In Celebration of the Human Voice - The Essential Musical Instrument
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Here is our ever-growing list of choral groups from around the world. Each of these choirs listed has at least one CD recording available.
Displaying 151 - 200 of 276 items.
Founded in 2004, The Singers organization is dedicated to giving world-class performances of the finest choral literature. The Singers exists to serve as artists, educators, and ambassadors of the choral art. Choir members are drawn from the region and come from all walks of life. Some are music educators, computer programmers, composers, bankers, woodworkers, artists, and church musicians.
In 2006, The Singers sang for the National Federation of Music Clubs and the Minnesota chapter of the American Choral Directors Association. In 2008, The Singers performed at the North Central Division Convention of the American Choral Directors Association, the American Guild of Organists National Convention, and shared the stage with the world renowned Harvard Glee Club under the direction of Jameson Marvin.
Mirinesse is Old English for "joyful women". The singers of Mirinesse Women's Choir are an auditioned group of approximately sixty women, ages 21-70, who enthusiastically and joyfully share their love of music, and strive to model the highest level of musicianship, artistry and individual vocal ability. To that end, co-conductors Rebecca Rottsolk and Beth Ann Bonnecroy seek out challenging and diverse repertoire from historic and contemporary sources throughout the world. That high-level repertoire then becomes the vehicle for education in performance practice, cultural context, language and understanding of text, musicianship and vocal technique
The Mississippi Children's Choir was formed in 1990; comprising some 200 members from across the state, the assembled ranks -- all aged 7 to 17 -- were originally brought together as an opening act for headliners the Mississippi Mass Choir, but were such an immediate hit with audiences that they soon proceeded to record their own LP, 1992's Children of the King. With 1994's A New Creation, the Mississippi Children's Choir introduced featured vocalist Bryan Wilson, who soon after recorded his debut solo album Bryan's Songs. When God's Children Get Together followed in 1998. ~ Jason Ankeny, All Music Guide
The Monteverdi Choir, founded in 1964, is famous for its passionate, committed and virtuosic singing. Over the past forty five years it has been consistently acclaimed as one of the best choirs in the world, noted for its ability to switch composer, language and idiom with complete stylistic conviction. The Choir is also a fertile training ground for future generations of choral and solo singers: Choir members often step out to sing solo parts and many former choristers have gone on to spectacular solo careers. Since 2007, the Monteverdi Apprentice Scheme has added an exciting new dimension to the Choir's profile.
The Choir has undertaken a number of trail-blazing tours. The most ambitious was the Bach Cantata Pilgrimage in 2000 during which they performed all 198 of JS Bach's sacred cantatas in more than 60 churches throughout Europe, to celebrate the 250th anniversary of the composer's death.
The 360 members of the Mormon Tabernacle Choir represent men and women from many different backgrounds and professions and range in age from 25 to 60. They reflect a medley of unique lives and experiences and are brought together by their love for singing and their faith. Their incomparable voices are the common chord that unites to form the choral group known all over the world as the Mormon Tabernacle Choir.
The Choir has appeared at 13 world's fairs and expositions, performed at the inaugurations of five U.S. presidents, and sung for numerous worldwide telecasts and special events.
Five of the Choir's recordings have achieved "gold record" and two have achieved "platinum record" status. The most popular was the 1959 release of "The Battle Hymn of the Republic" recorded with Eugene Ormandy and the Philadelphia Orchestra which won a Grammy award for Choir conductor Richard P. Condie.
The Moscow Boys Choir is a careful blending of heavenly soprano voices with the rich resonance of bass, tenor and baritone sound that brings a distinct Russian flavor to the choral experience. Founded in 1957, this choral ensemble is among Russia's most prestigious all-boy choirs. Under the direction of Mr. Leonid Baklushin, the boys attend a special school which provides both general education and musical training.
Being selected as a member of the touring company of The Moscow Boys Choir is no easy feat. Hand-picked from over 400 students at their school in Moscow, these highly talented youngsters have the voices of angels and the discipline to match their talents.
The Moscow Boys Choir enjoys an international reputation for excellence. In addition to celebrating their Tenth Anniversary North American Tour in 2005, the Choir has toured many other countries including South Korea, Canada, France, Germany, Italy, Belgium and Holland.
