In Celebration of the Human Voice - The Essential Musical Instrument
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This excellent series is perfect for the voice student of any age. Songs have been carefully selected to include the easiest beginning material, advancing to some vocal challenges for the progressing singer. Keys have been carefully chosen to meet the needs of most students. This collection of largely American songs may be used to teach the same basic classical tecniques of lyric singing as the traditional European art music repertoire, with rerrific opportunities for interpretive development.
All | Alto | Baritone Bass | Mezzo-Soprano | Mezzo-Soprano Alto | Soprano | Tenor
Review: Even more great solos for high school and college singers at the same level as The First Book of Solos and The First Book of Solos - Part II, with a variety of over 30 classical songs per volume, and a completely different song list for each voice type.
Songlist: Beggar's Song, The (R. Leveridge), Bergère légère (J.B. Wekerlin), Blue are her eyes (W. Watts), Captain Mac (W. Sanderson), Come, o come, my life's delight (H. Parker), Complacent Lover, The (H. Parker), Consecration (R. Franz), Evening (J.J. Niles), Five Eyes (C.A. Gibbs), Geheimes (F. Schubert), God So Loved the World (J. Stainer, arr. Stickles), How long wilt thou forget me? (O. Speaks), In the Luxembourg Gardens (K.L. Manning), Invictus (B. Huhn), It was a lover and his lass (R. Quilter), and more
Voicing: Baritone Bass
Review: This is among the most widely used teaching repertoire for singers in the U.S. Over 30 songs in each book, including American and British art songs, folk song arrangements, sacred songs and a sampling of beginning songs in German, Italian, Spanish and French. There is a completely different song selection for each voice type.
Songlist: Across the Western Ocean (Dougherty), Intermezzo, Blow High, Blow Low, Let Us Break Bread Together, The Bells of Clermont Town (Goodhart), The Blind Ploughman (Clarke), Blow, Blow, Thou Winter Wind (Arne), Shenandoah, Create In Me A Clean Heart, O God, Encantadora Maria (Kilenyi), False Phillis, The Friars of Orders Gray (Shield), Hör'ich das Liedchen Klingen (Schumann), Jagdlied (Mendelssohn), The Jolly Roger (Robertson), and more
Voicing: Baritone Bass
Review: More great teaching material at the same level as the first volume. Over 30 songs in each volume with no song duplicated between voice types. A student could easily begin either in The First Book or The First Book Part II, or the books may be used concurrently.
Songlist: Bright Is The Ring Of Words, Down Harley Street (Kingsford), Du Bist Wie Eine Blume (Thou'rt like unto a Flower) (Liszt), Ein Ton (What Sound Is That?) (Cornelius), Eldorado (Walthew), The First Concert (Mana-Zucca), Give A Man A Horse He Can Ride (O'Hara), The Heart Worships (Holst), Jesus, Fount Of Consolation (Bach), Die Könige (The Kings) (Cornelius), O'er The Hills (Hopkinson), Os Tormentos De Amor (The Torments of Love) (Kilenyi), Pilgrim's Song (Tchaikovsky), Pretty as a Picture (Herbert), The Pretty Creature (Storace/Wilson), and more
Voicing: Baritone Bass
Review: This excellent series is perfect for the voice student of any age. Songs have been carefully selected to include the easiest beginning material, advancing to some vocal challenges for the progressing singer. Keys have been carefully chosen to meet the needs of most students. This collection of largely American songs may be used to teach the same basic classical tecniques of lyric singing as the traditional European art music repertoire, with rerrific opportunities for interpretive development.
Songlist: Comedy Tonight, Edelweiss, Get Me To The Church On Time, The Girl That I Marry, Gonna Be Another Hot Day, How To Handle A Woman, I Talk To The Trees, I've Grown Accustomed to Her Face, If I Ever Would Leave You, The Impossible Dream, Oklahoma, Some Enchanted Evening, Soon It's Gonna Rain, The Surrey With The Fringe On Top, There Is Nothin' Like A Dame, and more
Voicing: Baritone Bass
Style: Show Tunes
Review: This is the perfect first collection for many voice students, whether they are teens or college singers or adults. Joan Boytim has selected songs appropriate for each voice type, and has chosen keys that suit the vocal needs of novice singers studying in traditional, generally classical lyric singing. The editions of the songs in these collections are short and straight-forward. Teachers have found these books invaluable. To make the collections even more useful, each volume is offered in a book/companion CD edition with piano accompaniments recorded by pianist Laura Ward.
Songlist: Some Enchanted Evening, Comedy Tonight, Edelweiss, Get Me To The Church On Time, The Girl That I Marry, Gonna Be Another Hot Day, How To Handle A Woman, I Talk To The Trees, I've Grown Accustomed To Her Face, If Ever I Would Leave You, The Impossible Dream (The Quest), Just In Time, Leaning On A Lamp Post, My Cup Runneth Over, My Defenses Are Down, and more
Voicing: Baritone Bass
Review: More great theatre literature especially useful with young singers, compiled by vetern voice teacher Joan Frey Boytim. These collections are at the same level as the original volumes, with no song duplications, and again stress traditional lyric singing. There are 20-23 songs per volume, with a different song list for each voice type.
Songlist: Never Say No, Brother, My Brother, I Do, I Do, Anyone Would Love You, London Bridge, C'est Moi, Camelot, The Crossing, The Desert Song, Dulcinea, A Fellow Needs A Girl, Guys And Dolls, If I Were A Rich Man, Luck Be A Lady, Man Of La Mancha (I, Don Quixote), and more
Voicing: Baritone Bass
Review: We proudly present these convenient new value packages! Each package includes over 90 songs, all at the same level of difficulty, conveniently and affordably priced for teacher reference. Each complete pack would retail for $44.97 if components were purchased separately.
Voicing: Baritone Bass
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