement of "Glory Hallelujah To The Newborn King" by Roger Emerson. Guaranteed to bring down the house! Also included in this package is "Fanfare For Christmas," and "Mary Did You Know?."

Songlist: One Still and Silent Night, O Blessed Christmas Night, Glory Hallelujah To The Newborn King, Mary, Did You Know?, Fanfare For Christmas

Voicing: a-cappella/arrangements/christmas/contemporary/

Review: The a cappella, Fred Prentice arrangement of " Sing We Now Christmas" has been a popular selection for years and was made popular by the Dale Warland Singers. "See Dat Babe" was selected for the Paul A. Smith Choral Series, and this Christmas spiritual features excellent writing for the a cappella choir, with all the rhythm and vigor to bring the house down. Every a cappella choir will want " Christmas Is A-Comin'" on their Christmas program. Jack Halloran, of "Witness" fame, has captured an all-American sound in this energetic piece. His a cappella arrangements have a distinctive flavor that makes them choral favorites. An excellent choice for the Christmas season. "The Blessed Child" - Donald Bailey, Choral Director from Baylor University, has created a beautiful Christmas selection for a cappella voices. In this setting, the choral parts flow through tender suspensions to warm resolutions. Although a sacred text, the piece will find a place in many college and good high school venues as well. Three delightful Christmas miniatures complete the package.

Songlist: The Blessed Child, Christmas Is A-Comin', Sing We Now of Christmas, See Dat Babe, Three Christmas Miniatures

Voicing: a-cappella/arrangements/christmas/choral/

Review: "Have Yourself a Merry Little Christmas"s is most often identified with Judy Garland's stirring performance. This new Russ Robinson setting with its rich a cappella harmonies is simply marvelous. Your audience and singers will all delight in hearing this exceptional Christmas favorite. "Dance of the Sugar-Plum Fairy" - Using this famous movement from the timeless holiday ballet The Nutcracker Suite, this new 3-part voicing of Jeff Funk's popular choral arrangement provides a wonderful performance opportunity for school choirs. Lighthearted programming for holiday concerts. "Christmas a la Fa La La" Something new and different for the holidays! This fantastic choral work quotes moments of your favorite carols, all on a "fa la la" text-that is until a bit of the "Hallelujah Chorus" appears near the end. Festive fun for everyone! Can be sung a cappella or with the optional keyboard accompaniment. "The World's Desire" is an exquisite madrigal-style carol using a text by the respected English author, G.K. Chesterton. TThis lovely anthem is perfect for worship or concert, and church or school during the season of Christmas. Don't miss this tremendous jewel! "Christmas Eve is Here" - A fresh approach to this early French carol. Polyphony resounds as sections of the choir perform unique and overlapping lines in a minor mode. Performance options include any combination of a cappella choir, handbells or tonechimes, piano, hand drum, and tambourine. Impressive.

Songlist: Christmas Eve is Here, Noel, Noel!, Dance of the Sugar-Plum Fairy, Christmas a la Fa La La, The World's Desire (A Christmas Carol), Have Yourself a Merry Little Christmas

Voicing: a-cappella/arrangements/christmas/3parts/

Review: 'Lullay, Lullow' (aka 'Mary's Lullaby') is a 2 part arrangement of the 15th Century English carol. Short, but sweet, this carol is perfect for your beginning choir. Betty Bertaux's 3 part arrangement of 'The Holly and the Ivy' is an excellent edition to your Holiday program, and it also is a great tool to help your children's choir learn to sing polyrhythmic harmonies. 'Christmas Bells' is based on the text written by Heny Wadsworth Longfellow, which he wrote in 1863. During that Christmas season, his son was critically wounded in a war, and the text expresses his anguish over war and his longing for peace on earth. The message is as timely today as it was over 125 years ago. While technically challenging, this setting is a must have in your repertoire! Mary Goetze's arrangement of 'Wexford Carol' (from Ireland) has exquisite 3 part harmonies and gives that special voice in your choir the opportunity for an 8 measure solo. Her arrangement of 'Infant Holy' is another 3 part masterpiece, not to be missed! Both pieces would work well for an advanced children's choir or young women's choir.

Songlist: The Holly And The Ivy, Christmas Bells, Wexford Carol, Infant Holy

Voicing: a-cappella/arrangements/christmas/3parts/

Review: The gentle arrangement of the Basque traditional tune, 'O Bethlehem,' uses subtly deployed drones to mark it as a shepherds' carol. The paraphrased text is suitable for general Christmas use, especially on Christmas Eve. The medieval English carol, 'What Tidings Bringest Tho, Messenger?' has question-and-answer dialogue between refrain and verses, making it very effective for pageant performance, as well as for church or concert use. Thie full, yet gentle setting of the beloved Christmas hymn, 'Silent Night' is perfect for a candlelight service or quiet concert closer. The low, rocking chords of the background choral parts are the same for all three stanzas. Interest is built by the addition of a second-stanza solo and third-stanza descants. Experiment with assigning the descants to instruments, or with supporting or replacing the lower voices with organ.

Songlist: Lullay! Lullay! Lytel Child, O Bethlehem, What Tidings Bringest Thou, Messenger?, Silent Night, Hodie, I Sing of a Maiden, Lullay! Lullay! Lytel Child

Voicing: a-cappella/arrangements/christmas/ssaa/

Review: 'He is Born' is fun to sing, with varied textures and has a great variety of compositional techniques. 'My Dancing Day' is a popular old English text and carol, perfect for High school choir Christmas concerts or church choir. It has a variety of contrasts and vocal colors. 'O Holy Child' is a lovely, original carol with lilting "Alleluia" refrains and contrasting introspective verses. Thought provoking textual imagery. Basically two musical ideas (refrain and verse) repeated several times. It is koyful to learn, rewarding to perform and requires flexibility and sensitivity from the singers. 'This Night Did God Become a Child' is a 3-stanza homophonic setting with syncopated "Alleluias" and antiphonal-echo effects. In 'There Is No rose of Such Virtue,' arching melodic line and warm harmonies join hands in the elegantly simple setting for the Christmas season. Laubengayer's arrangement of 'Silent Night' has the traditional text set to a new tune.

