In Celebration of the Human Voice - The Essential Musical Instrument
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A selection of music songbooks and sheet music arrangements for mixed voice 8 parts. |
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Songbooks, Arrangements and/or Media
Displaying 1-51 of 51 items.
Alan Bullard : The Spacious Firmament Setting the well-known text by Joseph Addison, The spacious firmament is a mysterious and powerful concert work. Bullard uses a variety of textures throughout the piece, resulting in a unique and memorable choral work that will be welcomed by more experienced choirs. Ben Parry : Ciao Bella, Cia The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers - Jonathan Rathbone, Ben Parry & Mark Williams - were long-standing members of the Swingle Singers. Bob Chilcott : Advent Antiphons Composed for the Reykjavik Cathedral Choir's "Solo Dei Gloria" Festival in 2004, Advent Antiphons is an exquisite concert setting of the Great O Antiphons. Traditionally chanted or sung between 17 and 23 December, the Antiphons comprise seven brief prayers which proceed in sequence, charting events from before Creation through to the birth of Christ. The powerful sentiments conveyed in these texts are brought to the fore in Chilcott's masterful writing for double choir; he embroiders a beautifully textured work in which echoes of plainchant combine with richly expressive harmony. In the third and fifth movements, the composer instructs the individual sopranos and altos in each choir to sing their parts in their own rhythm, to entrancing effect. Without doubt, this is some of Chilcott's finest music to date; subtle yet potent, haunting, and uplifting. Songlist: O Sapientia, O Adonai, O Radix Jesse, O Clavis David, O Oriens, O Rex Gentium, O Emmanuel Bob Chilcott : Weather Report The weather, the most quintessentially English of topics, was the inspiration for Bob Chilcott's Weather Report, written for the BBC Singers. Chilcott weaves together a tapestry of well-known weather rhymes to create a work that is energetic, quirky, and entertaining. His choral writing is inventive and full of character, using layered rhythms and jazzy harmonies. This is a fun piece to perform, and perfect as a light addition to any concert programme. Dan Locklair : Brief Mass Like the basic bread and wine elements of Mass, the fundamental musical materiel of "Brief Mass" are simple. Yet, like the profound and eternal meanings of Mass, the use and development of the musical materials strive for deeper musical dimensions. The pitch material of each movement is basic, very limited, and does not stray from its foundation pitches. Each individual movement serves as a vital link to the whole of the work. "Brief Mass" requires a minimum of eight singers for performance: SSAATTBB. It is suggested that the singers be divided into two separate SATB antiphonal choirs. David Briner : If There's Anybody Here (from Out Of Town) "If There's Anybody Here (From Out of Town)" bounces across the USA, cataloging locales and scenes in toe-tapping fashion. Dave Briner's arrangement for men's quartet plus women's quartet was made famous in an excellent performance by Panache (1990 SAI International Champion Quartet) and Acoustix (1990 BHS International Champion Quartet,) and works well for choruses also. Esa-Pekka Salonen : Two Songs from Kalender Rod Composed for unaccompanied Double Mixed Chorus, these two songs were commissioned by the Swedish Broadcasting Corporation for the 75th Anniversary Concert of the Swedish Radio Choir. Based on two poems by Ann Jaderlund with text in Swedish and an English translation. Songlist: Djupt I Rummet, Kyss Min Mun Francis Poulenc : Sept Chansons Poulenc was a member of Les Six, a group of young French composers, Milhaud, Auric, Durey, Honegger and Tailleferre, who also had links with Erik Satie and Jean Cocteau. He embraced the Dada movement's techniques, creating melodies that would have challenged what was considered appropriate for Parisian music halls. Here is a fine set of his unaccompanied choral works. With English translation by Robert Hess. Songlist: La Blanche Neige, A peine defiguree (Barely Disfigured), Par une nuit nouvelle (Through a New Light), Tous les droits (All the Rights), Belle et ressemblante (Beautiful and Resembling), Marie, Luire (To