The Motet began in 1954 as an a cappella choir. Directed by Dave Jones, over 500 area singers have performed in The Motet. Performances included tours to almost every state, a performance at the White House, and appearances on television and radio. The Motet has performed in many local area churches and community centers. The group has published eight CD's of religious music.
Musae is a women's vocal ensemble based in San Francisco. The group takes its name from the original "ladies of song," the classic nine muses of Greek mythology. Since its founding in 2004, Musae has performed diverse and accessible music throughout the Bay Area, and continues to stretch the boundaries of traditional repertoire for women's voices.
Musae functions as a musical collective in which each singer identifies as a leader and soloist contributing actively to the artistic process. The group's fourteen singers are trained in the choral tradition, but not bound by it. Each singer may sing a range of voice parts based on the aesthetic demands of the music, and the group performs largely without conductor.
Men's voices. Life through music.
Musaic is an auditioned all-volunteer men's a cappella vocal ensemble based in San Francisco, CA. Our mission is to share beautiful men's a cappella singing with our Bay Area community. Our music is rooted in classical choral traditions, and performed through a variety of genres. The members of Musaic are passionate about men's ensemble singing, enjoy the artistic balance and musical fellowship it brings to our lives
Musaic began in 2000 as a few friends gathering to sing for their own pleasure. We soon grew to eight members, performed our first concert, and took the name Musaic to represent a mosaic of song and voice. Today Musaic is a 501(c)3 non-profit organization. In 2015, we completed our 80th Bay Area concert and released our 5th recording titled "Oh, What a Kick!": a collection of classic songs of the American and English songbooks and Rock and Roll era.
MUSE is a women's choir dedicated to musical excellence and social change. In keeping with our belief that diversity is strength, we are feminist women of varied ages, races, and ethnicities with a range of musical abilities, political interests, and life experiences.
We are women loving women; we are heterosexual, lesbian and bisexual women united in song. We commission and seek out music composed by women, pieces written to enhance the sound of women's voices, and songs that honor the enduring spirit of all peoples. In performing, we strive for a concert experience that entertains, inspires, motivates, heals, and creates a feeling of community with our audience.
Internationally renowned for performances and recordings that sparkle with fresh insight and vibrant musicality, musica intima has earned a reputation as one of Canada's most exciting vocal ensembles.
What makes this group tick? The 12 professional singers rehearse and perform without a conductor. In rehearsal, they exchange ideas freely while exploring their own musical creativity. In performance, they engage the audience with a spontaneity and freshness all their own.
Musikanten (German for "musicians") was formed by Artistic Director Kerry Krebill in 1979 in Bethesda MD, as a project for her masters degree in choral conducting at the Catholic University of America. In its 31 seasons, the ensemble has made nearly a thousand appearances, including DC area concerts at the National Gallery of Art, the Smithsonian Institution, Kennedy Center, and venues in Pennsylvania, Virginia and Maryland, as well as 19 international tours, including Maestra Krebill's 50th birthday celebration singing Monteverdi's Vespers in Venice with the acclaimed ensemble now known as the Venice Baroque Orchestra.
The group continues to perform in the Washington area, appearing each year at a local First Night celebration, singing a traditional Latin Mass at St. Mary's in downtown DC, and to tour; in September 2007 Musikanten made its first foray to South America, performing in Buenos Aires, La Plata and Ayacucho, Argentina.
The National Catholic Youth Choir was founded in 2000. The choir is sponsored by the School of Theology•Seminary and meets on the grounds of Saint John's Abbey and Saint John's University in Collegeville, Minnesota. This choir was begun under the motto Spreading the Catholic Faith Through Great Music as a response to the call of Pope John Paul II for a "new evangelization." The choir sings music of various Christian traditions, ranging from medieval Gregorian chant to twentieth century music. The primary focus of the choir is liturgical, and the choir seeks to implement the directive of Vatican Council II that the "treasury of sacred music" be preserved and fostered in the modern liturgy.
The National Lutheran Choir, under the direction of Dr. David Cherwien, seeks to strengthen, renew and preserve the Lutheran heritage of choral music through the highest standards of performance and literature.
National Lutheran ChoirThe choir performs literature from the entire spectrum of sacred choral music, with and without instrumental accompaniment. The choir's rich and diverse repertoire ranges from early chant to new compositions and from simple folk anthems to complex orchestral masterworks.