Songlist: He Is Born, My Dancing Day, O Holy Child, This Night Did God Become a Child, There Is No Rose of Such Virtue, Silent Night

Voicing: a-cappella/arrangements/christmas/choral/

Review: Develop your choir's a cappella skills with "Alleluia Madrigal", a straightforward original madrigal by Donald Moore. Traditional harmonies, modest ranges, and lots of repetition make it a quick-learn piece. Contrasting dynamics and a lilting three-four meter create a joyful song that is good for Christmas or general use. "What'cha Gonna Bring For Christmas?" - Feature your best solo crooner(s) on this '50s inspired a cappella chorus that begs Santa for a timeless teen wish: "Won't you bring me someone to love?" The choir serves equally as the featured act (of the chorus and bridge) and the backup singers (for two dreamy verses). The final falsetto phrases and 7th chord cadence deliver a sweet doo-wop ending. "Christmas Eve Is Here" - A fresh approach to this early French carol. Polyphony resounds as sections of the choir perform unique and overlapping lines in a minor mode. Performance options include any combination of a cappella choir, handbells or tonechimes, piano, hand drum, and tambourine. Impressive. "Come, See The Baby" is a new, original Christmas spiritual by Jay Althouse. This full-sounding work features much three-part singing over a solid, traditional bass part, as well as an echo section between the women and the men. Sudden dynamic changes are powerful and effective (and simple to sing).

Songlist: Come, See the Baby, What'cha Gonna Bring For Christmas?, Christmas Eve Is Here, Noel, Noel!, Look Up, Children, Alleluia Madrigal, Come, See the Baby, Carol of the Drum

Voicing: a-cappella/arrangements/christmas/choral/

Review: "Christmas On Broadway" - Raise the curtain and cue the lights! Sure to get any audience into the holiday spirit, this 6 minute medley is a lively choral showcase from Broadway's greatest composers! "A Soulful Christmas" - Hey soul sister, you'll love this sweet R&B flavored medley! Add your best moves and you'll have a wonderful showcase for girls'groups of all ages. Five minutes in length. "A Glee-ful Christmas" - Join the cast of Glee as they spread Christmas cheer with dazzling renditions of these holiday classics in a 10-minute medley that will add sparkle to every December concert! "A Pentatonix Chrsitmas" - The Pentatonix Christmas albums are among their most popular. This 7.5-minute medley combines four of their recent holiday hits for a wonderful seasonal showcase for pop, jazz and concert choirs.

Songlist: Christmas On Broadway (Medley), A Soulful Christmas, A Glee-ful Christmas, A Pentatonix Christmas

Review: "A Jingle Bell Christmas" - This is a jingle bell medley just for SSA choirs that will almost sing itself! Super easy and a blast to perform. "An Angelic Christmas Medley" - Beginning with a light jazz feel and optional a cappella voices, this medley floats along with contemporary piano accompaniment and touches upon the angelic lyrics of well-known Christmas carols. A beautiful selection for both secular and sacred settings. "Angels!" - Three favorite carols combine to create a Christmas showcase with a contemporary flair! Rhythmic energy brims in this 3-minute setting with unexpected lifts and choral fanfares

Songlist: A Jingle Bell Christmas (Medley), An Angelic Christmas Medley, Angels! (Medley)

Review: Very cool! A rhythmic and refreshing twist on a holiday favorite! "God Rest Ye Merry, Gentlemen" features dynamic syncopation and vocal interplay between parts. The traditional melody is presented in a slightly less than traditional way amidst the dramatic vocal ostinatos and countermelodies of the other parts, then finishes with fabulous glee club choral sound. "Go Tell It on the Mountain" has always been one of our livelier Christmas traditions and Carolyn Jennings's arrangement and additional text is spectacular. This exuberant arrangement for men's voices is bubbling over with joy and good tidings. Great for glee club or men's chorus, or to give the male voices in your mixed choir a moment in the spotlight. This is a real showstopper. "We've Got Good News to Tell!" -With more than eighteen million copies of his works have been sold Don Besig is the recipient of several ASCAP Special Awards. "Jesus, What a Wonderful Child" - Rollo Dilworth's exciting arrangement of this gospel favorite is an exuberant celebration of the birth of Jesus, our Savior and King. This driving, energetic anthem is full of spirit and joy! It will stand on its own with piano only, or add some sparkle with the optional trumpets and rhythm section. A tried and true winner!

Songlist: Go, Tell it on the Mountain, We've Got Good News to Tell!, God Rest Ye Merry Gentlemen, Jesus, What a Wonderful Child

Voicing: a-cappella/arrangements/spirituals/male/

Review: William Powell has adapted Rosephanye Powell's original setting of "Glory Hallelujah To Duh Newbo'n King" for TTBB singers. The results are marvelous. This great, energetic Christmas Spiritual soars with the male voice. Church and school choirs will find this piece an excellent addition to their program. Rehearsal Trax available separately. "The Glory Manger" - Well-written straightforward arrangement of one of the more unusual spirituals, suitable for a holiday concert or worship service. Familiar harmonies make it an easily learned, readily programmed piece. The original Christmas spiritual "Mary Sat A-Rockin'" will delight the congregation. Beginning with a bass ostinato line, the tenors join, and then the women enter in a rhythmic and energetic pattern. Including some divisi for the women, and an interesting key change, "Mary Sat A-Rockin'" explores the full range of dynamics and will be a memorable selection for Christmas.

