Review: A fine collection of traditional and modern spirituals that are bound to get your group swayin' and a prayin'. These stiring and heartfelt songs will inspire audience and singers alike.

Songlist: In That Great Gettin' Up Mornin', Keep In The Middle Of The Road, My Lord, What a Mornin', Old Arks A Moverin' / Steal Away, Don't Touch My Garment, Wade in the Water

Voicing: a-cappella/arrangements/spirituals/male/

Review: Experience this fiery work, "Every Time I Feel The Spirit" and "feel the Spirit" add vitality to any choral program. Hold on to your choir robes! This invigorating a cappella adaptation of "Sinner Man" will bring your audience to their feet! In keeping with Sister Rosetta Tharpe's stylistic blend, this arrangement of "Heaven Somewhere" has a funky doo-wop flavored middle section that reminds us just how many different rock styles go back to the gospel source. In , "Go Down, Moses," Moses Hogan's contemporary settings of spirituals, original compositions, and other works have been enthusiastically accepted by audiences around the globe and have become staples in the repertoires of high school, college, church, community and professional choirs everywhere. Perhaps the spiritual closest associated with Norman Luboff's arranging style is "Deep River." It requires the fine singing of a well trained a cappella choir, high school choir and beyond. Moderately difficult. Destined to become a standard this new setting of "Witness" for men's voices features the classic Moses Hogan style. Opening with a section of sustained close harmony, "Plenty Of Good Room," moves into a medium tempo jazz-flavored groove that's pure delight! An ideal showcase for men's chorus! From the quiet beginning to the joy-filled ending, your men will gladly proclaim, "Rise and Shine and Give God the Glory!"

Songlist: Sinner Man, Heaven Somewhere, Joshua, Rise an' Shine, Plenty Good Room, Witness

Voicing: a-cappella/arrangements/spirituals/male/

Review: 'Wait on the Lord' is based on the text in Psalm 27:14 and Isaiah 40:31, put together by Rosephanye Powell. This beautifully harmonized piece starts out with the basses, then builds, adding each voice one at a time until measure 13 when all voices are singing together. 'The Word Was God' is another text by Rospehanye Powell, based on John 1:1-3. In this piece, both the male voices and the female voices get their opportunities to shine. Each part is divisi at one point or another. Robert H. Young's 'Show Us Your Mercy, O Lord,' is based on the text in Psalm 85:7-11,13. In this piece, the women split up into gorgeous four-part harmony, the men's voices create a great vocal accompanyment throughout. Robert h. Young's other gem, 'The Christ-Child' is an excellently composed choral with a few divisi parts to sweeten-up the lush chords throughout. His 'Treasures in Heaven' is another piece not to be missed with ample amounts of soli men and women sections throughout. The challenging chord progressions and multiple dynamic changes will allow your large advanced choir to show their chops

Songlist: Treasures in Heaven, Show Us Your Mercy, O Lord, The Christ Child, The Word Was God, Wait on the Lord

Voicing: a-cappella/arrangements/sacred/

Review: The haunting melody of "No Room" is harmonized in the Dorian mode and captures the irony of the Son of Man having no place to lay his head. No Room has a spiritual-like quality, yet the modal tonalities and occasional "jazz" chords give it a unique, almost ethereal feel. Seamless, chilling, and very moving. "I Am the Vine" is a beautiful worship or concert octavo. Tight harmonies and a flowing mixed meter give this expressive anthem a smooth ebb-and-flow, give-and- take feeling, very much like the spiritual relationship described in the text. "When I Was A Child" - Larry Nickel takes texts from both the Old and New Testaments and touches them with his creative magic to produce a lush tapestry of choral color and sound. This challenging octavo gives thoughtful directors ample opportunity for expressive performance moments. A multi-use choral, it is well suited for use as an introit, benediction or theme anthem. "Grace Be With You" - Joel Phillips takes the words of John 2:3 and touches it with a cappella beauty in this fresh new anthem. Suitable as a benediction or as a general use anthem, this choral uses a lush tonal vocabulary that brings to the text warmth and expressiveness that are very compelling. "They Shall Soar On Wings Like Eagles" - The celebrated words of Isaiah 40:28-31 take wing in this Tim Rumsey choral setting. There are many beautiful moments in this work and larger ensembles will revel in the thick divided harmonies. The expressive palette of choral colors and textures build the work to an impressive climax. This inspiring affirmation of God's strength and care is appropriate for programming any time of year. There is a joyful spirit to this a cappella choral from this new Mark Foster composer with a gentle "islands" feel, making it the perfect sorbet for your menu of music this year. Use the optional percussion for an authentic festive touch.

Songlist: No Room, I Am The Vine, When I Was A Child, Grace Be With You, They Shall Soar On Wings Like Eagles, My Heart Is Steadfast, O God!

Voicing: a-cappella/arrangements/contemporary-christian/

Review: In Witness, the men and women start in a call and response fashion, the next change comes with a fun walkin bass line with the rest of the voices singing beautiful harmonies... this is a fun tune! The rhythmic and expressive setting of the well known Spiritual, 'Rockin' Jerusalem' is a tribute to the work of Dale Warland. This arrangement will make an inspiring concert work for a skilled A Cappella choir. Originally, 'Wade in the Water' was a code song of the African-American slave that cautioned slaves to travel by water on their journey to freedom. Powell's arrangement captures the drama with beautiful harmony and powerful dynamics. The light humming of harmonies that start 'Somebody's Knockin' At Yo' Do'' will give you an idea of how exciting this piece could become, and sure enough it doesn't faulter from that expectation once throughout the song, this is a fantastic arrangement!