Dawn) Gene Puerling : Puerling Charts II Includes the Grammy Award winner "A Nightingale Sang In Berkeley Square" as recorded by The Manhattan Transfer. The note-for-note arrangement matches the original recording! Songlist: Deck The Halls, The Gene Puerling Sound, Silent Night, Snowfall, A Nightingale Sang in Berkeley Square, April in Paris, Autumn in New York, Dancing in the Dark, Indian Summer James MacMillan : Tenebrae Responsories A powerful setting for 8-part choir of three of the Good Friday responses at matins: "Tenebrae factae sunt," "Tradiderunt me" and "Iesum tradidit impius." Commissioned by Cappella Nova and recorded by them on Linn Records. 20 minutes. Songlist: Tenebrae factae sunt, Tradiderunt me, Iesum tradidit impius Jim Clements : Gabriel's Message This arrangement is one of several Jim was commissioned to write by Voces8 for their Christmas album, Snowed In, and it was nominated for a 2009 CARA award. Its stillness and simplicity is intended to evoke both the awe and fear that Mary must have felt upon being told she was to give birth to the long-expected Messia Jim Clements is a British choral composer, arranger, orchestrator, and singer. He has written for numerous world-famous artists, including Tom Jones, The King's Singers, Tim Minchin, and the Royal Liverpool Philharmonic Orchestra, and has been nominated for three CARA awards. His music is published by Edition Peters, and has been recorded on Decca Classics, Inertia Records, Priory Records, Signum Classics, Universal Records, and others. He is a member of the GRAMMY-nominated early music vocal ensemble, Stile Antico, which records exclusively for Harmonia Mundi. Jim Clements : Cheek to Cheek The classic Irving Berlin tune that was sung by Fred Astaire in the movie Top Hat, here in a 3-minute arrangement by Jim Clements for unaccompanied SSAATTBB. A wistful start leads to an effortless swing arrangement over a walking bass.From VOCES8 arranger-in-residence Jim Clements, who helped create the distinctive jazz sound of VOCES8. Johannes Brahms : Fest-und Gedenksprüche, Opus 109 An a cappela chorus with German text for eight voices, composed by Johannes Brahms. Johannes Brahms : Triumphal Hymn (Triumphlied), Opus 55 A Choral Extended Work for SSAATTBB Divided Chorus with B Solo composed by Johannes Brahms. Jonathan Rathbone : La Cucaracha Former Swingle Singers Jonathan Rathbone has developed a reputation for creating challenging but highly rewarding arrangements for more experienced singers and here is a great example. Fun to learn, fun to sing! Joseph Martin : Song of Wisdom from Old Turtle Long ago, an argument arose between mountains and rivers, stars and ants, lions and bears on the nature of God. A terrible cacophony of quarreling voices rang out until wise Old Turtle quelled the din, explaining that God is all that we dream of, and all that we seek... all that we come from and all that we can find. Based on the book by Douglas Wood, with its elegant dream-like watercolors by Cheng-Khee Chee, Song of Wisdom from Old Turtle is a choral and symphonic experience, which must not only be heard, but felt by the soul! Staying true to the text of the story, Joseph Martin has masterfully crafted the many characters and moods of the book into a musical fantasy for mixed chorus and narrator. Brant Adams' rich and colorful orchestration adds depth and a sense of awe to this choral symphony. The work leaves audiences speechless, until they jump to their feet in enthusiastic applause! Kirke Mechem : Winging Wildly Acclaimed American composer Kirke Mechem at his best with these most interestingly themed pieces with text by poets Sara Teasdale and Paul Dunbar, and British writer Siegfried Sassoon. This Choral Cycle includes three pieces: "Birds at Dusk" (Teasdale), "The Caged Bird" (Dunbar), and "Everyone Sang" (Sassoon). Songlist: Birds at Dusk, The Caged Bird, Everyone Sang Kzysztof Penderecki : Veni Creator Composed in 1987, this work for a cappella chorus of approximately nine minutes' duration was written on the occasion of the bestowing of an honorary doctorate on the composer by the Universidad Autonoma de Madrid. Penderecki employs four stanzas of the traditional verse attributed to Hrabanus Maurus, and assigns varying numbers of voices within the four overlapping standard ranges (SATB) so that the density of the choral