In Celebration of the Human Voice - The Essential Musical Instrument
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php # 2011aug17 ew - without-keywords-top-menu.part # This is where we put in menu items for this whole category. # If you don't have menu items for this whole category then just remove the line below. I'm leaving composers here as an example. ?>Want to listen to a bunch of different groups or discover the wide variety of music created by the human voice? Then these a cappella compilation CDs and DVDs are perfect for those wishing to sample as many groups as possible.
Displaying 651-700 of 876 items.
Review: "With The Sound of Singing" - Let music fill your heart with joy in this delightful madrigal style piece. Easily learned and a great concert change of pace! "This Day Of Joyful Pleasure" is a perfect piece to introduce madrigal style. Easy ranges; voices may be doubled by instruments. "Sweeter Than The King's Wine" is a fun original madrigal by the talented Stephen Hatfield that mixes light, dancing textures of the madrigal with a soulful singing style. Here's a 3-part a cappella arrangement of a Thomas Morley madrigal "Spring-Time" that is ideal for young ensembles at concert and contest performances. Excellent for developing style, phrasing, intonation and dynamic contrast. New English lyrics highlight the bright madrigal style of "Come Make Merry And Sing" by the Italian composer Thomaso Cimello. An excellent and accessible way for young singers to develop madrigal technique. A delightful setting of "While Joyful Springtime Lasteth" is lively and colorful. An excellent contest or ensemble selection.
Songlist: With The Sound of Singing, This Day Of Joyful Pleasure, Sweeter Than The King's Wine, Come Make Merry And Sing
Voicing: a-cappella/arrangements/3-parts/
Review: "Oh, Follow, Follow On" (France) & "Spring, Now Spring" (Germany) add lightness to any women's choir repertoire - one of new love, the other of Spring's new birth. In French and German respectively with English translations. In three sections, "O Lovely Dove" employs overlapping legato entries marked by mild dissonance. This piece is a model of expressive writing and sung sensitively, will be moving both to audiences and performers. Let music fill your heart with joy in this delightful madrigal style piece of "With The Sound Of Singing". Easily learned and a great concert change of pace! The short piece "Kikkehihi" was written early in Schein's life and is typical of the Italian madrigal. The polyphonic writing offers each voice a melodic line to shape, and imitation to listen for the other voices. Kikkehihi is a rousing way to begin a program and to introduce the choir and audience to the charm of madrigals.
Songlist: O Lovely Dove, Two European Madrigals, Now Is The Month Of Maying, Kikkehihif
Voicing: a-cappella/arrangements/madrigals/
Review: A selection of traditional carols from around the world arranged for men's voices. includes carols from Cornwall, Germany, Spain and America.
Songlist: Rise Up Shepherd, O Tannenbaum, A La Nanita Nana, When Jesus Comes, While By My Sheep, We Wish You A Merry Christmas
Voicing: a-cappella/arrangements/christmas/ttbb/
Review: Now available for men's voices only, this elegant setting of the Latin translation of an Edward Esch poem "Lux Aurumque " by Eric Whitacre will captivate choir and audience alike. Moderately difficult for an advanced high school choir. Already a great success for mixed choir! "Lux Aeterna" is now available for men's voices, this breathtakingly beautiful award-winning composition offers rich harmonies in an approachable setting. Works well in both concert and memorial settings. The familiar poem "A Red, Red Rose" by Scottish national poet Robert Burns receives exceptional treatment from noted young composer Eric Barnum. This artistic, deeply expressive setting seamlessly incorporates mixed meter, close harmonies and unusual key modulations. Of moderate difficulty, it makes an excellent festival selection.
Songlist: A Red, Red Rose, Lux Aurumque (Light of Gold), Lux Aeterna
Voicing: a-cappella/arrangements/ttbb/
Review: This breathtakingly beautiful ACDA award-winning composition, "Lux Aeterna," offers rich harmonies in an approachable setting. Works well in both concert and memorial settings. This expressive a cappella original by Audrey Snyder, "O Lux," is perfect for contest and festival use. Excellent voice-leading makes this sound more difficult than it really is. An optional soprano solo completes this spellbinding work. Matthew Harrisbrings us this simple and eloquent new setting of the well-known prayer, "Ave Maria." Based on Elgar's own piano transcription of his Enigma Variations, the rich harmonies and depth of expression of this setting of "Agnus Dei" with sacred text may be performed by a variety of choirs. With Sanctus already available in print, the "Kyrie" is the second installment in a mass in progress by this Swedish composer, whose Lo, How a Rose E'er Blooming has been frequently performed and recorded both in Sweden and abroad, including the United States. A fine selection for festival or competition use. Winner of the ACDA sponsored "Raymond Brock Memorial" competition, "Kyrie," was premiered at the 2005 ACDA convention and is a part of the Paul A. Smith Festival Series. Kentaro Sato has taken a universal text and created colors of sound that suspend and resolve in various shades and hues.