Songlist: Witness, Rockin' Jerusalem, Wade in the Water, Somebody's Knockin' at Your Door

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: 'Down in the Valley to Pray' was featured in the film 'O Brother Where Art Thou?' (only it was titled 'Down in River to Pray'), workers in a field sang the song with great fervor as they swung their hoes plowing the land. The song is African-American in origin, perhaps with some Appalachian influence due to the use of the pentatonic scale. The piece should be sung with great energy, with an ever-strong pulse on the first beat of the measure. The ever-popular spiritual, 'Wade in the Water' is especially fun to sing in this arrangement. It lends itself to accompaniment well, or it can be sung a cappella. The great 3 part harmony mixed with the very expressive dynamics make it very fun to sing. The wonderful melody hardly needs decoration. At times, indeed, it seems that harmony merely gets in its way. This arrangement is intended to highlight the tune's effectiveness through its simple and straightforward persentation. With the possible exception of a slight slowing in the final few measures, the piece should remain in tempo thorughout, and dynamics should err on the side of comfortably soft. 'The 'river' figure should remain a background murmur with little or no change in dynamic. Joan Szymko's 'Amazing Grace' is very exciting, there isn't a boring line in any voice part. 'Simple Gifts' is one of 12.000 songs composed by the Shakers during the middle of the nineteenth century. Thought to be written by Shaker Elder Joseph Brackett, the song was both an instruction for like as well sa an instruction for dancing. This arrangement starts out unison before breaking off into glorious 4 part women's harmonies.

Songlist: Down in the Valley to Pray, Some of These Days, Amazing Grace, Simple Gifts

Voicing: a-cappella/arrangements/spirituals/female/

Review: "My Soul's Been Anchored In The Lord" - The iconic spiritual arrangement by Moses Hogan has been masterfully adapted for treble voices by Rollo Dilworth. From the powerful opening chords to the exhilarating call and response sections, this is a work that will bring down the house! "Keep Yo' Lamps" - Renowned composer Rosephanye Powell takes a traditional "field shout" and presents it with care for an authentic sound. There is great passion in this approach and will provide an excellent opportunity to teach the history of the African American spiritual and its importance. "Hold Me, Rock Me" - Brian Tate cleverly combined the texts from a variety of frequently used spirituals to create a brand new choral selection. The yearning for belonging is quickly evident and rocks gently to a satisfying finish. Brian Tate has been composing and arranging a steady string of choral hits that deserves our attention."Roll, Jordan, Roll" - This great, rocking spiritual arranged by Brian Tate is simply fun to sing! A repeated ostinato section builds to the final ending.

Songlist: Hold Me, Rock Me, My Soul's Been Anchored in the Lord, Keep Yo' Lamps, Roll, Jordan, Roll, Good News!

Voicing: sheet-music/female-voices/

Review: Features 7spirituals as interpreted by acclaimed conductor and arranger Moses Hogan. "Moses Hogan provides a new voice for spirituals in America. His arrangements are exciting treatments that do not obscure the traditional essence of this music. His artistry as conductor, arranger and pianist is world-class!" - Craig Jessop, Director, Mormon Tabernacle Choir

Songlist: Hear My Prayer, Ride the Chariot, I Want To Be Ready, You Better Min' How You Talk, A Spiritual Reflection, Good News, The Chariot's Comin', We Shall Walk Through The Valley In Peace

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Moses Hogan's contemporary settings of spirituals, original compositions, and other works have been enthusiastically accepted by audiences around the globe and have become staples in the repertoires of high school, college, church, community and professional choirs everywhere. Here is a taste of some of his best work.

Songlist: The Battle of Jericho, Elijah Rock, Ev'ry Time I Feel the Spirit, God's Gonna Set This World on Fire, I Want To Thank You, Lord, I'm Gonna Sing 'Til The Spirit Moves In My Heart, Old Time Religion

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Moses Hogan's contemporary settings of spirituals, original compositions, and other works have been enthusiastically accepted by audiences around the globe and have become staples in the repertoires of high school, college, church, community and professional choirs everywhere. Here is a taste of some of his best work.

Songlist: Abide With Me, Didn't My Lord Deliver Daniel, Down By The Riverside, Give Me Jesus, I Can Tell The World, I Couldn't Hear Nobody Pray, I Got A Home In-a Dat Rock

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: More of Moses Hogan's most exciting arrangements.

Songlist: I Know The Lord's Laid His Hands On Me, Ride On, King Jesus, Standing In Need Of A Prayer, There Is A Balm In Gilead, Jesus Lay Your Head In The Window

Voicing: a-cappella/arrangements/spirituals/mixed/

Review: Jai Ho was written for the 2008 Oscar winning film Slumdog Millionaire. While this is a British movie, director Tony Boyle wanted to acknowledge Indian tradition. He asked A.R. Rahman to write a song in the style of his music for the Indian cinema to be choreographed and performed during the ending credits. The resulting piece is a victory dance capturing the essence of the movie's story. Balleilakka is a song from the Tamil film Sivaji, which means "The Boss." The text of this piece is a tongue-twister lamenting how traditional Indian culture is being subsumed and listing the speaker's memories of his homeland in increasingly faster syllabic patterns. O Saya was written for the Oscar winning film Slumdog Millionaire. The song appears at the beginning as we are introduced to just how horrible living conditions are int he slums of India. The lyrics have no meaning, nor does the title. They are just nonsense syllables that form a wail. The melodic patterns are based loosely on the patterns one might hear in the slums as the Muslim call to worship blasts from the minarets, but they are more a call to action than a call to prayer. When people sing this piece, hopefully they will consider taking some action against poverty themselves. Barso Re, written by A. R. Rahman and arranged for choir by Ethan Sperry, appeared in the soundtrack of the 2007 film Guru. It is an Indian take on how beautiful it can be to sing in the rain. For percussion, use a beaded gourd shaker, rasp, or tambourine for the upper line and one or more djembes or floor toms for the lower line.