Members of the National Lutheran Choir are drawn from the Minneapolis/St. Paul area and beyond for weekly rehearsals and local and national performances. The ensemble presents a wide range of choral works in concert and worship settings, leads workshops in choral techniques, hymnody and liturgy, commissions and publishes new compositions, and broadcasts and records extensively. The choir was founded in 1986 by Dr. Larry Fleming.
Founded in 1983 by Mike Brewer and Carl Browning, NYCGB has grown to become one of the most highly regarded and inspirational youth music organisations in the world. Originally set up as a single choir made up of 100 of the best young singers in the nation, NYCGB now comprises of an educational structure of three Junior Choirs (NYJC), a choir for boys with changing voices (Cambiata), two Training Choirs (NYTC), the National Youth Choir (NYC) itself and the graduate Chamber Choir, Laudibus.
This year almost 800 talented young people, between the ages of 9 and 22, will enjoy the benefits of the NYCGB experience by taking part in a programme of residential courses and concerts. Courses include intensive rehearsals, individual voice coaching and lessons in musicianship: a combination that encourages the development of both teamwork and leadership skills. Course staff members are experts in the field of choral training and specific vocal workshops are provided by guest specialists.
The Nederlands Kamerkoor (Netherlands Chamber Choir), founded by Felix de Nobel in 1937, is a full-time and independent professional vocal ensemble which concentrates on a cappella repertoire from the early Middle Ages until the present day.
In recent seasons the Nederlands Kamerkoor has commissioned works from various leading composers, and the world premieres of these compositions - by Sir John Tavener, James MacMillan, Edith Canat de Chizy, Gija Kancheli, Hans Kox, Sir Harrison Birtwistle, Gerard Beljon, Mauricio Kagel and Jan Vriend - have been received enthusiastically by the press. The Nederlands Kamerkoor also put on a successful programme of songs by Burt Bacharach, arranged for the Nederlands Kamerkoor and instrumental combo by Bob Zimmerman. On the books for the near future are commissions for works by Peter-Jan Wagemans, Karin Rehnqvist, Elmer Schonberger and Sir Harrison Birtwistle.
An advanced group of musicians who serve as the organization's premiere touring ensemble. Singers range in age from 10-18. Members perform a variety of compositions representing many musical styles from all periods. The Concert Chorus continues the development of musicianship in each individual singer, as well as the ensemble as a whole. Their tour destinations have included many cities in the United States, as well as Canada, Italy, England and Ireland.
The Concert Chorus has appeared at three regional conventions of the American Choral Directors Association. They have presented solo concerts at Carnegie Hall in New York City, performed at St. Peter's Basilica in Rome, the Palazzo Vecchio in Florence, served as Artists-in-Residence at three universities and performed frequently with the Louisiana Philharmonic Orchestra and the New Orleans Symphony. The choirs have also won numerous awards in music festivals throughout the Southern United States and frequently perform with the Louisiana Philharmonic Orchestra.
Praised for a "rich, natural sound that's larger and more complex than the sum of its parts," (National Public Radio) New York Polyphony is regarded as one of the finest vocal chamber ensembles in the world. The four men, "singers of superb musicianship and vocal allure," (The New Yorker) apply a modern touch to repertoire that ranges from austere medieval melodies to cutting-edge contemporary compositions. Their dedication to innovative programming, as well as a focus on rare and rediscovered Renaissance and medieval works, has not only earned New York Polyphony critical acclaim, but also helped to move early music into the classical mainstream.
