David Montoya : African Processional

Selected for the Ron Kean Multicultural Series, this piece utilizes sounds from African folk songs and is now available for SAB. With a myriad of percussion instruments, the rhythm is set. A joyful chorus emerges with an occasional solo interjection.

Composer: David Montoya

Chris Maunu : Alleluia Votum

Chris Maunu is quickly becoming a highly respected and recognized name for his excellent work with youth choirs. He is the Artistic Director for the Pacific Youth Choir in Portland, OR, and Pavane is pleased to announce the Pacific Youth Choir Series, Chris Maunu, Editor. Votum is Latin for hope, and this piece for advanced youth choir or adults affirms we will find hope from within.

Composer: Chris Maunu

Chris Maunu : As I Journey On

Chris Maunu is quickly becoming a highly respected and recognized name for his excellent work with youth choirs. He is the Artistic Director for the Pacific Youth Choir in Portland, OR, and Pavane is pleased to announce the Pacific Youth Choir Series, Chris Maunu, Editor. Using words from the poem Courage by Ella Wheeler Wilcox, Chris creates an energetic and uplifting piece for young voices, middle school to high school. The piano and djembe add vitality and rhythm that support the encouraging theme.

Composer: Chris Maunu

Brian Tate : Connected

Brian Tate wants to help bring us all together and uses his imaginative music and community-building texts to make it happen. Each vocal part gets its own statement, and they sequence together into a rollicking chorus. Available a cappella for almost every voicing, it is now arranged for 2-part voices with accompaniment. Easy and fun.

Composer: Brian Tate

John Williams Jones : Land Of Song

Professor Sharon Gratto has built a career providing historial context to multicultural and folk music. This time, she delves into the richness of the Welsh tradition. This medley incorporates three Welsh songs that together take us on a journey from highlands to lowlands. Sharon's series offers more than pleasant concert material. Through singing or listening, one gets a true feeling for the cultures her series explores.

Arranger: John Williams Jones

David C. Dickau : Love Is

The texts of e. e. cummings are thoughtful and provoking. Following suit is this musical setting for a cappella voices and violin. The opening is charmingly hypnotic, preparing the listener's ear to hear the thoughts to come. Just the right amount of dissonance awakens the text and stimulates our senses. The conversation is further enhanced by the violin's expressive interjections. A truly artistic selection for advanced university and community choirs.

Composer: David C. Dickau

Shih Ching-Ju : The Kitten

The Formosa Singers from Taiwan are one of the world's renowned choral groups. They commission unbelievably creative and beautiful works by local composers. Pavane Publishing is very proud to launch a new choral series with them under the editorial excellence of Cristian Grases. Each edition is published in Taiwanese and IPA and English translations. You can hear the kitten playing and chasing a mouse, no matter what language is spoken in this delightful piece. This is an excellent cultural choice to bring to your audiences; for advanced high school, community choirs and university ensembles.

Composer: Shih Ching-Ju

Loren Wiebe : The Railway Train

Emily Dickinson wrote a poem about a railway train. This composition captures the 19th century train on the tracks in America, rolling and hooting along the way. The music is as interesting as the text, catching our imaginations in a most enjoyable way. Selected for the Magen Solomon series.

Arranger: Loren Wiebe | Composer: Alexis Alrich

Yu-shan Tsai : Three Taiwanese Indigenous Songs

The Formosa Singers from Taiwan are one of the world's renowned choral groups. They commission unbelievably creative and beautiful works by local composers. Pavane Publishing is very proud to launch a new choral series with them under the editorial excellence of Cristian Grases. Each edition is published in Taiwanese and IPA and English translations. The first folksong is a harvest song and captures the sounds of people working in the field. The second folksong seeks consolation for the friends and family we miss. The third folksong returns to the harvest with energy and joy in completing the toils in a cheerful dance. Each song is short and together make an excellent cultural choice to bring to your audiences; for advanced high school, community choirs and university ensembles.