Songlist: Jai Ho!, Balleilakka, O Saya, Zikr, Barso Re

Review: It has been said that you can see Buenos Aires while listening to Astor Piazzolla's music. This is one of his talents that sets him apart from other composers. Piazzolla made a revolution with the tango, which created many problems for him in his country (traditionalists did not accept his music as tango). But everybody finally accepted his changes because his music put the Argentine dance, the tango, at the highest level. Gentle tango rhythms and modern harmonies infuse these folk-like tunes.

Songlist: Verano Porteno, Libertango, Primavera Poertena, Invierno Poerteno, Otono Porteno, Reminiscense

Voicing: a-cappella/arrangements/choral-latin-america/

Review: Founded by Bernice Johnson Reagon, Sweet Honey in the Rock has been a vital and innovative presence in the music culture with songs and performances that nourish the soul and give courage to singers and listeners. The setting of Matthew 11:28-30"Come Unto Me" is a comforting solace for the weary, with layered vocal phrases and soothing harmonies. "I Remember, I Believe" combines elements of gospel, blues and spirituals into a rich vocal tapestry that reflects on the Hebrew tradition of "remembering" as the basis of faith. Mesmerizing and powerful! "Seven Principles" celebrates the traditions of Kwanzaa in a steady, purposeful style with optional percussion and adaptable vocal parts for any combination of voices.

Songlist: Come Unto Me, Seven Principles, I Remember, I Believe

Review: Carlos Guastavino writes in a romantic-nationalistic style, and even though he does not incorporate folk music, his music is permeated by the Argentine influence. These intriguing pieces can be performed individually or as a suite.

Songlist: Gala del Dia, Quien Fuera Como el Jazmin, Chanarcito, Chanarcito, Viento Norte, Al Tribunal de Tu Pecho, Una de Dos

Voicing: a-cappella/arrangements/choral-latin-america/

Review: As a Distinguished Professor at the University of Missouri-Kansas City Conservatory of Music and Dance, a prolific composer and recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters, Chen Yi blends Chinese and Western traditions, transcending cultural and musical boundaries. This is a collection of her works for unaccompanied treble voices including Chinese Mountain Songs commission for Kitka by commissioning grants from the National Endowment for the Arts and the Rockefeller Foundation.

Songlist: Chinese Mountain Songs, Looking at the Sea, With Flowers Blooming, When Will the Scholartree Blossom?, A Ma Lei A Ho, Gathering in the Naked Oats, Mt' Wuzhi, Ga Da Mei Lin

Voicing: sheet-music/china/

Review: Chinese Folk Songs is the result of collaboration between two of Theodore Presser Company's most prolific composers. It was commissioned and premiered by the Cornell University Chorus and Glee Club, March 16, 2008 in Beijing, China. Chen Yi sets the love song "The Flowing Stream" for women's chorus, and Steven Stucky sets the work song "The Sun Is Rising with Our Joy" for men's chorus. In the final section, both songs are interwoven and overlapped with full mixed chorus. For advanced choirs.

Songlist: A Set Of Chinese Folk Songs (Volume 3), A Set Of Chinese Folk Songs (Volume 2), A Set Of Chinese Folk Songs (Volume 1)

Voicing: sheet-music/china/

Review: Following the success of Songs of Africa (for mixed voices), Fred Onovwerosuoke presents six authentic arrangements of African songs scored for upper voices and percussion. Published in two small collections - this set for SA and the second for SSA - the songs originate from a variety of locations, including Zimbabwe, Botswana, Nigeria, and the Benin Republic. With texts to celebrate an assortment of themes, such as harvest, Christmas, play/leisure, and marriage, these arrangements are sure to delight all choirs looking for something a bit different. An English translation and a pronunciation guide are provided.

Songlist: Aluwa Sio, Aleluya!, Kayra Sillo, Irapada, Yesu Sore, HJeppepe!

Voicing: a-cappella/arrangements/world-music/

Review: Muslim choral music? There are numerous examples of group singing in the Muslim world, almost all of which is non-notated. Many of these group singing genres date back several centuries, such as the genre of Arab music called the muwashshahat, a song tradition that started in Muslim Spain and has continued vigorously until modern times.While there are numerous examples of Muslim group singing, notated part-singing is a product of colonization, Westernization, Christianization, and now globalization. It is becoming increasingly popular for composers in the Muslim world to arrange and compose music for the Western-style choir, and this collection serves to introduce participants to the breadth of Muslim culture, some Muslim songs, and the great diaspora of music of the Muslim world through a selection of pieces from different social, and cultural contexts.

Songlist: Ai'Yu, Fog Elna Khel, Adinu, Yal Asmar Ellon, Entarisi Ala Benziyor, Lammaa Badaa Yatathannaa, El-Helwa Di

Review: "Kumbargung" - One of the easiest and most immediately appealing from Stephen Leek's In Construction series. It is suitable for singers of all ages and uses indigenous Australian words that are spoken in rhythm at various pitch levels. "Kumbargung" means "night" and other evocative words include "ungi gungi" (grasshopper) and "goolay yali" (pelican). A delight for all ages! "Tunggare" means "voice" or "to sing" in an Australian dialect. This is a wonderful opening or closing to a concert. There is much repetition and very easy tenor and bass parts, so it is perfect for a high school choir (and other choirs as well!). It may also be used as a choral piece for audience participation. "Riawanna" is an Australian native word for "circles" and the piece is a do-it-yourself round with thousands of possibilities. It includes mixed meters. The final instruction in the accompanying notes says it all: "have fun".

