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Displaying 51-100 of 376 items.
Lennon Sisters : Sing Great Hits & Sad MoviesReview: 28 songs, re-mastered and in stereo, performed by the four lovely Lennon sisters from California who made regular appearances on the Lawrence Welk TV show from 1955 to 1967. Songlist: Among My Souvenirs, You Are My Sunshine, Now Is the Hour, A Little Street Where Old Friends Meet, Sad Movies (Make Me Cry), We Live In Two Different Worlds, Waltz of the Wind, Roly Poly, No One Will Ever Know, It's a Sin, Kaw-Liga, Mississippi Mud, Blue Eyes Crying in the Rain, Afraid, Foggy River, I'll Never Stand In Your Way, Pins and Needles (In My Heart), Moon River, (How Much Is) That Doggie in the Window, I Understand (Just How You Feel), Michael, Repeat After Me, Forever and Ever, Mexicali Rose, Harbor Lights, Melody of Love, Tumbling Tumbleweeds, Choir of Angels 
Les Double Six : Les Double SixReview: This French import, from songs recorded in 1959-1961, is a showcase for the composer/producer Quincy Jones. The six member group includes Ward Swingle, singer and arranger for the Swingle Singers, and "Les Double Six" is a clear antecedent for his subsequent work. With original French lyrics written by Mimi Perrin, the tracks, such as "Naima," "Moanin'" and "Fascinatin' Rhythm" feature vocals doubling as instruments, and capture the essence and fluidity of the lines with startling accuracy (particularly in the upper registers sung by Christiane Legrand, who was in the French incarnation of the Swingles as well). About half the compositions are by Jones; all are accompanied by a trio of piano, bass and drums. Twenty songs, including the previously unreleased "Walkin'" - a ten plus minute smorgasbord of sound - are practically as satisfying as a round-trip ticket to Paris! Songlist: For Lena and Lennie, Rat Race, Stockholm Sweetnin', Boo's Bloos, Doodlin', Meet Benny Bailey, Evening in Paris, Count'em, Tickle toe, Early Autumn, Sweets, Naima, Westwood Walk, A Night in Tunisia, A Ballad, Scrapple From the Apple, Boplicity, Moanin', Fascinating Rhythm, Walkin'
m-pact : Live At The Triple Door  Review: A live recording of m-pact, one of our favorite pop/jazz vocal ensembles of all time, at Seattle's Triple Door-what a treat!! Since being named 1996-97 Harmony Sweeps champs and Audience Favorite, m-pact has been wowing appreciative audiences all over the world, including several memorable appearances at the West Coast Summit. Finally, the signature sound and eclectic musical tastes of this internationally acclaimed, multi-award-winning vocal sensation are down on plastic. The song selection dances from soaring soul like a marvelous arrangement of Stevie Wonder's "I Wish," "Ain't Nobody," "Still the One" and Willie Dixon's "29 Ways;" and sophisticated jazz like Miles Davis' "All Blues" and the salsa scattish "Northeast Wind;" to fresh pop originals like "u nee 2 no" and the jazzy "found a love in you," written by brilliant alto lead Britt Quentin. The disco tune "Boogie Oogie Oogie" becomes a vocal percussion showcase for Trist Curless' flawless beat-box, and "If We Try" highlights Britt's pure, soaring, almost unbelievable range, as does a jazz interpretation of Cole Porter's "Night and Day." "Live" continues with the jazzy, ultra-hip "What If We Was Cool," a surprising jazz interpretation of the pop anthem "Higher and Higher," and closes with an incongruous, but lovely cover of Bach's "How Shall I Fitly Greet Thee." Everyone who has had the one-of-a-kind experience of seeing and hearing m-pact live, and knows what a gift that is, will appreciate what has been captured on these two discs. Brilliant, stunning, and highly recommended! Songlist: Boogie Boogie Oogie, Ain't Nobody, Somebody Love Me, What If We Was Cool, If We Try, Night and Day, All Blues, Still The One, Found A Love In You, 29 Ways, Higher and Higher
m-pact : m-pact  Review: One of our favorite groups on the planet from the first time we saw them on the stage of the Harmony Sweeps Finals, easily taking Audience Favorite and the National Championship, (then 5-man, now 6) jazz-pop m-pact continues to push the a cappella envelope with their unique, amazing sound. "m-pact," their 5th recording, was recorded at m-pact studios in LA, and is proudly distributed exclusively by Primarily A Cappella Records. The tagline on "m-pact," "experience the voice," refers to the pure, sumptuous tenor/soprano of Britt Quentin, whose creative arrangements, production and even engineering are evident on all 14 tracks. Especially fine are his arrangements that reinvent classics such as Cole Porter's "Night and Day," Rogers & Hammerstein's "My Favorite Things," "Over the Rainbow," Lerner & Lowe's "Almost Like Being In Love," "Bluesette," the Four Tops' "Baby I Need Your Loving," and "What Are You Doing the Rest of Your Life." The opening cut is "You Need to Know," a sassy, walking-jazz original by Britt, who also shines on lead. He also wrote (or co-wrote) and sings lead on the mellow finger-snapper "I Found A Love In You" and vocal percussion gem "I Thought You Cared For Me." Trist, Marco, Jake, Rudy and Jeff and their own incredible vocal talents to a smooth, sophisticated recording that surprises and touches on many levels, that we found ourselves replaying again and again to fully appreciate-in short, a masterpiece! Songlist: You Need To Know, Have A Talk with God, I Found A Love In You, Night and Day, I Thought You Cared For Me, Jesus To A Child, My Favorite Things, Northeast Wind, Over The Rainbow, Almost Like Being In Love, Bluesette, Baby I Need Your Loving, What Are You Doing For The Rest Of Your Life?, Northwest Passage
Review: Two CD's and a 52 page booklet: 39 songs of the best of vocal jazz' premier harmony group. A retrospective of their career up to and including cuts from "Brasil." Of course it includes all of the well-known Transfer hits-"Boy From New York City," "Operator" etc., but also standards such as their Grammy-winning "Route 66,' "Love For Sale" and "Body and Soul." The marvelous a cappella of "A Nightingale Sang In Berkeley Square" and "Foreign Affair," (both arranged by Gene Puerling) are special highlights. Songlist: Disc One, Trickle Trickle, Gloria, Operator, Helpless, Ray's Rockhouse, Heart's Desire (Live Version), Lindy Lou, Mystery, Baby Come Back To Me (The Morse Code of Love), Route 66, Java Jive, Chanson D'Amour, Foreign Affair (a cappella, arranged by Gene Puerling), Smile Again, Spice of Life, The Speak Up Mambo (Cuentame), Soul Food To Go (Sina), So You Say (Esquinas), Boy From New York City, Twilight Zone/Twilight Tone, Disc Two, Four Brothers, Blee Blop Blues, Candy, A Gal In Calico, Love For Sale, On A Little Street In Singapore, Tuxedo Junction, That Cat Is High, and more
Review: A budget-priced collection of some of their early hits. Songlist: Boy From New York City, Java Jive, Gloria, Helpless, Tuxedo Juction, Twilight Zone/Twilight Tone, Ray's Rockhouse, Mystery, Smile Again, Birdland