Songlist: Kyrie, Agnus Dei, Ave Maria, O Lux, Lux Aueterna
Voicing: a-cappella/arrangements/sacred/
Review: Yo! Santa! Tell us about those reindeer! Dealing with the Reindeer - "Eating and eating, always feeding. We need a haystack the size of the Superdome." It's a part rap, part song and 100% fun! Sure to bring down the house at your Christmas concerts. Features a rappin' Santa and singing elves who complain that the reindeer are "eating us out of house and home." Santa's reindeer are bringin' down the house this year with their funky music, rhythmic rap, and hip-hop moves! Wake up, I think I hear Santa and his eight reindeer. And they're rocking out to the jolly sounds of this 1950s inspired tune by Sally K. Albrecht and Jay Althouse. You won't need to spend much time learning these simple voice parts, clever words, or fun choreography, but the audience at your holiday concert will really put their hooves together for this runaway hit. You may even get a standing "Hoove-ation!". These are all fun arrangements that will liven up any Christmas concert.
Songlist: Dealing with the Reindeer, Hip-Hop Reindeer, Reindeer on the Roof, The Reindeer Rap
Voicing: a-cappella/arrangements/christmas/novelty/
Review: 'In Excelsis Gloria' is a beautiful, simple and effective setting of the 15th century text. 'Two Cradle Meditations' includes the cherished Christmas carol, 'Away in a Manger,' and the choral lullaby 'O Jesu So Sweet.' Surely it will be a great addition to your Christmas program. 'Born Is the Babe' announces the birth of Jesus as well as anticipating and celebrating the atonement and resurrection. The three-voice writing has the flair and accent of a Medieval/Renaissance dance. The setting can be effective with a large choir or only a handful of singers. 'Four Chorales for the Christmas Season' includes 4 beautiful of arrangements of 'Let All Together Praise Our God,' 'Lo, How a Rose is Growing,' 'O Morning Star, How Fair and Bright,' and 'Once He Came in Blessing.'
Songlist: In Excelsis Gloria, Two Cradle Meditations, Born Is the Babe, Four Chorales for the Christmas Season
Voicing: a-cappella/arrangements/christmas/3parts/
Review: Joan Szymko's 3 part arrangement of 'Ave Maria' is beautiful and moving. It is simple, yet profound. Her arrangement also comes with a helpful phonunciation and translation guide. The text of the 'Magnificat' depicts the scene when the Angel Gabriel came to Mary to tell her of the good news that she has been chosen to bear the son of God. This touching moment is captured in the opening plainchant and polyphony, Mary's joy is unveiled in the ensuing dance-like figuration which follows. Another gem by Joan Symko, Hodie, opens with the soprano section, adding the rest of the choir at measure 12. This vigorous take on the Vespers Aniphon is a great addition to your womens choir's holiday concert. David V. Montoya's 'Ave Maria' is written for 4 part women's voices and it is not to be missed. A contemporary version in english, this arrangement's soprano line could easily lend itself well to either a soloist or a group of sopranos. J. Edmund Hughes' arrangement of 'Lo, How a Rose E'er Blooming' is quite different than most arrangements of this tune out there. It incorporates a nice solo in the alto line to be sung inbetween the typical verses. The 'background vocals' singing the typical harmonies start out with 3 parts, then grow to 6 parts by the end. This is an exquisite arrangement!
Songlist: Ave Maria, Magnificat, Hodie, Lo, How A Rose E'er Blooming
Voicing: a-cappella/arrangements/christmas/ssaa/
Review: The Cornish folk tune 'The Holy Bears a Berry,' alternates between men and women's voices. Solo sections may be sung by small groups. This arrangement is best for church, community, or school choirs. 'Ding Dong! Merrily on High' is a vigorous 8 part a cappella piece with constant vocal imitation of bells. Elaborate counterpoint and canonic devices. Completely diatonic, harmonically and melodically conservative. Rhythmic ostinatos give non-stop energy leading to dazzling finish. 'Gloria in Excelsis Deo' begins and ends with a rhythmic and exciting statement of the Gloria text. The middle section is tranquil and effectively emotes the feeling of peace that is being presented in the text. The final statement is one of peace. Challenging, but well worth the work. Van's arrangement of 'Once in Royal David's City.' is an introspective and reflective setting of this Christmas standard. The composer includes many of the elements that have become associated with this hymn. This arrangement begins with either a treble solo, or with all sopranos, it then broadens into a rich setting of the following stanzas, and ends with a hushed treatment of the text "And our eyes at last shall see him." May be used in worship or concerts. 'Angels We have Heard on High' is a beautiful and energetic arrangement that is appropriate for both worship and concert use. The piece is written in a unique way that incorporates vocal accompaniments that are shared between men's and women's voices. Includes soaring descants throughout. Composed in the Australian winter of 2005, 'Ave Maria' was written by Jacobs in response to the death of a close friend's mother. Her passion for Renaissance music influenced many aspects of the piece, particularly text, and the decision to set it for two a cappella choirs.