Arranger: Yu-shan Tsai

Brian Tate : You Can't Step Twice

Following the same compositional style of his choral hit Connected, this piece carries the message that everything changes and nothing remains but change. Each part gets their own unique melody and they each sound like a chant from a spiritual or a folk song or even the blues. It has that preachiness that can only come from an old wise person that everyone admires and loves. And on top of that it is so fun to sing, and it makes people stop and listen. Easy for high school and community choirs.

Composer: Brian Tate

Want a Christmas concert opener or closer to dazzle your audience? John Alexander's A Carol Fantasy hits the mark. Never has an arrangement of In Dulci Jubilo been so exhilarating. There's even a dash of Personet Hodie thrown in. The instrumentation for brass, timpani, percussion, harp and organ adds power and punch.

Arranger: John Alexander

This elegant Christmas poem comes from the late 19th-century English poet G. K. Chesterton. The music maintains the orderliness and symmetry of the lyrics, colored with 21st-century harmonies. The combination is poignant and stirring; traditional yet new.

Composer: Ron Kean

This choral piece uses canons to create a showcase for choirs that is absolutely irresistible! The captivating melody dances in your imagination until you can't help but sing along!

Composer: Allan Robert Petker

Emerging from a unison pitch the a cappella voices channel through gorgeous suspensions and luxuriously lingering resolutions. This song of peace described in Latin text is immediately timeless and useful in church, high schools and college choirs.

Composer: Jonathan Adams

Jordan Bennett is a promising new composer, evident in this compelling setting of the Adoramus Te text. The mellifluous lines flow and cross into warm cadences befitting the Lenten lyrics. High School and college choirs will find this work both educational and beautiful and church choirs will enjoy it as well.

Composer: Jordan Bennett

It is always refreshing and grounding to sing a Handel anthem. This Alleluia from the oratorio Deborah was first used by Handel in the Coronation Anthem No. 3, Let Thy Hand Be Strengthened. Robert Sieving has arranged the piece for SAATB choir and organ. Energetic and majestic aptly describe this worthy anthem for both church and school.

Composer: George Frideric Handel

Here is a masterpiece; a missa brevis merging American hymns and spirituals with traditional liturgy. The unique nature of this work will enable this to be performed in both church and school programs. Available separately: SATB, Listening CD (SATB), Preview CD Pak (SATB), Chamber Orchestra Parts, Chamber Orchestra Score (for SATB), Full Orchestra Parts, Full Orchestra Score (for SATB).

Arranger: John Gerhold | Composer: Ron Kean

Beginning with a strong fanfare, this selection eventually moves into the traditional French carol, Angels We Have Heard on High. But the greatest part is when Ms. Foncannon brings in Beethoven's Ode to Joy and weaves them together as if they have always meant to be joined. The Christmas classic nature of the song enables this church anthem to work in many school situations as well. Available: SATB, 2-Part.

Composer: Ellen Foncannon

Sung in Hebrew and clearly a Jewish tune, this musical arrangement is haunting and profound. The text is a statement of faith and hope and could serve as a poignant concert or worship opener. The violin part is included in the octavo and brings authenticity to this multicultural offering.

Arranger: Stephen Coker | Composer: Traditional Jewish Tune

It is the poetry of the King James version that places this sacred text into the concert program. That, and the exquisite setting that Jonathan Adams, a revered high school choral teacher, offers. Known for his a cappella writing and elongated cadence resolutions, Adams gives us all the satisfying suspensions we could ever want. This musical painting will work with advanced high school, community and college choirs and also for fine church choirs. Medium.

Composer: Jonathan Adams

The Randy Stenson International Series launches with this stunning a cappella motet by Alejandro Consolacion. Based in Japan, Randy leads seminars throughout Asia and hears beautiful choral music most of us would miss. This anthem pulls at the heartstrings and complements any college or community choir program. Medium to difficult.

Composer: Alejandro Consolacion

Stacey Gibbs is known for his outstanding spiritual arrangements, and this piece makes a delightful departure as an original composition. Much of the creativity that is evident in his arrangements remains, but the melody is entirely Gibbs'. Writing primarily for advanced high school and college choirs, Gibbs rewards us with his unique originality - this usually quiet text ends with strength and assurance. For college, community choirs and church choirs. Medium.

