"Almost Like Being in Love" - This Lerner and Loewe hit is an American classic. It is set here as an updated a cappella version by Darmon Meader for the New York Voices - an amazing vocal jazz arrangement not to be missed. Beginning with solo and backing vocals, it soon takes off in a bright, happy bounce. "Tenderly" - Surround your audience in a tapestry of sound with this a cappella ballad setting of the great American standard from 1946. The jazz vocals are relatively accessible, but offer plenty of opportunities to develop blend, style and intonation. Wonderful competition piece or as an encore for a concert choir! "Never Let Me Go" - Made famous by the legendary Dinah Washington, this deeply expressive standard is richly arranged for unaccompanied jazz choir. Expanded ranges and divisi provide challenge, but offer rewards for the advanced group. "My One and Only Love" - Beautiful a cappella textures shape this classic Sinatra ballad into a fantastic vocal jazz showpiece! From full homophonic harmonies to solo lines with vocal accompaniment, this setting is a compelling spectrum of sound.

Songlist: Almost Like Being in Love, Tenderly, Never Let Me Go, My One and Only Love

Jazz lovers will truly enjoy this sensitive a cappella setting of "My One and Only Love". Interesting harmonies and well-crafted vocal lines will make it a joy to rehearse as well. With "What A Wonderful World" Rene Clausen provides a most sensitive arrangement of this timeless standard. Beautiful harmonies entwine around the familiar melody captivating the listener. Kirby Shaw does a great job with "When I Fall In Love". Purity of line and harmony focus attention on the expressive text of this beautiful ballad. Phil Mattson's a cappella arrangement of the vocal jazz standard "September Song" will leave your audience spellbound. Stunning! From the quiet beauty of the lyrics to the shimmering vocal textures, Paris Rutherford's setting of the classic Kurt Weill song "Lost in the Stars" will create a wonderful concert moment. Ideal for vocal jazz groups, madrigal ensembles and concert choirs.

Songlist: My One and Only Love, What A Wonderful World, September Song

Your audience will swoon over these 84 standards crooned by artists such as Frank Sinatra, Nat King Cole, Bing Crosby, Mel Tormé and others. Includes: Ac-cent-tchu-ate the Positive - Bewitched - Blue Velvet - Chances Are - Georgia on My Mind - I've Got the World on a String - Lazy River - Misty - Mona Lisa - The Nearness of You - Red Roses for a Blue Lady - There Is No Greater Love - When I Fall in Love - and dozens more. Includes a title index, artist index, and a great section of photos and bios of each featured artist.

Songlist: I Believe, Ac-Cent-Tchu-Ate The Positive, I'm Walking Behind You (Look Over Your Shoulder), If, Wish You Were Here, Till The End Of Time, Rockin' Chair, Chances Are, Alright, Okay, You Win, Nature Boy, Night Song, Cry, Change Partners, Baby, It's Cold Outside, Baby (You've Got What It Takes), Candy, There Is No Greater Love, Bewitched, Beyond The Sea, Learnin' The Blues, Just Walking In The Rain, Blue Velvet, Body And Soul, Mr. Lonely, It's Just A Matter Of Time, Careless Hands, Mona Lisa, Cheek To Cheek, The Christmas Song, My Foolish Heart, and more

A great resource of 100 classics of American songwriting arranged for piano and voice with guitar chord frames.

Songlist: Love You Madly, Dancing In The Dark, All Alone, All Blues, All Or Nothing At All, The Lamp Is Low, Almost Like Being In Love, Alone Together, Along Came Betty, Lucky To Be Me, And The Angels Sing, Angel Eyes, As Time Goes By, Sweet Lorraine, Summertime, Star Eyes, Django, There Is No Greater Love, Bernie's Tune, Between The Devil And The Deep Blue Sea, Billie's Bounce (Bill's Bounce), Blue Moon, Bluesette, Emily, If I Had You, But Not For Me, Allen's Alley, Reunion Blues, Can't We Be Friends, Just Friends, and more

50 Essential Jazz Standards from the repertoir of the greatest artists in New, Custom, Vocal Arrangements and singer-Friendly Keys with Traditional and Alternate Chord Changes.

Songlist: All Or Nothing, Alright Okay You Win, Autumn In New York, Black Coffee, Body And Soul, But Beautiful, Come Rain or Come Shine, Day By Day, Do Nothin' Till You Hear from Me, Do You Know What It Means To Miss New Orleans, Don't Get Around Much Anymore, Ev'ry Time We Say Goodbye, Fever, Fine And Mellow, Fly Me To The Moon, The Frim Fram Sauce, Gee Baby Ain't I Good To You, Good Morning Heartache, Hello, Young Lovers, HoneySuckle Rose, I Could Write A Book, I Get Along With You Very Well, I Got It Bad (and That Ain't Good), I'm Beginning to See the Light, I've Got My Love To Keep Me Warm, It Might As Well Be Spring, Just One More Chance, The Late Late Show, Lost Mind, Lush Life, and more

Brian Eichenberger, Curtis Calderon, Vince Johnson and Bob Ferreira, the "new" Four Freshmen, play their own instruments on this sweet-sounding studio recording, which was produced by The Four Freshmen Society. OK, the album is all accompanied, but the smooth, bright, tight-knit harmonies that, for us, define the best of 50s and 60s Vocal Jazz, are here in spades. 11 well-chosen covers, standards such as Cole Porter's "It's All Right With Me," Mercer's moody "Skylark," his lesser-known, bluesy "Early Autumn" and his more upbeat "Something's Gotta Give;" Harold Arlen's "If I Only Had a Brain," "September Song" (with a nice a cappella intro), and the hits just keep on coming with "That Old Feeling" and "You've Changed." The sound that launched dozens of top 40 hits, made millions fall in love while slow dancing, and influenced every male Vocal Jazz quartet that came after the 4Fs is sounding as new, and as fresh, as ever!

Songlist: It's All Right With Me, My One And Only Love, Skylark, If Only I Had A Brain, Early Autumn, Something's Gotta Give, How Do You Keep The Music Playing, That Old Feeling, September Song, If I Had You, You've Changed