Songlist: Holly Bears a Berry, The, Ding Dong! Merrily on High, Gloria in excelsis Deo, Once in Royal David's City, Angels We Have Heard on High, Ave Maria
Voicing: a-cappella/arrangements/christmas/choral/
Review: The heart-felt setting of "Farewell" was originally included in the popular 'A Garland for Linda', a celebration of the life of the late Linda McCartney. Combining a poignant text adapted from Milton, Shakespeare, and Elizabeth Speller with emotive harmonies, this is an attractive piece by one of Britain's foremost contemporary composers. "Even Such Is Time" is a peaceful and uplifting meditation on death and the afterlife, with softly overlapping upper voices that weave a hypnotic texture over a gentle melody in the tenors and basses to magical effect. The popular text "Go before us, O Lord", with a straight-forward, sensitive music setting is suitable for all sorts of liturgical occasions, not least both weddings and funerals.
Songlist: Farewell, Even Such Is Time, On The Death of a Friend, Go Before us, O Lord, In Remembrance
Voicing: a-cappella/arrangements/sacred/
Review: "Red River Memories" - Three cowboy songs combine in this short, singable medley that is ideal for high school through adult community choir. Opening with a lyrical treatment of Red River Valley, it transitions seamlessly into Colorado Trail, before a rollicking rendition of Green Grow the Lilacs. "How the West Was Fun (Medley)" - This rootin', tootin' medley is guaranteed to light your campfire! "Old West Medley" - Mark Hayes captures the Old West with musical finesse and humor in this fantastic medley now available in new voicings!
Songlist: Red River Memories, How the West Was Fun (Medley), Old West Medley
Voicing: sheet-music/cowboy-songs/
Review: The upbeat gospel-flavored anthem "Rock-a My Saviour" is a real treat. With a quiet energy, it soon builds to a celebrative song of praise. Beginning with a basic melodic pattern from the men, the other voices join for a rich and spirited anthem with a hushed conclusion. The original a cappella Christmas spiritual "Run To The Manger" is packed with rhythmic vitality and inspiring lyrics. Features a great hook and call-and-response solos. The master of the African American spiritual Moses Hogan creates a glorious arrangement of "Glory, Glory, Glory to the Newborn King", and adds his own words and music, based on the spiritual "Go Tell It On The Mountain". Selected for the Paul A. Smith Choral Series, "See Dat Babe" features excellent writing for the a cappella choir, with all the rhythm and vigor to bring the house down.
Songlist: See Dat Babe, Run To The Manger, Rock-a My Saviour, Glory, Glory, Glory to the Newborn King, Have You Heard the News?
Voicing: a-cappella/arrangements/christmas/spirituals/
Review: 'Working with Joy' is a Jubilant Spiritual. It starts out with the men singing unison and the women accompanying them with soaring 3-part harmony, by the time it splits into 5-part harmony the piece really takes off, adding clapping to the mix, this is a fun tune! 'Dem Bones' is a fun, yet sometimes somber spiritual. Your choir will get a kick out of this song when they realize that this song is where that fun song 'the knee bone connected to the thigh bone, the thigh bone connected to the hip bone' came from (almost everyone sang that growing up!). 'Good Christian People Rejoice' is a beautiful tune with gorgeous harmony and lots of divisi parts, your choir is sure to be challenged and excited when singing this wonderful piece. 'Hold me, Rock Me' is another fun and challenging piece. It starts by bringing voices in one at a time, when all voices are finally singing together the sopranos take over the melody and the rest of the voices sing beautiful vocal accompanyment, immitating arpeggiated chords. Throughout the song the solo moves from one voice to the other, making it a great opportunity for all voice parts to shine. The composer of 'Home in d'Rock' suggests the feeling of this piece should be quite loose, as suggested by the shuffle groove set up by the djembe (although te song may still be performed a cappella). The song calls for more of a Folk/R&B style of singing than a classical style.
Songlist: Dem Bones, Working With Joy, Good Christian People, Rejoice, Hold Me, Rock Me, Home In D'Rock
Voicing: a-cappella/arrangements/spirituals/mixed/
Review: These are songs that everybody knows and loves and these wonderful classics are sure to please. Especially arranged for younger choirs, these classic Rodgers and Hammerstein songs are a wonderful introduction to the music of Broadway. Crafted for success, this setting will be a joy to rehearse as well as perform. Just like the Von Trapps, when you know the notes to sing, you can sing most anything! A perfect choice for any concert program!
Songlist: Edelweiss, The Sound of Music, The Lonely Goatherd, My Favorite Things, So Long, Farewell, Do-Re-Mi
Voicing: a-cappella/arrangements/2-parts/
Review: "Toon Tunes" - From Bugs Bunny to Bart Simpson, enjoy this fast-moving 5-minute medley featuring theme songs from favorite cartoons of both children and adults. Includes: Casper The Friendly Ghost, Theme From Family Guy, Linus And Lucy, Theme from The Simpsons and This Is It! "This Is It!" - What's up, Doc? Pete's arrangement showcases original material partnered with the theme song of one of the most celebrated showmen -- Bugs Bunny. This dynamic duet of tunes is the perfect way to begin your show. Pull out all the stops with this spectacular arrangement. The two-part setting is in our Premier Pop Choral Series for Young Voices. :Cartoon Christmas: - Featuring five gems from cherished Rankin and Bass animated Christmas specials, this five-and-a-half-minute medley is holiday nostalgia at its best! Children one to one hundred will delight in this nifty novelty number with vintage appeal. "(Meet) The Flintstones" Youngsters of all ages know Fred, Wilma, Barney, Betty, and the whole Bedrock gang. Patsy Ford Simms brings us a very singable choral setting of their theme song that adds fun to any concert.