The Norman Luboff Choir was among the most popular choral ensembles of their day, releasing a series of hit easy-listening LPs during the late 1950s and 1960s. Luboff was born May 14, 1917 in Chicago, where he began his career as a vocalist and arranger for area radio programs. In 1948 he relocated to Hollywood, singing on to compose movie music for Warner Bros. The first incarnation of the Norman Luboff Choir was formed during the mid-1950s, and in the years to follow they released a series of albums on Columbia that drew on music from a variety of genres and geographic locales, with titles including Calypso Holiday, Broadway!, Songs Of The Cowboy and Songs Of The Caribbean. The choir also backed a number of vocalists including Harry Belafonte and Doris Day, and although their recording career came to a halt during the late 1960s, they continued touring until Luboff's cancer-related death on September 22, 1987.-
Welcome to the Northwest Choirs, home to the Northwest Boychoir and Vocalpoint! Seattle. Annually, 200 young singers enroll in our premier music education programs. These students -- boys ages 6 to 18, and girls 12 to 18 -- come from all corners of the Puget Sound region representing 115 diverse public and private elementary, middle and high schools. In our program, these children and young adults become skilled musicians and singers with a passion for the musical arts, and the unique ability to perform great choral literature and contemporary works at the highest professional levels. Considered the premier children's choirs in Seattle and the Pacific Northwest, the Northwest Choirs is an integral part of the region's cultural life. Northwest Choirs members perform regularly with the Seattle Symphony Orchestra, as well as other high-profile performing arts groups in the area.
Since 1972, Northwest Girlchoir has inspired thousands of girls, families and audiences around the Puget Sound and around the world. In addition to hosting a dynamic concert season, we regularly commission new choral compositions, participate in local festivals and civic events, and travel to regional and international festivals and on tours (recently, New Orleans, Malta, and Sicily). Choristers collaborate with engaging conductors/teachers, peers, and guest artists while developing as confident musicians, performers, teammates and leaders.
Recognized as one of the finest all-male collegiate choral groups in the country, the University of Notre Dame Glee Club has a rich history of singing and brotherhood spanning the last ninety-two years. More than 2,000 young men have sung with the Club over the years, combining the rich traditions of Notre Dame with the highest standards of artistic excellence.
Since 1915, the members of the Glee Club have enjoyed an exciting fraternal organization combined with an intensive study of vocal technique and musical styles. The group has toured from coast to coast and around the world, performing over one hundred concerts per year. As musical ambassadors of Notre Dame, the Glee Club has always been welcomed with warmth and enthusiasm.
The University of Notre Dame Liturgical Choir, founded in 1973 as the Chapel Choir, is composed of approximately 70 singers drawn from all areas of the undergraduate and graduate student body. The Choir's main purpose is to provide musical leadership at the 10 AM Solemn Mass at the Basilica of the Sacred Heart, a French Gothic structure built in 1871 by University founder Fr. Edward Sorin. The Sunday Mass at 10 AM (Eastern time) is televised weekly on CatholicTV.
p>Like all high callings, thoughtful worship requires focus and effort. Certainly the call to worship is not exclusive to music, but permeates all areas of life. In the context of church music, however, the call to worship calls participants to give careful attention to both words and music. This can be learned and must be taught, and Oasis is committed to this process.
Worship cannot be divorced from a heart tuned to God. Oasis seeks participants eager for fully-orbed spiritual development.
Not all artistic music is rapidly attainable for all singers or accessible to all audiences. Artistic music usually requires training to be sung excellently and to be listened to with understanding and appreciation. Oasis intends to provide the necessary training to move singers and audiences forward one step in this process.
The Ohio State University Men's Glee Club was organized in 1875. It is the oldest of hundreds of student organizations available to students at the university. The group has exemplified the university's dedication to tradition, excellence, and diversity.
During its history the OSU Men's Glee Club has garnered worldwide accolades. Most notably, the Men's Glee Club was unanimously declared "Choir of the World" in 1990 under the direction of Professor James Gallagher in Llangollen, Wales. The OSUMGC was the first male chorus and the first ensemble from the United States to win the competition. The Men's Glee Club has performed at many OMEA, MENC, and ACDA conventions, proudly representing the university at state, regional, and national levels. In 2006 the OSUMGC traveled to Eau Claire, Wisconsin to perform for the 42nd national seminar of the Intercollegiate Male Choruses, Inc.
The Ohio State University Women's Glee Club was established in 1903. This ensemble has the distinction of having been the first campus musical organization to appear in concert in Mershon Auditorium. Membership in the Women's Glee Club has steadily inscreased over the years, as the ensemble becomes better known within the OSU community. The WGC represents a wide variety of majors and interests, with singers ranging from freshman to graduate students. Dr. Hilary Apfelstadt has been the director of WGC since 1993.