Songlist: Follow That Star To Bethlehem, Glory Hallelujah To Duh Newbo'n King, Mary Had A Baby, The Glory Manger, Mary Sat A-Rockin', Follow That Star To Bethlehem

Voicing: a-cappella/arrangements/christmas/spirituals/

Review: This package contains four, lush quid of vocal harmony for you and your mixed-voice ensemble, including "Only the Moon Has Secrets," based on a poem that speaks of the moon keeping a child "from fear and from harm" while pursuing its "bright silver journey" across the sky. Also featured is "Amor de mi Alma," based on a highlight of Spanish Renaissance poetry by Garcilaso de la Vega. Also included are "Blow the Candles Out" and "Music, hen the Soft Voices Die."

Songlist: Music, When Soft Voices Die, Blow The Candles Out, Only The Moon Has Secrets

Review: A collection of songs suitable for funerals or memorial services. The hearty folk hymn "I'm Going Home" has a strength and vitality so typical of the songs of the Sacred Harp. I'm Going Home was featured in the oscar-nominated film, Cold Mountain, and Pepper Choplin's accessible a cappella arrangement is destined to be just as successful. Simple, but not simplistic, this sturdy chorus will stir the soul. "Depart in Peace" is a wonderful closing for any service. Your congregation will leave with this blessing in song echoing long after. Everyone needs good benedictions and parting blessings and no one does them better than Don Besig. He features a new version of the classic "God Be with You Till We Meet Again" as well as several other original blessings to round out this useful grouping. The writing is well-suited to choirs of every level of achievement. Essential! The anthem "We Are Not Alone" touches the heart with its reassuring message of God's faithfulness and power. The choir supplies rhythmic energy with its repetitive phrase, We Are Not Alone, while the soloist glides above in smooth sustained lines. The piece will leave the congregation singing this simple but profound truth long after the service has ended.

Songlist: I'm Going Home, A Parting Blessing, Depart In Peace, God Be With You Till We Meet Again, We Are Not Alone

Voicing: a-cappella/arrangements/sacred/

Review: The text of "Wind Song" is derived from the names for different types and characters of winds found all over the globe. Each wind is presented in its own language, and the mood of each is reflected in the music. Written to excite and intrigue, the creative and improvisatory work for women's choir "'s No Wonder" highlights the double meaning of the title. It's no wonder that winter itself creates snow wonder. The musical structure of "How Can I Keep From Singing?" is similar to the well known American folk hymn, Amazing Grace. A verse of Amazing Grace is included in the last section of this arrangement. "Songs From Gahu is a recreational piece of the Ewe (eh-weh), who live in Ghana and Togo, West Africa. Gahu" is a rich texture of singing, dancing, drumming, drama and the visual impact of colorful costumes. It originated in Nigeria and was brought to Ghana in the 1950's by Ewes who had travelled there, "Gahu" means "expensive dance" and refers to the elaborate nature of the costumes. These four songs (among many others) accompany the dancing and drumming of Gahu.

Songlist: Songs From Gahu, How Can I Keep from Singing?, 's No Wonder, Wind Song

Voicing: a-cappella/arrangements/treble/

Review: Russell Robinson has now adapted this widely performed madrigal "Sing We and Chant It" for treble choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5-part work. The quintessential madrigal, it features dynamic variations, much repetition for quick learning, and an open score for easy reading. Russell Robinson has adapted "Fire, Fire", one of Thomas Morley's most enduring madrigals, for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range...great for changing voices. The independent vocal lines make it an excellent learning piece and a perfect "first madrigal" for any choir. Carefully tailored to the needs of middle school and junior high singers. "All Ye Who Love Music" was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basically the same; however, Parts II and III have been arranged iin such a way as to limit the range and for ease of singing, while retaining the sound and flavor of the original. As will all Renaissance madrigals, this piece should be sung lightly and lyrically. This trio of fresh, new, madrigals from Jay Althouse is a valuable addition to the choral repertoire mixed choirs. The first is in a traditional madrigal style, with a "fa la la" section and features and echo chorus. The second is lush and lovely, homophonic in nature, with a thought-provoking text. The third is up-tempo and includes an optional hand drum: it could be used as a processional or at a madrigal dinner. Use any or all of the three for concerts, contests, and adjudications.

Songlist: Fire, Fire, Come Celebrate This Festive Day, How Fair a Rose?, All Ye, the Music Makers, Sing We And Chant It

Voicing: a-cappella/arrangements/3-parts/

Review: New for SSA! Russell Robinson has now adapted this widely performed madrigal "Sing We and Chant It" for treble choirs. It's superbly reduced to preserve the harmonic and melodic structure of the original 5-part work. The quintessential madrigal, it features dynamic variations, much repetition for quick learning, and an open score for easy reading. Russell Robinson has adapted "Fire, Fire", one of Thomas Morley's most enduring madrigals, for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range...great for changing voices. The independent vocal lines make it an excellent learning piece and a perfect "first madrigal" for any choir. Carefully tailored to the needs of middle school and junior high singers. "All Ye Who Love Music" was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basically the same; however, Parts II and III have been arranged iin such a way as to limit the range and for ease of singing, while retaining the sound and flavor of the original. As will all Renaissance madrigals, this piece should be sung lightly and lyrically. This trio of fresh, new, madrigals from Jay Althouse is a valuable addition to the choral repertoire SSA choirs. The first is in a traditional madrigal style, with a "fa la la" section and features and echo chorus. The second is lush and lovely, homophonic in nature, with a thought-provoking text. The third is up-tempo and includes an optional hand drum: it could be used as a processional or at a madrigal dinner. Use any or all of the three for concerts, contests, and adjudications.

