In Celebration of the Human Voice - The Essential Musical Instrument
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The Choral Music Experience library is a culturally diverse and distinctive repertoire appropriate for study and performance. Based on the concept of "education through artistry" the choral series is organized in levels of musical challenge spiraling upward in complexity from Beginning to Advanced.
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Displaying 1-8 of 8 items.
This second set in the two volume collection of Sea Shanties by Sheena Phillips contains Blood Red Roses, All For Me Grog, and Time To Leave Her. These shanties offer your women's choir a wonderful opportunity to show their full range of dynamics and emotions. See also Volume 1 (48023072). Duration Ca. 9 minutes
Arranger: Sheena Phillips
Hatfield uses the old Italian technique of matching the vowels of her name to the corresponding sol-fa syllables to create an ostinato that metaphorically translates her into music. The piece combines poignancy with lots of sparkle, lots of interlocking ostinati. The mix of tenderness and energy has effected audiences strongly. On the line between medium and advanced.
Composer: Stephen Hatfield
Grace was commissioned by the Sloan Creek Middle School a cappella treble choir for their performance at the 2013 national ACDA convention in Dallas. Despite references to brief, bright moments fading fast, sorrowing hours and all we mourn, all we keep, the poetic and musical mood is not dark, but warm and hopeful. With the sensitive piano stylings that we have come to expect from David Brunner, this is a wonderful opportunity for young women to dig deep into their emotions.
Arranger: David L. Brunner
Grace was commissioned by the Sloan Creek Middle School a cappella treble choir for their performance at the 2013 national ACDA convention in Dallas. Despite references to brief, bright moments fading fast, sorrowing hours and all we mourn, all we keep, the poetic and musical mood is not dark, but warm and hopeful. With the sensitive piano stylings that we have come to expect from David Brunner, this is a wonderful opportunity for young women to dig deep into their emotions.
Arranger: David L. Brunner
Munoera (Sanctus) is part of the Shona Mass, an original work composed in the spirit of music heard at the Episcopal Cathedral in Harare, Zimbabwe. The text is a combination of Shona and liturgical Latin and may be performed with SSA or TBB a cappella voices and percussion. Djembe, claves, shekere, and hand drum parts are included in the score.
Arranger: Lee Kesselman
This first of a two volume collection contains Santiana, Boney, and The Dead Horse. Rarely are women's choirs given such strong and heroic songs to put their mark on. These offer a wonderful opportunity for your women's choirs to show their dynamic and emotional ranges. See also Volume 2 (48023073). Duration, CA. 9 minutes
Arranger: Sheena Phillips
The words for this are an ancient prayer from the Southwestern United States. They speak of the earth as a sacred and holy place that is worthy of our love and respect. The prayer challenges us, as temporary residents of the land, to be diligent stewards on behalf of our children. And as we have come to expect, Mark's choral writing is intricate and rewarding.
Composer: Mark Sirett
The words for this are an ancient prayer from the Southwestern United States. They speak of the earth as a sacred and holy place that is worthy of our love and respect. The prayer challenges us, as temporary residents of the land, to be diligent stewards on behalf of our children. And as we have come to expect, Mark's choral writing is intricate and rewarding.
Arranger: Mark Sirett | Composer: Mark Sirett
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