sound is also modulating throughout the piece which proves to be a particularly effective device for creating musical imagery. Kzysztof Penderecki : Song of Cherubim In March 1987 Penderecki's Song of Cherubim for a cappella choir was premiered at a gala concert given in Washington D.C. on the occasion of Mstislav Rostropovich's 60th birthday. Leonard Bernstein : The Lark In 1955, while in the midst of working on a musical version of Voltaire's CANDIDE with the distinguished American playwright Lillian Hellman, Leonard Bernstein wrote these a cappella choruses as incidental music for the play THE LARK, adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama is about the trial of Joan of Arc, Mr. Bernstein's music is deliberately evocative of that great Saint's medieval era. The initial presentation of the play took place on October 28, 1955 at the Plymouth Theater in Boston, with a cast that included Julie Harris, Boris Karloff, Christopher Plummer and Theodore Bikel. Songlist: Spring Song, Court Song, Soldier's Song, Prelude, Benedictus, Sanctus, Requiem, Gloria Libby Larsen : May Sky - A Collection of Haiku Kai A collection of Haiku Kai. Commissioned for the 2002 World Choral Symposium, May Sky is based on haiku written by Japanese and Japanese-American detainees in camps in the American West. Michael Tippett : 5 Negro Spirituals These arrangements of the Five Spirituals grew from the arranger's desire to see a larger and more interesting repertoire for mixed choruses, and were created with the approval of Tippett's biographer and execture, Merion Bowen. Whilst the spirituals suit mixed choruses of various sizes and remain as 'basically simple' as the originals, there are several musical challenges in the arrangements. Songlist: Steal Away, Nobody Knows, Go Down Moses, By And By, Deep River Peteris Vasks : Mother Sun Central to Vask's work are human beings and nature. The beauty of nature versus the threat of it, and the human role in it. His human and cultural image is therefore not very optimistic. However, in his work Vasks expresswes wonder and beauty. Especially in his early compositions. The choral work Mate Saule (Mother Sun) from 1975 is one such work. It seems nothing but an evocation of a sun with sparse melodies that break away from the sound as halos and sun breaking through the clouds. Meanwhile, this work is also a piece that is exemplary for the later choral works of Vasks. Although the piece is almost entirely diatonic, drop the instrumental notation for the votes and nice dissonant textures right on. These are things that Vasks in his later work refined and enriched. Philippe de Monte and William Byrd : Super flumina Babylonis and Quomodo Cantabimus Phillipe de Monte wrote Super flumina Babylonis (By the streams of Babylon, there we sat and wept) and sent it to William Byrd who responded by setting the subsequent verses of the psalm text Quomodo Cantabimus (How shall we sing the Lord's song in a foreign land). This edition allows these wonderful pieces to be sung as a unit or separately. Songlist: Super flumina Babylonis, Quomodo Cantabimus Simon and Garfunkel : The Sound of Silence An exquisite and evocative arrangement by Alexander L'Estrange of Paul Simon's 1960s classic song as performed by Simon and Garfunkel. This 4.5-minute unaccompanied SSAATTBB arrangement embraces the classic folk-rock song style so loved by Simon and Garfunkel.Alexander L'Estrange is a multi-faceted composer, arranger, jazz musician and choral animateur who has been dubbed 'the added 9th of choral music'. Simon and Garfunkel : Homeward Bound A wonderful unaccompanied SSAATTBB arrangement made for VOCES8 by Naomi Crellin of the classic Simon and Garfunkel song. This 3.5-minute arrangement revels in the atmosphere of the original song while also fusing brilliant harmonies.Naomi Crellin is an Australian composer, arranger and musical director/singer with a cappella ensemble 'The Idea of North'. The Swingle Singers : Around The World Folk Songs Vol. 1 All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.' Songlist: The Ash Grove, Bushes and Briars, Charlie is My Darling The Swingle Singers : Around The World Folk Songs Vol. 2 All Three charts are featured on The Swingle Singer's album 'Around The World Folk Songs.' Various Arrangers : Hymns for 8 Voices This arrangement of "Abide With