Review: The Transfer's style adapts well to this colorful recording, produced in 1987. Drawing upon the South American continent for thematic inspiration, as well as the characteristic rhythms and orchestration, the result is a satisfying world and jazz fusion of warmth and cool. "Notes From The Underground" captures a groove that is indelible, complimenting the distinctive melody. "Soul Food To Go," "The Zoo Blues" and "Metropolis" are contemporary pop, but with a welcome complexity; "Capim" is liquid contemporary jazz, with Stan Getz smoldering on sax throughout. Songlist: Soul Food To Go, The Zoo Blues, So You Say, Capim, Metropolis, Hear The Voices, Agua, The Jungle Pioneer, Notes From The Underground
Review: 1976 recording featuring Laurel Masse, their third. We all know the Manhattan Transfer's musicality is impeccable. The collection of songs-all accompanied-range from the Latin "The Speak Up Mambo" to a percussive "Poinciana," featuring a Michael Brecker saxophone solo. "S.O.S," "Helpless" and "Zindy Lou" are guitar driven uptempo pop with guest appearances by Dr. John and Ringo Starr! "Scotch and Soda" has a gorgeous and languid melody, "It Wouldn't Have Made Any Difference" and "Chanson D'Amour" are easy ballads. "Coming Out" is basically a mainstream production that only hints at the group's later more jazz-oriented sound. Songlist: Don't Let Go, Zindy Lou, Chanson D'Amour, Helpless, Scotch and Soda, The Speak Up Mambo (Cuentame), Poinciana (the Song of the Tree), S.O.S., Popsicle Toes, It Wouldn't Have Made Any Difference, The Thought of Loving You
Review: Multiple Grammy-winning mixed quartet Manhattan Transfer is known for their expertise in many styles of music, including doo-wop, cabaret and Brazilian music for example, but they have been best known for their live performances and incomparable jazz singing. "Hotter" is a live CD, recorded at Orchestra Hall in Tokyo, featuring 16 of the group's best jazz covers. Mostly recent material, the songs are accompanied by a stellar jazz band that has toured with the group for years. A couple of nods are given to classic Transfer tunes, like a rousing version of Roy Hamilton's Rockabilly hit "Don't Let Go," from their 1976 album "Coming Out," and "Twilight Zone/Twilight Tone," a choice selection from the disco era. Particular favorites are two Satchmo-related numbers, "Up a Lazy River" and "Stars Fell on Alabama," that were not included on MT's Armstrong tribute disc, "The Spirit of St. Louis." There are so many fine moments on this CD: Janice Siegel's mock muted trumpet solo on Ella Fitzgerald's "A Tisket, A Tasket," the onstage repartee between Tim Hauser, and Alan Paul on "Gone Fishin'," and some wonderfully raucous scat singing on "Nothing Could Be Hotter Than That." "Hotter" is simply a joy, probably the greatest vocal jazz group of all time, live on stage, filling our CD player with sweet, smoking, soulful jazz. Great foldout liner notes. Highly recommended! Songlist: Old Man Mose, Sing Moten's Swing, A-Tisket, A-Tasket, Sugar (That Sugar Baby O'Mine), Up A Lazy River, Do You Know What It Means to Miss New Orleans?, Stars Fell on Alabama, Gone Fishin, Blue Again, Clouds (Adapted from "Nuages"), Stompin at Mahogany Hall, Nothing Could Be Hotter Than That, It's Good Enough to Keep, Don't Let Go, Twilight Zone / Twilight Tone, My Foolish Heart
Review: 1979 recording and the first with singer Cheryl Bentyne, who replaced Laurel Masse. Contains "Twilight Tone/Twilight Zone," the group's first U.S. hit-basically a disco number that borrows from the television theme song of the same name. "Birdland," the Weather Report orginal that, with the addition of lyrics by Jon Hendricks, became a staple of Manhattan Transfer's repetoire and one of their most popular songs-and their first Grammy winner. "Body and Soul" is the Phil Mattson arrangement, and "Foreign Affair" was arranged by Gene Puerling (sung a cappella) and conducted by Clare Fischer! (Can't beat the talent! ) "Nothing You Can Do About It" has a catchy refrain and piano motive that won't let go. Songlist: Birdland, Wacky Dust, Nothin' You Can Do About It, Coo Coo U, Body And Soul, Twilight Zone, Trickle Trickle, Shaker Song, Foreign Affair
Review: Where it all began-the group was then a five piece and contained only Tim Hauser, bass singer, from the subsequent line-up. The production values and the quality of the voices are all professional enough, but it bears as much resemblance to the later incarnation as an apple to an orange, and the material brings back memories of seventies lounge acts and television pop stars. "You're A Viper" and "Java Jive" are as close as you can get-the former a swinging horn workout and the latter a relatively subdued version of the a cappella standard. "Guided Missiles" harkens back to Tim's doo-wop roots-he began his career as a teenage doo wop singer in a group called the Criterions. Songlist: Chicken Bone Bone, I Need A Man, You'se A Viper, Fair And Tender Ladies, Rosianna, Sunny Disposish, Java Jive, One More Time Around Rosie, Guided Missiles, Roll, Daddy, Roll
Review: Beginning with their first performances in the early 1970s, The Manhattan Transfer have become the cornerstones of contemporary music. Originally launched by Tim Hauser in 1969, Hauser, Alan Paul, Janis Siegel and Laurel Masse were the group by 1972. Cheryl Bentyne joined the group in 1979 after Laurel Masse left. One of the co-writers on The Junction - the group's new album which draws inspiration in part from The Transfer's classic 1975 version of Glenn Miller's "Tuxedo Junction"-is the group's new mem ber, bass vocalist Trist Curless. Curless began subbing on the road for the late band founder Tim Hauser in 2013, officially joining after Hauser's passing in late 2014. Songlist: Cantaloop (Flip Out!), Swing Balboa (Down on Riverside), The Man Who Sailed Around His Soul, Blues for Harry Bosch, Shake Ya Boogie (Galactic Vocal Version), Sometimes I Do, Ugly Man, The Junction, Tequila / the Way of the Booze, Paradise Within (Paradise Found)
Review: The MT is accompanied by The Manhattan Transfer Band, Yaron Gershovsky on keyboards, Alex Blake, acoustic and electric bass, Wayne Johnson, guitars, Don Roberts, reeds, and Buddy Williams, drums. The 13 tracks were recorded live at Nakano Sun Plaza Hall in Tokyo in February of 1986, and the liner notes are remarkably zenlike: the names of the songs, the names of the musicians and the date of the recording. After all, this is the Manhattan Transfer, one of the most exciting vocal jazz bands ever to step onto a stage-enough said! Songlist: Four Brothers, Rambo, Meet Benny Bailey, Airegin, To You, Sing Joy Spring, Move, That's Killer Joe, The Duke of Dubuque, Gloria, On the Boulevard, Shaker's Song, Ray's Rockhouse
Review: The debut album recorded in 1975. Contains "Operator," the first Transfer song to garner the public's attention. It's an impressive opening gambit, and is still consistent with their style-be it on "Candy," "Tuxedo Junction" or "Java Jive." "You Can Depend On Me" is a fast sprint, "Blue Champagne" an elegant toast to the era of the speakeasy. "Occapella" is a bluesy uptempo tune that sounds a bit like early Bonnie Raitt. Also, an early version of "Heart's Desire," (later re-recorded on "Bop Doo Wopp." ) All songs are accompanied, with particular depth in the horn/reed sections. Songlist: Tuxedo Junction, Sweet Talking Guy, Operator, 'Candy, Gloria, Clap Yo' Hands, That Cat Is High, You Can Depend On Me, Blue Champagne, Java Jive, Occapella, Heart's Desire