Songlist: Kumbargung, Riawanna, Tunggare

Voicing: sheet-music-world/South+Seas/Australia/

Review: Stephen Leek's famous work from Songs of Passage. "Ngana" means "shark" and the piece strikingly captures the driving energies, rhythms and vivid colors of the island seascape found around the northeastern tip of Australia. Pronounced "ungahyullyull" meaning "hawk dreaming". The text reflects the thoughts of the sheep farmer herding his sheep, ever aware of the hawk circling overhead. The second of Stephen Leek's Songs of Passage, this is a highly evocative and beautiful composition using easy but effective modern compositional techniques. The music includes "boxes" of material for singers to work through as well as traditionally scored sections. The writing is easy to sing though it contains some chord clusters. Some song texts in an Australian Aboriginal language, some in English. Lots of fun here!

Songlist: Ngana, Ngayulyul, Coraparena, Ceduna, Tabulam

Voicing: sheet-music-world/South+Seas/Australia/

Review: Escape to a tropical paradise this Christmas with this happy holiday song! Bright Caribbean rhythms and buoyant melodies add a special sparkle. "Haitian Noel" - The Haitian folk carol is in the style of a Merengue and will give your concert Caribbean sparkle! A pronunciation guide is provided for the Creole lyrics and English lyrics are also included. "The Virgin Mary Had A Baby Boy" - This arrangement explores the Caribbean style known as "Afro-Cuban": independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Every section of the choir is spot-lit; every section gets its turn to lead. The piece would especially suit a choir in search of something seasonal but upbeat which is not a "novelty number."

Songlist: Jamaican Noel, Caribbean Christmas Holiday, A Cuban Carol, The Virgin Mary Had A Baby Boy

Voicing: sheet-music/carribean/

Review: Chua-ay is based on a popular folksong in the Philippines that depicts the Igorot tribes at work, pounding rice by means of a huge mortar and heavily weighted posts in order to separate the rice grains from their outer shells or husks. The piece begins with bird-calls serenely chanted by two sopranos and followed by a set of rhythmic vari- ations on the repetitive three-note theme of Chua-ay. Foot stomps suggest the mortar and pestle action that also enhances the earthy character of this northern folksong. Leron, Leron sinta or "My Dear, Little Leron," is a popular Filipino folk song from the Tagalog region. It is traditionally a work song, reprsenting those who work in the fields harvesting fruits, though the origin is unclear due to the lack of scholarly literature that examines Philippine folk music. Because of its catchy tune, it is often presented as a children's song, though some parts of the text may have been meant for a more mature audience. Some sources also refer to it as a courtship song. "Ilay Gandangan" is a popular piece among Filipino choirs. Derived from a sun chant of the Maguindanao tribe, the people call on the sun god, Ilay, to end the rain that is covering the land.

Songlist: Chua-ay, Ilay Gandangan, Leron, Leron Sinta, Mamayog Akun

Voicing: sheet-music/philippines/

Review: Haiku is a Japanese form of poetry comprised of three lines of five, seven, and five syllables. Jerry Estes has crafted a set of four short pieces set to original haiku... one for each season of the year. All are beautiful in their simplicity. Well suited for Orff accompaniment; bells and rhythm instrument parts are included in the publication. An outstanding learning and performing piece for 2-part choirs. A delicate melody swirls and twirls like drifting snow in this tasteful arrangement of a traditional Japanese school song "Yuki". The three short Japanese phrases (and several English words) are easy-to-learn and bring to mind icy images of wintertime. "Uji River" is the most unique multicultural piece you will sing this year. A primarily English text tells the spectacular story of an ancient Japanese fishing tradition on the Uji River. And a traditional Asian folk melody floats above a gentle koto-like piano. Magical for treble voices, and highly effective when TB singers sound like fishermen. Tsuki means "moon," and is one of just a few Japanese words sung in this pentatonic scale-based song. Other words describe the beauty of the Japanese moon throughout the year. A captivating and memorable piece.

Songlist: Four Seasons of Haiku, Japanese Snow Song (Yuki), Uji River, Tsuki (Japanese Moon), Sing Hallelu!

Voicing: sheet-music/japan/

Review: The Latin American Choral Series brings the exciting sounds of Latin America to choirs throughout the world. Selected by Oscar Escalada, the series includes a tremendous variety of styles ranging from the first polyphonic music composed in the New World, to traditional folksongs, tantalizing tangos, love songs and original compositions.

Songlist: Mudanzas, Pueblito Mi Pueblo, Cinq Chansons Folklorques D'Guadeloupe, Five Folksongs From Haiti, Guanchi Torito (Little Orphan Calf), Libertango

Voicing: a-cappella/arrangements/choral-latin-america/

Review: The exuberant arrangement of an Eastern Inner Mongolian folk song "Dorven Dalai' exhorts everyone from the Four Seas (the "four corners of the earth" or all nations) to fill their wine bowls with the best of wine, to rejoice and sing and enjoy this moment of happiness together. "Naiman Sharag" - Mongolian songs often praise horses, real and legendary, reflecting the close relationship between horses and humans. A 13th century chronicle refers to the eight chestnut horses of Chinggis Khan, and they have thus become a symbol of national identity which embodies the Mongol's love for their native language and culture. Indigenous Mongolian musical rhythms are often patterned after the rhythm of a running horse. Such rhythms represent one of the major ethnic features of Mongolian music, and can be found throughout this piece. "Zeregleent Gobi" was written for the Inner Mongolian Youth Chorus Troupe and "Bless Us, O God" is an a cappella setting of a Mongolian prayer.

Songlist: Dorven Dalai (The Four Seas), Naiman Sharag (Eight Chestnut Horses), Zeregleent Gobi (Mirage on the Gobi Desert), Bless Us, O God

Review: Tskhenosnuri is one of the most performed and popular Georgian folk songs, and has been recorded in different versions by the best-known folk choirs. Much of the text consists of nonsense syllables - think of them as the Georgian version of "fa la la. "Khatelishvili (1932-1988) wrote Khorumi in 1964. It is based on a unique 5/4 Adzharian folk dance rhythm and some melodic fragments which were common in the folk dance music of the Georgian province of Adzharia. This edition presents the piece in its original form. The text is a "Naduri" is a working song from the Imereti region in western Georgia; calls for unique Georgian yodeling technique known as krimanchuli.