Me" begins with a very beautiful and effective male a cappella section. This sets the stage for the rest of the piece which rises in intensity and volume until the final and triumphant ending. Abide With Me displays mans complete dependence on God and is very moving for both the audience and the singer. "Sweet, Sweet Spirit" is a bright and warm song that is perfect for a large choir. The fact that it is A Cappella adds greatly to the rich charm of the piece as well as making it highly rewarding to sing. "A Prayer" - This inventive and original composition bestows rich and luminous harmonies to the a cappella choral parts. It is a haunting call for the Lord to save us from sin. This piece requires proficient sopranos and is very fulfilling to an innovative and talented choir. "Hail, all hail", is an animated and vivid a cappella piece. This work will explore the brighter colors and sounds of the choir, allowing a powerful majestic result. Great for Christmas, this work allows the choir to let loose and make a joyful sound! Songlist: Abide With Me, Sweet Sweet Spirit, A Prayer, Hail, All Hail Voces8 : A Cappella Songbook Eight songs for eight-part vocal groups. The VOCES8 A Cappella Songbook includes many of the group's favorite songs - ranging from folk and classical through spiritual and pop. Songlist: Feeling Good, Nobody Does It Better, Folksong Medley, Erlkoenig, Shenandoah, Opera Medley, Wade in the Water, The Luckiest Voces8 : Pyramid Song A sublime and otherworldly 4.5-minute arrangement by Geoff Lawson of the iconic 2001 song by the British rock band Radiohead. Arranged for SATB (with divisi) and piano (with an option for strings and harp replacing piano). Flowing and mysterious, tranquil yet pensive, Pyramid Song is both simple and complex and endlessly fascinating.Geoff Lawson is an arranger and orchestrator who frequently works with VOCES8 on arrangements for their albums. Voces8 : Sway A fantastic arrangement by Alexander L'Estrange of Luis Demetrio and Pablo Beltran Ruiz's classic piece that makes for an entertaining stage performance piece. Arranged for unaccompanied SSAATTBB, this 4-minute sultry Latin groove is perfect for dance-themed or jazz programming.Alexander L'Estrange is a multi-faceted composer, arranger, jazz musician and choral animateur who has been dubbed 'the added 9th of choral music'. Voces8 : A Nightingale Sang in Berkeley Square A gorgeous unaccompanied SSAATTBB arrangement of Manning Sherwin's classic song, surely one of the most famous melodies from the 1930s. Written to be performed at leisurely pace with indulgent harmonies, and 3.5 minutes in length. Ward Swingle : Suite Quebecoise Canada has a rich lore of folk music. The three melodies in this Suite come from the province of Quebec. These arrangements were commissioned by the McGill Univeristy Chamber Choir in Montreal. Songlist: Tout garcon qui sert, Le Roi Boit, Rossignolet Ward Swingle : Swingle Classics The Swingle Singers often use "Flight Of The Bumble-Bee"as an encore piece. It has to go as fast as possible using a great variety of scat syllables in order to avoid lock-jaw. It also includes a fairly literal vocal transcription of Debussy's famous piano piece, "Claire de Lune." The tessituras are quite wide ranging from low D-flats for the basses to high B-flats for the sopranos. It is probably best sung with the help of microphones. This transciption of a Chopin "Etude Op. 25 No.9" is probably easier to sing than it is to play! It should be performed at a brisk pace, with the main melody alternating between the Tenors and the First Sopranos. "Overture to Marriage of Figaro" - It was an interesting challenge to arrange this wonderful overture for eight voices. My group has often used it to open a concert. Of course it is very difficult but quite a few choirs have managed to master it. I think it works equally well on or off mikes, as long as a proper balance is maintained among the voices. Ward Swingle Songlist: Flight of the Bumble-Bee, Clair de Lune, Etude 25 No. 9, Overture to Marriage of Figaro Ward Swingle : Swingle Folk 'Pastime With Good Company' is an evocation of Renaissance vocal and instrumental styles in which some of the singers are asked to imitate recorders, tabors and shaums. 'The Agincourt Song' recounts the victory of Henry V over the French at Agincourt. As in 'Pastime with Good Company,' the singers must imitate the sounds of Renaissance instruments. 