Review: The fifth record, containing the Top Ten Hit, "Boy From New York City," (which won a Grammy for Best Pop Performance) and "Until I Met You (Corner Pocket)," which won a Grammy for Best Jazz Performance, the first time a group had won awards in both the pop and jazz categories in a single year! Of course, those two songs are worth the price of the CD, but, in addition, you'll hear "A Nightingale Sung In Berkeley Square," sung a cappella, from the Gene Puerling arrangement. (Gene won a Grammy for this one!) Also: the Caribbean-influenced "(Wanted) Dead or Alive," with it's steel drums and cowbell-infectious-and Charlie Parker's "Confirmation," which predicates the group's exploration of vocalese. Songlist: On The Boulevard, Boy From New York City, (Wanted) Dead Or Alive, Spies In The Night, Smile Again, Until I Met You (Corner Pocket), (The Word Of) Confirmation, Kafka, A Nightingale Sang In Berkeley Square
Review: Take a trip up and down the Mississippi on the Spirit of St. Louis with the Manhattan Transfer as they pay homage to the "enduring spirit of Louis Armstrong". In true Manhattan Transfer style, the voices cast an even shrill appropriately high and take it smooth when its time to go low, mimicking the grace of the great Satchmo. So good, so good! "Stompin' at Mahogany Hall" is pure New Orleans while "The Blues are Brewin'" is as bluesy as it gets. (Sing it Sister!) "Gone Fishin'" makes you wish you were. Take it back down to New Orleans and get slinky with "Do You Know What it's Like To Miss New Orleans?" "A Kiss To Build A Dream On" and "When You Wish Upon A Star" are standards for a Louis Armstrong Tribute. Classify this cd as one that finds a home in your CD player for a long while. Not necessarily A Cappella! Songlist: Stompin' At Mahogany Hall, The Blues Are Bewin', Sugar, A Kiss To Build A Dream On, Old Man Mose, Do You Know What it Means to Miss New Orleans, Gone Fishin', Nothing Could Be Hotter Than That, Blue Again, When You Wish Upon A Star
Review: A study in the nature of swing, the Transfer have recorded a definitive musical treatise on the topic. Using their voices as instruments-specifically, the horn and reed sections-the group performs material that could be categorized broadly as either urban or rural swing. For example, on "A-Tisket, A-Tasket," (featuring Asleep At The Wheel) the instrumentation includes steel guitar and fiddles. "Java Jive" is performed at a more relaxed tempo and with a warmer feel. Long time Manhattan Transfer collaborator Jon Hendricks stepped up to write lyrics to Jelly Roll Morton's "King Porter Stomp" and Basie's "A Study In Brown." "Clouds" (music by Django Reinhardt) features a splendid violin solo by Stephane Grappelli and a breathy vocal solo passage that evokes the atmosphere of a smoky Paris nightclub. Wonderful listening. Songlist: Stomp Of King Peter, Sing A Study In Brown, Sing Moten's Swing, A-Tisket, A-Tasket, I Know Why (And So Do You), Sing You Sinners, Java Jive, Down South Camp Mettin', Topsy, Clouds, Skyliner, It's Good Enough To Keep, Choo Choo Ch' Boogie
Review: The Chick Corea Songbook, which marks the quartet's first new record in five years, was inspired by the classic work of jazz great Chick Corea, and features fresh and exciting vocal interpretations of many of his popular compositions, including "Spain" and "500 Miles High." Corea, who plays on the CD, has also contributed an original composition entitled "Free Samba" especially for this album. This release also features special guest appearances by some of the finest musicians in the industry including Christian McBride, Airto, Alex Acuna, Fred Hersch, Edsel Gomez and Lou Marini, among others. Songlist: Free Samba, Prelude, Spain (I can Recall), One Step Closer, Children's Song, 500 Miles High, Another Roadside Attraction, Time's Lie, La Chanson Du Bebe, Ragtime in Pixiland, The Story of Anna & Armando, Free Samba
Review: Recorded in 2006, The Symphony Sessions features the Transfer reinterpreting 12 of their classic songs they recorded for past albums. Rather than the usual jazz ensemble accompaniment this time the quartet goes into the studio with The City of Prague Symphony Orchestra under the direction of Corey Allen to produce these enjoyable new takes on some of the old favorites. This is a very relaxed and smooth-flowing recording and a pleasant change to hear these old chestnuts performed in a fresh style. Songlist: Route 66, Candy, Embraceable You, That's The Way It Goes, A Nightingale Sang In Berkeley Square, Because You Are All Heart, To You, Vibrate, Clouds (Nuages), The Quietude, The Offbeat of Avenues, Birdland
Review: A stellar assembly of famous guests contribute to this 1994 recording of classic pop standards. "Groovin'" is a duet between tenor singer Alan Paul and Felix Cavaliere, the song's composer. The late Laura Nyro, writer of "La-La Means I Love You, "duets with soprano Cheryl Bentyne; Janis Siegel, alto, gets her turn with Bette Midler, on "It's Gonna Take A Miracle." Phil Collins steps forward with bass vocalist Tim Hauser to sing "Too Busy Thinking About My Baby." Other highlights: "The Thrill Is Gone," with B.B. King and Ruth Brown, and "God Only Knows," arranged by Mervyn Warren of Take 6! Songlist: Let's Hang On, Groovin', It's Gonna Take A Miracle, I Second That Emotion, La-La Means I Love You, Too Busy Thinking About My Baby, The Thrill Is Gone, Hot Fun In The Summertime, Along Comes Mary, Dream Lover, Save The Last Dance For Me, God Only Knows
Review: Few groups have a more distinguished pedigree than the Transfer. Since their formation in New York in 1972, these four voices (two male, two female) have notched up numerous gold and platinum albums, and accumulated a shelf full of Grammy's. Their performance of "A Nightingale Sang In Berkeley Square" (included here) won a Grammy for its Gene Puerling arrangement. With collaborators Jon Hendricks and Richie Cole, they promulgated the use of the vocalese technique-singing lyrics over jazz solos. They had their biggest hit of their career, with "Boy From New York City," in 1981, when it went to number seven. "Route 66" and "Tuxedo Junction" were made famous by Nat King Cole and Glenn Miller respectively ("Route 66" won the group yet another Grammy in 1983). "Birdland" was originally recorded by Weather Report; with the addition of Jon Hendricks' lyrics, a Transfer classic was born. This is required listening for vocal jazz fans. Songlist: Boy From New York City, Trickle Trickle, Gloria, Operator, Tuxedo Junction, Four Brothers, Ray's Rockhouse, Soul Food To Go (Sina), Spice Of Life, Baby Come Back To Me(The Morse Code Of Love), Candy, A Nightingale Sang In Berkeley Square, Birdland, Java Jive, Route 66, Twilight Zone/Twilight Tone
