In Celebration of the Human Voice - The Essential Musical Instrument
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Displaying 1-6 of 6 items.
Here is a stunning choral work inspired by the beauty of an autumn day. A lyric melody, lush harmonies, and a poetic text are combined with a sensitive piano accompaniment to paint a colorful musical picture. You can almost see the leaves take flight when your choir sings the melodic refrain, and you will get a true sense of foliage falling layer upon layer as the second verse begins to echo and overlap. An expressive choral piece for concert and contest.
Composer: Andy Beck
This light, swing arrangement of a pop standard will be the highlight of your concert. No suprises...just nice, easy voice leading and smooth vocal lines-- everything we've come to expect from Jay Althouse. Features a "soft-shoe" section and optional solos for both a male and female singer. Sure to be a crowd pleaser...and a "singer pleaser" too.
Arranger: Jay Althouse | Composer: Ray Henderson
Sixteenth century Italian composer Adriano Banchieri must have had quite the sense of humor. This classic light-hearted concert work has been a staple in choral repertoire for decades. Now Russell Robinson brings us a new setting that will add a touch of classy fun to any serious concert.
Arranger: Russell Robinson
"Sing we a song that takes but a minute." This clever a cappella original captures all of the character and charm of a true Renaissance madrigal and adds a touch of timeless (or rather, "timed") humor. Two brief verses and three short refrains of classic choral singing that only takesąwell, you knowąto sing.
Composer: Donald Moore
A unique arrangement of one of the all-time great friendship songs . . . unique because it can be performed with a swing beat OR with even eighth notes. The straightforward treatment means it's easy-to-learn in just a few rehearsals so it's perfect for the beginning . . . or the end . . . of the school year. A good choice for movement.
Arranger: Jay Althouse | Composer: Harry M. Woods
Especially arranged for double 3-part mixed or SSA choirs, each phrase of this famous Italian madrigal is sung by Choir I and repeated precisely by Choir II, many times overlapping to create a textured choral sound. Russell Robinson's masterful adaptation includes an English or Italian text, a useful pronunciation guide, and informative performance notes that will help educate your students.
Arranger: Russell Robinson | Composer: Orlando Lassus
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