Songlist: Sing We and Chant It, Fire, Fire, All Ye Who Music Love, Come Celebrate this Festive Day, How Fair a Rose, All Ye, the Music Makers

Voicing: a-cappella/arrangements/madrigals/

Review: "With The Sound of Singing" - Let music fill your heart with joy in this delightful madrigal style piece. Easily learned and a great concert change of pace! "This Day Of Joyful Pleasure" is a perfect piece to introduce madrigal style. Easy ranges; voices may be doubled by instruments. "Sweeter Than The King's Wine" is a fun original madrigal by the talented Stephen Hatfield that mixes light, dancing textures of the madrigal with a soulful singing style. Here's a 3-part a cappella arrangement of a Thomas Morley madrigal "Spring-Time" that is ideal for young ensembles at concert and contest performances. Excellent for developing style, phrasing, intonation and dynamic contrast. New English lyrics highlight the bright madrigal style of "Come Make Merry And Sing" by the Italian composer Thomaso Cimello. An excellent and accessible way for young singers to develop madrigal technique. A delightful setting of "While Joyful Springtime Lasteth" is lively and colorful. An excellent contest or ensemble selection.

Songlist: With The Sound of Singing, This Day Of Joyful Pleasure, Sweeter Than The King's Wine, Come Make Merry And Sing

Voicing: a-cappella/arrangements/3-parts/

Review: "Oh, Follow, Follow On" (France) & "Spring, Now Spring" (Germany) add lightness to any women's choir repertoire - one of new love, the other of Spring's new birth. In French and German respectively with English translations. In three sections, "O Lovely Dove" employs overlapping legato entries marked by mild dissonance. This piece is a model of expressive writing and sung sensitively, will be moving both to audiences and performers. Let music fill your heart with joy in this delightful madrigal style piece of "With The Sound Of Singing". Easily learned and a great concert change of pace! The short piece "Kikkehihi" was written early in Schein's life and is typical of the Italian madrigal. The polyphonic writing offers each voice a melodic line to shape, and imitation to listen for the other voices. Kikkehihi is a rousing way to begin a program and to introduce the choir and audience to the charm of madrigals.

Songlist: O Lovely Dove, Two European Madrigals, Now Is The Month Of Maying, Kikkehihif

Voicing: a-cappella/arrangements/madrigals/

Review: A selection of traditional carols from around the world arranged for men's voices. includes carols from Cornwall, Germany, Spain and America.

Songlist: Rise Up Shepherd, O Tannenbaum, A La Nanita Nana, When Jesus Comes, While By My Sheep, We Wish You A Merry Christmas

Voicing: a-cappella/arrangements/christmas/ttbb/

Review: Now available for men's voices only, this elegant setting of the Latin translation of an Edward Esch poem "Lux Aurumque " by Eric Whitacre will captivate choir and audience alike. Moderately difficult for an advanced high school choir. Already a great success for mixed choir! "Lux Aeterna" is now available for men's voices, this breathtakingly beautiful award-winning composition offers rich harmonies in an approachable setting. Works well in both concert and memorial settings. The familiar poem "A Red, Red Rose" by Scottish national poet Robert Burns receives exceptional treatment from noted young composer Eric Barnum. This artistic, deeply expressive setting seamlessly incorporates mixed meter, close harmonies and unusual key modulations. Of moderate difficulty, it makes an excellent festival selection.

Songlist: A Red, Red Rose, Lux Aurumque (Light of Gold), Lux Aeterna

Voicing: a-cappella/arrangements/ttbb/

Review: This breathtakingly beautiful ACDA award-winning composition, "Lux Aeterna," offers rich harmonies in an approachable setting. Works well in both concert and memorial settings. This expressive a cappella original by Audrey Snyder, "O Lux," is perfect for contest and festival use. Excellent voice-leading makes this sound more difficult than it really is. An optional soprano solo completes this spellbinding work. Matthew Harrisbrings us this simple and eloquent new setting of the well-known prayer, "Ave Maria." Based on Elgar's own piano transcription of his Enigma Variations, the rich harmonies and depth of expression of this setting of "Agnus Dei" with sacred text may be performed by a variety of choirs. With Sanctus already available in print, the "Kyrie" is the second installment in a mass in progress by this Swedish composer, whose Lo, How a Rose E'er Blooming has been frequently performed and recorded both in Sweden and abroad, including the United States. A fine selection for festival or competition use. Winner of the ACDA sponsored "Raymond Brock Memorial" competition, "Kyrie," was premiered at the 2005 ACDA convention and is a part of the Paul A. Smith Festival Series. Kentaro Sato has taken a universal text and created colors of sound that suspend and resolve in various shades and hues.

Songlist: Kyrie, Agnus Dei, Ave Maria, O Lux, Lux Aueterna

Voicing: a-cappella/arrangements/sacred/

Review: Yo! Santa! Tell us about those reindeer! Dealing with the Reindeer - "Eating and eating, always feeding. We need a haystack the size of the Superdome." It's a part rap, part song and 100% fun! Sure to bring down the house at your Christmas concerts. Features a rappin' Santa and singing elves who complain that the reindeer are "eating us out of house and home." Santa's reindeer are bringin' down the house this year with their funky music, rhythmic rap, and hip-hop moves! Wake up, I think I hear Santa and his eight reindeer. And they're rocking out to the jolly sounds of this 1950s inspired tune by Sally K. Albrecht and Jay Althouse. You won't need to spend much time learning these simple voice parts, clever words, or fun choreography, but the audience at your holiday concert will really put their hooves together for this runaway hit. You may even get a standing "Hoove-ation!". These are all fun arrangements that will liven up any Christmas concert.