Review: We don't think we need to go deeply into the history and awards associated with jazz legends Manhattan Transfer, who have been paying their dues and building their following in hip New York City clubs since 1971. Finely-crafted jazz albums, beginning with the self-titled "Manhattan Transfer," have sold well and won many awards. "Extensions" won two Grammys , "Mecca for Moderns" one, and "Vocalese" three Grammys. "Vibrate" is the group's first studio album in 3 years, and has been highly anticipated. 11 songs, all accompanied, mostly mellow, bass-walking, rainy-day jazz. Some particular favorites are the opening cut, the salsa-influenced "Walkin' in N.Y.," the oriental flavored "Greek Song," the blue-note, meandering "The New JuJu Man," "Doodlin'," the rhythmic "Feel Flows," the sweet chestnut "Embraceable You," and finishes with a very nice "Come Softly to Me/I Met Him on a Sunday" medley. The long-awaited Vibrate" is a special addition to MT's discography and is further evidence that we're listening to one of the best vocal jazz groups in the world! Songlist: Walkin' In New York, Greek Song, Vibrate, The New JuJu Man, Doodin', The Twelfth, First Ascent, Core Of Sound, Feel Flows, Embracable You, Come Softly to Me / I Met Him On a Sunday
Review: Considered by some to be the apex of the Transfer's vocal development, "Vocalese" refers to the setting of lyrics to previously recorded instrumental compositions. With the contributions of Jon Hendricks (of the highly-regarded Lambert, Hendricks & Ross) and saxophonist Richie Cole, this CD was nominated for twelve Grammy's and won two-Best Jazz Vocal Performance and Best Arrangement for Voices. "Killer Joe" builds off of an undulating synthesizer bass riff, which is the foundation for some flashy vocal soloing, copping what were originally horn parts-vocalese! "Airegin" (Nigeria backwards) sets a pace fast and furious, "To You" is its complete opposite-slow, romantic, with a throaty tenor solo passage and back-ups by the Four Freshmen! "Another Night In Tunisia" allows guest Bobby McFerrin to display his trademark percussion and then sculpt a slurred vocal line, adding a dramatic vibrato for emphasis. Top form. Songlist: That's Killer Joe, Rambo, Airegin, To You, Meet Benny Bailey, Another Night In Tunisia, Ray's Rockhouse, Blee Blop Blues, Oh Yes, I Remember Clifford, Sing Joy Spring, Move
Review: Dubbed "The Prince of Pops" by the Chicago Tribune, Erich Kunzel's Cincinnati Pops Orchestra has been nominated for 5 Grammies under his direction, winning one in 1998, and we have to say that this is some of the best, most spirited big-band swing we've ever heard. Of special interest to us, of course, are the vocals, which are supplied by one of our favorite jazz groups, The Manhattan Transfer, former (and founding) member of the MT, 9-time Grammy winner Janis Siegel, and inventive singer/guitarist John Pizzarelli. There are 14 all accompanied (in fact, 7 of them are completely instrumental) tunes here, and not surprisingly our favorites are "Choo Choo Ch' Boogie," "Sugar" (That Sugar Baby of Mine), "Skyliner," and "Clouds" (adapted from "Nuages,") featuring the MT; "Straighten Up and Fly Right" and "Avalon" with John Pizzarelli; and "I'll Be Seeing You," with Janis Siegel. As we would place the Swing Era at or near the top of all musical eras, we thought "Got Swing" was a treat, and every tune gave us the urge to get up and dance! Songlist: String of Pearls, Stompin' at the Savoy, Choo Choo Ch' Boogie, Straighten Up and Fly Right, Sugar, Skyliner, Blues in the Night, Avalon, It Don't Mean a Thing (If It Ain't Got That Swing), Clouds, adapted from "Nuages", Jumpin' at the Woodside, Flying Home, I'll Be Seeing You, Sweet Georgia Brown
ManSound : If It's MagicReview: ManSound, an a cappella sextet from Kiev, Ukraine, got its start in 1994 as an idea of composer and arranger Vladimir Mikhnovetsky. The group consists of experienced professionals and it is a permanent participant of international jazz festivals and concerts. First building a Russian fan base with concerts and appearances at jazz festivals in Moscow and other cities, ManSound began touring in 1996, when the group traveled to the United States for six weeks, performing with great success in universities and evangelical churches. In February of 2000, ManSound performed at one of the biggest jazz events in the USA, the Lionel Hampton Jazz Festival, following the invitation of Lionel Hampton himself. They also performed in 2002 and 2003, delighting crowds of 5000 at the nightly performances. Dr. Lynn Skinner, director of The Lionel Hampton Jazz Festival, called ManSound the hit of the jazz event. "Magic" has only 7 songs, but 3 are marvelous medleys, two of them of George Benson's songs and one of Stevie Wonder tunes. Besides these favorites, "They Can't Take That Away From Me," "Nature Boy," "Lullaby of Birdland and "Angel Eyes" are standouts-which includes everything on the CD. Tremendous voice control, incredible arrangements, butter-smooth blue-note harmonies, surprising tempo changes and scat breaks-it adds up to a stunning first CD by a huge, fast-rising talent in the jazz/a cappella world! Songlist: Smile Medley:, - Smile, Darn Ya, Smile, - Powder Your Face With Sunshine, Have A Little Talk With Myself, If I Had My Way, Moondance, Shenandoah, When My Sugar Walk Down the Street, Where Is Love?, Shadrack, Fare Thee Well, Love, Honey Medley:, - My Honey's Lovin Arms, - Honey That I Love So Well, You Tell Me Your Dream, Sing, Sing, Sing, Hushabye
ManSound : Slavic Roots Review: Formed five years ago in Kiev, the six men who make up the Ukrainian group Man Sound have recorded three compact discs and toured extensively in Europe. In their early years, the group gave dozens of gospel concerts in six western U.S. states. Most recently they were invited to the U of Idaho Lionel Hampton Jazz Festival by Hampton himself. The group's repertoire includes famous jazz compositions and Ukraine folk songs as well as traditional and modern gospel music. "Slavic Roots" are Ukrainian folk songs, all a cappella except for some light guitar on "Under the Cloud." Included are two medleys, "Triptych" and "Diptych," "Polechko-Pole," "Under the Cloud," "Hey, Let's Hoot," "There You, Wide Steppe" and "White Swallow." The group's powerful, fine-tuned ensemble sound derives from their individual talents as soloists. Adding scat jazz riffs to a "Volga Boatmen" base is the kind of fresh vocal surprise Man Sound is becoming well known for. Excellent and recommended! Songlist: Triptych, Polechko-Pole, Under the Cloud, Hey, Let's Hoot, There You, Wide Steppe, Qiptych, White Swallow
Mill City Mix : Swingeroo QuickiesReview: "Mill City Mix" is a four-piece mixed group whose inspiration is the close harmony groups of the forties - the sounds of the Merry Macs, Pied Pipers and their ilk. This accompanied CD features sixteen agreeable songs, such as "Perfidia," "Sunny Side Of The Street" and "Don't Sit Under The Apple Tree." "Eloise" has a descending progression that is classic American songwriting, "Boogie-Woogie Bugle Boy" crackles with energy, and a high-octane piano break; in contrast, "Irresistable You" captures all the longing of love. Songlist: Perifidia, Irresistible You, Boogie-Woogie Bugle Boy, Daddy, Dream, Shoo Shoo Baby, Sunny Side Of The Street, Watch What Happens, Sentimental Journey, Sweet Eloise, Don't Sit Under The Apple Tree, A Lovely Way To Spend An Evening, Whispering, Elmer's Tune, Jukebox Saturday Night, Misty