Songlist: Tskhenosnuri, Naduri, Khorumi, Dachrilis Simghera

Review: "Eagle Hill" - Young voices will soar like the eagle in this accessible work for treble choir. The text was shaped from a ritual song of the Pawnee nation which revered the eagle for its strength and wisdom. Students from the commissioning choir wrote poetry, which the composer incorporated into this setting. "Songs of the Earth" - This choral pairs two venerable Native American songs: a Hopi chant and a traditional Arapaho Native song. With recorders and percussion, the songs are blended together to form a partner song at the conclusion of the piece. A striking addition to your concert! "Canoe Song" - A favorite North American tune is creatively arranged incorporating unison and 2-part harmony, round and partner-style singing with original music. A treasure chest of teaching and learning that includes optional percussion instruments and a text that reflects the Native American philosophy of reverence for the earth. "Shoshone Love Song" - This tender setting of a Native American poem features extended legato phrasing and delicate musicality. The simple piano accompaniment supports the expressive vocal textures. "Grandfather, Great Spirit" - With a text based on a Sioux Nations prayer, the composer has this to say, For native peoples, the spirits of nature and the earth are a strong presence, as are the spirits of their ancestors and the living traditions of their culture. Approach this song with honesty, sincerity, reverence and with awe.

Songlist: Eagle Hill, Songs of the Earth, Canoe Song, Shoshone Love Song, Grandfather, Great Spirit

Review: "Come on the Trail of Song" - Memley celebrates the Native American culture with an exquisite triptych of poems and song called Three Native American Settings. The original music is consumed with the sounds of the Native American spirit in all three selections. Although they can be performed separately, the set provides a reverent tribute to a beautiful culture. "Shoshone Love Song" - This tender setting of a Native American poem features extended legato phrasing and delicate musicality. The simple piano accompaniment supports the expressive vocal textures. Ideal for concert or festival programming! "Onokenoga" (or Lake of the Gods to the Mohawk First Nation people) depicts an ancient Mohawk legend of tragic romance. So deep was the connection between these two young lovers, legend has it that the spirit of the young girl wanders the shores to this day searching for her lost mate. "Waniska" - The Cree Indians from the North American continent have a delightful morning song that has been artfully arranged by Brian Tate. Beginning with bird sounds the melody line is first presented by the sopranos. A pedal point is set by the tenors and basses as the altos take their turn with the tune. As with so many Tate arrangements, staging is easily a part of the presentation, as the simple lines cross and lift one another. Some suggestions are provided but each group will find their own path. "Spirit of the Winding Water (A Navajo Prayer)" Native American wisdom and philosophy provide rich awareness of finding the sacred in all things. For this new work, musical phrases and rhythms are assembled from Native American chants and mixed with new music filled with this awareness. Native American instruments are suggested with more traditional instruments offered when these are not available.

Songlist: Come on the Trail of Song, Shoshone Love Song, Onokenoga, Waniska, Spirit of the Winding Water (A Navajo Prayer)

Voicing: sheet-music/native-american/

Review: "Party, Me Heartey" - Hoist the sail and join the pirate crew with this fun and novel pirate original song. Shiver me timbers, this will transfer your choir into singing pirates and it's sure to make a swashbucklin' showstopper! Perfect for costumes, movement and staging."I'se the B'y" -Young singers will love this spirited Newfoundland folk song that dances with a sea chanty text. There's energy from start to finish with a moving piano line that supports individual, unison, and part-singing. Great fun for your guys too!"Pirate for a Day" - Avast ye mateys! This rollicking original will be the hit of any concert. Perfect for men or treble choirs your students will have a blast with some easy 'pirate' choreography."Across the Western Ocean' - Originally arranged in 1948, Dougherty's sea chanties have been a staple of the solo repertiore. This choral edition brings this compelling repertoire to a new generation of singers. Well-crafted and expressive.

Songlist: I'se the B'y, The Drunken Sailor, Across the Western Ocean, Party, Me Heartey, Pirate for a Day

Review: Here's some songs for the cowgirls. A fun theme for a set. "Cowboy Take Me Away" - A young girl dreams of romance and adventure in this heartfelt song by the Dixie Chicks that soared to the top of the country and pop charts! "I Want to Be a Cowboy's Sweetheart" - Originally recorded by Patsy Montana in 1935, this was the first country song by a female artist to sell more than one million records. Subsequently covered by Suzy Bogguss, the Dixie Chicks and LeAnn Rimes, it's a sweet and sassy novelty song that will showcase your SSA choirs. "(Ghost) Riders in the Sky" - This 1961 hit captures all the mystery and excitement of a spectral stampede. This western classic will be tremendously fun to perform! "The Colorado Trail" - This gentle setting of a traditional cowboy song starts with one part and slowly builds to three-part harmony. Weep all ye little rains, wail, winds wail, all along...the Colorado trail. "Home on the Range" - Considered the anthem of the American West, this a cappella arrangement will show off your choirs tuning and blend, with unison lines blossoming into full harmonies for an accessible and impressive choral showcase. "The Streets of Laredo" - This novel treatment of the classic cowboy song is anything but the original. Completely reharmonized with extended phrases and a minor mode for the third verse will make it perfect for that concert or festival while still motivating with its contemporary harmonies.