The Optina Pustyn male choir was founded in the Dormition Metochion of the Optina Pustyn monastery in St. Petersburg in 1996. On September 15, 1996, on Anthony and Theodosius of Kiev feast day, the first znamenny liturgy was celebrated. Besides ancient Russian one-voiced chants, various types of Russian polyphonic chants were performed at the service: strochnoye singing, znamenny polyphony and early partsong, as well as chants from Orthodox cantatory traditions - Greek, Serbian, Bulgarian and Georgian. At services the choir sings according to the 17th century "Kievan znamya" that synodic one-voiced song books are printed in. The absolute majority of composers, including P.I. Tchaikovsky and S.V. Rachmaninoff, based their sacred music on chants from those books. Besides decipherments of ancient Russian polyphony, the choir performs their own and composer versions of church chants, as well as the most outstanding works by church composers.
The ensemble is composed of twelve professional singers - graduates of the St. Petersburg Conservatory; seven to nine soloists go on tours.
Since its inception, Opus 7 Vocal Ensemble has established a reputation for continually featuring a diverse range of new and rarely performed works, along with time-honored classics of choral literature. Formed in 1992 as a professional choral group by founding director Loren Ponten, Opus 7 specializes in 19th- through 21st-century a cappella choral music. As a resident ensemble of St. James Cathedral in Seattle, Washington since 1994, Opus 7 is firmly dedicated to performing the works of local and regional composers, regularly commissioning new choral compositions. In addition, since 2000 Opus 7 has fostered new talent in the field of choral music through their unique Student Choral Composition Awards Program.
Orphei Drangar, known internationally as OD, is a modern male-voice choir, based in the Swedish University City of Uppsala. The choir, which dates back to 1853, has always been a torch bearer of the great Swedish choral tradition, in addition to playing an important international role in the development of the male-voice choir in modern music. The most important tradition of Orphei DrSngar is self-renewal. The male-voice choir is an instrument which can express itself in a multitude of different ways. OD has distinguished itself, both in Sweden and abroad, by developing and fine-tuning this instrument. Many people talk of the unique blend of young, lighter voices with older, more mature ones - a blend which produces a sound all of its own. Intonation, phrasing and purity are other words that are often used to describe OD's sound. A cappella songs are still the most important part of the choir's repertoire. But OD has gone one step further, breaking new ground when it comes to how a male-voice choir should look and sound. The forms of expression are numerous. The choir can just as easily sing with a symphony orchestra as accompany a dramatic composition or ballet.
New College Choir is one of the glories of our musical heritage. William of Wykeham, who also founded Winchester College and rebuilt Windsor Castle for Edward III, was responsible for its creation, College and Choir. He provided for sixteen choristers and a dozen clerks to sing the daily office in his magnificent mediaeval chapel. This practice still continues within the context of today's University life. Both boys and young adults receive a musical training of the highest standard, as befits a world-class university. They are able to develop their potential to the full, meeting not only the daily needs of the chapel services but also the challenges of recording studio and concert platform.
The Oxford Pro Musica Singers was founded by Michael Smedley in 1977 as the Oxford Pro Musica Chorus, to sing with the then Oxford Pro Musica Orchestra in major choral works. In its early years the choir performed with some distinguished conductors, including Simon Preston, Christopher Seaman and Jane Glover. It also had a long and happy relationship with Denis Arnold, Professor of Music at Oxford University, who conducted many concerts of his beloved Venetian music. But the choir increasingly performed apart from the orchestra, and in 1985 claimed independence and adopted its current name.
Pacific Boychoir choristers participate in a very old tradition. Boychoirs have been around for hundreds of years, dating back at least to the fourth century. Early modern boychoirs were trained to sing with the collegiate and cathedral choirs of Europe. Today, most boychoirs are not affiliated with churches, though much of the great music written for boys came out of this tradition.
The Pacific Boychoir aims to match the world's best boychoirs (e.g., the Vienna Boys of Austria, Drakensberg of South Africa, the American Boychoir of Princeton). Critical reviews imply that the Pacific Boychoir is succeeding! Choristers learn that extraordinary accomplishment teaches lifelong lessons. Hard work leads to mastery. Personal responsibility and teamwork go hand in hand. The challenge of improvement leads to the joy of art well performed.
Founded in 1968, Pacific Chorale is internationally recognized for exceptional artistic expression, stimulating American-focused programming, and influential education programs. Pacific Chorale presents a substantial performance season of its own at the Orange County Performing Arts Center and is sought regularly to perform with the nation's leading symphonies. Under the inspired guidance of Artistic Director John Alexander, Pacific Chorale has infused an Old World art form with California's hallmark innovation and cultural independence.
