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Edward Estlin "E. E." Cummings, often styled as e e cummings, as he is attributed in many of his published works,(1) was an American poet, painter, essayist, author, and playwright. He wrote approximately 2,900 poems, two autobiographical novels, four plays, and several essays. He is often regarded as one of the most important American poets of the 20th century. Cummings is associated with modernist free-form poetry. Much of his work has idiosyncratic syntax and uses lower case spellings for poetic expression. His use of lower case extended to rendering even the personal pronoun I as i, as in the phrase "i shall go." |
Songbooks, Arrangements and/or Media
Displaying 1-4 of 4 items.
Eric Whitacre : The City and the Sea The City and the Sea is a new collection of five compositions from one of the world's most popular choral composer based on the poems of e.e. cummings. "i walked the boulevard" - White key clusters in the piano create the rhythmic framework for the playful vocals sung in unison declamation or that ricochet one part to another in this vividly portraying an urban street scene. "the moon is hiding in her hair" - This languorous setting features a chaconne-like left hand pattern in the piano along with right hand cluster chords and legato vocal phrases in octaves to create a meditative musical atmosphere. "maggie and milly" - With the characteristic clusters broken into arpeggios for this movement, this playful work features delightful wordplay and simple fun! "as is the sea marvelous" - This tender setting creates an image of the ebb and flow of the sea through pulsating parallel cluster chords in the piano and long legato vocal phrases. "little man in a hurry' - Full of colorful contrasts, this final movement from The City and the Sea dances with fun and humor! The rhythmic wordplay and deconstructed syllables poem hurtle ever faster to the final sudden "stop" for an extraordinary concert finale. Songlist: little man in a hurry, as is the sea marvelous, maggie and milly and molly and may, the moon is hiding in her hair, i walked the boulevard Eric Whitacre : A Cappella Arrangements 2 - e.e. cummings 'i will wade out' the first piece in the set, cries out with lush, neo-romantic harmonies. In 'hope, faith, love, life' each word is repeated as a musical meditation, quoting different works from Whitacre's choral library.' I 'i thank you God, for this most amazing day,' the shimmering quality of the chords help to convey the Whitacre's feeling of the text used in the poem. All three pieces are based on the poems by e.e. cummings, and are part of Eric Whitacre's series, titled 'Three Songs of Faith.' Songlist: I Thank You God For Most This Amazing Day, I Will Wade Out, hope, faith, love, life Eric Whitacre : The City and the Sea Assembling five songs previously published separately and all with texts by e.e. cummings, this set is a real bargain. Originating as a Chorus America commissioning project, the sum is greater than its parts. Songlist: Little Man In A Hurry, As Is The Sea Marvelous, Maggie And Milly And Molly And May, The Moon Is Hiding In Her Hair, I Walked The Boulevard Jonathan Harvey : Forms of Emptiness Forms of Emptiness is a work for mixed choir which sets words from the Buddhist Heart Sutra, in the original Sanskrit, and three poems by E.E. Cummings. The E.E. Cummings poems all have emphasis on the here and now, on 'catching the joy as it flies'. Seeker of truth Follow no path All paths lead where Truth is here Against these vivid flashes of joy and colour is set a chant - the sanskrit of the Heart Sutra - which acts as a ground from which the 'forms of emptiness' briefly emerge, and against which they are comprehended as transient, scarcely real. There are references to other 'sacred styles' as well as that of the chant - to those of Palestrina and Messiaen for instance. Jonathan Harvey |
Displaying 1-22 of 22 items.
Originally written for The Children's Aid Society Chorus of New York City, this e.e. cummings text lends itself so nicely to the pure sound of treble voices and explores the idea of transformative innocence - that no state of being is so dark or hopeless that it cannot be transformed into light and joy through innocence. Duration: ca. 4:00.
Arranger: Daniel Brewbaker | Poetry By: e.e. cummings
A finalist composition in the 2006 New York Sings! A Composer's Symposium, this work is an energetic and rhythmically exciting setting of E. E. Cummings's take on excess noise in modern society. In it, the power of singing is echoed and restored through the blessing of silence.
Composer: Dominick DiOrio | Poetry By: e.e. cummings
The second publication after i thank You God for most this amazing dayÊ in the set of three Songs of Faith, all to poems by e.e. cummings.ÊJo-Michael Scheibe Choral Series.
Composer: Eric Whitacre | Poetry By: e.e. cummings
Based on poetry by e.e. cummings, this setting is dedicated to the composer's mother on the occasion of her 87th birthday. Masterful vocal writing and an engaging piano accompaniment evoke images both humble and grandiose, and allow choirs to showcase balance and blend through expansive homophonic passages. Duration: ca. 6:30.
Arranger: Daniel Brewbaker | Poetry By: e.e. cummings
This beautiful setting of an e.e. cummings text is highlighted by its serenity and expressiveness. Ideal for women's ensembles, this gem will sparkle in performance! Duration: ca. 4:15.
Composer: Laura Farnell | Poetry By: e.e. cummings
Here is an impressive, yet romantically intimate, piece. The title gives away the mood of the beautiful love poem by e.e. cummings. With rich color and expression, this work is very suitable for mature high school choirs and beyond. Also available for SSAA and TTBB. Duration: ca. 4:00.ÊJo-Michael Scheibe Choral Series.