Songlist: Cowboy Take Me Away, I Want to Be a Cowboy's Sweetheart, (Ghost) Riders in the Sky, The Colorado Trail, Home on the Range, The Streets of Laredo

Voicing: sheet-music/cowboy-songs/

Review: Here's a wonderful selection of well crafted arrangements African folk songs for unaccompanied female voices. "Amavolovolo" is a popular Zulu traditional song as arranged by Rudolf de Beer, former conductor of the Drakensbeg Boys Choir of South Africa. What a vivid connection to the people and culture of that part of the world! Authentic percussion and movement suggestions give this selection great visual appeal. "Ogo Ni Fun Oluwa" is an exuberant celebration of the birth of Christ through layered African polyrhythms and call-and-response vocal phrases. The singers encourage the audience to rejoice, shout and clap with them, making this selection a wonderful processional or concert opener. Percussion, Yoruba translation and pronunciation are included. "N'kosi Sikelel' I Afrika" is a dignified song, a Pan-African Anthem and is sung throughout the continent. This setting may be sung a cappella, or with chimes and layered percussion. "Mohlang ke kgotlelang hae" is a popular South African traditional song as arranged by Rudolf de Beer. What a vivid connection to the people and culture of that part of the world! Includes percussion and pronunciation guide.

Songlist: Mohlang ke kgotlelang hae (When I Return Home), N'kosi Sikelel' I Afrika, Ogo Ni Fun Oluwa, Amavolovolo

Voicing: a-cappella/arrangements/choral-african/

Review: Bobobo is a traditional dance of the Ewe people in the Volta Region of Ghana. There are many variations from village to village, and many songs may be used. A village rendition is a lively event and will often last all day or night. The popular worship song "Hakuna Mungu Kama Wewe " from Kenya can be performed in a variety of ways, by adding movement while singing, incorporating percussion instruments into the performance, or as a processional. Opening with a simple unison melody, the song progresses into two parts and finally adds a descant-like 3rd voice part. "Nakutakia Siku Njema! " is accessible for young choirs, and makes fun of common tourist phrases in Swahili, so don't look for a deep meaning in the text! A rhythmic pulse provides lots of fun for the singers and creates an exciting performance! "Duond Akuru" is based on the Kenyan phrase for "the voice of the dove" this composition combines the imagery of the African landscape and its musical essence.

Songlist: Bobobo Suite, Duond Akuru, Nakutakia Siku Njema! (Have a nice day), Hakuna Mungu Kama Wewe

Voicing: a-cappella/arrangements/choral-african/

Review: "The Wild Rover" - Once again, Mark Sirett has captured the spirit of a text and assigned it to the best possible voicing. Mark's arrangement is lively and robust. With its repeated chorus, it will be easy to learn and fun to sing. "Star of the County Down" - This Irish ballad is full of great singing for your multicultural programming. Excellent ranges for developing boy's voices and includes independent, unison and full three-part harmony writing. A lively flute and percussion part adds performance options. "Dear Old Ireland" - This traditional nineteenth-century Irish-Canadian lumberjack song is a lively jig and perfect for the young men of your choir. It is energetic and rhythmic with moderate ranges at both the upper and lower extremes. Great for recruiting! "Danny Boy" - This beloved Irish melody is perfect for teaching artistry and vocal technique with its gentle phrasing and imaginative expression. A wonderful selection for younger festival and honor choirs and contest! "Carrickfergus" - This traditional Irish tune, sometimes known as The Sick Young Lover, dates back to the mid 1800s. You will captivate audiences with this beautiful setting for male voices and piano

Songlist: The Wild Rover, Star of the County Down, Dear Old Ireland, Danny Boy, Carrickfergus

Voicing: world/ireland

Review: "Tatlo Sa Buhay" (Three Philippine Songs on Life) consists of a children's song, a lullaby, and a love song, this collection of folk tunes is full of lively rhythms and enchanting melodies. "Paruparong Bukid" - The Field Butterfly is a humorous song about the alikeness of a field butterfly to a 1900 Filipino lady dressed in her glamorous formal dress with tall butterfly sleeves. She struts swaying her hips down the aisle of the church as everyone looks on. The Filipino choral arrangements that George Hernandez has written are some of the most popular in the Pavane catalog. Also available in SATB divisi, P1364. For high school and college treble choirs. Medium difficulty. "Rosas Pandan" - This Filipino or Visayan folk song is about joy and love. George Hernandez, conductor of the Saringhimig Singers from San Francisco has captured the native flavor in this rousing arrangement. Selected for the Ron Kean Multicultural series, high school and college choirs will love it. "Halina't Umawit Sa Panginoon" - Begins gently but soon breaks into a dynamic and pulsating hallelujah section that is captivating. Treble choirs of all ages, medium difficulty.

Songlist: Tatlo Sa Buhay - (Three Philippine Songs on Life), Halina't Umawit Sa Panginoon, Paruparong Bukid, Rosas Pandan

Voicing: sheet-music/philippines/

Review: The highly successful French movie Les Choristes (The Chorus) was nominated for an Oscar for Best Foreign Language Film and "Vois sur ton chemin (See Upon Your Path)' was nominated for Best Original Song with the musical theme reoccurs throughout the movie and expresses the central image of the story: Joys of childhood, too quickly forgotten erased. A golden light shines steadily at the very end of the path. "Caresse sur l'ocean" is an enchanting melody with wonderful interwoven harmony, this expressive song paints an evocative image of a bird aloft on the wind, traveling far distances, from snowy far-off lands to castles in Spain. "Cerf-volant " is a buoyant song that beautifully depicts the image of a kite flying high in the air implying a child's imaginative wishes and dreams. "Lueur d'ete" dramatically portray the emotions, dreams and fears of the children in the story. Images of summer, like our childhood memories, remain always in our heart. Includes the original French and English lyrics.