Review: Individually, they are five phenomenal and distinctive vocalists: Peter Eldridge, a eclectic vocalist, composer, and member of the New York Voices; Lauren Kinhan, known for her charismatic voice, genre bending originals, and her dedicated years as a member of the New York Voices; Theo Bleckmann, the effusive German-American Meistersinger known for his brilliant collaborations with Meredith Monk; Kate McGarry, a vocal polymath at home with the folk tradition and the Big Apple bandstand; Luciana Souza, the Brazilian whose repertoire ranges from bossa novas and Elizabeth Bishop to Steely Dan. Together, they are MOSS, A vocal supergroup that intertwines jazz, classical, pop, folk, electronica, world music, and poetry into an arresting and unique sonic species of art. A typical vocal jazz record follows a formula: some up-tempo tunes, plenty of moody ballads and a vocalist reaching for the unique without leaving the familiar. The vocal dream team Moss has thrown out the old formula on their new self-titled CD. Not to be pigeon holed, these master vocalists supply their own unique originals along with a bevy of thoughtful arrangements of not so standard tunes (including pieces by Tom Waits, Neil Young, Joni Mitchell and e.e. cummings). Throughout this exceptional recording, the vocal quintet's contrapuntal harmonies, silken phrasing, and soulful improvisations, traverse and morph genres with ease and invention. "Hopefully, each song reveals the curiosity and uniqueness of each voice," Luciana Souza writes in the CD liner notes, "and the wonderful and intangible thing that happens when a group of friends blend their voices and sensibilities into one." Songlist: Shadows and Light 1, Object Devotion, i carry your heart with me (i carry it in, There Alone Go I, Orchard, Old Man, Home, Lavaliere, Take It With Me, These Things Take Time, Longing, Busy, Being Blue, Shadows and Light 2
Mt. San Antonio College - Singopation : DriveReview: Mt. Sac's dynamic ensemble Singcopation, founded in 1997 by Director of Choral Activities Bruce Rogers, consists of 12 auditioned male and female student vocal jazz specialists. These exceptional singers have taken home a variety of trophies from vocal jazz competitions, been named "Most Outstanding College Vocal Jazz Group in the Country" by Downbeat. On the 14 generally accompanied (Piano, Drums & Bass) tunes of "Drive," Singcopation shows us a level of sophistication and polish rarely found at the college level. Particularly fine are Steve Allen's "This Could be the Start of Something Big," the scatty, salsa-flavored "Virou Areia," the sexy, silly, nearly a cappella "I Feel So Smoochie," a very cool arrangement of "Nature Boy," Bobby McFerrin's sweet a cappella (of course) title tune, a moody cover of Lennon/McCartney's "In My Life," John Coltrane's "Moment's Notice," a smooth, rhythmic cover of Antonio Carlos Jobim's "Corcovado," and very nice vocal percussion on the a cappella "Virtual Insanity." We are big fans of Singcopation, and enjoyed every cut of "Drive!" Songlist: This Could Be The Start Of Something Big, Minuano, Not Like This, Virou Areia, Don't Be On The Outside, I Feel So Smoochie, Nature Boy, Drive, In My Life, Moments' Notice, Corcovado, Snow Samba, Virtual Insanity, I Want You Back
Review: We have long placed the Grammy-winning two-woman, two man NY Voices in the same company as groups like Singers Unlimited, Manhattan Transfer, The Real Group and Vox One, that is, among the best vocal jazz groups in the world. Receiving "A Day Like This" is cause for celebration, as it has been way too long since the quartet last stepped into a recording studio. This all-accompanied collection of 14 upbeat, jazzy tunes starts out fast with Jimmy Van Heusen' "Darn that Dream," group member Peter Eldridge's "The World Keeps You Waiting" and a smoky, bluenote cover of Alan Jay Lerner's "On A Clear Day." Then we're treated to some sweet covers of Lewis & Coots' "For All We Know," Duke Ellington's "Love You Madly," Stevie Wonder's "Don't You Worry 'Bout a Thing," John Coltrane's beautiful "Noticing the Moment (Moments Notice") and the wonderful, scattish, manic "Jackie" with lyrics by Annie Ross. One last favorite is a delightfully fresh and simple arrangement of Laura Nyro's "Stoned Soul Picnic." Every cut here, in fact, is a joy - the Voices have a sophisticated, effortlessly clean sound that surprises and entertains. It was worth the long wait for A Day Like This!" Songlist: Darn That Dream, The World Keeps You Waiting, In the Wee Small Hours of the Morning, On A Clear Day, For All We Know, Love You Medley, As We Live and Breathe, No Moon At All, Chamego (Betty's Bossa), Noticing the Moment, Don't You Worry 'Bout a Thing, Stoned Soul Picnic, A Day Like This, Jackie
New York Voices : Live with the WDR Big Band CologneReview: The Grammy Award-winning vocal group New York Voices celebrates its 25th anniversary presenting their first full live album with New York Voices Live offering a collection of past favorites and brand new arrangements. A live recording from a concert at the Kolner Philharmonie in Cologne, Germany with the world famous WDR Big Band Cologne, this long-awaited release opens the group's 2013 celebratory year with a bang. New to their repertoire are a jazz rendition of the Annie Lennox pop tune "Cold," Darmon Meader's cappella vocal arrangement of the classic Lerner & Lowe standard "Almost Like Being In Love," and a swinging take of the Broadway staple "Love Me or Leave Me." Songlist: Baby Driver, Stolen Moments, Love Me or Leave Me, Cold, The World Keeps You Waiting, I Do It For Your Love, Darn That Dream, Almost Like Being in Love, The Sultan Fainted
Review: Threading the ages, New York Voices weaves their vocal arranging and elegant point of view on melody, harmony and shape through composers they admire on their latest outing. Ellington, Corea, Brubeck, Hersch, Porter, Lennon and McCartney, Lins and Cuba's Cervantes are the welcoming prisms for them to ring their voices into a fine tapestry of color, sound and light. Produced while celebrating their 30th year together as an ensemble, they have gathered this collection into what is a curator's wish list for an evening's program. Taking these compositions in their care, they tend to invert, change time signature and reharm, but never so far that the lyric doesn't sing front and center. And with intermittent a cappella palate cleansers throughout the sequence, the listener gets to experience the set as the artist envisioned. Also included in this fine array of compositions are two from the group, allowing just enough room to insert a few originals to complete their "Reminiscing in Tempo." Songlist: Round, Round, Round (Blue Rondo ‡ la Turk), Open Your Eyes, You Can Fly, Answered Prayers (ƒ De Deus), A Dance for Me, Los Tres Golpes, Moments in a Mirror, It's Alright with Me, Reminiscing in Tempo, The Forecast is Sunny, Invitacion, Avalon, In My Life