Songlist: Toon Tunes, This Is It!, Cartoon Christmas, (Meet) The Flintstones
Review: 'In Remembrance' an a cappella piece for 4-part women's voices. from Eleanor Daley's 'Requiem' was awarded the 1994 National Choral Award for Outstanding Choral Composition of the Year by the Association of Canadian Choral Conductors (ACCC), in May, 1994. 'When Music Sounds' was commissioned by the Alliance for Canadian New Music Projects in reconition of its 25th Anniversary. This four part treble voice piece has a beautiful piano accompaniment and fairly simple harmonies. 'She's like the Swallow' and 'Sing Me a Song' were written for unison voices and piano. 'Songs of the Nativity' includes 6 christmas carols for women's voices - Chanticleer (SSAA), Before the Paling of the Stars (SA), The Kings of the East (SSA), The Lamb (SSAA), Peach (SSAA), Christ is Here (SSA). All have piano accompaniment.
Songlist: In Remembrance, She's Like the Swallow, Sing Me a Song, Songs of the Nativity (Six Songs), When Music Sounds
Voicing: a-cappella/arrangements/choral-canada/
Review: "Dance of the Sugar-Plum Fairy" - Jeff Funk's choral adaptation of this selection from The Nutcracker Suite has been a huge success in its original SATB setting and will provide wonderful lighthearted programming for your next holiday concert. "Waltz of the Flowers" - Bring a touch of the Nutcracker to your next holiday concert with this classy bit of humor. Much of Tchaikovsky's original material is used in this a cappella setting. "Parade of the Wooden Soldiers" - This traditional holiday favorite comes alive in an exceptionally creative a cappella setting from Jeff Funk. It's the perfect sequel to Jeff's highly successful "Dance of the Sugar Plum Fairy." Sure to be a hit with both singers and audiences! Also included is "Have Yourself a Merry Little Christmas", one of our most performed popular Christmas songs that is most often identified with Judy Garland's stirring performance. This new Russ Robinson setting with its rich a cappella harmonies is simply marvelous. Your audience and singers will all delight in hearing this exceptional Christmas favorite.
Songlist: Parade of the Wooden Soldiers, Dance of the Sugar-Plum Fairy, Waltz of the Flowers, Have Yourself a Merry Little Christmas
Voicing: a-cappella/arrangements/christmas/contemporary/
Review: The traditional English carol "Masters in This Hall" is given a lush a cappella treatment by one of the top arrangers in the field. This Haitian folk carol "Haitian Noel" is in the style of a Merengue and will give your concert Caribbean sparkle! A pronunciation guide is provided for the Creole lyrics and English lyrics are also included. "Song of The Angels" is a uniquely evocative setting of the Gloria. Elegant and fluid lines suggestive of Gregorian chant are changed into a freely sung soundscape of great beauty and richness. The gentle, jazz-flavored arrangement of the treasured Gustav Holst/Christina Rossetti carol "In The Bleak Midwinter" will be absolutely stunning in performance! Lush choral textures and rich harmonies unfold one after the other for a magical concert moment! "Do You Hear What I Hear?" -The talented arranger Mac Huff worked his magic on this traditional carol and makes it something that will add a special touch to your Christmas concerts.
Songlist: Haitian Noel, Masters in This Hall, Song of The Angels, In The Bleak Midwinter, Do You Hear What I Hear?
Voicing: a-cappella/arrangements/christmas/ssaa/
Review: All Aboard! Everybody loves a train song and this collection is bound to please singers and audiences alike. "Choo Choo Ch' Boogie" - This 1940s classic is the perfect introduction to swing music for developing choirs. Easy voice-leading and a supportive accompaniment make this a breeze to learn. "Paddy Works on the Railway" - The tale of the Irish immigrant workers on America's railroads is cleverly told in this traditional Irish folksong. "I Work Upon the Railway" - This lively folksong setting by Emily Crocker captures the spirit of America's past in an elementary contest piece that's great for featuring your boys. "I've Been Working on the Wabash Cannonball" - These two famous train songs are arranged for young singers in a creative way that includes sound effects, layered rhythm speech and much more! A great choreography showcase, it is a wonderful concert finale! "The Rock Island Line" - Ride the mighty fine line of The Rock Island Line with this clever arrangement of the traditional train folk song. The arrangement starts slowly as the train is leaving the station and fires up to an energetic chugga choo choo as it speeds down the track finally slowing down as it approaches the next station. "Boogie Woogie Choo Choo" - This delightful original by Cristi Cary Miller and Mary Clark that recaptures the time and feel of an earlier era. The boogie piano part keeps everything moving along with its characteristic eight to the bar. Simple harmonies help make this piece accessible for the youngest of jazz choirs. "The Ballad of Casey Jones" - This traditional American folk song about railroad engineer Casey Jones includes new music and original words that tell of the fabled story. Rhythmic accompaniment, vocal speech, and the familiar melody of this favorite tune combine to create a fun selection for your young singers.