Composer: David C. Dickau | Poetry By: e.e. cummings
Following the solid success of Dickau's SATB setting of the beautiful love poem by e.e. cummings, here is his musical arrangement for men's voices. It is an impressive, yet romantically intimate piece, suited for festival high school, college and beyond. Also available for SATB and SSAA. Duration: ca. 4:00.ÊJo-Michael Scheibe Choral Series.
Composer: David C. Dickau | Poetry By: e.e. cummings
This new choral piece from Paul Mealor is set to poetry by the great E.E. Cummings for mixed unaccompanied voices.
Composer: Paul Mealor | Poetry By: e.e. cummings
i shall imagine exudes a joyous self-confidence in the miracle of being alive, unperturbed by the vagaries of human perception of what is beautiful. Poetry by e.e. cummings. (1:55)
Arranger: Daniel Brewbaker | Poetry By: e.e. cummings
This impressive and beautiful work is the last piece in the stunning set of three Songs of Faith, with text by e.e. cummings. To realize the composer's wish to bring his work back to his very first draft, a revision has been made towards the end (page 12). The revised publication herewith replaces the one from 2001.
Arranger: Eric Whitacre | Composer: Eric Whitacre | Poetry By: e.e. cummings
White key clusters in the piano create the rhythmic framework for the playful vocals sung in unison declamation or that ricochet one part to another in this E.E. Cummings setting vividly portraying an urban street scene
Composer: Eric Whitacre | Poetry By: e.e. cummings
i will wade outÊis the first in the set ofÊThree Songs of Faith. A passionate, sensual text by e.e cummings is set with beauty and care by the composer.ÊJo-Michael Scheibe Choral Series.
Composer: Eric Whitacre | Poetry By: e.e. cummings
If freckles were lovely and day was night. In this fun, rhythmic piece for two-part treble choir with piano, the idea of what if? is contemplated. In the end, though, it's decided that things are probably best the way they are. Duration: 3:45.
Arranger: Mary Goetze | Poetry By: e.e. cummings
A delicate setting for three-part treble choir of an e.e. cummings text. With piano accompaniment that is supportive of the vocal lines, yet not overpowering, younger and more experienced choirs alike will enjoy the simplicity of this beautiful piece. Duration: ca. 2:00
Arranger: Daniel Brewbaker | Poetry By: e.e. cummings
Full of colorful contrasts, this final movement from The City and the Sea dances with fun and humor! The rhythmic wordplay and deconstructed syllables of the E.E. Cummings poem hurtle ever faster to the final sudden "stop" for an extraordinary concert finale.
Composer: Eric Whitacre | Poetry By: e.e. cummings
Commission by Vance George of the San Francisco Symphony Chorus, and dedicated to Eric's little sister, this piece features text by e.e. cummings. Note from the Composer: While in my second year at Juilliard (1996) I received a phone call from Vance George, the legendary conductor of the San Francisco Symphony Chorus. He wanted to know if I might be interest in a commission for their big Christmas concert, something that would feature their amazing accompanist Marc Shapiro and the smaller choir of 80 singers. The only catch was that it was now the middle of October, and could I please finish the piece by the first of November. I took the commission, of course (how could you say no to Vance George?) and my future wife Hila found for me the timeless E.E. Cummings poem little tree. I started writing as fast as I could and noticed something very strange happening on the page: I was writing with a completely different voice. Part of it was the nature of the poem, but most of it was residue
Composer: Eric Whitacre | Poetry By: e.e. cummings
Dr. Mark Sirett set words from e.e. cummings for soprano and alto chorus. Instrumentation: piano, harp, cello and optional flute. Difficulty Level: Advanced Children or Medium Adult.
Composer: Mark Sirett | Poetry By: e.e. cummings
With poetry by e.e. cummings, the text is a tender plea of a lover asking for acceptance of the gift of love with all its mysteries, fantasies, dreams and yearnings. The music reflects these offerings in a lilting waltz-like tempo that floats toward its conclusion with hints of promised fulfillment, expansiveness and peace. Duration: ca. 2:00.
Arranger: Daniel Brewbaker | Poetry By: e.e. cummings
Rich choral sonorities fill this expressive and contemporary concert setting of an e.e. cummings poem. Thoughtful vocal entrances begin the piece followed by the ebb and flow of dynamics and harmonies, engaging the singer to explore the romantic text.
Composer: Mark Burrows | Poetry By: e.e. cummings
This languorous setting of the E.E. Cummings text features a chaconne-like left hand pattern in the piano along with right hand cluster chords and legato vocal phrases in octaves to create a meditative musical atmosphere.
Composer: Eric Whitacre | Poetry By: e.e. cummings
An excellent SSA selection, the text of this work by John Leavitt is by the 20th-century poet e.e. cummings. Requiring precision and attention to detail, this short and humorous work will be an excellent choice for contest or festival. Available: SSA. Performance Time: Approx. 1:35.
Composer: John Leavitt | Poetry By: e.e. cummings
Certainly, the poetry of e. e. cummings has inspired many composers to set words to music, and Schickele answered the call in 1967. We present this important set of earlier Schickele chorals, which in cludes dominic has, dim /I(a, and the delightful maggie and milly and molly and may.
Composer: Peter Schickele
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