Review: The best things in life are worth waiting for! After several delays the much anticipated new release from one of the top jazz vocal groups in the world is finally available and we couldn't be happier. Equally masterful at tight harmonies and individual solo flights vocalists Peter Eldridge, Lauren Kinhan, Darmon Meader (who also blows a mean tenor sax) and Kim Nazarian have delivered their most swinging outing to date. All but one of the songs were arranged by the incredibly talented Meader whose fresh spin on these Swing Era classics are a joy to listen to. The vocals are also very strong, especially Kinhan and Kim, who must be some of the jazziest, sexiest female singers around. Accompanied mostly by a swinging big band the final song "I'll Be Seeing You", however, is a pure a cappella gem. Songlist: Sing, Sing, Sing, I Can't Believe That You're in Love with Me, Smack Dab in the Middle, Early Autumn, Bli Blip, Ain't Nobody Here But Us Chickens, Save Your Love For Me, Orange Colored Sky, Hallelujah, I Love Her So, Cloudburst, Stardust, Don't Be that Way, In a Mellow Tone, I'll Be Seeing You
P.M. Singers : JubileeReview: Intricate arrangements and big and bold orchestrations, featuring saxophonist Richie Cole, characterize this six piece mixed group's sound, a pleasing mix of old and new jazz influences. The sound is suggestive of the Singers Unlimited in terms of complexity, though on "Waltz For Debby" and the tour-de-force (written by Clare Fischer) "The Quiet Side," the richness of the voicings invites comparisons to the Real Group. Speaking of "The Quiet Side," it is a seven minute exploration of form and tonality that begins a cappella, segues into a mid-tempo accompanied section that escalates in intensity using scat as it's medium, through an ascending sequence that descends again to the original introduction. "Quiet Nights of Quiet Stars" takes a vocal percussion idea which then evolves into a sultry duet with shimmering backups, "C'est Si Bon" is a throaty and suggestive interplay between voice and flugelhorn, with the horn part equal in importance to the arrangement. "Johnny One Note" is the Gene Puerling arrangement. A highly enjoyable and accomplished collection. Songlist: Johnny One Note, C'Est Si Bon, Jubilee, Quiet Nights Of Quiet Stars', Stella By Starlight, Waltz For Debbie, My Melancholy Baby, The Quiet Side
P.M. Singers : Night In The CityReview: Formed in 1982 by students of the esteemed director Phil Mattson, members of the P.M. Singers became identified with the Phil Mattson School and many have gone on to great professional and academic success in their own right. (Two examples are Joe Finetti, who now sings with The Bobs, and Michele Weir, a respected educator and arranger.) This mixed group has the talent and range to master the most technical of charts, as well as the warmth and emotion to stir the heart-witness"A Child Is Born," with a facile piano accompaniment by Phil Mattson himself, who plays keyboards throughout. Many of the arrangements allow one voice to solo, adding and subtracting harmonies for interest and variety. "I'll BeSeeing You" is a cappella and allows the melody to shine, gradually opening up the song with a frugal harmony that never interferes, but builds to a subtle crescendo and then resolves to an elegant closing cadence, the lead voice holding the final note while the lower parts complete the subject. A pleasure to listen to and a model of arranging virtuosity. Songlist: New York Afternoon, Desafinado, Body And Soul, I Hear Music, Night In The City, How Long Has This Been Goin' On, A Child Is Born, Jeanine, I'll Be Seeing You
Pacific Mozart Ensemble : A Cappella Jazz & PopReview: The P.M.E. is one of the San Francisco Bay Areas most versatile and innovative choruses. The repertoire stretches from Mozart to Monk (Meredith). Each year members arrange and perform immensely popular jazz and pop concerts. On this recording which has arrangements of 20 songs, various members form quintets and sextets to allow individual singers greater individual expression. It begins with "Doodlin'" and ends with "Canary In A Coal Mine." In between find yodeling, scats, a lullaby, Eric Clapton and more. You'll listen to this one over and over. Songlist: Doodlin', Wonderful Tonight, Things We Said Today, Boy From New York City, 42nd Street, Cattle Call, Pretending To Care, Don't Let Your Heart Slip, Blues My Naughty Sweetie, 'Round Midnight, A Good Man Is Hard To Find, Sincerely, Mama, I Wanna Make Rhythm, Lullaby, It's All Right, You Know It's Wrong, The Love You Save, What Are You Doing The Rest Of Your Life, Four, Canary In A Coal Mine
Review: This CD is a compilation from Pacific Mozart ensemble's live performances up until 2000. This is a great way to hear what they sound like live. It's fun and energetic, and the singing is excellent! It includes lots of great arrangements from members of the group as well as arrangements from A Cappella luminaries Phil Mattson, Anders Edenroth, Gene Puerling and many more. Songlist: Orange Colored Sky, Yesterday, Chili Con Carne, Waltz For Debby, I Can See For Miles, Sweet lorraine, Satin Summer Nights, Quality, I Can Cook, Too, That Lonesome Road, Im In a Hurry, Bei Mir Bist Du Schon, I'd Give My All, Cottontail, Calling My Children Home, Full Moon, Full of Love, The Tracks of My Tears, Duke of Dubuque, Brahms' Lullaby, When God Dips His Pen, And So It Goes, Love Shack
Review: This fun CD includes live performances of the Pacific Mozart Ensemble from years 2000-2004. Eric Freeman and Jim Hale (members of PME and one of our favorite vocal jazz quintets, Clockwork!) have both contributed quite a few arrangements, which makes this an extra special recording. This CD has everything from classic pop and rock, to jazz ballads and big band standards. You are sure to enjoy every one of these amazing tracks! Best when purchased along with Jazz and Pop A Cappella, Vol. 4, Live, as they both cover the same seasons of this fantastic ensemble! Songlist: Hazy Shade of Winter, Taxman, El Hambo, Four Lads Medley: Moments to Remember, No Not Much, Love is a Many Splendored Thing, Alma Mater (from Grease), Samba de Minha Namoradhino, Swingin Till the Girls come Home, You Raise Me Up, Goody, Goody, Travelin' Prayer, When the Night, Conjunction Junction, Jubilee, Philosopher's Song, BeeGees Medley, A Nightingale Sang in Berkeley Square, When the Hangover Strikes, I'm Cute, Five Brothers, Handful of Keys, Up Above My Head
Review: More great tracks from PME's 2000-2004 concert seasons. This CD is yet another testament to how many great musicians we have here in the San Francisco Bay Area. Best when purchased along with Jazz and Pop A Cappella, Vol. 3, Live, as they both cover the same seasons of this fantastic ensemble! Songlist: Also Sprach Zarathustra, I Can See Your Aura, You Still Believe in Me, One More Time Chuck Corea, Creep, Sinisia, Billie Jean, I Wanna Be Around, Chain of Fools, Polkadots and Moonbeams, Cuchi Cuchi, Good Bait, Hair, Teardrops, Beyond the Sea, Lush Life, Within You Without You, Old Joe's Place, Let Me Touch You for a While, Walk Between the Raindrops, Musik! Musik! Musik!
