This a cappella madrigal from the high Renaissance is now available as a stand alone choral. It features opportunities for dynamic contrasts and development of musical line. John Leavitt has edited the piece with optional cue notes to make the tenor range more accessible to a larger group of singers. This madrigal is stunningly beautiful.

Arranger: John Leavitt

These new SAB and SSA arrangements make the beautiful Tomás Luis de Victoria choral work accessible for younger and smaller choirs as well as treble voices. The optional piano is a supportive accompaniment, offering an alternative to a cappella singing for developing choirs. A timeless classic in choral literature. Available: SAB, opt. a cappella; SSA, opt. a cappella; PianoTrax CD (35027473). Duration: ca. 1:50.

Arranger: Russell Robinson

In a time of increased multi-cultural awareness, Bwana Awabariki offers an ideal piece of African culture for both churches and schools. The song emphasizes rhythm, blend, and African-style vocalism with broad, open chords and the familiar low, low bass part. This warm a cappella blessing would be especially effective with added percussion. Well suited for World Communion, mission emphasis, or any multi-cultural gathering, Bwana Awabariki is fun for SATB or TTBB ensembles.1.5+

Arranger: Eugene Butler

This traditional spiritual is newly arranged by Russell Robinson in a robust a cappella setting with solo opportunities. With its repetitive sections, this piece is not difficult; however, with the exciting key change and strong ending, the singer and listener are captured by the sound and energy of this great arrangement. Accessible and fun. Available: SATB, a cappella choral.

Arranger: Russell Robinson

There is no better example of the classic Waring sound than in the sonorous chords of this arrangement by Roy Ringwald. High school and college choirs, churches and civic choruses must all have the opportunity to perform this unaccompanied masterpiece. We have re-engraved this hallowed choral for clarity and ease of learning. This is choral music at its very best!

Arranger: Roy Ringwald

Moving in its simplicity and rich with choral color, this stunning a cappella arrangement of the well-known spiritual is breathtaking in every measure. Commissioned for the 26th Annual Festival of Choirs in Gainesville, Florida, this is a must-have for any SATB choir.

Arranger: Russell Robinson

This unusual, traditional spiritual is not often found. Phil Kern has arranged this exciting, a cappella piece which makes its mark with a driving, hushed energy, fantastic solo lines and an ending that will set your audience on fire. This arrangement is smart, musically exciting and fresh. Available: SSATB, a cappella.

Arranger: Philip Kern

Eric Lane Barnes has a very unique writing style and he has done it again with the choral, Glee! This creative a cappella gem is quite entertaining, hearkening back to the days of the glee club songs of Yale and Harvard. This work is an excellent tool to teach harmonics. Listen to the middle section that contains a sequence of ascending diminished 7th chords with lyrics announcing the definition of the word, glee. Novel, yet eloquent in its style and performance possibilities, Glee is gleefully a winner for any program.

Composer: Eric Lane Barnes

Eric Lane Barnes has a very unique writing style and he has done it again with the choral, Glee! This creative a cappella gem is quite entertaining, hearkening back to the days of the glee club songs of Yale and Harvard. This work is an excellent tool to teach harmonics. Listen to the middle section that contains a sequence of ascending diminished 7th chords with lyrics announcing the definition of the word, "glee." Novel, yet eloquent in its style and performance possibilities, Glee is "gleefully" a winner for any program.

Composer: Eric Lane Barnes

This authentic 3-part English madrigal is now arranged by Rick Weymuth as a perfect concert or contest work. Nonsense words are enhanced by a story about a Maypole dance celebrating spring. Humorous, light and full of fun. A wonderful selection to present madrigal singing to your choir and audience. Available: SAB, a cappella.

Arranger: Richard Weymuth | Composer: Thomas Weelkes

This outstanding best-seller and important choral work is now available for SSAB and TTBB voices. A cappella vocals build with a come on up followed by rhythmic vocals under the hypnotic melody penned by Walter Robinson. Layered, under that, is the sound of percussion imitating a train and vocal nuances resembling the sound of chains and a train whistle. Incredibly powerful and moving!

Arranger: Kathleen McGuire | Composer: Walter Robinson

Kathleen McGuire has created an outstanding arrangement of this glorious song originally penned by Walter Robinson. A cappella vocals that build with a "come on up" followed by rhythmic vocals under the hypnotic melody. Optional cabaca part suggested. Layered under that is the sound of percussion imitating a train and vocal nuances resembling the sound of chains and also a train whistle. Incredibly powerful and moving! It's a must for every choir's library.

Arranger: Kathleen McGuire

This Gabrieli antiphonal motet is arranged in eight parts for two choirs by Richard Weymuth for the 2011 Oklahoma All-State Festival. It is an outstanding and complex work that is full of tonal color and rhythmic counterpoint. A wonderful selection for concert, contest or festival use for general and Christmas. Available separately: Double SATB Choir, a cappella. Duration ca. 3:00.