Songlist: Dealing with the Reindeer, Hip-Hop Reindeer, Reindeer on the Roof, The Reindeer Rap

Voicing: a-cappella/arrangements/christmas/novelty/

Review: 'In Excelsis Gloria' is a beautiful, simple and effective setting of the 15th century text. 'Two Cradle Meditations' includes the cherished Christmas carol, 'Away in a Manger,' and the choral lullaby 'O Jesu So Sweet.' Surely it will be a great addition to your Christmas program. 'Born Is the Babe' announces the birth of Jesus as well as anticipating and celebrating the atonement and resurrection. The three-voice writing has the flair and accent of a Medieval/Renaissance dance. The setting can be effective with a large choir or only a handful of singers. 'Four Chorales for the Christmas Season' includes 4 beautiful of arrangements of 'Let All Together Praise Our God,' 'Lo, How a Rose is Growing,' 'O Morning Star, How Fair and Bright,' and 'Once He Came in Blessing.'

Songlist: In Excelsis Gloria, Two Cradle Meditations, Born Is the Babe, Four Chorales for the Christmas Season

Voicing: a-cappella/arrangements/christmas/3parts/

Review: Joan Szymko's 3 part arrangement of 'Ave Maria' is beautiful and moving. It is simple, yet profound. Her arrangement also comes with a helpful phonunciation and translation guide. The text of the 'Magnificat' depicts the scene when the Angel Gabriel came to Mary to tell her of the good news that she has been chosen to bear the son of God. This touching moment is captured in the opening plainchant and polyphony, Mary's joy is unveiled in the ensuing dance-like figuration which follows. Another gem by Joan Symko, Hodie, opens with the soprano section, adding the rest of the choir at measure 12. This vigorous take on the Vespers Aniphon is a great addition to your womens choir's holiday concert. David V. Montoya's 'Ave Maria' is written for 4 part women's voices and it is not to be missed. A contemporary version in english, this arrangement's soprano line could easily lend itself well to either a soloist or a group of sopranos. J. Edmund Hughes' arrangement of 'Lo, How a Rose E'er Blooming' is quite different than most arrangements of this tune out there. It incorporates a nice solo in the alto line to be sung inbetween the typical verses. The 'background vocals' singing the typical harmonies start out with 3 parts, then grow to 6 parts by the end. This is an exquisite arrangement!

Songlist: Ave Maria, Magnificat, Hodie, Lo, How A Rose E'er Blooming

Voicing: a-cappella/arrangements/christmas/ssaa/

Review: The Cornish folk tune 'The Holy Bears a Berry,' alternates between men and women's voices. Solo sections may be sung by small groups. This arrangement is best for church, community, or school choirs. 'Ding Dong! Merrily on High' is a vigorous 8 part a cappella piece with constant vocal imitation of bells. Elaborate counterpoint and canonic devices. Completely diatonic, harmonically and melodically conservative. Rhythmic ostinatos give non-stop energy leading to dazzling finish. 'Gloria in Excelsis Deo' begins and ends with a rhythmic and exciting statement of the Gloria text. The middle section is tranquil and effectively emotes the feeling of peace that is being presented in the text. The final statement is one of peace. Challenging, but well worth the work. Van's arrangement of 'Once in Royal David's City.' is an introspective and reflective setting of this Christmas standard. The composer includes many of the elements that have become associated with this hymn. This arrangement begins with either a treble solo, or with all sopranos, it then broadens into a rich setting of the following stanzas, and ends with a hushed treatment of the text "And our eyes at last shall see him." May be used in worship or concerts. 'Angels We have Heard on High' is a beautiful and energetic arrangement that is appropriate for both worship and concert use. The piece is written in a unique way that incorporates vocal accompaniments that are shared between men's and women's voices. Includes soaring descants throughout. Composed in the Australian winter of 2005, 'Ave Maria' was written by Jacobs in response to the death of a close friend's mother. Her passion for Renaissance music influenced many aspects of the piece, particularly text, and the decision to set it for two a cappella choirs.

Songlist: Holly Bears a Berry, The, Ding Dong! Merrily on High, Gloria in excelsis Deo, Once in Royal David's City, Angels We Have Heard on High, Ave Maria

Voicing: a-cappella/arrangements/christmas/choral/

Review: The heart-felt setting of "Farewell" was originally included in the popular 'A Garland for Linda', a celebration of the life of the late Linda McCartney. Combining a poignant text adapted from Milton, Shakespeare, and Elizabeth Speller with emotive harmonies, this is an attractive piece by one of Britain's foremost contemporary composers. "Even Such Is Time" is a peaceful and uplifting meditation on death and the afterlife, with softly overlapping upper voices that weave a hypnotic texture over a gentle melody in the tenors and basses to magical effect. The popular text "Go before us, O Lord", with a straight-forward, sensitive music setting is suitable for all sorts of liturgical occasions, not least both weddings and funerals.

Songlist: Farewell, Even Such Is Time, On The Death of a Friend, Go Before us, O Lord, In Remembrance

Voicing: a-cappella/arrangements/sacred/

Review: "Red River Memories" - Three cowboy songs combine in this short, singable medley that is ideal for high school through adult community choir. Opening with a lyrical treatment of Red River Valley, it transitions seamlessly into Colorado Trail, before a rollicking rendition of Green Grow the Lilacs. "How the West Was Fun (Medley)" - This rootin', tootin' medley is guaranteed to light your campfire! "Old West Medley" - Mark Hayes captures the Old West with musical finesse and humor in this fantastic medley now available in new voicings!