Pastiche : PasticheReview: Pastiche is Sandy Cressman, Jenny Meltzer and Becky West, attractive, versatile singers with their roots in jazz, but who incorporate Brazilian and Afro-Cuban rhythms as well as pop and R&B influences in their music. Fair warning: Pastiche, which means "a combination of many styles and influences making up a single work of art," is accompanied throughout by a very fine jazz orchestra. That said, the trio's vocal harmonies are brilliant, and each song, from song 1, "Don't Lose Your Cool" to song 11, "When The Night," are showcases for that brilliance. A smooth, smoky, moody work of art! Songlist: Don't Lose Your Cool, Whatever It Takes, When Will There Be, You Hit The Spot, Only Love, Late Date, Remember That, Waiting On The Day, Destination Drive, Blackbird, When The Nght
Phil Mattson & Vocalogy : Is God A Three Letter Word For Love Review: 1999 is the 100 year anniversary of the birth of the jazz master Edward Kennedy "Duke" Ellington - a genuine American hero. Though his accomplishments were many, Ellington characterized his sacred compositions, coming towards the end of his career, as "the most important thing I have ever done." Leave it to Phil Mattson and his Vocalogy ensemble (consisting of six faculty members at the Southwestern Community College School For Music Vocations), to record the first vocal group arrangements of these compositions (some are accompanied by a rhythm section as well). Ellington wrote these songs for a San Francisco concert at Grace Cathedral in 1965, and went on to perform this program internationally until his death in 1974. We have not heard the CD itself come presstime, but we understand that songs such as "In The Beginning God," "Come Sunday" and "Father Forgive," while spiritual and earthy, are written in the tried-and-true Ellington big-band style. An appropriate tribute indeed from Mr. Mattson. Songlist: In The Beginning God, Is God A Three-Letter Word For Love?/ My Love, T.G.T.T., Ain't Nobody Nowhere Nothin' Without God, Father Forgive, Almighty God, The Shepherd, Something 'Bout Believing, Come Sunday, Heaven
Review: Formed at Southwestern Community College's School for Music Vocations in 1991, the mixed-voice sextet VoicesIowa was recently honored by Down Beat Magazine as "Vocal Jazz Group of the Year." Their repertoire also includes Renaissance part-songs, 19th and 20th century compositions and arrangements of contemporary music. Their Director Phil Mattson has been nominated twice for Grammy Awards. These 12 songs, recorded live at St. Andrew's Lutheran Church in Mahtomedi, MN, feature Mattson-arranged winners like "Snow Covers the Valley," Bach's "Jesu, Meine Freude," Burt Bacharach's "Alfie," "Never Let Me Go," Johnny Mercer/Harold Arlen's classic "Blues in the Night" and Irving Berlin's "Count Your Blessings Instead of Sheep." Ward Swingle's "Country Dances" and the Swingle-arranged "Satchmo," Duke Ellington's "Don't Mean A Thing if it Ain't Got That Swing," Anders Edenroth of the Real Group's "Friendship" and Bobby McFerrin's "Jubilee" are other favorites. Great stuff, from the first cut to the last! Songlist: Since All Is Passing, It Don't Mean a Thing (If It Ain't Got That Swing), Snow Covers the Valley, Jesu, Meine Freude, Alfie, Jubilee, Never Let Me Go, Satchmo, Friendship, Blues in the Night, Count Your Blessings (Instead of Sheep), Country Dances
Pieces of 8 : Across The Blue MeridianReview: Charlie Mead, director and composer/arranger, is at it again, dazzling us with his swinging musical stylings with the help of his eight talented singers. This time, the beautiful sounding octet takes on a vacation to various island getaways with four original compositions by Charlie, all giving you the feeling of being in the great outdoors. As they take us on this journey, they also satisfy our thirst for a few old classics with some unique arrangements of "On The Street Where You Live," "A Nightingale Sang In Berkeley Square," and "I'm Beginning To See The Light." To end this fabulous CD, the top- notch performers sing Bach's "Goldberg Variations," a simplistic musical masterpiece who's instrumental orchestrations were most recently made famous by the Hannibal Lectar movies. Songlist: It Don't Mean a Thing (If It Ain't Got That Swing), Blue Meridian, Nice 'N Easy, Summer Dreamin', Some Other Time, On the Street Where You Live, A Nightingale Sang in Berkeley Square, Walk Between Raindrops, Orange Colored Sky, Hook, Line and Sinker, Music of the Spheres (Gershwin Piano Prelude No. 1), Aria, Bach Goldberg Variations
Review: From the first strains of the opening track, "Sisters," it's clear that Betcha Bottom Dollar is not a typical debut album. But then the Puppini Sisters are not a typical pop act, at least not in the 21st century. Their close, three-part harmonies are reminiscent of the vocal groups of the 1930s and 1940s, and particularly the Andrews Sisters. But rather than sounding like an anachronism, the Puppini Sisters merely demonstrate the timelessness of some of these songs. Betcha Bottom Dollar is fresh, fun and vibrant, blowing the dust off of cobwebby classics like "Boogie Woogie Bugle Boy" and "Mr. Sandman". Elsewhere, they also put their own unique stamp on more recent hits, with varying results. While Kate Bush's "Wuthering Heights" and Gloria Gaynor's "I Will Survive" fail to get things swinging, Blondie's "Heart of Glass" and the Smiths' "Panic" are both injected with a fresh new (old?) sound. Much credit must also be given to producer Benoit Charest, who manages to employ a whole host of instrumentation and orchestration, whilst never forgetting to put the voices of the Puppini Sisters front and centre. It might be easy to dismiss the Puppini Sisters' debut as another novelty album, but their intentions and love for the style--like their voices themselves--are crystal clear. Songlist: Sisters, Mr.Sandman, Boogie Woogie Bugle Boy, Java Jive, Bei Mir Bist Du Sehon, Wuthering Heights, Jeepers Creepers, I Will Survive, Tu Quo Fa L'americano, Heart Of Glass, Sway, Danie, Heebie Jeebies, In Mood