Composer: Stacey V. Gibbs

Beginning gently and building steadily, fortitude, resilience, and determination radiate throughout this song. An assurance that we will always strive for social justice and love in action is heard loud and clear. Yet there is a calmness in the way it is expressed, in the way it claims victory. This is a message appropriate in both worship and concert.

Composer: Curtis Heard

It is the text that deserves your attention first. The Benedictine Blessing stands as a unique approach in its prayer requests. The musical setting was lauded by the lyricist, and brings a further poignant depth to the supplication. A worthy offering in concert and worship.

Composer: Allan Robert Petker

First released in SSAA, the enthusiastic response demanded this SAB setting. Delightfully arranged and with excellent historical notes, it is both fun and educational. A wonderful festival piece and concert opener.

Arranger: Robert Jones

Absolute fun! That best describes this great arrangement of a classic American folk song. Esteemed conductor John Alexander, with co-arranger Ryan McSweeney, have created an excellent festival piece for high school, college and community choirs. The 4-hand piano score, string bass, xylophone and guitar add to the fullness of this playful piece.

Arranger: Ryan McSweeney

This traditional African-American slave song comes from the Georgia Sea Islands. The a cappella Spiritual style rocks this energetic and evangelizing song. Brian Tate brings a soulful passion to his arrangements and this one does not disappoint. Easy to medium, excellent for high school, community and church choirs.

Arranger: Brian Tate

It is said that accepting change is hard to do. Brian Tate addresses this head-on in his typical uplifting fashion. Brian's messages are always positive and helpful, and his music carries the truthful lessons in the form of a celebration.

Composer: Brian Tate

The John Alexander Series features arrangements by Mr. Alexander for large community choirs with orchestra.What a delight to release this Peanuts favorite on the heels of the recent The Peanuts Movie opening. John did a splendid job of capturing the fun of the song and voicing it for the larger forces. Easy to Medium.

Arranger: John Alexander | Composer: Vince Guaraldi

Brian Tate wants to help bring us all together and uses his imaginative music and community-building texts to make it happen. Each vocal part gets its own statement and they sequence together into a rollicking chorus, all a cappella, all fun. High school, community, even college choirs can find a joyful spot to program this number. Easy.

Composer: Brian Tate

Selected for the Magen Solomon series, this dreamy setting is beautiful and distinctive. The magic of this arrangement is in the creativity of the harmonies. An excellent Christmas selection for high school, college or community choirs. Medium in difficulty.

Arranger: Jerry Mueller

This Chassidic Nigun brings a Jewish cultural tradition to the choral community with history and fun. The song without words uses a syllable sound with historic roots that are explained in the performance notes. It enables us to enjoy a taste of an 18th century practice that is both entertaining and meaningful. Perfect for high school or college, easy to sing.

Arranger: Coreen Duffy

Kane Bradley is a Junior and Senior high choral director and a relatively new composer on the scene. His De Profundis employs minimalism and contemporary harmonies that are quite compelling. He builds walls of sound in repeated phrases that enable less experience choirs to enjoy the power of modern music in a satisfying way. Both high school and college choirs will enjoy this work.

Composer: Kane Bradley

The Williamette Choral Series is joyfully introduced with three carols, each capturing the Big Band swing sound. This Big Band flavor adds a classy element to the swing sound and is the charm that brings a smile to one's face. The writing is intelligent and musical. All three carols will delight singers and listeners alike and can be presented as a set or individually.

Arranger: Chris Jones | Composer: Branle de l'Official

This American folk song from the time of the building of the railroads is both familiar, brawny and humorous. The arrangement is enjoyable and the story comical, making it a great concert selection. Easy to medium in difficulty.

Arranger: Brian Tate

Can learning Solfege really be fun? Is it possible to sing a song on Solfege in a concert? Ken Berg answered those questions in a big way when, years ago, he wrote the first Galop for young voices. 100,000 copies later, plus SAB and SATB voicings, it only seemed right to release an SSA voicing. The song is an audience-pleaser for sure, and undeniably useful for teaching Solfege.