Songlist: Red River Memories, How the West Was Fun (Medley), Old West Medley

Voicing: sheet-music/cowboy-songs/

Review: The upbeat gospel-flavored anthem "Rock-a My Saviour" is a real treat. With a quiet energy, it soon builds to a celebrative song of praise. Beginning with a basic melodic pattern from the men, the other voices join for a rich and spirited anthem with a hushed conclusion. The original a cappella Christmas spiritual "Run To The Manger" is packed with rhythmic vitality and inspiring lyrics. Features a great hook and call-and-response solos. The master of the African American spiritual Moses Hogan creates a glorious arrangement of "Glory, Glory, Glory to the Newborn King", and adds his own words and music, based on the spiritual "Go Tell It On The Mountain". Selected for the Paul A. Smith Choral Series, "See Dat Babe" features excellent writing for the a cappella choir, with all the rhythm and vigor to bring the house down.

Songlist: See Dat Babe, Run To The Manger, Rock-a My Saviour, Glory, Glory, Glory to the Newborn King, Have You Heard the News?

Voicing: a-cappella/arrangements/christmas/spirituals/

Review: 'Working with Joy' is a Jubilant Spiritual. It starts out with the men singing unison and the women accompanying them with soaring 3-part harmony, by the time it splits into 5-part harmony the piece really takes off, adding clapping to the mix, this is a fun tune! 'Dem Bones' is a fun, yet sometimes somber spiritual. Your choir will get a kick out of this song when they realize that this song is where that fun song 'the knee bone connected to the thigh bone, the thigh bone connected to the hip bone' came from (almost everyone sang that growing up!). 'Good Christian People Rejoice' is a beautiful tune with gorgeous harmony and lots of divisi parts, your choir is sure to be challenged and excited when singing this wonderful piece. 'Hold me, Rock Me' is another fun and challenging piece. It starts by bringing voices in one at a time, when all voices are finally singing together the sopranos take over the melody and the rest of the voices sing beautiful vocal accompanyment, immitating arpeggiated chords. Throughout the song the solo moves from one voice to the other, making it a great opportunity for all voice parts to shine. The composer of 'Home in d'Rock' suggests the feeling of this piece should be quite loose, as suggested by the shuffle groove set up by the djembe (although te song may still be performed a cappella). The song calls for more of a Folk/R&B style of singing than a classical style.

Songlist: Dem Bones, Working With Joy, Good Christian People, Rejoice, Hold Me, Rock Me, Home In D'Rock

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: These are songs that everybody knows and loves and these wonderful classics are sure to please. Especially arranged for younger choirs, these classic Rodgers and Hammerstein songs are a wonderful introduction to the music of Broadway. Crafted for success, this setting will be a joy to rehearse as well as perform. Just like the Von Trapps, when you know the notes to sing, you can sing most anything! A perfect choice for any concert program!

Songlist: Edelweiss, The Sound of Music, The Lonely Goatherd, My Favorite Things, So Long, Farewell, Do-Re-Mi

Voicing: a-cappella/arrangements/2-parts/

Review: "Toon Tunes" - From Bugs Bunny to Bart Simpson, enjoy this fast-moving 5-minute medley featuring theme songs from favorite cartoons of both children and adults. Includes: Casper The Friendly Ghost, Theme From Family Guy, Linus And Lucy, Theme from The Simpsons and This Is It! "This Is It!" - What's up, Doc? Pete's arrangement showcases original material partnered with the theme song of one of the most celebrated showmen -- Bugs Bunny. This dynamic duet of tunes is the perfect way to begin your show. Pull out all the stops with this spectacular arrangement. The two-part setting is in our Premier Pop Choral Series for Young Voices. :Cartoon Christmas: - Featuring five gems from cherished Rankin and Bass animated Christmas specials, this five-and-a-half-minute medley is holiday nostalgia at its best! Children one to one hundred will delight in this nifty novelty number with vintage appeal. "(Meet) The Flintstones" Youngsters of all ages know Fred, Wilma, Barney, Betty, and the whole Bedrock gang. Patsy Ford Simms brings us a very singable choral setting of their theme song that adds fun to any concert.

Songlist: Toon Tunes, This Is It!, Cartoon Christmas, (Meet) The Flintstones

Review: 'In Remembrance' an a cappella piece for 4-part women's voices. from Eleanor Daley's 'Requiem' was awarded the 1994 National Choral Award for Outstanding Choral Composition of the Year by the Association of Canadian Choral Conductors (ACCC), in May, 1994. 'When Music Sounds' was commissioned by the Alliance for Canadian New Music Projects in reconition of its 25th Anniversary. This four part treble voice piece has a beautiful piano accompaniment and fairly simple harmonies. 'She's like the Swallow' and 'Sing Me a Song' were written for unison voices and piano. 'Songs of the Nativity' includes 6 christmas carols for women's voices - Chanticleer (SSAA), Before the Paling of the Stars (SA), The Kings of the East (SSA), The Lamb (SSAA), Peach (SSAA), Christ is Here (SSA). All have piano accompaniment.

Songlist: In Remembrance, She's Like the Swallow, Sing Me a Song, Songs of the Nativity (Six Songs), When Music Sounds

Voicing: a-cappella/arrangements/choral-canada/

Review: "Dance of the Sugar-Plum Fairy" - Jeff Funk's choral adaptation of this selection from The Nutcracker Suite has been a huge success in its original SATB setting and will provide wonderful lighthearted programming for your next holiday concert. "Waltz of the Flowers" - Bring a touch of the Nutcracker to your next holiday concert with this classy bit of humor. Much of Tchaikovsky's original material is used in this a cappella setting. "Parade of the Wooden Soldiers" - This traditional holiday favorite comes alive in an exceptionally creative a cappella setting from Jeff Funk. It's the perfect sequel to Jeff's highly successful "Dance of the Sugar Plum Fairy." Sure to be a hit with both singers and audiences! Also included is "Have Yourself a Merry Little Christmas", one of our most performed popular Christmas songs that is most often identified with Judy Garland's stirring performance. This new Russ Robinson setting with its rich a cappella harmonies is simply marvelous. Your audience and singers will all delight in hearing this exceptional Christmas favorite.