Songlist: Choo Choo Ch' Boogie, Paddy Works on the Railway, I've Been Working on the Wabash Cannonball, The Rock Island Line, Boogie Woogie Choo Choo, The Ballad of Casey Jones
Voicing: sheet-music/train/
Review: The romantic a cappella setting of the Carpenters classic, 'Merry Christmas Darling,' will put everyone in the holiday spirit! Warm harmonies and lush choral textures give this rendition its special appeal. "Christmas Wish" - The beloved melody for "Danny Boy" is combined with a beautiful original Christmas lyric for a choral blessing that will create a moment of sheer magic at the close of every Christmas concert or service. Everyone loves "The Twelve Days of Christmas," but it takes so long to sing! This light-hearted setting streamlines all the days into about two minutes with a clever touch that will delight your singers and listeners! It may be sung a cappella or accompanied and will make a perfect encore! "Up on the Housetop" - "Bring me an iPhone with lots of apps" - this jazzy update to the traditional Christmas song really connects with the good little boys and girls of the wired generation! Easily customized with your own personal gift list, this will be a perfect holiday novelty song for concerts and caroling gigs alike!
Songlist: Women Sing at Christmas (Medley), Merry Christmas, Darling, Up on the Housetop, Christmas Wish, Twelve or So Days of Christmas
Voicing: a-cappella/arrangements/christmas/ssaa/
Review: Ysaye Barnwell is a member of Sweet Honey in the Rock and the unique stylings and vocal techniques of that famed ensemble are evident in this piece. "Wade in the Watah" borrows from another spiritual, Done Made My Vow, and references the great Harriet Tubman as freedom's guide. The incredible "train effects" are amazing. The broad range of this piece, which occasionally divides into six-part treble, covers the full spectrum from low D to high B! A most impressive entry for contest, festival, or worship. Wade in the Watah will leave listeners in awe! Energetic and electric, this dynamic arrangement of the familiar spiritual, "This Little Light of Mine", will become a favorite of singers and audiences, alike. Tight harmonies and playful syncopation make this piece so much fun, it seems effortless. Altos will love their moment in the spotlight with instructions such as "chesty and raucous," and each vocal part gets its own time to shine. A great concert, contest, or festival selection. Heard here is "Muse," Cincinnati's Womens Choir, Catherine Roma, conductor. " Sometimes I Feel Like a Motherless Child" - Rich, chromatic harmonies and a bluesy accompaniment support a fabulous soprano or tenor solo in this mournful spiritual. Sometimes I Feel Like a Motherless Child has long been a favorite of choirs and soloists alike, and this soulful arrangement has something for everybody.
Songlist: I Hear a Voice A-Prayin', This Little Light of Mine, Wade in the Watah, Sometimes I Feel Like a Motherless Child, Ev'ry Time I Feel the Spirit
Voicing: a-cappella/arrangements/spirituals/female/
Review: The famous jazz piano piece "Linus and Lucy' by Vince Guaraldi is often featured on the animated "Peanuts" television specials, making it extremely popular for many generations of fans. It is now available as an a cappella choral for use throughout the year, especially the holiday season. Challenging, yet accessible, this piece is a surefire novelty hit with your audiences for many years to come. "Chanson D'Amour (The Ra-Da-Da-Da-Da Song)" is the title song of one of the King's Singers best-sellling albums in a fanciful arrangement by Paul Hart. "Golliwogg's Cake Walk" - You've heard the a cappella version of this Debussy piano piece (famously recorded by the renowned Swingle Singers) on Glee. Here is a more accessible setting that will be lots of fun to rehearse and perform, and impressive in performance! "New York VoiceDance" - If you have enjoyed Greg Jasperse' VoiceDance series, you will love this new addition written for the all-camp choir at the New York Voices Vocal Jazz Camp. A dance of joy and celebration, this new VoiceDance gives the opportunity for improvisation and percussion with Greg suggests several ways to perform the piece, making it adaptable for different choirs and performance times. Stunning in its creativeness and choral excellence.
Songlist: Chanson D'Amour, Linus and Lucy, Golliwogg's Cake Walk, New York VoiceDance
Voicing: a-cappella/arrangements/contemporary/
Review: More great arrangements from Just 4 Kicks' Vijay Singh. These five gems are sure to add some excitement to your choral repertoire.
Songlist: Oh Dear! What Can the Meter Be?, Song of the Ship, Sounds, Stella Maris
Review: Noted choral director, composer and member of the Vocal Jazz quartet, Just 4 Kicks, Vijay Singh, brings us 3 fun arrangements for mixed voices in this excellent sheet music package great for any choral showcase.