Composer: Ken Berg

The word lullaby conjures up a gentle bedtime song, and true to form, Gartan Mother's Lullaby is that and so much more. Under arranger Jaysmith's care there comes an added mystery and caress, rich with images of crickets and fog and lambs and such. Delicately written for treble chorus, appropriate for high school, college and community ensembles. Medium.

Arranger: Sarah Jaysmith

This is a modern day spiritual. The SATB voicing has been one of the best-selling pieces for many years. Now Brian Tate has given us a TTBB edition. The words are reassuring and positive and the tune simply rolls as easy as a gentle wave. Easy.

Composer: Brian Tate

Ellen Foncannon sets a firm foundation and introduces us to several different melodies singing of God's holiness. The styles vary, but there is a consistent character that finally releases into the familiar hymn for which we have all been waiting. With youthful zest the anthem concludes with a gratifying climax. Available: SATB.

Composer: Ellen Foncannon

Emily Dickinson's poem on hope has wings of its own, but now, it also has a song. The words lift right off the page, encouraged with melody and catapulted with harmony. Excellent for high school, college and community choirs, yet its dedication alerts you that it will fit in the sacred space as well. Medium.

Composer: Debra Scroggins

Greg Gilpin really knows how to write a dynamic song. The tune and rhythm are immediately catchy and the song practically sings itself. Excellent for church or school. Available: SAB.

Composer: Greg Gilpin

What a refreshing setting of such a well-loved hymn. This Amazing Grace was originally written for the King's Singers and a women's choir. It can now be performed in numerous configurations, antiphonally, in the round, or concert formation. Regardless, it is mesmerizing! Medium in difficulty for high school, college, community and church choirs.

Arranger: Philip Lawson

What a refreshing setting of such a well-loved hymn. This Amazing Grace was originally written for the King's Singers and a women's choir. It can now be performed in numerous configurations, antiphonally, in the round, or concert formation. Regardless, it is mesmerizing! Medium in difficulty for high school, college, community and church choirs.

Arranger: Philip Lawson

Patsy Ford Simms dedicated this piece to every teenager in the world. Here is a piece to pick up anyone's spirits and give them the courage to Just Hold On. Great for middle school and high school, graduation or concert. Available: 3-Part Mixed.

Composer: Patsy Ford Simms

The text from Nehemiah 8:10 and Isaiah 43:1-3 expresses joy through helping those who are less fortunate. The opening melody carries this message with delicate ease, then moves into a brief choral statement of how precious we are to God. Excellent for general praise, thanksgiving and mission themes.

Composer: Allan Robert Petker

Opening with solo voices in a quasi-recitative style (Barnum offers an option to begin the piece following the solos) and unfolding into an work of artistry and beauty, the overall mood is one of optimism and assurance mingled with mystery and gratitude.

Composer: Eric William Barnum

Canadian composer Matthew Emery is a name to watch. This piece was chosen as the winner of the 2012 Nova Scotia Choral Federation Choral Competition. Last year Pavane published his When the Sun Comes After Rain which became one of the best-sellers of the year. Although still a college student, Matthew speaks the musical language of the 21st century while selecting time-honored texts with great meaning. For high school, college and community choirs.

Composer: Matthew Emery

Have you ever experienced a fragrance, perhaps after a rainstorm, when the scents took you back to your childhood? Michael Atwood has set the poem by Emily Brontë that recalls such times. He paints the words and phrases in his musical setting with care and beauty. Twenty-first century harmonies and close clusters stimulate the senses. Medium to difficult, a lovely piece for advanced high school, community and college choirs.

Composer: Michael D. Atwood

There are certain texts that have been set to music for centuries. Texts from the liturgical mass carry a rich legacy, and in the right hands, can breathe fresh sounds. Matthew Emery is a Canadian composer who only recently emerged onto the scene. Here a steady 4-part writing, beautiful sonorities and a 21st century musical vocabulary present a delightful new work appropriate for high school, college, community and church groups. Medium difficulty.

Composer: Matthew Emery

Veteran writer Bob Clatterbuck has penned a fabulously energetic number in the white gosepl tradition. In a song about faith, he writes in a popular style that is captivating, fun and easy!

Composer: Robert Clatterbuck