Songlist: Parade of the Wooden Soldiers, Dance of the Sugar-Plum Fairy, Waltz of the Flowers, Have Yourself a Merry Little Christmas

Voicing: a-cappella/arrangements/christmas/contemporary/

Review: The traditional English carol "Masters in This Hall" is given a lush a cappella treatment by one of the top arrangers in the field. This Haitian folk carol "Haitian Noel" is in the style of a Merengue and will give your concert Caribbean sparkle! A pronunciation guide is provided for the Creole lyrics and English lyrics are also included. "Song of The Angels" is a uniquely evocative setting of the Gloria. Elegant and fluid lines suggestive of Gregorian chant are changed into a freely sung soundscape of great beauty and richness. The gentle, jazz-flavored arrangement of the treasured Gustav Holst/Christina Rossetti carol "In The Bleak Midwinter" will be absolutely stunning in performance! Lush choral textures and rich harmonies unfold one after the other for a magical concert moment! "Do You Hear What I Hear?" -The talented arranger Mac Huff worked his magic on this traditional carol and makes it something that will add a special touch to your Christmas concerts.

Songlist: Haitian Noel, Masters in This Hall, Song of The Angels, In The Bleak Midwinter, Do You Hear What I Hear?

Voicing: a-cappella/arrangements/christmas/ssaa/

Review: All Aboard! Everybody loves a train song and this collection is bound to please singers and audiences alike. "Choo Choo Ch' Boogie" - This 1940s classic is the perfect introduction to swing music for developing choirs. Easy voice-leading and a supportive accompaniment make this a breeze to learn. "Paddy Works on the Railway" - The tale of the Irish immigrant workers on America's railroads is cleverly told in this traditional Irish folksong. "I Work Upon the Railway" - This lively folksong setting by Emily Crocker captures the spirit of America's past in an elementary contest piece that's great for featuring your boys. "I've Been Working on the Wabash Cannonball" - These two famous train songs are arranged for young singers in a creative way that includes sound effects, layered rhythm speech and much more! A great choreography showcase, it is a wonderful concert finale! "The Rock Island Line" - Ride the mighty fine line of The Rock Island Line with this clever arrangement of the traditional train folk song. The arrangement starts slowly as the train is leaving the station and fires up to an energetic chugga choo choo as it speeds down the track finally slowing down as it approaches the next station. "Boogie Woogie Choo Choo" - This delightful original by Cristi Cary Miller and Mary Clark that recaptures the time and feel of an earlier era. The boogie piano part keeps everything moving along with its characteristic eight to the bar. Simple harmonies help make this piece accessible for the youngest of jazz choirs. "The Ballad of Casey Jones" - This traditional American folk song about railroad engineer Casey Jones includes new music and original words that tell of the fabled story. Rhythmic accompaniment, vocal speech, and the familiar melody of this favorite tune combine to create a fun selection for your young singers.

Songlist: Choo Choo Ch' Boogie, Paddy Works on the Railway, I've Been Working on the Wabash Cannonball, The Rock Island Line, Boogie Woogie Choo Choo, The Ballad of Casey Jones

Voicing: sheet-music/train/

Review: The romantic a cappella setting of the Carpenters classic, 'Merry Christmas Darling,' will put everyone in the holiday spirit! Warm harmonies and lush choral textures give this rendition its special appeal. "Christmas Wish" - The beloved melody for "Danny Boy" is combined with a beautiful original Christmas lyric for a choral blessing that will create a moment of sheer magic at the close of every Christmas concert or service. Everyone loves "The Twelve Days of Christmas," but it takes so long to sing! This light-hearted setting streamlines all the days into about two minutes with a clever touch that will delight your singers and listeners! It may be sung a cappella or accompanied and will make a perfect encore! "Up on the Housetop" - "Bring me an iPhone with lots of apps" - this jazzy update to the traditional Christmas song really connects with the good little boys and girls of the wired generation! Easily customized with your own personal gift list, this will be a perfect holiday novelty song for concerts and caroling gigs alike!

Songlist: Women Sing at Christmas (Medley), Merry Christmas, Darling, Up on the Housetop, Christmas Wish, Twelve or So Days of Christmas

Voicing: a-cappella/arrangements/christmas/ssaa/

Review: Ysaye Barnwell is a member of Sweet Honey in the Rock and the unique stylings and vocal techniques of that famed ensemble are evident in this piece. "Wade in the Watah" borrows from another spiritual, Done Made My Vow, and references the great Harriet Tubman as freedom's guide. The incredible "train effects" are amazing. The broad range of this piece, which occasionally divides into six-part treble, covers the full spectrum from low D to high B! A most impressive entry for contest, festival, or worship. Wade in the Watah will leave listeners in awe! Energetic and electric, this dynamic arrangement of the familiar spiritual, "This Little Light of Mine", will become a favorite of singers and audiences, alike. Tight harmonies and playful syncopation make this piece so much fun, it seems effortless. Altos will love their moment in the spotlight with instructions such as "chesty and raucous," and each vocal part gets its own time to shine. A great concert, contest, or festival selection. Heard here is "Muse," Cincinnati's Womens Choir, Catherine Roma, conductor. " Sometimes I Feel Like a Motherless Child" - Rich, chromatic harmonies and a bluesy accompaniment support a fabulous soprano or tenor solo in this mournful spiritual. Sometimes I Feel Like a Motherless Child has long been a favorite of choirs and soloists alike, and this soulful arrangement has something for everybody.

