In Celebration of the Human Voice - The Essential Musical Instrument
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For nearly four decades, American composer Aaron Copland achieved a distinctive musical characterization of American themes in an expressive modern style. He was concerned with crafting sounds that would be seen as “American” in its scope, incorporating a range of styles in his work that included jazz and folk and connections to Latin America.
Music of Aaron Copland
Copland was a renowned composer of film scores as well, working on Of Mice and Men (1939), Our Town (1940) and The North Star (1943)—receiving Academy Award nominations for all three projects. He eventually won an Oscar for The Heiress (1949).
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Review: With text from Genesis this is a very interesting and rewarding extended work for mixed chorus a cappella and features a solo for Mezzo-Soprano.
Songlist: In The Beginning
Review: Based on melody No. 202 in Kurt Schindler's collection: "Folk Music and Poetry of Spain and Portugal." The chorus is to be divided into two groups: The main choral body, and a conrasting smaller "Solo group" of approximately 3 or 4 voices to a part.
Songlist: The Shake-down Song
Review: Mixed voice arrangements by David Brunner, Irving Fine, Glenn Koponen, Gregory Rose, and R. Wilding-White collected for the first time in a complete edition. Includes the original notes on the songs.
Songlist: The Boatmen's Dance, The Dodger, Long Time Ago, Simple Gifts, I Bought Me a Cat, The Little Horses, Zion's Walls, The Golden Willow Tree, At the River, Ching-a-ring Chaw
Review: These four motets were composed in the fall of 1921 while Copland was studying with Nadia Boulanger in Paris. The four motets have remained unpublished until now. Writing to Copland about them in 1924, Boulanger tells the composer that "those motets sound in the voices in a stunning manner."
Songlist: Help Us, O Lord, Sing Ye Praises To Our King, Have Mercy On us, O My Lord, Though, O Jehovah, Abideth Forever
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Also available in other voicings: SSAA (48003286) - TTBB (48003502) - Unison (48004374)
Arranger: Irving Fine
These four motets were composed in the fall of 1921 while Copland was studying with Nadia Boulanger in Paris. The four motets have remained unpublished until now. Writing to Copland about them in 1924, Boulanger tells the composer that "those motets sound in the voices in a stunning manner."
This extremely fun piece features Tenor and Soprano Solos.
Arranger: Irving Fine | Composer: Aaron Copland
Also available in SSA (48003441) and Unison (48004934).
Arranger: Irving Fine
This popular piece makes a great closer for any college-level or advanced high school group!
Composer: Aaron Copland
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