While this song has become one of the most familiar in our culture, oft used for ushering in the new year, it remains a heartfelt air, extolling enduring friendship and waxing nostalgic over the passage of time. With Piano (or Harp).

Arranger: Lee Kesselman

Setting an intimate, almost private text by Texas poet, sculptor and song writer Bill Worrell, David Brunner has crafted a thoughtful, expressive and mature piece not often found for 2 part choir. If you could fly, where would you go? I Would sing with rapture until the end of time. That's what I would do if I could fly. Such poetry is the stuff that dreams are made of and your singers will dream of all things possible when exploring this beautiful song. Duration Ca.2 minutes 40 seconds

Arranger: David L. Brunner

Setting an intimate, almost private text by Texas poet, sculptor and song writer Bill Worrell, David Brunner has crafted a thoughtful, expressive and mature piece not often found for 2 part choir. If you could fly, where would you go? I Would sing with rapture until the end of time. That's what I would do if I could fly. Such poetry is the stuff that dreams are made of and your singers will dream of all things possible when exploring this beautiful song. Duration Ca.2 minutes 40 seconds

Arranger: David L. Brunner

Inngituq (She Sings) is a soundscape that honors the culture of the Inuit people of the Arctic. Musical references to traditional throat-singing and ay-ya songs are found in the music. The body percussion - stomping, clapping, chest pounding - and drum will add to the authentic experience this piece brings to singers and audience.

Arranger: Mark Sirett

Inngituq (She Sings) is a soundscape that honors the culture of the Inuit people of the Arctic. Musical references to traditional throat-singing and ay-ya songs are found in the music. The body percussion - stomping, clapping, chest pounding - and drum will add to the authentic experience this piece brings to singers and audience.

Arranger: Mark Sirett

Listening exuberantly praises the music inherent and expressed by everything in nature, above all the myriad worlds of human nature. It sings of the great variety and contrast of the seasons of the earth and moods of the oceans, the single notes within a melody and the chords that comprise harmony. Music is viewed as the means through which the essence of life is made manifest, expressing the essential unity of all things, which underlies all the various forms that life assumes. Duration: ca. 3:15.

Composer: Daniel Brewbaker

Listening exuberantly praises the music inherent and expressed by everything in nature, above all the myriad worlds of human nature. It sings of the great variety and contrast of the seasons of the earth and moods of the oceans, the single notes within a melody and the chords that comprise harmony. Music is viewed as the means through which the essence of life is made manifest, expressing the essential unity of all things, which underlies all the various forms that life assumes. Duration: ca. 3:15.

Composer: Daniel Brewbaker

Numerous composers have been drawn to the haunting melody of the popular Chinese folk song Jasmine Flower. This setting seeks to restore the tune to a more authentic stylistic palette with a few Western elements. Originally scored by composer Rogers for SATB choir (48020747) this new arrangement for SA choir, flute and optional plucked instrument is a wonderful addition to the treble repertoire. Includes translation and transliteration.

Arranger: Wayland Rogers

With a text excerpted from the beautiful Stacy Barton poem Flight, this work sings of yearning, dreaming and the sensation of flying with a gentle lyricism and dance-like quality with buoyant, lifted phrases.

Composer: David L. Brunner

With a text excerpted from the beautiful Stacy Barton poem Flight, this work sings of yearning, dreaming and the sensation of flying with a gentle lyricism and dance-like quality with buoyant, lifted phrases.

Arranger: David L. Brunner | Composer: David L. Brunner

Based on a Christopher Smart text also memorably used in Benjamin Britten's Rejoice in the Lamb, this version is set for treble voices with piano and a little band of snare drum, bass drum and triangle. It's a rhythmic, angular, declamatory recitation of the instrument rhimes. It serves as a strong selection for festival or concert choir performances. Duration: ca. 2:45.

Composer: David L. Brunner

Based on a Christopher Smart text also memorably used in Benjamin Britten's Rejoice in the Lamb, this version is set for treble voices with piano and a little band of snare drum, bass drum and triangle. It's a rhythmic, angular, declamatory recitation of the instrument rhimes. It serves as a strong selection for festival or concert choir performances. Duration: ca. 2:45.

Arranger: David L. Brunner | Composer: David L. Brunner

The words fun and whimsical definitely come to mind in this delightful piece from Robert Hugh. With a poem by Elizabeth Turner as the inspiration, the unexpected fun begins. The piano and percussion drive the groove while the singers play with the text in 7/8.

Composer: Robert Hugh

Using a text from the Robert Louis Stevenson collection of poems titled A Child's Garden of Verses, Mark has artfully captured the whimsy and wonder of this classic text. Poet Stevenson set the words from the perspective of a child and young people will quickly identify with both the words and the music. Duration 2 minutes 50 seconds

Arranger: Mark Sirett | Composer: Mark Sirett

Using a text from the Robert Louis Stevenson collection of poems titled A Child's Garden of Verses, Mark has artfully captured the whimsy and wonder of this classic text. Poet Stevenson set the words from the perspective of a child and young people will quickly identify with both the words and the music. Duration 2 minutes 50 seconds

Composer: Mark Sirett