Songlist: I Hear a Voice A-Prayin', This Little Light of Mine, Wade in the Watah, Sometimes I Feel Like a Motherless Child, Ev'ry Time I Feel the Spirit

Voicing: a-cappella/arrangements/spirituals/female/

Review: The famous jazz piano piece "Linus and Lucy' by Vince Guaraldi is often featured on the animated "Peanuts" television specials, making it extremely popular for many generations of fans. It is now available as an a cappella choral for use throughout the year, especially the holiday season. Challenging, yet accessible, this piece is a surefire novelty hit with your audiences for many years to come. "Chanson D'Amour (The Ra-Da-Da-Da-Da Song)" is the title song of one of the King's Singers best-sellling albums in a fanciful arrangement by Paul Hart. "Golliwogg's Cake Walk" - You've heard the a cappella version of this Debussy piano piece (famously recorded by the renowned Swingle Singers) on Glee. Here is a more accessible setting that will be lots of fun to rehearse and perform, and impressive in performance! "New York VoiceDance" - If you have enjoyed Greg Jasperse' VoiceDance series, you will love this new addition written for the all-camp choir at the New York Voices Vocal Jazz Camp. A dance of joy and celebration, this new VoiceDance gives the opportunity for improvisation and percussion with Greg suggests several ways to perform the piece, making it adaptable for different choirs and performance times. Stunning in its creativeness and choral excellence.

Songlist: Chanson D'Amour, Linus and Lucy, Golliwogg's Cake Walk, New York VoiceDance

Voicing: a-cappella/arrangements/contemporary/

Review: More great arrangements from Just 4 Kicks' Vijay Singh. These five gems are sure to add some excitement to your choral repertoire.

Songlist: Oh Dear! What Can the Meter Be?, Song of the Ship, Sounds, Stella Maris

Review: Noted choral director, composer and member of the Vocal Jazz quartet, Just 4 Kicks, Vijay Singh, brings us 3 fun arrangements for mixed voices in this excellent sheet music package great for any choral showcase.

Songlist: Rain, Owls, A Glimpse of Snow and Evergreen

Review: The dominating characteristics in the works of William Billings are: (1) a hard, driving, heavily accented beat; (2) a remarkable sensitivity to the text; and (3) an indifference to the so-called "rules of composition" in vogue during his time. This edition preserves the music as written by Billings except for the use off modern notation and a line of text for each voice; however, the piano reduction reverses the positions of the tenor and soprano parts, and should the conductor elect, the pieces may be performed in this manner.

Songlist: Cobham, Connection, Cross-Street, Hopkinton, Morning Hymn, St. Enoch, Thomas-Town, West Sudbury

Review: William Levi Dawson, born in 1899, was educated at Tuskegee Institute, the Horner Institute of Fine Arts, and the American Conservatory, and wrote his own "Dawson's Negro Folk Symphony" in 1934. He began publishing and recording his arrangements of traditional African-American spirituals in 1955 and they are now considered to be some of the finest examples of the genre. Here are a selection of his finest works for unaccomapnied male voices. Recommended!

Songlist: Soon Ah Will Be Done, Ain'a That Good News, There Is A Balm In Gilead, Steal Away, Hail Mary, Swing Low, Sweet Chariot, Ev'ry Time I Feel the Spirit

Voicing: a-cappella/arrangements/spirituals/male/

Review: William Levi Dawson, born in 1899, was educated at Tuskegee Institute, the Horner Institute of Fine Arts, and the American Conservatory, and wrote his own "Dawson's Negro Folk Symphony" in 1934. He began publishing and recording his arrangements of traditional African-American spirituals in 1955 and they are now considered to be some of the finest examples of the genre. Here are a selection of his finest works for unaccompanied mixed voices. Recommended!

Songlist: Oh, What A Beautiful City, Soon Ah Will Be Done, Ain'a That Good News, There Is A Balm In Gilead, Steal Away, Ezekiel Saw De Wheel, Behold The Star, Hail Mary, Swing Low, Sweet Chariot

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: William Levi Dawson, born in 1899, was educated at Tuskegee Institute, the Horner Institute of Fine Arts, and the American Conservatory, and wrote his own "Dawson's Negro Folk Symphony" in 1934. He began publishing and recording his arrangements of traditional African-American spirituals in 1955 and they are now considered to be some of the finest examples of the genre. Here are a selection of his finest works for unaccompanied female voices. Recommended!

Songlist: There Is A Balm In Gilead, Swing Low, Sweet Chariot, Ev'ry Time I Feel the Spirit, Ain'a That Good News

Voicing: a-cappella/arrangements/spirituals/female/

Review: Here are a selection of his works with piano accompaniment. When they are as good as this we have to forgo our a cappella only policy!

Songlist: I Wan To Be Ready, Rugged Yank, The, Feed-A My Sheep, Slumber Song, Dorabella, You Got To Reap Just What You Sow

Voicing: a-cappella/arrangements/spirituals/male/

Review: Here are a selection of his works with piano accompaniment. When they are as good as this we have to forgo our a cappella only policy!

Songlist: I Wan To Be Ready, Out In The Fields, Feed-A My Sheep, Slumber Song, You Got To Reap Just What You Sow

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Here are a selection of his works with piano accompaniment. When they are as good as this we have to forgo our a cappella only policy!

Songlist: I Wan To Be Ready, Out In The Fields, Feed-A My Sheep, Slumber Song, You Got To Reap Just What You Sow

Voicing: a-cappella/arrangements/spirituals/female/

Review: Revel in the splendor of these four, select spirituals by William Dawson.

Songlist: I Couldn't Hear Nobody Pray, King Jesus Is A-Listening, My Lord, What A Mourning, Talk About A Child That Do Love Jesus

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Here's a most interesting collection from William Schuman with accessible arrangements by William Grant Still that will be a great addition to your repertoire.

Songlist: Beauty, Haste, Health, Thrift, Caution

Voicing: a-cappella/arrangements/rounds/