Songlist: In Memoriam, Vois sur ton chemin (See Upon Your Path), Caresse sur l'ocean (Caress Upon the Ocean), Cerf-volant (Kite Flying), Lueur d'ete (Summer's Warm Light), Compere Guilleri

Voicing: sheet-music-world/French/

Review: As a Distinguished Professor at the University of Missouri-Kansas City Conservatory of Music and Dance, a prolific composer and recipient of the prestigious Charles Ives Living Award from the American Academy of Arts and Letters, Chen Yi blends Chinese and Western traditions, transcending cultural and musical boundaries.

Songlist: Sakura, Sakura, Arirang, Xuan, Written on a Rainy Night (Tang poem), Landscape, Know You How Many Petals Falling?

Voicing: a-cappella/arrangements/choral-asia/

Review: Commissioned by and dedicated to the Singapore Youth Choir, under the direction of Jennifer Tham, who premiered the works in July 2004 for their 40th anniversary celebration. Chen's unique musical language brings ancient texts and melodies into the current day; the resulting blending is still indicative of both realms. For better concert choirs looking for a diverse yet challenging program.

Songlist: A Single Bamboo Can Easily Bend, A Horseherd's Mountain Song, The Flowing Stream, The Sun Is Rising With Our Joy, Two Chinese Folk Songs

Voicing: sheet-music/china/

Review: "Mbiri kuna Mwari" is composed in the spirit of choral music heard at the Episcopal Cathedral in Harare, Zimbabwe, in the summer of 1993. Shona is the majority tribe in Zimbabwe and its language. The text is the Shona translation of the opening section of the Gloria of the Mass Ordinary. This traditional lullaby, "Thula, Babana," is from the eastern coastal region of South Africa. The singular sweetness of the melody has made it a favorite with South African choirs and audiences. In this arrangement, the melody is repeated several times, passing from one voice to the other, with a gradual variation and accumulation of accompanying texture, before fading into silence. Also included in this package is "Ghana Alleluia," "Kenya Melodies," and "African Celebration."

Songlist: Ghana Alleluia, Kenya Melodies, Mbiri Kuna Mwari, African Celebration

Voicing: a-cappella/arrangements/choral-african/

Review: An all a cappella collection of folk songs from a land where singing is second nature to most of it's inhabitants! Traditional folk song "Rosas Pandan" is a song of joy and love. George Hernandez, conductor of the Saringhimig Singers from San Francisco has captured the native Visayan flavor in this rousing and playful arrangement "Caturog Na, Nonoy" is a beautiful lullaby which features an alto solo accompanied by the choir. The joyful, Filipino Christmas Carol "Pasko Na Naman!" is a welcome addition to the season. George Hernandez, has masterfully arranged a simple SATB, a cappella setting that simply works!. High school, college and community choirs will love this piece. "Ay, Ay, Ay, O Pag-Ibig!" is a fun and lively arrangement of a traditional Tagalog folksong. Includes pronunciation and translation notes. "Paruparon Bukid" (The Field Butterfly) is a humorous song comparing a butterfly to a Filipina dressed in her glamourous formal dress with tall butterfly sleeves as she moves down the aisle of the church, swaying her hips as every one looks on.

Songlist: Caturog Na, Nonoy, Rosas Pandan, Pasko Na Naman, Ay, Ay, Ay, O Pag-Ibig!, Paruparong Bukid

Voicing: sheet-music/philippines/

Review: This set of seven movements uses a broad palette of choral orchestration. The first piece, "The Lands Around My Dwelling" (Inuit), features free and changing meters and frequent divisi. Movement two, "As My Eyes Search" (Chippewa), is energized by close canonic entries. Movement three "War Song" (Sioux), is a vigorous piece with canonic imitation and some tone clustering, starting with a single voice parts and expanding to full SSAATTBB texture. Movement four, "Love Song" (Nahuatl), in alternating 8/8 and 9/8 is a lyrical, rhapsodic setting of a ravishing text. Movement five, "Pleasant It Looked" (Winnebago), features a soprano soloist (imitating a boy soprano) and is a quiet meditation. Movement six, "Upward Going" (Tewa), is again move vigorous, and Movement seven "Two Dream Songs" (Wintu), concludes the work in a quiet benediction.

Songlist: War Song, Upward Going, Two Dream Songs, Pleasant It Looked, Love Song, The Lands Around My Dwelling, As My Eyes Search

Voicing: sheet-music/native-american/

Review: Fun settings of a traditional Estonian carols, these secular winter-themed songs reflects on the joys of winter and skating in a gentle waltz feel. Brisk and energetic songs with simple melody, limited ranges and shared rhythmic patters make them enjoyable for high school mixed choirs.. In Estonian, with a pronunciation guide and a singing English translation, this suits both beginning and more advanced mixed choirs, with quick and easy preparation for both choir and accompanist. Both Estonian and English text.

Songlist: Ule Lume Lagedale (Over Snowy Winter Roads), Skating (Uisutamas), Little Tommy's Choir

Voicing: sheet-music-world/Baltics/

Review: "Loch Lomond" is one of the most famous of all Scottish song - a song of friendship, of love, and of parting. While "Auld Lang Syne" has become one of the most familiar in our culture, oft used for ushering in the new year, it remains a heartfelt air, extolling enduring friendship and waxing nostalgic over the passage of time. "The Birks Of Aberfeldy" is a dance piece! Let the rhythm and accents hold sway as the piano rolics and the singers tease, tempt, cajole and invite the Bonnie Lassie! Also Included in this package is the hauntingly beautiful "Skye Boat Song," and "Afton Water."

Songlist: Skye Boat Song, Afton Water, The Birks of Aberfeldy, Auld Lang Syne, Loch Lomond

Voicing: sheet-music/scotland/

Review: The English lecturer, conductor, adjudicator, composer and arranger, Louis Halsey, studied music at Cambridge, where he sang in the celebrated King's College Choir, before embarking on a music career which has taken him all over the world conducting, lecturing, examining and adjudicating. Here are a collection of folk songs from each of the four countries in the United Kingdom.