Arranger: Richard Weymuth

American Cowboy Song

Arranger: Greg Gilpin | Composer: Daniel E. Kelley

The emotional, longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away, feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming.

Arranger: Russell Robinson

The emotional, longing text and notes of this Cornish folk song are arranged for mixed a cappella voices in a gentle and warm setting. The text expresses the anguish of seeing a love go away, feeling ruined and alone but then having that very love return to you. I love my love because I know my love loves me. A haunting choral for exquisite programming.

Arranger: Russell Robinson

Don't miss this accessible, up-beat arrangement of the popular spiritual. From the start this choral is rhythmic and strong, building to a show-stopping close. Because of its voice leading and repetitive harmonies, choirs of many different performance levels will be able to learn and enjoy this choral. A solid musical work by Russ Robinson! Available: SATB, a cappella.

Arranger: Russell Robinson

This fun-to-sing arrangement of an old Sunday School classic will surprise and delight your audience with a joyful display of vocal virtuosity! Hovering between urban gospel styling and a modern a cappella vernacular, this would be a great encore as an exclamation point to a service of celebration! The rhythmic writing is compelling and fantastic for an elite ensemble.

Arranger: Heather Sorenson | Composer: L. Casebolt

Written by Lotti around 1730, this motet was originally written for four voices. Russell Robinson's thoughtful 3-part arrangement attempts to maintain the harmonic textures, melodic lines, and text of the original work while making it more accessible for young voices. Available separately: 3-part mixed, opt. accompaniment; PianoTrax CD. Duration: da. 1:36.

Arranger: Russell Robinson

This setting of the Nigerian folk song is amazing! Simple enough in the vocal arrangement to better allow for musical interpretation, the addition of a vast array of percussion and rain sticks creates a powerful multicultural performance selection.

Arranger: Brian Tate

This a cappella gem uses optional percussion accompaniment creating a Renaissance sound and madrigal effect. Beginning with a simple melody, each part joins with its own melody. Soon the polyphonic singing is gloriously forte and builds to a strong ending. How sweet the answer echo makes to music at night. Music's Echo is a sweet musical work to use as a processional or it may be sung antiphonally by two or more choirs. Words by Thomas Moore (1779-1852) from Irish Melodies, Vol. 8. So many creative options! Optional percussion includes triangle, finger cymbals, tambourine, drum.

Composer: Greg Gilpin

This a cappella best-seller is now available for TB voices! Using the optional percussion accompaniment creates a Renaissance sound and a madrigal effect. A simple melody starts of the work, then each part joins in with its own melody. Soon the polyphonic singing becomes gloriously forte, building to a strong ending that includes an optional descant.

Composer: Greg Gilpin

Thomas Moore's text provides the inspiration for the innovative a cappella piece now available in a NEW SSA voicing. Beginning with a simple melody, each part then joins with its own melody as the polyphonic singing builds in a glorious tribute to music. The use of percussion adds a magical effect!

Composer: Greg Gilpin

This a cappella best-seller is now available for TB voices! Using the optional percussion accompaniment creates a Renaissance sound and a madrigal effect. A simple melody starts of the work, then each part joins in with its own melody. Soon the polyphonic singing becomes gloriously forte, building to a strong ending that includes an optional descant.

Arranger: Greg Gilpin | Composer: Greg Gilpin

Thomas Moore's text provides the inspiration for the innovative a cappella piece now available in a NEW SSA voicing. Beginning with a simple melody, each part then joins with its own melody as the polyphonic singing builds in a glorious tribute to music. The use of percussion adds a magical effect!

Arranger: Greg Gilpin | Composer: Greg Gilpin

John Parker and Greg Gilpin have combined their talents to create this exuberant and original spiritual for a cappella voices. Full of dynamic contrast, rhythmic nuances, and textual percussiveness, Nothin' Gonna Stumble My Feet will be an outstanding festival, concert, or contest piece.

Composer: John Parker

John Parker and Greg Gilpin have combined their talents to create this exuberant and original spiritual for a cappella voices. Full of dynamic contrast, rhythmic nuances, and textual percussiveness, Nothin' Gonna Stumble My Feet will be an outstanding festival, concert, or contest piece.

Composer: John Parker

Prolific composer Orlando di Lasso's madrigal is carefully arranged for SATB voices with a fresh harmonic treatment. Understated in its approach, the arrangement is relaxed and maintains the beauty of the original in a contemporary fashion. Available: SATB, a cappella. Duration: ca. 2:26.

Arranger: Doug Andrews

Quiet with longing, this a cappella arrangement of a favorite American folk song is one of the most haunting and lush ever written. Beginning with rich and low vocal writing, the work moves with the unexpected, painting the romantic lyric and building into full vocal divisi-writing that captures the familiar and powerful essence of this beloved text and melody. A true classic in the making for mixed and men's choirs. Available separately: SATB, a cappella; TTBB, a cappella. Duration: ca. 4:15.

