In Celebration of the Human Voice - The Essential Musical Instrument
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Howard Goodall is an EMMY, BRIT, Gramophone and BAFTA -winning composer of choral music, stage musicals, film and TV scores, is well known as a TV and Radio broadcaster and is a leading spokesperson for music education in the UK. His best-known themes & scores include Into the Storm, The Gathering Storm, The Borrowers, Red Dwarf, The Catherine Tate Show, Q.I., Mr Bean, Bean: The Ultimate Disaster Movie, Mr Bean's Holiday, Blackadder, and The Vicar of Dibley.
Howard Goodall Choral Series
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Displaying 1-4 of 4 items.
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and women's chorus (mostly SSA but with a few SSAA passages), organ, cello, synthesizer, and handbells, the music has a light, ethereal feeling. "Beati" can be taken as a sort of "Blessed are they" prefix for the movements which are not direct quotes from the Beatitudes. In this case the only English text is at the beginning and end, sung by the soprano soloist. The rest is a Latin setting of Lamentations 1:2 ("Weeping, she hath wept in the night") and John 14:18 ("I will not leave you orphans"). Duration 7:12
Composer: Howard Goodall
Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSAA chorus, organ, cello, synthesizer, the music has a light, ethereal feeling. "Beati" can be taken as a sort of "Blessed are they" prefix for the movements which are not direct quotes from the Beatitudes. This movement begins with the soloist singing in English ("Blessed are the stateless; blessed are the homeless"). Next the chorus sings Latin settings of Isaiah 4:6 ("And there shall be a tabernacle") and Psalms 31:7 ("Thou art my refuge"). The Latin is set in a sort of mantra-like declamatory style, moving through unison into two-part and finally three. All voice return to the opening theme in English originally sung by the soloist. Then the two concepts are overlaid, the solo motif with the declamatory Latin. The choral voices recap the unison-through-three part declamatory section, the soloist briefly re
Composer: Howard Goodall
Howard Goodall'sÊLove DivineÊfor accompanied SSAA choir was commissioned by the Choir Schools' Association to celebrate the new millenium. This best-selling piece is set to a beautiful, poetic text by Charles Welsey and has been a choral favorite all over the world for the past 15 years.
Composer: Howard Goodall
"Wide World" was commissioned by Sing Up and The Sage Gateshead for 'VoiceOver: Through Time and Space'. The music has a breathless excitement which matches the text, which centers around what the future holds and the idea that one can be whatever one decides to be. Younger singers could use this as a graduation piece, but it is suitable for many circumstances and ages. While technically SSAA, much of it is in two parts, with occasional divisi on each staff.
Composer: Howard Goodall
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