Pust : FemkantReview: "Femkant," Norwegian mixed-voice septet (four women, three men) Pust's debut album, was released in September, 2007, and it immediately attracted a lot of positive attention. The Norwegian press hailed it as a "vocal sensation," and called it "vocal charm and voiceplay from another world." The album was nominated for a 2007 Norwegian Grammy Award, and it was also nominated for a CARA Award for best 2007 a cappella jazz album. These 14 a cappella songs include some excellent covers, a delicate "Time After Time," a whimsical "I Won't Grow Up" from Disney's "Peter Pan," a soaring "Innocent," a playful, jazzy "Dat Dere," a poignant, bluesy "Moon Over Bourbon Street" and a powerful, bluenote "Take a Look in the Mirror." All other songs are in Norwegian, such as the heartbreaking "Vaggviselat," haunting "Turlutte 33," playful "Femkantgeneralen" and teasing, scattish "Helene Harefroken." All arrangements are written by or for the group. A very impressive debut, "Femkant" is a breath of fresh jazzy air from Norway! Songlist: Turlutte 33, Femkantgeneralen, Helene Harefroken, Time After Time, I Won't Grow Up, Sagostunden, Jeg tenker sa titt pa min bryllupsdag, Bruremarsj fra Sorfold, Innocent, Dat Dere, Moon Over Bourbon Street, Slipsteinsvaeilsen, Take a Look in the Mirror, Vaggviselat
Review: "Pust" means breath in Norwegian. It also means to take a break, to breathe. Pust is Oslo-based, comprised of three men and three women singers with lots of vocal experience in various ensembles, who find their musical inspiration somewhere between Folk, Jazz and Ethnic vocal music. The 12 songs on "kry" include songs composed by members of the group, and all the lyrics are in Norwegian. Some favorites are "Lukk meg inn," the delicate "Innunder blae himmelrand," the spirited folk song "En reell halling," the gentle "Gate," the dramatic "Kolera-vise," the melodic "Farao pa ferie," the sweet "Trassvisa hennes Tora" and others. Beautiful sounds from Norway's best! Songlist: En reell halling, Gate, Kolera-vise, Det bor en gamel baker, Lukk meg inn, Farao pa ferie, Innunder blae himmelrand, Trassvisa hennes Tora, Hade'godt, Fram dansar ein haugkall, Usynlig, Eg kan ro
Rajaton : BoundlessReview: Rajaton (which actually means "Boundless" in Finnish) is a world-class Finnish vocal jazz septet, and this is their second CD (their first, "Nova," is also excellent). They sing jazz renditions of their own and others' original compositions, Finnish folk songs and poetry put to music. The two Finnish folk songs, "Armahan kulku" and "Kaipaava" are sung in Finnish, the rest are in flawless English. Following the tradition of brilliant Scandinavian vocal jazz groups, Rajaton's sound is bright and clean, harmonically complex, spirited and perfect. The colorful liner notes contain all the words, and lovely photos of the group. Eleven songs: "Butterfly," "Un-Wishing Well," "The Lark In the Clear Air," "We Walk In a Fog," Lennon/McCartney's "Lady Madonna," "Dobbin's Flowery Vale," "Summer Song," "Poison Tree," "You Can't Stop Me," and the two folk songs. A breath of fresh, jazzy air from Finland! Songlist: Butterfly, Un-Wishing Well, The Lark In The Clear Air, We Walk In A Fog, Lady Madonna, Dobbin's Flowery Vale, Summer Song, Poison Tree, You Can't Stop Me, Armahan Kulku, Kaipaava
Review: Finnish a cappella ensemble Rajaton, returns to their Finnish folk roots, releasing their 8th CD on the occasion of their 10th anniversary. The Finnish word "Maa," which can be translated as earth, country, dirt, land-complements the return to their roots theme. Here are 12 lovely songs, all in Finnish and all composed and arranged by group members. "Nouse lauluni," which translates "Rise up, my song" (the beautiful full-color liner notes thankfully contain English translations of all the lyrics), "Oin ja paivin," (By night and by day), "Tasangot," (The plains) and "Villihanhen laulu," (Song of the wild goose) are immediate favorites; subtle and mysterious, soft at first and building to crescendos, sweet and heartbreaking. Knowing the translated lyrics is interesting but not really necessary-the feeling of these tunes, the melancholy, longing and depth of these poems touches and moves us. The music for the final track, "Valse triste" was written by the great Finnish composer Jean Sibelius who died 50 years ago, the recording also honors Finland's 90 years as an independent nation. Sibelius' piece is performed wonderfully, in fact we felt the need to listen to each of these 12 vocal gems again to fully appreciate "Maa." Songlist: Nouse lauluni, Oin ja paivin, Tasangot, Villihanhen laulu, Tuuti lasta, Talvilaulu, Hiljaisuus, Ikovoi, ihminen, Hiljaa, Pakkanen, Kevat saapui, Valse Triste
Rajaton : NovaReview: We don't quite know why, perhaps it's the good beer, but those Scandinavian countries sure know how to produce wonderful a cappella vocal jazz groups. Rajaton (Finnish for boundless) are a highly talented septet whose members are experienced choral singers with diverse musical backgrounds, most of whom studied singing either at the Sibelius-Academy or at the Pop/Jazz Conservatory in Helsinki. 1999 winners of the Grand Prix at the Tampere Choir Festival they sing jazz versions of Finnish folk songs, poetry and original compositions and are of a world class caliber. We like this recording very much and the arrangements and quality of singing are exceptional. English lyrics included in the liner notes. Songlist: Laksin Mina Kesayona Kaymaan, Mita Kaikatat, Kivonen?, Purrelle Tuulta, Kutsu, Yolla Euroopasa, Me Kuljemme Kaikki Kuin Sumussa, Haahymni, Tahtitarha, Oi Aika Ihanin, Kulkue, Piene Tarina, Pyhat On Pihlajat Pihalla, Armmottoman Osa, Lintu Lauleli Lehossa, Nova
Rajaton : SanatReview: 'Rajaton' in Finnish means 'boundless,' a good description of the talent of this vocal jazz septet! 'Sanat' is the third excellent CD to reach us, and most of the songs are again in Finnish, with four in perfect English, 'Were You There,' 'Nearer My God To Thee,' 'Didn't My Lord Deliver Daniel' and 'Weary In Well-Doing.' The group got together as music students at the renowned Sibelius Academy or at Helsinki's Pop/Jazz Conservatory, and almost immediately began performing live and winning major awards. Their repertoire on previous CDs consisted of their own and others' original compositions, jazz versions of Finnish folk tunes, and poetry put to music. 'Sanat' focuses on another dimension of the group, their deep Christian spirituality. Their sound remains fresh and spirited, harmonically complex; with incredibly perfect bell-like tones. The extensive liner notes present the words in Swedish and English. 'Sanat' is a beautiful CD, the best yet from yet another amazing Scandinavian vocal group! Songlist: Aurikolaulu, Were You There?, Benedic Anima Mea Dominoi, Stabat Mater, Vain Taivasta Kukkaset Katsovat, Kaikki Maat, Te Riemuitkaate, Iltavirsi, Torramat Do Noebaengil, Nearer, My God, to Thee, Didn't My Lord Deliver Daniel, Weary in Well-Doing, Pia Desideria |