Songlist: Rain, Owls, A Glimpse of Snow and Evergreen
Review: The dominating characteristics in the works of William Billings are: (1) a hard, driving, heavily accented beat; (2) a remarkable sensitivity to the text; and (3) an indifference to the so-called "rules of composition" in vogue during his time. This edition preserves the music as written by Billings except for the use off modern notation and a line of text for each voice; however, the piano reduction reverses the positions of the tenor and soprano parts, and should the conductor elect, the pieces may be performed in this manner.
Songlist: Cobham, Connection, Cross-Street, Hopkinton, Morning Hymn, St. Enoch, Thomas-Town, West Sudbury
Review: William Levi Dawson, born in 1899, was educated at Tuskegee Institute, the Horner Institute of Fine Arts, and the American Conservatory, and wrote his own "Dawson's Negro Folk Symphony" in 1934. He began publishing and recording his arrangements of traditional African-American spirituals in 1955 and they are now considered to be some of the finest examples of the genre. Here are a selection of his finest works for unaccomapnied male voices. Recommended!
Songlist: Soon Ah Will Be Done, Ain'a That Good News, There Is A Balm In Gilead, Steal Away, Hail Mary, Swing Low, Sweet Chariot, Ev'ry Time I Feel the Spirit
Voicing: a-cappella/arrangements/spirituals/male/
Review: William Levi Dawson, born in 1899, was educated at Tuskegee Institute, the Horner Institute of Fine Arts, and the American Conservatory, and wrote his own "Dawson's Negro Folk Symphony" in 1934. He began publishing and recording his arrangements of traditional African-American spirituals in 1955 and they are now considered to be some of the finest examples of the genre. Here are a selection of his finest works for unaccompanied mixed voices. Recommended!
Songlist: Oh, What A Beautiful City, Soon Ah Will Be Done, Ain'a That Good News, There Is A Balm In Gilead, Steal Away, Ezekiel Saw De Wheel, Behold The Star, Hail Mary, Swing Low, Sweet Chariot
Voicing: a-cappella/arrangements/spirituals/mixed/
Review: William Levi Dawson, born in 1899, was educated at Tuskegee Institute, the Horner Institute of Fine Arts, and the American Conservatory, and wrote his own "Dawson's Negro Folk Symphony" in 1934. He began publishing and recording his arrangements of traditional African-American spirituals in 1955 and they are now considered to be some of the finest examples of the genre. Here are a selection of his finest works for unaccompanied female voices. Recommended!
Songlist: There Is A Balm In Gilead, Swing Low, Sweet Chariot, Ev'ry Time I Feel the Spirit, Ain'a That Good News
Voicing: a-cappella/arrangements/spirituals/female/
Review: Here are a selection of his works with piano accompaniment. When they are as good as this we have to forgo our a cappella only policy!
Songlist: I Wan To Be Ready, Rugged Yank, The, Feed-A My Sheep, Slumber Song, Dorabella, You Got To Reap Just What You Sow
Voicing: a-cappella/arrangements/spirituals/male/
Review: Here are a selection of his works with piano accompaniment. When they are as good as this we have to forgo our a cappella only policy!
Songlist: I Wan To Be Ready, Out In The Fields, Feed-A My Sheep, Slumber Song, You Got To Reap Just What You Sow
Voicing: a-cappella/arrangements/spirituals/mixed/
Review: Here are a selection of his works with piano accompaniment. When they are as good as this we have to forgo our a cappella only policy!
Songlist: I Wan To Be Ready, Out In The Fields, Feed-A My Sheep, Slumber Song, You Got To Reap Just What You Sow
Voicing: a-cappella/arrangements/spirituals/female/
Review: Revel in the splendor of these four, select spirituals by William Dawson.
Songlist: I Couldn't Hear Nobody Pray, King Jesus Is A-Listening, My Lord, What A Mourning, Talk About A Child That Do Love Jesus
Voicing: a-cappella/arrangements/spirituals/mixed/
Review: Here's a most interesting collection from William Schuman with accessible arrangements by William Grant Still that will be a great addition to your repertoire.
Songlist: Beauty, Haste, Health, Thrift, Caution
Voicing: a-cappella/arrangements/rounds/
Review: The Hungarian composer, Zoltan Kodaly, an ethnomusicologist and educationalist, pioneered the reintegration of folk material into 20th century choral music. All four songs in this packages are arrangements based on Hungarian folk songs for children, with english translations by Georffy Russell-Smith.
Songlist: Hippity, Hoppity, Ladybird, 'Mid K, Evening Song
Voicing: cds/hungarian-choral-recordings/
Review: A fascinating and fun set of wordless songs by the Hungarian master.
Songlist: Mountain Nights I, Mountain Nights II, Mountain Nights III, Mountain Nights IV, Mountain Nights V
Voicing: a-cappella/arrangements/wordless/
Review: David Mooney's stunning arrangements of Irish traditional music were an instant success. As head of music department of the Conservatory of Music and Drama at Dublin Institute of Technology, Mooney is well known in Ireland and the UK where his arrangements have appeared on record, TV and radio. Those items which can be sung only in Irish Gaelic have an English text transliteration underlaid, and a complete IPA pronunciation guide as well as an English translation in the front matter. All items in these pieces are appropriate for multicultural concert occasions, and are of moderately easy to moderate difficulty.