Pacific Chorale is comprised of 160 professional and volunteer singers. In addition to its long-standing partnership with Pacific Symphony, the Chorale has performed with the Los Angeles Philharmonic in Disney Hall on numerous occasions. Other noted collaborations include the Hollywood Bowl Orchestra, the Boston Symphony, the National Symphony, and the Long Beach, Pasadena, Riverside and San Diego symphonies.
The Peninsula Women's Chorus (PWC) is a Palo Alto-based, 50-voice women's choir performing high-quality classical and contemporary music in the Bay Area and many parts of the world. Since its founding in 1966, the Peninsula Women's Chorus has been committed to excellence in the performance of diverse and challenging choral literature for women's voices, and is recognized as the premier vocal ensemble for women in the San Francisco Bay Area.
Pentatonix (often abbreviated as PTX) is an American a cappella group of five vocalists originating from Arlington, Texas; Scott Hoying, Kirstin Maldonado, Mitch Grassi, Kevin Olusola and Matt Sallee. Avi Kaplan was formerly a member of the group. Their work - mostly in, but not limited to, the pop music style - consists of covers of existing songs, sometimes in the form of medleys, and some original material. Their music is defined by their own arrangement style, a strong presence of low bass vocals, and a diverse range of vocal percussion. In 2011 they won the 3rd season of "The Sing-Off". This won them $200,000 and a recording contract. Since then Pentatonix has been selling out shows all over the world.
The Helsinki-based women's choir Philomela was started in 1984 at the instigation of the Helsinki Chapter of the Finnish Amateur Musicians' Association (SULASOL) and the Culture Board of the City of Helsinki. Philomela has 45 members, half of whom are students and the other half already in working life. Philomela aspires to perform choral music as extensively and ambitiously as possible. The choir aims at mastering both traditional and modern music, sacred masses and light music, singing styles originating from the Finnish national epic, the Kalevala, as well as the works of contemporary composers, many of whom have dedicated works to Philomela. The choir is known for its experimental choreographies and its chameleon-like ability to transform its style and appearance according to each occasion and venue. In spring 1998, the choir appeared in the Helsinki City Theatre production of The Sound of Music. Philomela's goals were set high at the outset. Due to goal-oriented work, the choir has risen to the top of Finnish choral music, and it has also received acclaim abroad. Philomela has produced numerous radio recordings, and in 1991 it received the Amateur Music Award of the Finnish Broadcasting Corporation (YLE). In the same year, Philomela was nominated Choir of the Year by the Finnish Women's Choir Association.
The Grammy Award-winning Phoenix Chorale is regarded as one of the finest choral ensembles in North America. The 28-voice chorus, made up of highly trained singers residing in Arizona, has developed this reputation through live performances across the U.S. and Canada. Each season, the Chorale reaches over 7,500 local individuals through concerts and outreach events across the Valley. Annually, the Chorale's video and audio recordings reach over one million listeners around the world.
Founded in 1947, the Phoenix Boys Choir has programs featuring training in voice, music theory, and performance for boys age 7 to 14. Beginning with the Training Choir, boys can progress to Cadet, Town and Tour choirs, and upon graduation, participate in the Master's Choir. Currently, there are approximately 150 young boys and men participating, making it one of the largest and most active boychoirs in the United States.
In 2003, as part of its commitment to outreach and diversity, the Phoenix Boys Choir began a Neighborhood Training Choir Program. This expansion made the Phoenix Boys Choir available to all boys, regardless of where they live or their families' financial situation. There are currently neighborhood training choirs in Scottsdale, Peoria, Tempe, and at the Missouri choir building location.
The Grammy Award-winning Phoenix Chorale is regarded as one of the finest choral ensembles in North America. The 28-voice chorus, made up of highly trained singers residing in Arizona, has developed this reputation through live performances across the U.S. and Canada. Each season, the Chorale reaches over 7,500 local individuals through concerts and outreach events across the Valley. Annually, the Chorale's video and audio recordings reach over one million listeners around the world.
