In Celebration of the Human Voice - The Essential Musical Instrument
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Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310. This covers the period of the Notre-Dame school of polyphony and the subsequent years which saw the early development of the motet, a highly varied choral musical composition.
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Displaying 1-15 of 15 items.
Richard Proulx arranged Thomas Ford's SATB anthem for SAB voices. Constructed in AA BB format, this piece is easily learned. The general nature of the text, and its brevity-clocking in at about one minute-make it suitable for numerous moments in the liturgy and at many times throughout the church year.
Composer: Thomas Ford
One of the most widely sung motets of the 16th century. This Proulx edition for SAB voices is a must-have for your choral repetoire.
Composer: Thomas Tallis
Under the editorial expertise of Richard Proulx, this 3-voice treatment of o filii et filiae by Cherubini comes to life. The original Latin text is included below John Mason Neale's familiar translation. With this edition, a vocal ensemble of limited size will be able to convey the exuberance of Easter morning!Ê
Composer: Luigi Cherubini
A simple, three-voice composition that has a straightforward, but lovely, accompaniment for keyboard and 2 C instruments (preferably strings or winds). Monteverdi's unexpected dissonances are a striking feature of this strophic piece.More music for small choirs
Composer: Claudio Monteverdi
Includes chant setting of Christmas introit.
Composer: Cristobal de Morales
This charming 3-part Easter motet of Italian composer Pergolesi is perfect for smaller choirs and will give them an enjoyable challenge. English translation and keyboard part included.Keyboard and basso continuo parts are optional, cello, double bass or bassoon.
Composer: Giovanni Battista Pergolesi
"The Lord Is Risen" offers a wonderful opportunity for a small choir to sing a Renaissance setting of Psalm 118:24, a style that might not always be accessbile to them. The SAB ranges are not extreme and the melismas are attainable with minimal rehearsal. Larger choirs will enjoy this one too!Ê
Composer: Adam Gumpelzhaimer
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