'Country Dances' is a fast-moving potpourri of traditional country tunes. One theme that recurs is that of the Arkansas Traveler. The accompanying sounds evoke various country-music instruments: fiddles, banjos, jugs, etc. 'Music History 101 is a trip through Music History to the tune of "Twinkle, Twinkle, Little Star," treated as a Gregorian Chant, a Medieval Round, a Madrigal, a Bach Chorale, a Schubert Lied and many other styles including jazz and rap. El paisanito features an alto duet with an accompaniment that imitates strumming Spanish guitars. In the men's version, the duet is sung by two male altos. 'L'amour de moi' features a soprano solo with a string-like accompaniment along with vocalized bass and drums. The three melodies in 'Tour garcon qui sert bien son maitre' come from the province of Quebec. These arrangements were commissioned by the McGill Univeristy Chamber Choir in Montreal. Songlist: Pastime with Good Company, The Agincourt Song, L'amour de moi, Country Dances, El paisanito, Music History 101 Ward Swingle : Swingle Originals 'How Do I Love Thee' is a a traditional choral setting of Elizabeth Barrett Browning's wonderful poem. 'Tre Karleksdikter' means 'Three love-poems.' These are settings of well-known Swedish poets, and would present a good challenge for a choir wanting to explore the Swedish language. 'It Was A Lover And His Lass' is a setting of Shakepeare's famous sonnet. The text has a lot of scat-like syllables (e.g. "hey-ding-a-ding") which Ward Swingle was able to adapt and use as part of the guitar-like accompaniment. Songlist: It was a lover and his lass, How do I love thee?, Tre Karleksdikter Ward Swingle : Swingle Standards This wonderful Neal Hefti composition, "Li'l Darlin," was written for the Count Basie band. Master word-spinner Jon Hendricks has added some lovely, romantic lyrics. This 8-voice SSAATTBB a cappella treatment of "I Get A Kick Out You" is one of Cole Porter's best loved songs. Some of the scat is in homage to the Double Six of Paris. "Love Walks In" lies in the great pantheon of Gershwin songs. Ward Swingle made a rather easy SATB arrangement dedicated to Cole Tyrell and his fine South Haven (Michigan) High School Choir. This is an 8-voice SSAATTBB a cappella version of the well-known Cole Porter standard. Songlist: Love Walked In, I Get A Kick Out of You, Li'l Darlin Ward Swingle : Swingle Jazz This version of "Oh, Johnny, Oh" is an evocation of the Andrews Sisters' recording. Three soloists become the Andrews Sisters, while the other singers scat the accompaniment (brass, rhythm and bass guitar). Here the singers have to keep things swinging without the help of bass and drums. Al Jarreau wrote some wonderefully "onomatopaeic" words for Brubeck's fine piano piece, "Blue Rondo a' la Turk.". Ward Swingle transcribed the piano part as faithfully as possible for voices.Perhaps Kurt Weill's most famous song, Mack the Knife was written during his Berlin period, first sung by his wife Lotte Lenya; and later, in a very popular jazz version, by the great Bobby Darin. "Saints Fugue" was first written for the French Swingle group in the early 70's using only scat syllables. Ward Swingle revised it later adding the traditional words. Songlist: Oh, Johnny, Oh!, Saints Fugue, Blue Rondo a la Turk, Mack The Knife Ward Swingle : Johann Sebastian Bach Vol 1 "Gigue (Suite in C Major)" is a movement from one of Bach's unaccompanied Cello sonatas, arranged here for tenor and bass. It has a fast 3/4 jazz feeling, with some tricky dove-tailing between the voices, the object being to make it sound like on instrument. The Swingle Singers have often used this "Organ Fugue BMV 578" as a concert opener. The challenge in singing without a rhythm section is to make the piece swing without the help of the instruments.The "Bourree" has probably been the most widely performed of all Ward Swingle arrangements. This is an a cappella version using three different styles: child-like "la-la-la's," gently swinging "oo" sounds and rather brassy "ah" sounds. Songlist: Organ Fugue, Bourree, Gigue, Gavotte Ward Swingle : Swingle Jazz 2 Cole Porter's "Miss Otis Regrets" is an ironic tale of betrayal, revenge and punishment in the form of a minidrama compressed into some 48 measures. It's surely one