Songlist: Oro, 's e do bheatha 'bhaile, Silent, O'Moyle, The Coulin, The Salley Gardens, My Lagan Love, Roisin Dubh
Voicing: sheet-music/ireland/
Review: "These settings were commissioned by my alma mater California State University, Hayward, a place of happy memory and abiding affection and ties. How privileged I was to hear the premiere performance of the Chamber Singers and Dr. Roberta Brokaw, flute, conducted by Dr. David Stein on 15 March 1998. Three of the settings are of pre-existing tunes; O, My Luve Is Like a Red, Red Rose is originally composed. Similarly, two texts are from the tradition, and two sing the poetry of Robert Burns."Singers and conductors of these works are encouraged to render the texts of these love songs with an ear to an authentic Scots accent.
Songlist: Ca' the Yowes, O My Love Is Like A Red, Red Rose, Will Ye Go, Lassie Go?, Fareweel tae Tarwathie
Voicing: sheet-music/scotland/
Review: A collection of sacred music from one of America's greatest choral directors.
Songlist: Ezekiel Saw De Wheel, Flow My Tears, The Lord's My Shepherd, The Meeting of the Waters, Psalm 150, The Proverbial Contradictions of Life (Collection), Reflections
Voicing: a-cappella/arrangements/contemporary-christian/
Review: From Gaither Music Company comes this dynamic collection featuring four classic songs from the pen of Bill and Gloria Gaither. Titles include Jesus is Lord of All, Peace Shall Come, Every Eye Shall See and Come, Holy Spirit. Ovid Young, known as one of the leading choral arrangers in church music today, originally created these arrangements for the worship services at the Gaither's Indianapolis Praise Gathering. After receiving many comments and requests, we have for the first time made these outstanding arrangements available to you. These are challenging, yet accessible arrangements that will greatly enhance your worship service. Includes a second volume of songs which includes More Of You, Gentle Shepherd, I Believe, Help Thou My Unbelief and Peace, Be Still. Designed to compliment and strengthen your worship services.
Songlist: I Believe, Come Holy Spirit, Help Thou My Unbelief, More Of You, Peace, Be Still, Gentle Shepherd, Jesus Is Lord of All, The Cross Made The Difference Medley, I'll Worship Only at the Feet of Jesus
Voicing: a-cappella/arrangements/contemporary-christian/
Review: Judy Herrington established her reputation through her conducting work with the Tacoma Youth Chorus. Later, her books, folk song arrangements and choral series produced an ardent following. This a cappella arrangement of one of the great American hymns "How Can I Keep From Singing" is another tribute to her excellent work. "Bound For The Promised Land" - Canonic imitation and development propel this sturdy folk setting to a powerful and dramatic conclusion arranged by Emily Crocker. Here is an arrangement of "Almighty Father" by the great Leonard Bernstein.
Songlist: The Lord's Prayer, How Can I Keep from Singing?, Bound For The Promised Land, Almighty Father
Voicing: a-cappella/arrangements/contemporary-christian/
Review: 'O Jesus, Grant Me Hope and Comfort' is a 17th Century composition by Johann Wolfgang Franck, whose compositions have enjoyed great popularity due to their pure melodies and the warm faith expressed in their text. A Choral Motet by Hugo Distler, 'Praise to the Lord' is based on the melody by Stralsund Gesangbuch, from Distler's Opus 6, No. 2. The beautiful melodies in each of the 4 parts create a beautiful dissonance that is magical to the ears. David A. Gerig's original composition, 'Shout to God' starts out unison, but soon breaks into 2-part cannon, then the voices join for beautiful 4-part harmony. Tschesnokoff's 'Let Thy Holy Presence' is beautifully arranged by Walter Ehret. All 4 parts divisi at one time or another, making this a challenging, but fun, sacred tune. Carolina Sandell Berg's Swedish folk tune , 'Children of the Heavenly Father,' is beautifully arranged for 4-part mixed voices by Paul Christiansen. Stanley Glarum's 'Sing Praises' is a thrilling exhortation to all the people of the earth to revere God and sing His praises. The echo effects should brought out as though the people were responding to the bidding the psalmist. The anthem is suitable for Thanksgiving or general services
Songlist: O Jesus, Grant Me Hope and Comfort, Praise to the Lord (Lobe den Herren), Shout to God, Let Thy Holy Presence, Children of the Heavenly Father, Sing Praises
Voicing: a-cappella/arrangements/sacred/
Review: With 'Christmas Time Is Here, the famous Vince Guaraldi theme song from A Charlie Brown Christmas in an expressive a cappella setting. What a great feature for jazz and concert groups alike! 'Do You Hear What I Hear?' has a beautiful solo for either a male or female voice with fun vocal accompaniment, sure to challenge and excite your choir. Snowflakes is a gorgeous original work by Lane Johnson based on the poem by Henry Longfellow. Perfect for your winter concert! Each verse in Biegels arrangement of 'The Twelve Days of Christmas' is different than the last, the audience is sure to stay interested till the very end.
