As the first movement of the Epilogue, here is movement number 30 from the major work Considering Matthew Shepard. This is the singers and the listeners first chance to begin the healing process. To meet me where the old fence ends and the horizon begins. We are reminded that There's a balm in the silence, There's a joy in the singing, and We'll sing on through the darkness. This is music that easily stands alone from the major work and lifts all our spirits in every context.

Composer: Craig Hella Johnson

As the first movement of the Epilogue, here is movement number 30 from the major work Considering Matthew Shepard. This is the singers and the listeners first chance to begin the healing process. To meet me where the old fence ends and the horizon begins. We are reminded that There's a balm in the silence, There's a joy in the singing, and We'll sing on through the darkness. This is music that easily stands alone from the major work and lifts all our spirits in every context.

Arranger: Craig Hella Johnson | Composer: Craig Hella Johnson

This 17th movement from the major work Considering Matthew Shepard is planted right in the middle of the passion. Remembering a time when life was full of promise and dreaming was an activity filled with hope, a tenor soloist opens this movement wondering where all of these promising times have gone. The full choir supports the soloist with the repeated question Where, O where? but an answer doesn't comes.

Composer: Craig Hella Johnson

This 17th movement from the major work Considering Matthew Shepard is planted right in the middle of the passion. Remembering a time when life was full of promise and dreaming was an activity filled with hope, a tenor soloist opens this movement wondering where all of these promising times have gone. The full choir supports the soloist with the repeated question Where, O where? but an answer doesn't comes.

Arranger: Craig Hella Johnson | Composer: Craig Hella Johnson