of the most startlingly original standards in the repetoire. Arranged for 19 voices, "Chatanooga Choo-Choo" was made famous by Tex Benecke, the Modernaires and the Glenn Miller Band. Ward Swingle has attempted a faithful, entirely vocal, adaptation. Also included in this package is "You're The Top." Songlist: Chatanooga Choo Choo, Fascinating Rhythm, You're the Top, Miss Otis Regrets Ward Swingle : Schubert - Moment Musical Leonard Bernstein once said of Beethoven that when he had a choice of notes, he always picked the right one. The same can be said of Franz Schubert. His unerring choice of notes produced some of music's greatest melodies. A must for your medium jazz ensemble! Songlist: Moment Musical Op.94 No. 2, Moment Musical Op. 94 No. 3, Moment Musical Op. 94 No. 6 Zhou Long : Two Poems from the Book of Songs The text from this work is selected from The Book of Songs, China's earliest anthology of poetry consisting of 305 songs popular between the 11th and 6tth centuries B.C. More than half of them are folk songs from various parts of the country, while the rest are ceremonial or festive songs sung at court or at banquets and hymns used during sacrifices to the gods or one's ancestors. Most of the poems are written in a simple and natural style to times and have been highly appreciated throughout the ages and have exerted a profound influence on the development of Chinese literature. The composer has chosen an English translation of the two poems so that this oldest of China's literary classics may be better understood. The musical style is not restricted to the traditional folk song form in pentatonic scale: freer melodic expression is achieved through atonal means and the style of a rustic song is retained. "The Peach Tree" (Tao Yao) is concerned with the popular marriage customs, where woman are considered the possession of men. "Gathering Plantain" (Fou Yi) is a work song sung by women as they gather plantain grass. Songlist: The Peach Tree (Tao Yao), Gathering Plantain (Fou Yi) |
Displaying 1-50 of 194 items.
William Blake's text scored for unaccompanied SSAATTB a cappella and commissioned by the BBC for Chantage, BBC Radio 3 Choir of the Year 2006.
Composer: Richard Allain
Emerging from a unison pitch the a cappella voices channel through gorgeous suspensions and luxuriously lingering resolutions. This song of peace described in Latin text is immediately timeless and useful in church, high schools and college choirs.
Composer: Jonathan Adams
Directly from the recently-released Magic in Harmony songbook, a collection of Disney favorites published by the BHS, arranger Theo Hicks delivers a stunning, elegant, 8-part rendition of this beloved ballad from the animated classic, Aladdin. Written for male & female double quartet, this arrangement has quickly become a gem from the collection and a favorite in mixed harmony circles. Sheet music and premium learning tracks available in digital download formats!
Arranger: Theo Hicks | Composer: Tim Rice
The sweeping melody line of this work blends smoothly with a sense of symphonic chorale. The Silvestri text begins with the last words in Gjeilo's 2011 Tundra, here painting a world of light. An excellent centerpiece work for high school and beyond, and a sure audience pleaser! Optional string quartet score and parts available separately. Duration: ca. 4:10.
Composer: Ola Gjeilo
Based on Elgar's own piano transcription of his "Enigma Variations," the rich harmonies and depth of expression of this setting with sacred text may be performed by a variety of choirs.
Arranger: David Giardiniere | Composer: Edward Elgar
The word ai'yu (transliterated here from Arabic) is a term used by the people of Alexandria, Egypt. A distinctly secular term, ai'yu can take on a number of meanings but is used as a common exclamation of awe, excitement, and wonder. In this composition, Abdelwahab has taken his native knowledge of traditional Egyptian melody and ornamentation as the basis for new composition.
Composer: Mohamed Abdelfatah | Country: Arab
Combining one of our best-loved hymns with rhythmic vocal jazz background makes this a stunning crossover work to be enjoyed by both singers and audience. The eight-part arrangement will work very well even with a smaller, but strong group of singers. A work that will surely bring light and joy to your program!
