In Celebration of the Human Voice - The Essential Musical Instrument
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Few composers capture their time and become the iconic voice of their age. Writing for small ensembles, symphony orchestras, Broadway, film and opera houses, Leonard Bernstein projected a simple message of understanding and hope employing both complex and simple forms and styles.
Leonard Bernstein Choral Series
While his music finds its spiritual home in his world view, his music speaks with a New York accent, even though he was born in Massachusetts. His love affair with Europe and his sensitivity to his Russian and Jewish roots are never far from his lyrical expressivity, with its fragile sense of optimism, its loneliness, its humor and its demand for acceptance. All of this is wrapped in the rhythmic propulsion of a great American urban landscape. He has left us an aural image of his time and place and, at the same time, an eternal voice of humanity
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Review: In 1955, while in the midst of working on a musical version of Voltaire's CANDIDE with the distinguished American playwright Lillian Hellman, Leonard Bernstein wrote these a cappella choruses as incidental music for the play THE LARK, adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama is about the trial of Joan of Arc, Mr. Bernstein's music is deliberately evocative of that great Saint's medieval era. The initial presentation of the play took place on October 28, 1955 at the Plymouth Theater in Boston, with a cast that included Julie Harris, Boris Karloff, Christopher Plummer and Theodore Bikel.
Songlist: Spring Song, Court Song, Soldier's Song, Prelude, Benedictus, Sanctus, Requiem, Gloria
Review: "The Lark", a play about the life, trial, and death of Joan of Arc, opened on Broadway on November 17, 1955.
Songlist: Court Song, Soldier's Song, Spring Song
Displaying 1-19 of 19 items.
Composer Jack Gottlieb has drawn on his long experience with Leonard Bernstein to create this unique choral setting that weaves together some of Bernstein's most famous works including: Almighty Father (Mass), Make Our Garden Grow (Candide), My House (Peter Pan), Somewhere (West Side Story), Take Care of This House (1600 Pennsylvania Avenue), There Is A Garden (Trouble in Tahiti). Duration: 10:30.
Arranger: Jack Gottlieb
Here is an arrangement by the great Leonard Bernstein
Composer: Leonard Bernstein
Leonard Bernstein's "Dream with Me" is a Broadway classic that deserves to be in every choir's repertoire.
Arranger: Larry Moore | Composer: Jule Styne | Musical: Peter Pan
with Tenor Solo and Piano accompaniment with Bongos
Composer: Leonard Bernstein
American choral legend, Robert Page, has set this classic Bernstein song cycle for three part treble choir. Leaving each of the five songs in their original keys, and without changing a single, original piano note, this arrangement perfectly captures the natural, unforced sweetness of a child's expression. Duration: ca. 5:30
Arranger: Robert Page
Arranger: Robert Page | Composer: Leonard Bernstein | Musical: Candide
Arranger: Robert Page | Composer: Leonard Bernstein | Musical: Candide
Leonard Bernstein's music will forever be a highlight of American theatre history, and his compositional style continues to influence contemporary song writing. This inspirational finale from Candide gives you a wonderful opportunity to expose your singers to one of the most enduring stage works of our time. Based on the published vocal score.
Composer: Leonard Bernstein | Musical: Candide
For Leonard Bernstein's 100th birthday year, we present to you a choral adaptation of his 1950 Broadway adaptation of J.M. Barrie's Peter Pan, or The Boy Who Wouldn't Grow Up. Join Peter, Wendy, and Captain Hook and travel to Neverland with the genius of Bernstein. Songs include: Who Am I; Peter, Peter; Dream with Me and My House.
Composer: Leonard Bernstein | Musical: Peter Pan
This pairing of two of Leonard Bernstein's songs Take Care of This House, from 1600 Pennsylvania Avenue and My House, from Peter Pan will create a reflective concert moment for mixed choirs from high school and up. With piano and cello.
Arranger: Rob Fisher | Composer: Leonard Bernstein
Arranger: Robert Page | Composer: Leonard Bernstein | Musical: Candide
This round, which is used in Bernstein's Mass, was written as a Warm-Up to the full compostition of Mass.
Composer: Leonard Bernstein
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