Songlist: Going to Mass Last Sunday, My Love She's a Venus, O No, John!, Ye Banks and Braes

Voicing: a-cappella/arrangements/choral-england/

Review: Steven Sametz has earned increasing renown in recent years as both composer and conductor. He is the Ronald J. Ulrich Professor of Music and director of Lehigh University Choral Arts, one of the country's premiere choral programs. He also serves as Artistic Director for the elite a cappella ensemble, The Princeton Singers and is the founding director of The Lehigh University Choral Composer Forum, a summer course of study designed to mentor emerging choral composers. This is a wonderful collection of folk songs with songs from Bosnia, Thailand, Russia and Germany that will add a nice international flavor to your program.

Songlist: Kein Feuer, Keine Kohle, Kann Brennen, So Heiss, Ne Sedi, Djemo, Ngam Sang Duan, Pai Duli Vwihdui Ja

Voicing: a-cappella/arrangements/world-music/

Review: Selected for the Ron Kean multicultural series, these Serbian folk songs have been tastefully arranged by educator, Tina Harrington. Although these pieces can be performed alone, it is actually a partner with "Sano Duso." "Ajde Jano" is a playful love song that frolics and skips as its text celebrates dancing and singing. Even as the music shifts from F minor to major and back again, the ethnic modality transports you to Serbia. A more tender love song than its partner piece, they program perfectly together.

Songlist: Sano Duso, Ajde Jano

Voicing: a-cappella/arrangements/world-music/

Review: Selected for the Ron Kean Multicultural Series, "African Processional" utilizes sounds from African folk songs and a joyful chorus emerges with an occasional solo interjection. "Ning Wendete" is a traditional folk song from Kenya and is a conversation between a man and a woman. "I love you, but you do not love me. How is that? If you do not love me, you had better tell me so." Dynamic contrast, percussion and a wide range of layered vocal textures make this an appealing concert choice. "The Coca Cola Song" is a playful contemporary African folksong and is a lot of fun to perform with layered vocal parts, African percussion, and humorous references to the choir members singing. Celebrative and highly rhythmic, "African Noel" shines with energy and excitment. Contrasting dynamics and optional percussion make this one a real creative and refreshing Christmas selection. Beautiful in its simplicity, your choir will have fun with this one!

Songlist: African Processional, E Oru O, Ning Wendete, O Sifuni Mungo, An African Song Game (The Coca Cola Song), African Noel

Voicing: a-cappella/arrangements/choral-african/

Review: The first two South African Folk Songs are in Shangani. The first seems to be in recognition of the arrival of the first white settlers off the west coast of Africa, ostensibly in the 17th century. The second, Tulan, Nimamele!, speaks for itself. They are both best done in a strong, boisterous fashion. Freedom Come is The closing movement of Bandari: Inside These Walls, a five-movement work encompassing a variety of African styles and combining Swahili and English texts. Freedom Come is written in the style of a South African freedom song; it creates an atmosphere in which hope can increase, healing can occur, and connections to our common humanity can be strengthened.

Songlist: Two South African Folk Songs, Kpanlongo, Freedom Come, Keep quiet and listen, See, coming at a distance, the German ship

Voicing: a-cappella/arrangements/choral-african/

Review: Two distinctive cultures combine in the unique choral change-of-pace known as 'An Afro-Celtic Diddle.; Featuring African percussion and Irish-inspired vocals, this delightful piece is fun, fun, fun! Disney's powerful African song, 'One by One.' will bring down the house. 'Dubula' is a folk song of the Xhosa people of South Africa. The style is boisterous, party-hardy and open-throated. The South African Zulu song, 'Womoweh (Mbube),' was first recorded in the early 1940s by Solomon Linda. Pete Seeger later transcribed the song for The Weavers. Once adapted to their own style, it become one of their greatest hits. The Five African songs in 'Hamba Lulu' have a rhythmic energy that propels the music and stirs the human spirit. With a variety of performance options, this collection will be an outstanding addition to your choral library. Stephen Hatfield's fun tune, 'African Celebration' is gem that can be used in any concert series needing that extra world music flavor, it comes complete with a pronunciation guide to help you and your choir learn the music!

Songlist: An Afro-Celtic Diddle, One by One, Dubula, Wimoweh (Mbube), Hamba Lulu, African Celebration

Voicing: a-cappella/arrangements/choral-african/

Review: "Nukapianguaq" (pronounced Nuhk-ah-pee-ang-guaq) attempts to present Inuit music in a choral setting that remains as faithful as possible to the aesthetics of the original tradition. Inuit chants are usually reflective in nature and spiritual in intent. "On The Rooms" - An audience need not be familiar with the history of Newfoundland and Labrador, Canada's easternmost province, to get the sense that an epic story is unfolding before them. Based on the maritime heritage of Newfoundland and Labrador, this modern folk song creates an atmosphere of sea air and hard work. The arrangement of this beautiful Indian song "Land of the Silver Birch" was made by the Finnish music educator Pentti Paalanen in the 1970s for his high school choir in the town of Joensuu. Since all three verses are set to the same music, the necessary contrasts must come from a careful consideration of the text. These contrasts, or variations, need not be very great, however, as a certain monotony and mystery belongs to the character of this song. This Canadian Folksong "Petty Harbour Bait Skiff" describes the tragic sinking of a Bait Skiff near Petty Harbour in 1852, losing all but one of the crew.

Songlist: On The Rooms, Land of the Silver Birch, Nukapianguaq, Petty Harbour Bait Skiff, Oolichan

Voicing: a-cappella/arrangements/choral-canada/