Arranger: Anders Edenroth Performed By: The Real Group
Westminster Williamson Voices performs Thomas LaVoy's "Alleluia"
Composer: Thomas LaVoy
A jazz influenced arrangement of the Christian hymn, written for Andrew Earis and the choir of St Martin in the Fields, London and performed at President Obama's Inauguration Day prayer service at St. John's Episcopal Church in Washington DC.
Arranger: Will Todd | Composer: John Newton
A setting of a Sara Teasdale poem that is an ode to beauty. A performance piece for SATB (with some divisi), piano, and cello; duration ca. 6:00. Though it requires substantial vocal forces, it is a "big" work that is not overly difficult, staying within the established tonality and remaining mostly homophonic.
Composer: Blake R. Henson
This is a beautiful piece in melody and form, but what stands out even more is how composer Kevin Memley has used the voice to orchestrate the piece. Programmatic effects are tastefully incorporated into the musical structure of the composition.
Composer: Kevin Memley
This piece for double choir (which has a companion Ave maris stella devised for separate performance) is grounded in traditional harmonic progression. An astonishing build-up of devotional intensity is achieved with near-exclusive reference to the notes of the G major diatonic scale. At the pinnacle of the piece an electrifying F natural is introduced, which, in combination with an A minor triad, replicates the climactic chord from the development section of the opening movement of Beethoven's 3rd (Eroica) Symphony. The Eroica chord has iconic status in Polish music, playing a major role in the final movement of Górecki's famed Symphony No. 3 (the Symphony of Sorrowful Songs).
Composer: Powel Lukaszewski | Country: Poland
Just in time to celebrate the iconic Max Janowski's centennial year! This piece has been a beloved and often-heard classic for years, but this new version, for solo voice with unaccompanied double choir (or choir plus solo quartet), has to be heard to be believed. A wonderful setting for anyone who wants to present Max's famous melody with rich harmony but without instrumental accompaniment. Level: Medium
Arranger: Patrick Sinozich | Composer: Max Janowski
Arranged for double mixed choir (SSAATTBB) a Capella. Edited by Patrick Russill.
Composer: Herbert Howells
Breathtakingly peaceful describes this new stunner from Richard Burchard, which was commissioned by the ACDA Western Division for their 50th anniversary convention. Rich, warm harmonies have been woven to one of Stevenson's most uplifting poems. For advanced high school, college and community choirs.
Composer: Richard Burchard
Harris's Bring us, O Lord God and its sister work Faire is the Heaven are two of the most rewarding anthems for double choir in the Anglican canon. THis piece was composed in 1959, not long before Harris's retirement from a distinguished career as a teacher and director of music. A renowned choir trainer, the idiomatic part writing and textural mastery that Harris achieves in the work are testament to his tireless efforts at the musical helm of institutions such as New College and Christ Church Cathedral, Oxford, and St George's Chapel, Windsor.
Composer: William Harris
Phil Olson indicates that this American folk song has Irish roots and that the names found in the work are taken from the muster rolls and casualty list from the battle of Bunker Hill. A great contest piece for high school voices with lots of opportunity for cross curriculum study. Difficulty Level: Medium Middle School, High School or Easy Adult.
Arranger: Phil Olson | Country: American Folk
Blake Wilson's setting of the Olde English poem Caedmon's Hymn is an extremely dynamic exploration of sound. For advanced choirs, this work is an impressive challenge for your choir. A unique addition to your program. Cameron LaBarr Choral Series.
Arranger: Blake Wilson Performed By: University of Louisville Cardinal Singers
This advanced piece by Erika Lloyd and Vince Peterson is included in the Chanticleer Choral Series edited by Matthew D. Oldman. It is sure to become a favorite of both the choir and audience once learned and is loads of fun! Difficulty Level: medium Advanced Adult.
Arranger: Vince Peterson
The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers - Jonathan Rathbone, Ben Parry & Mark Williams - were long-standing members of the Swingle Singers.