Polyphony was formed by Stephen Layton in 1986 for a concert in King's College Chapel, Cambridge . Since then the choir has performed and recorded regularly to critical acclaim throughout the world. Recent reviews declare Polyphony 'one of the best small choirs now before the public' (Daily Telegraph) and 'possibly the best small professional chorus in the world' (Encore Magazine, USA ).
For more than a decade Polyphony has given annual sell-out performances of Bach's St John Passion and Handel's Messiah at St John's Smith Square . These have become notable events in London 's music calendar and have been broadcast by BBC Radio 3 and the EBU. According to the Evening Standard 'no one but no one performs Handel's Messiah better every year than the choir Polyphony', and the Times 'would rate it among the finest John Passions I have ever heard'.
In 1989, thirty-nine singers attended the first rehearsal of the Girlchoir. As we enter our 20th Season, 130 singers experience the challenge of mastering complex and exciting music; make lifelong friends in a unique musical community; work with world-class choirs, composers, and conductors; and perform beautifully. Singers in five progressive ensembles, ranging in age from 6 to 18, travel from throughout the metro-Portland and SW Washington areas to participate in Girlchoir's comprehensive choral music program.
The Princeton Singers is a small, professional, independent chamber choir. In recent years, it has earned a reputation as one of the nation's preeminent chamber choirs. Founded in 1983 by John Bertalot, then choir-master organist at Trinity Church in Princeton, New Jersey, the ensemble was soon hailed by critics for its clarity of tone, elegance of execution, and purity of tuning. Since being appointed Artistic Director in 1998, composer-conductor Steven Sametz has expanded the group's repertoire to range from medieval to modern, including gospel, jazz, and popular song. Today, The Princeton Singers is a vital force in the creation of new works for choir. Both through a strong commissioning program and participation in workshops for aspiring composers, The Princeton Singers is strongly committed to the creation of new choral repertoire.
Since Quink's debut in 1978, this remarkable Dutch vocal ensemble has risen to the top of its field and is invited to perform on prestigious concert series around the world. These five professional singers have developed a unique sound which allows them to illustrate with style and expressiveness the great variety of a cappella music. Quink's repertoire varies widely and consists of a cappella music from the Renaissance and Baroque eras, as well as works by Romantic composers. The ensemble often performs folk song and close harmony arrangements and it concludes its performances with lighter arrangements. Quink has introduced many new works both of established and modern masters. A number of contemporary Dutch, German and American compositions have been dedicated to Quink.
Founded in 1987, Ragazzi Boys Chorus provides outstanding musical education and performance opportunities for boys and young men, ages 7 to 18. About 200 participate in this internationally recognized program. Under the leadership of artistic director and co-founder, Joyce Keil, Ragazzi Boys Chorus performs a wide range of traditional and contemporary works for both the treble and changed voice.
The chorus concertizes regularly throughout the San Francisco Bay Area. Ragazzi participated in the San Francisco Symphony's recording of Stravinsky's Persephone, part of a GRAMMY winning best classical album. The chorus also produces its own discography. Ragazzi Boys Chorus was named a CBS Best Choir of the Peninsula in 2013 and has been cited by the San Francisco Chronicle as one of four elite youth choruses in the Bay area. Ragazzi made its Carnegie Hall debut in 2014 and regularly tours in the United States and internationally.
The history of legendary Russian singing choir began in 1929. Since than it has been traveling all over the world and performing arts of Russian culture. Step by step, the choir has extended its team of the ballet part. They all have been cheered by audience all around the world (for example in Austria, Algeria, Great Britain, Belgium, Bulgaria, Canada, Vietnam, Cuba, Mexico, Japan, Switzerland etc.). In 2007, they are going to perform again in Kosice and Bratislava. It will be their first performance after more than 20 years since their last visit.
The Red Star Red Army Chorus and Dance Ensemble was created in 1978 in Moscow, mostly to raise the cultural level and maintain the battle-readiness of the strategic rocket forces and other elements of the Red Army. A Russian proverb says 'A fairy tale is a lie, but a song tells the truth.' Fairy tales have become rare in present-day Russia, but folk tunes still form an integral part of daily life. Accompanied by the balalaika and the bayan (a large button-key accordion), these songs tell of love and loss, of sadness and solace, of brave deeds and everyday problems. Humor and dance can be found here, as well as melancholic longing and heroic pathos. Some favorites of the 18 songs: 'Regimental Polka,' 'Kalinka,' 'Volga Boat Song,' 'The Swallow,' 'The Brave Don Cossacks,' 'Wait For Your Soldier,' 'Ochi Chornye-Dark Eyes,' 'In The Sunny Meadow,' 'The Cliff,' and 'On The March.' All accompanied. 'Kalinka' beautifully captures the brash power and deep emotions of the Red Star Red Army Chorus.