Songlist: Do You Hear What I Hear?, Christmas Time Is Here, Snowflakes, The Twelve Days of Christmas
Voicing: a-cappella/arrangements/christmas/choral/
Review: A calypso-flavored treatment of the familiar English carol " The Holly and the Ivy" with a fa-la-la chorus, fresh harmonies and a cool "bass" line for the 2nd altos. Most recently recorded by Clay Aiken, the contemporary carol " Mary, Did You Know?" has continued to grow in popularity. Equally suited for use in school or church, this well-crafted a cappella arrangement is sure to be the highlight of any concert. Absolutely stunning! " Still, Still, Still A Lullaby" is the expressive German carol "Still, Still, Still" paired with an original tune by Michelle Hynson. For high school women's ensembles and beyond. In this gentle a cappella setting, Mac Huff inventively weaves together two Christmas classics "Still, Still, Still" and "Silent Night" for a magical effect. Here is the treasured Franz Gruber folk carol " Stille Nacht" as arranged for the king'singers. This unique island-flavored setting is a joyful and energetic treatment of the traditional 19th century Austrian carol " As Lately We Watched". The heart-warming medley of carols " A Carol Consort" was especially chosen and arranged for SSAA unaccompanied voices. The exquisite voice-leading and contrasting textures make this a must-sing for all women's groups.
Songlist: Mary, Did You Know?, The Holly and the Ivy, One Still and Silent Night, Stille Nacht (Silent Night), As Lately We Watched
Voicing: a-cappella/arrangements/christmas/ssaa/
Review: The top-selling VoiceDance, first in the SATB series, is now available for women's voices in an exciting SSAA voicing. Now treble choirs can experience the rhythmic fun and challenge of this unique vocal jazz classic! "Bumble Bee" - Shape this song to your own needs! Arranged and performed by the incredible Real Group! It is written for high school women's voices, but the optional TB line makes it a SSAATB setting for mixed choir. You may have optional guitar and electric bass play the TB part. Or let loose your vocal jazz ensemble! The flowing melody with text about nature's every day wonders requires some extra attention to rhythms, phrasing and dynamics - but it is all worth it!
Songlist: VoiceDance, Bumble Bee
Voicing: a-cappella/arrangements/wordless/
Review: We all love the traditional carols however how about livening up the Christmas concerts with some humor with these unique novelty songs. "An Elvis Christmas" - Santa is definitely in the building with this fun 4-minute medley of Christmas songs identified with the King of Rock & Roll . "Grandma's Killer Fruitcake" by the esteemed Roger Emerson is a hilarious holiday spoof that everyone will enjoy! "All Because of Mr. Santa Claus" is a light-hearted song by Hal David and John Cacavas is sure to put everyone in the holiday spirit! Lots of fun here.
Songlist: Grandma's Killer Fruitcake, The Chipmunk Song, All Because of Mr. Santa Claus, An Elvis Christmas, Skateboardin' Santa
Voicing: a-cappella/arrangements/christmas/novelty/
Style: Children
Review: Anita always enjoyed Christmas and her singers were busy at that time of year. Here are three of her accompanied arrangements that will give both your ensemble and audience the holiday cheer.
Songlist: It's Beginning To Look Like Christmas, White Christmas, We Need a Little Christmas
Voicing: a-cappella/arrangements/christmas/choral/
Review: As a Distinguished Professor at the University of Missouri-Kansas City Conservatory of Music and Dance, a prolific composer and recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters, Chen Yi blends Chinese and Western traditions, transcending cultural and musical boundaries. These are a collection of her works for unaccompanied mixed voices.
Songlist: Distance Can't Keep Us Two Apart, Spring Rain, The Bronze Taotie, Shady Grove, The West Lake
Review: Edward Higginbottom writes a highly accessible and mellifluous arrangement of "Down By the Sally Gardens". The delicate scoring, smooth vocal lines, and well-judged splashes of harmonic color allow the simple beauty of the tune to be heard. The traditional Somerset folksong "O Waly Waly" is given a delightful treatment and "Early One Morning" features both a solo baritone and solo soprano part that will make the singers shine!
Songlist: Down By The Sally Gardens, Early One Morning, O Waly, Waly
Voicing: a-cappella/arrangements/choral-england/
Review: The pieces of the first set are arrangements of folk-songs from the Russian and Doukhobor traditions and were prepared for the Vancouver Chamber Choir's 1989 tour of the former Soviet Union. Of the three, "All Throughout the Great Wide World" and "Along the Peterskaya" are well-known Russian tunes, highly rhythmic and vigorous; and employ quasi-instrumental accompaniment effects, whistling, and optional sleigh-bells and slap-stick (whip). The second (The Black Raven) comes from the Doukhobor community of British Columbia, Canada, and is a poignant lament of great lyricism and power. It uses a contralto soloist to introduce and carry melody through a piece.
Songlist: Of Home and the Great Wide World, Two Slavic Folk Songs, In a Pine Forest, The Black Raven, Along the Peterskaya, America's Like a Sister, Canada's Like a Mother
Voicing: a-cappella/arrangements/world-music/
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