Arranger: Ben Parry Performed By: The Swingle Singers | Country: Italy
Combining eight-part writing, hand clapping, foot stomping, string bass, and xylophone, this tour de force is excellent concert and festival material.
Composer: Mack Wilberg
This mixed 8-part arrangement from Theo Hicks is an exquisite setting of the soaring ballad from the film Moulin Rouge! A beautiful tribute of love, this chart is a wonderful male/female duet feature with powerful ensemble material throughout; perfect for any show set, wedding performance, or collaboration opportunity for double-quartet or mixed chorus.
Arranger: Theo Hicks | Composer: Kevin Gilbert | Musical: Moulin Rouge
K. Lee Scott has taken a Latin setting of Psalm 51, Create in me a clean heart, and laced it with a luscious 21st century harmonies. Gentle and yet stirring, this setting is excellent for college or community choirs, appropriate for concert or worship. Medium to difficult.
Composer: K. Lee Scott
This beautiful rendering of the love verses from I Corinthians 13 is a small masterpiece by Richard Burchard. Beginning with a simple chant sung in canon over a pedal point, the textures soon expand and evolve into dense flowing lines that typify Burchard's style. High school choirs, college choirs and good church choirs will enjoy this expressive composition.
Composer: Richard Burchard
Inspired by the grace and passion of a medieval poem, this extended work offers intense dramatic exchanges between choir, piano and string quartet. Sentiments of stillness and peace are beautifully portrayed, making this a memorable work for both singers and audience! Available separately: SSAATTBB, String Quartet (Full Score and Parts), String Quartet (Full Score only). Duration: ca. 14:00.
Composer: Ola Cjeilo
The Kikapust Choral Series offers choirs an extensive choice of close-harmony a cappella arrangements. All of our arrangers / composers - Jonathan Rathbone, Ben Parry & Mark Williams - were long-standing members of the Swingle Singers.
Arranger: Ben Parry | Composer: Traditional Performed By: The Swingle Singers | Country: Wales
Composer Rupert Lang has created a beautiful mediative and reflective work based on an Ute Nation prayer. From the earth we can learn how to live our lives with wisdom. Earth, teach me suffering as old stones suffer with memory. Earth, teach me freedom as the eagle which soars in the sky. Earth, teach me. Duration: 7:45.
Composer: Rupert Lang
"Elegy," by Gerald Custer, is a setting of three texts associated with Robert Kennedy during his lifetime. This glorious work for SATB divisi and piano captures Kennedy's idealism and his faith in the inherent good of all people. It is a fitting song of lament and tribute, filled with the hope of a man whose dreams continue to inspire.
Composer: Gerald Custer
This vocal arrangement of the classic Schubert song by Jim Clements for VOCES8 tells the terrifying tale of a young boy and his father being chased by the Erl King. Each voice has a chance to inhabit the characters from the story, while Schubert's original piano part is brought to life by the other voices.
Arranger: Jim Clements Performed By: Voces8
Written for Pacific Lutheran University's Choir of the West, this majestic setting of Exsultate will be a challenge for advanced choirs. Rich in texture, imaginative in structure and thrilling in its harmonic makeup, this work will be an excellent concert opener or pairing with a more major work. Richard Nance Choral Series.
Composer: Brian Edward Galante
This new edition of Exsultate lusti in Domino was prepared from Denkmaler der Tonkunst in Osterreich. An excellent example of eighteenth-centuray choral writing, this work is a wonderful teaching tool as well as an impressive performance piece. The double choir effect of women and men creates a rich texture, which routinely alternates between major and minor modes. The result is a complex sounding, yet only moderately difficult work, accessible to high school, college, and church choirs.
Composer: Jakobus Gallus
Listen"Brandon Waddles opens his moving arrangement of Fix Me Jesus with an extended, eight-part chromatic choral tapestry, weaving voices together into what he instructs should be a warm, seamless whole. The introduction gives way to the chorus of the piece, first introduced by a simple soprano solo that floats over the vocal 'oohs' like prayer.ÊÊ... The final return of the chorus is peaceful, cathartic, and profound."Choral Journal, May 2019, Volume 59, Number 10
Arranger: Brandon Waddles
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