Founded in 1948, the RIAS-Kammerchor played an important role in the revival of the musical life of Berlin in the aftermath of the Second World War, notably in partnership with the Berlin Philharmonic and RIAS-Symphonie-Orchester (Berlin Radio Symphony Orchestra). Conductors like Ferenc Fricsay, Karl B?hm, Herbert von Karajan and Lorin Maazel were closely associated with the Choir at that period, and in more recent years special mention may be made of its collaboration with Claudio Abbado, James Levine and Daniel Barenboim. Right from its foundation, the RIAS-Kammerchor has consciously placed contemporary music at the centre of its preoccupations, with the result that such major composers as Hindemith, Blacher, Kagel, Krenek, Boulez, Henze and Reimann have written for the ensemble or chosen it to premiere their works. As its name indicates, the RIAS-Kammerchor has developed essentially as a chamber choir. At the beginning of the 1970s, thanks to the impetus given by its artistic director of the time Uwe Gronostay, the choir affirmed its position as one of the finest on the international scene, going from strength to strength under his successor, Marcus Creed. In 2003 the latter was in turn succeeded by Daniel Reuss; under his leadership the choir continues to broaden its repertory to include performances of early and Baroque music.
Singing sacred masterworks of all periods and styles, this choir of 30-40 voices performs at Sunday morning services in the magnificent acoustics of Rockefeller Memorial Chapel. Firmly rooted in the tradition of Palestrina, Victoria, Bach, and Mozart, the choir also performs music of Africa and South America, modern and forgotten treasures, and even liturgical chant from Hildegard to Anglican. With an infinity to the great academic cathedrals of Europe, the choir strives to provide professional level performances, with a University of Chicago flair for innovation and recreation. The choir also presents three additional concerts per season, such as performances of Bach's St. John Passion with period instruments and world premieres of new music. From within the group, the Decani (formerly the Rockefeller Sixteen) sings 2-3 Sundays each quarter, concentrating on music written before 1700. Thanks to a generous grant from the University of Chicago Women's Board the Rockefeller Chapel Choir will be awarding four $4,000 scholarships to outstanding undergraduate singers of all faith and cultural backgrounds.
Saint Mary's College Women's Choir, a select 40-voice ensemble, regularly commissions and performs new works for women's voices. An outgrowth of this emphasis is the publication of the Saint Mary's College Choral Series, a collection of new works for women's voices, published by earthsongs of Corvallis, Oregon. The Choir has performed throughout the United States and has appeared before state and division conventions of the Music Educators National Conference and the American Choral Directors Association. In February 2005, the Choir appeared before the national convention of the American Choral Directors Association in Los Angeles, performing in Wilshire Christian Church and the new Walt Disney Concert Hall. Each November the Choir hosts the annual Saint Mary's College High School Women's Choir Festival, in which 20 choirs from neighboring states perform for each other and a panel of commentators. The Choir tours nationally every other year, and regularly performs with the University of Notre Dame Glee Club in joint performances of major works with the South Bend Symphony Orchestra. They have appeared in concert at Carnegie Hall in 1999 and 2001, and returned there in November 2005 to perform music by Gwyneth Walker for women's voices and orchestra.
Music is at the heart of our mission, one of the primary ways in which we worship, love and serve our Lord Jesus Christ.
Each year, the Saint Thomas Choir of Men and Boys, under the direction of John Scott, sing at nearly 200 choral worship services, including Choral Liturgies on Sunday mornings, Choral Evensong on Sunday evenings and on many Tuesday, Wednesday and Thursday evenings (September through May). The choir also sings at special liturgies throughout the year, including the Solemn Liturgy of Good Friday.
We are delighted to welcome visitors from all over the world to these worship services. We hope you will join us during your next visit to New York City. If you are unable to worship with us in person, you may do so via the webcasts from your home.
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