Arranger: Greg Gilpin

Quiet with longing, this a cappella arrangement of a favorite American folk song is one of the most haunting and lush ever written. Beginning with rich and low vocal writing, the work moves with the unexpected, painting the romantic lyric and building into full vocal divisi-writing that captures the familiar and powerful essence of this beloved text and melody. A true classic in the making for mixed and men's choirs. Available separately: SATB, a cappella; TTBB, a cappella. Duration: ca. 4:15.

Arranger: Greg Gilpin

A cappella emotion with rich, dynamic, and exceptional part writing that introduces some contemporary chord changes not usually found in this folk song fill this new choral work. Directors and singers will love learning and putting their own expression in the performance of this wonderful new arrangement.

Arranger: Russell Robinson

This wonderfully original teaching and performance piece by Russ Robinson uses only the text Sing Alleluia. Learn as a warm-up in your class, develop it musically, and then add to your concert as a striking opening number. Available: SAB, unaccompanied.

Composer: Russell Robinson

Capturing the simplicity of this well-known spiritual, rich a cappella writing brings this arrangement to life. A moving, musically fulfilling, and accessible selection for SATB choir.

Arranger: Russell Robinson

This timeless Irish folk song has been arranged by the renowned Darmon Meader of the group New York Voices. Simple unison and harmonies that respect the tune and lyric open then graduate to a more contemporary sound to add freshness without difficulty. A dream to teach and sing!

Arranger: Darmon Meader | Performed By: New York Voices

This is an interesting and fun arrangement that Mozart never would have imagined, but most certainly would have appreciated! His famous instrumental work has been transformed into a gleeful arrangement for voices. A refreshing a cappella number for your concert or show choir that will wow your audiences to the final Ta-da!

Arranger: Greg Gilpin | Composer: Wolfgang Amadeus Mozart

Voice Dance, a wordless vocal dance celebrating the human voice and the joy of singing together is perfect for any occasion. Written for nationally-known jazz educator, arranger, and vocalist Jennifer Shelton for her marriage to well-known drummer Steve Barnes, this composition will teach your ensemble blend, alternative time signature as well as the freedom found in singing together. A musical challenge your students will love.

Arranger: Greg Jasperse

The top-selling VoiceDance, first in the SATB series, is now available for women's voices in an exciting SSAA voicing. Now treble choirs can experience the rhythmic fun and challenge of this unique vocal jazz classic!

Arranger: Greg Jasperse

Voice Dance II, continuing the wordless vocal dance celebrating the human voice and the joy of singing together. Bright with bounce and musical joy, this piece is perfect for any occasion.

Composer: Greg Jasperse

VoiceDance III. Greg has created a wordless vocal dance that has an African feel full of rhythmic, percussive and forward-moving vocal expression. Use of repetitive lines allows this work to be learned rather easily. Outstanding for festivals, concerts and even multicultural events!

Arranger: Greg Jasperse

Soft consonants fill the jazz syllables while the energetic music of rhythm and vocal textures paint an incomparable picture of vocal sound. The piece is made up of repetitive phrases and sections, so learning is easier than imagined when first hearing this extraordinary choral.

Arranger: Greg Jasperse

The series continues with the fifth installment in this vocal jazz triumph. The inimitable, Greg Jasperse creates a fresh, 6/8, a cappella magic of harmonies and melodic turns as only he can do. Vibrant, vocal textures fill this choral work. A must for all vocal jazz groups to really shine!

Arranger: Greg Jasperse

The English Renaissance composer Thomas Weelkes gave us the madrigal Welcome Sweet Pleasure in 1598 as an SSATB score. Patrick Liebergen has edited and arranged this wonderful work into an SSA choral that is dance-like and excellent for teaching text declaration. The accompaniment is optional, making the work perfect for any general concert or madrigal dinner performance.

Arranger: Patrick Liebergen | Composer: Thomas Weelkes

Thomas Weelkes' bright and happy madrigal is arranged as a smart, 3-part mixed choral by Jill Gallina. Whilst Youthful Sports is perfect for younger voices learning a cappella singing and madrigal style. Available separately: 3-part mixed, a cappella. Duration: ca. 2:05.

Arranger: Jill Gallina

Greg Gilpin's ever-popular anthem, which has been sung throughout the world in every voicing, has been re-imagined by the composer as an a cappella work. The introduction begins as the piano setting does with vocals dancing with light vocal jazz into the first words of a sound of hope and developing layer after layer into the final and bold ending. There is no lack of energy, expression or emotion in this new unaccompanied setting and will absolutely thrill a cappella choirs desiring to sing this timeless modern choral classic.

Composer: Greg Gilpin